SCENE I.—_Temporary Stage with curtains in drawing-room—preparation for

Number 400. COMPLETE. One Penny.

DICKS’ STANDARD PLAYS.

JANE EYRE.

ADAPTED BY JOHN BROUGHAM.

ORIGINAL COMPLETE EDITION.—PRICE ONE PENNY.

⁂ THIS PLAY CAN BE PERFORMED WITHOUT RISK OF INFRINGING

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London: J. DICKS, 313, Strand.

JANE EYRE.

A DRAMA, IN FIVE ACTS.

ADAPTED FROM CHARLOTTE BRONTE’S NOVEL, BY JOHN BROUGHAM.

[Illustration: [_See page 14._]

Dramatis Personæ.

_First Performed at Laura Keene’s Varieties, New York, 1856._

FAIRFAX ROCHESTER Mr. George Jordan.

LORD THEODORE INGRAM Mr. Dickerson.

COLONEL DENT Mr. Hall.

MR. BROCKLEHURST Mr. Bass.

JOHN DOWNEY Mr. T. B. Johnston.

MR. WOOD Mr. Reeve

JANE EYRE Miss Laura Keene.

THE DOWAGER LADY INGRAM Miss Wells.

LADY BLANCHE INGRAM Miss Kate Reynolds.

LADY MARY INGRAM Miss Close.

MISS TEMPLE Miss Walters.

MRS. GRYCE Mrs. Scott.

MISS SCATCHERD Mrs. Lesdernier.

GRACE POOL Mrs. Carpenter.

MRS. COL. DENT Miss Macdonough.

MRS. ESRTON Miss Johnson.

THE MANIAC WIFE Mrs. Lesdernier.

CHARACTERS IN THE CHARADE.

THE BRIDE Miss K. Reynolds.

BRIDESMAIDS Misses Brown and Smith.

REBECCA AT THE WELL Mrs. R. Scott.

JACOB Mr. W. Dempster.

PRISONER Mr. Haywood.

PRISONER’S WIFE Miss Haywood.

COSTUME.

ROCHESTER.—_1st Dress_: Riding-coat—high boots—broad hat. _2nd

Dress_: Gipsy disguise. _3rd Dress_: Long gray coat—loose vest.

INGRAM.—Elegant evening dress.

COL. DENT.—Evening dress, quaint.

BROCKLEHURST.—Black dress.

JOHN DOWNEY.—_1st Dress_: Plain livery, _2nd Dress_: Country

boy’s dress.

WOOD.—Dress of clergyman.

JANE EYRE.—_1st Dress_: Very plain dark charity-school dress.

_2nd Dress_: Black silk. _3rd Dress_: Wedding-dress. _4th

Dress_: Plain travelling-dress.

DOWAGER LADY INGRAM.—Elegant evening dress.

LADY BLANCHE AND MARY.—Ditto.

MISS TEMPLE }

MISS GRYCE } Same as Jane Eyre’s first dress.

MISS SCATCHERD }

GRACE POOL.—_1st Dress_: Very grotesque chambermaid’s dress.

_2nd Dress_: Country girl’s dress.

STAGE DIRECTIONS.

EXITS AND ENTRANCES.—R. means _Right_; L. _Left_; D. F. _Door

in Flat_; R. D. _Right Door_; L. D. _Left Door_; S. E. _Second

Entrance_; U. E. _Upper Entrance_; M. D. _Middle Door_; L. U.

E. _Left Upper Entrance_; R. U. E. _Right Upper Entrance_;

L. S. E. _Left Second Entrance_; P. S. _Prompt Side_; O. P.

_Opposite Prompt_.

RELATIVE POSITIONS.—R. means _Right_; L. _Left_; C. _Centre_;

R. C. _Right of Centre_; L. C. _Left of Centre_.

R. RC. C. LC. L.

⁂ _The Reader is supposed to be on the Stage, facing the Audience._

JANE EYRE.

ACT I.

SCENE I.—_A very plain chamber in Lowood Academy—window practicable, but

barred, prison-like._ MISS GRYCE _and_ MISS TEMPLE _discovered_.

_Enter_ MISS SCATCHERD L. H. 2 E.

_Miss S._ Here’s a fine to do! who do you think is coming here directly?

_Miss T._ I cannot say, Miss Scatcherd.

_Miss S._ The veritable Mr. Brocklehurst himself. The generous endower

of this most benevolent institution, for the confusion of intellect and

suppression of liberty.

_Miss T._ For shame, Miss Scatcherd; you must not speak so.

_Miss S._ I’ll say what I think, in spite of anybody. Heaven knows I’m

sick enough of this dungeon.

_Miss T._ So indeed am I. But I must fulfil my destiny.

_Miss S._ Pshaw! a fig for destiny. I’m resolved when Mr. Brocklehurst

does come, to give him a piece of my mind. I’ll say to him——

_Enter_ BROCKLEHURST L. H. 2 E.

_Brock._ What will you say, my dear Miss Scatcherd?

_Miss S._ I hope you find yourself quite well to-day, sir.

_Brock._ Remarkably well, I thank you. Miss Temple, your most obedient.

I congratulate you all, ladies, upon the general appearance of your

interesting pupils. But—pray be seated—I regret, and believe me, it

gives me, as a man and a Christian, inexpressible pain to be obliged to

reprove. I regret, I say, to find that the rules of the establishment

have been, I would almost say, criminally neglected.

_Miss T._ I am sure, sir, not of our own——

_Brock._ Ah—suffer me. How is it, Madame—I address you as superintendent

and controllor of this place—how is it that the woollen stockings are not

better attended to?

_Miss T._ Indeed, sir, I——

_Brock._ Ah—pardon me. I find also, in settling accounts with the

housekeeper, that a lunch, consisting of bread and cheese, has twice been

served to the girls within the last fortnight. By whose authority was

this shameful innovation? May I be permitted to request an answer, direct

and unequivocal?

_Miss T._ I must be responsible for the circumstance, sir; the breakfast

was ill prepared, and——

_Brock._ Allow me. You are aware that my plan in bringing up these girls

is, not to accustom them to habits of luxury.

_Miss G._ There’s no doubt about that——

_Brock._ Miss Gryce, if you please—but on the contrary, by spare diet and

wholesome exercise, to render them hardy, patient, and self-denying, and

encourage them to evince fortitude, under temporary privation.

_Miss G._ Starvation?

_Brock._ Privation, Miss Gryce. That woman’s deafness is very

inconvenient. Oh! madam, when you put bread and cheese, instead of thin

water-gruel, into those children’s bodies, you little think how you

starve their immortal souls.

_Miss G._ You are right, sir, the poor things are starved nearly.

_Brock._ Silence. And now, Madame, I come to the most awful dereliction

of all. I observed as I passed through the school that one girl, if

not more, had her hair decked in the absurd vanity of curls, absolute

cork-screw curls.

_Miss T._ It is Julia Severn, sir. Her hair curls naturally.

_Brock._ _Naturally!_ Madame! don’t attempt to hide your negligence under

such a paltry plea. What have we to do with nature?

_Miss G._ Nothing.

_Brock._ Miss Temple, that girl’s hair must be cut off. I will not have

a curl or a top-knot in the school. I want those charges to become the

children of grace, not the offshoots of vanity. Where is Jane Eyre?

_Miss T._ She has retired to her room, sir; her health is failing under

the close confinement.

_Brock._ Impossible! close confinement here? Why she must be out of her

senses.

_Miss G._ Nearly.

_Brock._ I don’t believe a word of it, it’s nothing but laziness. If she

does not attend to her duties to-morrow, she must seek elsewhere for a

situation, and they are not to be picked up so easily; and now, ladies,

I will take my leave, trusting that the reproof which conscientious

feelings alone urge me to make will sink deep within your hearts, and

ultimately spring up into the sweet-smelling flower of repentance and

amendment. Good day.

[_Exit Brocklehurst_, L. H. 2 E.

_Enter_ JANE EYRE, L. H.

_Jane._ Ah, aunt, aunt! you do not, you cannot know the bitter slavery

to which your hate has doomed me: eight long years of joyless, hopeless,

pitiless imprisonment—life dragged along in one unvarying level, in the

very springtime of my youth—with heart and brain astir, and yearning

for the love of kindred, full of bright thoughts and glorious impulses,

the world and all its chances, changes, forever closed against me—it is

terrible. Oh, for freedom! freedom! My heart bounds like an imprisoned

bird against its wiry barrier, at the mere thought—freedom—blessed

freedom; those only, who lose thee, know thy worth. (_Throws open

window._) Oh, I have prayed for liberty until my loud cry seemed

scattered on the passing wind. I cannot rest—I cannot think—my tortured

brain, in wild confusion, whirls. Heaven send me a change, no matter

what—a break to this heart-cankering monotony—a change, or I shall go mad.

_Enter_ MISS GRYCE.

_Miss G._ Perhaps you may have one sooner than you anticipate.

_Jane._ How! speak! is there such a hope?

_Miss G._ Brocklehurst has been here, and I took advantage of my slight

deafness to give him a few stings.

_Jane._ Poor girl, his heart is clad in steel, no mortal can reach it;

but you hinted at a change; what do you mean?

_Miss G._ In the first place, he says you are not sick, that it’s nothing

but laziness.

_Jane._ The hypocrite! the false-tongued hypocrite! Go on.

_Miss G._ And that unless you attend to your duties, you’ll have to go.

_Jane._ Where?

_Miss G._ Anywhere,—out into the road; he’d do it.

_Jane._ He would—I know he would. What shall I do? Oh, pity me, for I

need pity much. Homeless, friendless, and an orphan; what is to become of

me?

_Miss G._ Why don’t you try and get something to do?

_Jane._ Have I not done so? Have I not, in the faint hope of, at least,

changing my servitude, advertised for the situation of a governess? I

have served here for eight years, and I would fain serve elsewhere;

I know it would but be an exchange of prisons, but even that variety

would be a boon. A new place in a new house, with new faces, it does not

sound as sweet as liberty, excitement, enjoyment; but alas! they are all

equally hollow and flattering, and to me it is a mere waste of words to

utter them.

_Miss G._ Don’t grieve so terribly; who knows what this letter may

contain?

_Jane._ (_Starting up._) For me! Gryce! (_Fiercely._)

_Miss G._ What! don’t look at me so awfully.

_Jane._ You are one who would see the fire laid to the stake before you

would produce the wretch’s pardon.

_Miss G._ I was afraid it might contain bad news.

_Jane._ There is no bad news for me, the slightest change becomes an

incident; a drop of water in the endless desert of my existence is as a

mighty river. (_Reads._) Oh kind, benignant Providence, my prayers are

heard at last! Listen. (_Reads._) “If J. E. is in a condition to give

satisfactory reference as to character and capacity”—(that they must

not, dare not refuse me,) “a situation can be offered to her where there

is but one pupil, a little girl, under ten years of age, and where the

salary——” Oh, I care not for that. “Apply to Mrs. Fairfax, Thornfield.”

_Miss G._ Thornfield, why it’s not more than two hours’ walk from here.

_Jane._ My heart is full, and forces from my eyes the unaccustomed tears.

Years—long years of suffering misery are forgotten in this one moment of

delight. Now my aspiring thought will have fit element to work within;

high hopes and wild imaginings are crowding through my brain. I feel as

though I were revelling in dream-land, and as with a lightning flash,

the rocky barrier is rent that kept me from communion with my kind. Oh,

world! oh, bright and glorious world! thy doors are opened to me at last!

[_Exit_, R. H.

SCENE II.—_Drawing-room, elegantly furnished, in Mr. Rochester’s

House._—_The_ DOWAGER LADY INGRAM, LADY BLANCHE INGRAM, LADY MARY INGRAM,

MRS. DENT, LORD INGRAM, COLONEL DENT, _and_ FREDERICK LYNN, _discovered_.

_Dow._ What an extraordinary creature that Rochester is! what can

possibly detain him so long, away? If it were any other person, I should

certainly feel annoyed at the host’s absence.

_Lord Ing._ For my part, _chère mama_, I think it’s all the better; he is

such a half-savage, whole-riddle of a fellow, one can never feel at home

with him.

_Col. Dent._ Yes; and so long as he leaves such glorious wine to be

drank, noble horses to be ridden, and splendid game to pop at, what the

deuce is it to us?

_Lord Ing._ He certainly is a most eccentric animal.

_Blan._ I love eccentricity.

_Lord Ing._ Especially when said eccentricity is mated with enormous

riches, and both look sideways towards you: if I were in your place I

should love it prodigiously.

_Dow._ Now, Ingram, don’t be so impertinent; poor Blanche is absolutely

blushing.

_Lord Ing._ What Arcadian simplicity! For Heaven’s sake, Blanche, let me

see it. Natural colour upon a fashionable cheek—preposterous!

_Col. Dent._ Decidedly out of place.

_Lord Ing._ Vulgar in the extreme!

_Col. Dent._ Absurd!

_Lord Ing._ And utterly dairymaidish.

_Blan._ Brother, you have no heart.

_Lord Ing._ Haven’t I, by Jove! ask Dent.

_Col. Dent._ Don’t ask me: I never saw any indication of the article,

except you held it in your hand when you were playing écarte.

_Lord Ing._ And by Jupiter, it’s the only way you’ll ever see mine,

unless associated with diamonds. By the bye, your heart, sister, has the

benefit of such brilliant companionship.

_Dow._ Ingram, I command you to be silent on that subject; the

establishment of a daughter is not so frivolous a matter as you may

imagine.

_Lord Ing._ I know, amiable maternity and hearts have nothing whatever to

do with it.

_Dow._ Nothing in the world!

_Lord Ing._ But goes to the purchaser, like the fixtures in leasing a

house.

_Dow._ Precisely: I wonder if it was Rochester who came in the carriage a

short time since. Dent, oblige me by touching the bell. (_Dent rings._)

Blanche, my love, brighten your eyes with a little of this _bouquet_.

(_Gives small phial._) If it should be Rochester, don’t let him find us

moping.

_Enter_ JOHN, L. H.

_John._ That’s a bright lot, the old tabby and the young kittens; the

characters of all their female acquaintance are just like so many mice to

them. Oh! what delight it is to seize hold of them one by one, and purr,

and scratch, and worry.

_Dow._ John!

_John._ Yes, my lady, Mouser. (_Aside._)

_Dow._ Was that Mr. Rochester who arrived just now.

_John._ No, my lady. Now I’ll tease her a bit; she won’t like to ask me

who it is, I know she’ll have to, though.

_Dow._ Not Mr. Rochester?

_John._ No, my lady.

_Dow._ More friends, I presume?

_John._ No, my lady.

_Dow._ I certainly heard a carriage stop.

_John._ Yes, my lady.

_Dow._ I thought I couldn’t be mistaken.

_John._ No, my lady.

_Dow._ A stranger?

_John._ Yes, my lady.

_Dow._ Indeed—a gentleman?

_John._ No, my lady.

_Dow._ A lady?

_John._ No, my lady.

_Dow._ Neither a gentleman or a lady? how stupid you are. Who can it be?

_John._ Only the new governess, my lady.

_Dow._ Governess! pshaw! how very provoking!

_Lord Ing._ Frightful waste of sympathy, eh, Dent?

_Col. Dent._ Excruciating, my lord.

_Lord Ing._ All about some poor devil of a teacher. Do you recollect,

Blanche, how we used to quiz your round of governesses?

_Blan._ Oh, yes, Theodore; what fun we used to have with them. Mary was

always too sleepy to join in our plots.

_Dow._ Now, my darling pets, don’t mention governesses; the very word

makes me nervous.

_Blan._ And do you remember, Theodore, how we used to persecute your

tutor?

_Lord Ing._ Yes, the poor, pale-faced wretch; he was positively ignorant

of the commonest rudiments of education—didn’t know a terrier from a

bull-dog, and never saw a badger in the whole course of his life.

_Col. Dent._ The Hottentot!

_Lord Ing._ (_To Blanche._) I say, Blanche, wouldn’t it be a prime lark

to have up this new governess, and see what she’s like.

_Blan._ Famous, Theodore! I do love to see them blush and tremble when

they first find themselves in an aristocratic element. Ma won’t like it,

though.

_Lord Ing._ That don’t signify, we shall have better fun. John!

_John._ My lord.

_Lord Ing._ Bring some liqueur, and trot out the new governess.

_John._ Yes, my lord.

[_Exit_, L. H.

_Lord Ing._ I say, Dent, I’ve just been laying the train for a grand

explosion of fun.

_Col. Dent._ What, sacking the cellar?

_Lord Ing._ No. I’m going to introduce a lamb amongst those old Dowager

Lionnesses. My dear, so you have a prejudice against governesses.

_Dow._ Don’t mention the horrid name, or I shall certainly faint.

_Enter_ JOHN, L. H.

_John._ The new governess. (_Dowager screams._)

_Lord Ing._ Bravo, John; consider yourself a sovereign richer for that.

_Enter_ JANE, L. H.—_Recoils timidly at first, but rapidly

collects herself._

_Lord Ing._ Dent, you ruffian, is not that a master stroke of comedy? See

the poor timid fawn! How she shrinks from those high-blooded gruffins!

_Jane._ (_Advancing firmly._) I am either constrained to apologize for

the _ignorance_ of a servant, or I am obliged to suffer for his _malice_.

It was not of my own will that I intruded here, for I was not aware there

was so distinguished an assembly.

_Lord Ing._ Dem good, by Jupiter! Eh, Dent?

_Col. Dent._ Admirable!

_Jane._ You will excuse me if I retire.

_Lord Ing._ Oh, dem it, no; ’twould be ending the comedy in first scene.

Don’t tear yourself away.

_Jane._ Am I to understand that I was sent for?

_Lord Ing._ Yes, certainly. I did myself that honour.

_Jane._ Indeed! that makes an essential difference. It allows me at least

the condition of equality. John, will you oblige me with a seat? (_John

places seat._) Request Mrs. Fairfax, the housekeeper, to send for me

here, if my services are required.

(_John laughs, aside, but very respectful to her._)

_John._ Yes, my lady—I mean madam. Bravo! jolly good, by jingo!

_Lord Ing._ Delicious! John, you brigand, you’ll ruin me. I owe you

another sovereign.

_John._ Yes, and that’s all I’m likely to get of it.

[_Exit_, L. H.

_Dow._ (_Aside to guests._) Did you ever see more consummate boldness?

And, I declare, there’s that foolish Mary going to speak to her.

_Lord Ing._ She’s a magnificent creature, Dent, by Jove! Let’s have a

close look at her.—(_Dent and Ingram walk round Jane, with quizzing

glasses._)—Bears close inspection too, by Jove!

_Col. Dent._ Yes, as close as you can get—those eyes are dangerous, too

near.

_Jane._ (_To Mary, who has been trying to make her feel at home._) The

thanks, deep and sincere, of a lonely heart are yours, my dear young

lady; one touch of sympathy can obliterate volumes of looked and spoken

insolence; but fear not for me. The mind that’s conscious of its own

superiority stands on too high an eminence to be reached by the petty

shafts of pride and ignorance.

_Lord Ing._ Does she mean anything—eh, Dent?

_Col. Dent._ Hang me if I know. I wish I had some of Rochester’s burgundy.

_Dow._ Does the creature intend to stay here, I wonder?

_Blan._ She has confidence enough, I do believe.

_Lord Ing._ Demme if she hasn’t put a wet blanket on the party—eh, Dent?

_Col. Dent._ A regular soaker.

_Lord Ing._ The Dowagers are shut up famously—confound me if I don’t feel

somehow demmed awkward myself. Dent, stir up the people, or this dem

governess will think she has cowed us all.

_Col. Dent._ Why don’t you go and talk to her?

_Lord Ing._ I would if I knew what to say.

_Col. Dent._ Don’t be a fool—nonplussed by a governess!

_Lord Ing._ Demmit, that’ll never do—(_Stalks across dandified_)—aw—Miss;

aw—I haven’t the honour of your name.

_Jane._ Jane Eyre—you are?——

_Lord Ing._ Theodore, commonly called Lord Ingram—and so you are—aw—Jane

Eyre. Yes, delighted—do you know, Jane, that you’re devilish pretty?

_Jane._ My lord!

_Lord Ing._ Upon my life you are—eh, Dent?

_Col. Dent._ Undoubtedly.

_Jane._ Sir, your sisters, I believe, are in the room—were anyone to

address either of them as you have now addressed me, what would be the

result?

_Lord Ing._ Positively, I don’t know, I can’t imagine; it’s a very

different thing—they are——

_Jane._ Made of different clay; their hearts are more sensitive, their

feelings more refined, perhaps. Reverse the picture, my lord, and

you will be nearer to the truth. In the school of poverty is oftener

found that intuitive delicacy which fears to wound—inured to suffering

themselves, they know and feel for that in others.

_Lord Ing._ A regular sermon, by Jupiter! quite Addisonian. Did you get

that out of the _Spectator_?

_Jane._ My lord, ignorant assumption, much as it may be involuntary, is

simply pitiable; but insolence, where you know it cannot be averted, is

cowardly!

_Lord Ing._ Dent, damme, did you hear that?

_Col. Dent._ Distinctly!

_Lord Ing._ And must I swallow it? Oh, how I wish you were a man.

_Jane._ Pray calm yourself, my lord. I shall retire, not out of dread

of your contumely, but from very pity of your infirmities; and it may

be that the poor, lowly-nurtured drudge, whom you sent for to bring you

unworthy amusement, will have given you a wholesome, though unwelcome

lesson.

[_Exit Jane_, L. H.

_Lord Ing._ Snubbed, by Jove!

_Col. Dent._ Prodigiously.

_Tableau of Astonishment._

END OF ACT I.

ACT II.

SCENE I.—_Apartment in Mr. Rochester’s house._

_Enter_ GRACE POOL, _with a piece of cake and a pint of porter,

followed by_ JOHN, R. H.

_John._ Come now, Mrs. Grace, I’ll tell you what it is. I ain’t a-going

to stand your capers. I never was in a family yet that I wasn’t made

acquainted with the secrets thereof; here have I been three live-long

weeks, and I don’t know nothing yet; it’s disgraceful.

_Grace._ Very!

_John._ There’s a mysterious mystery hanging about the place somewhere,

and I’m blessed if I don’t find it out.

_Grace._ Do!

_John._ I will, you may take your davy. Won’t you tell me?

_Grace._ No!

_John._ Then I must depend upon my natural genius to find it out. There

was a jolly rumpus last night; who is it laughs in that awful manner

every now and then?

_Grace._ Me.

_John._ You? pooh! don’t tell me.

_Grace._ I won’t.

_John._ There’s something a-going on in this house that isn’t right, and

a fellow-servant as won’t confide in a fellow-servant don’t deserve to

belong to our honourable profession. How can we stand up for our masters

and missises unless we knows their little imperfections? it keeps them in

order, and makes wages a deal more reg’lar. I know a thing or two. You

don’t know what I am.

_Grace._ I do!

_John._ What am I; now let’s know.

_Grace._ A fool!

_John._ Am I? then there’s a pair of us; but never mind. I won’t be

beholden to you. The master will be home soon, and while there’s

key-holes in the world, and ears ain’t scarce, there ain’t a master in

the world can keep a secret from a servant as is determined to find it

out; that you may take your oath of. Don’t keep on a-munching of that

cake as if you really thought you were hurting it and it did you good to

bite so savagely. The new governess will be here to-day, then your nose

will be out of joint, thank fortune.

_Grace._ Will it?

_John._ Won’t it?

_Grace._ No!

_John._ Then you’re pretty certain of _your_ situation whatever may come

into the house!

_Grace._ Yes!

_John._ Now then, I know there’s a something.

_Grace._ Indeed!

_John._ Yes, and if I don’t come at it I’m a Dutchman.

_Grace._ Don’t try.

_John._ None of your gammon. You want to frighten me. Why do you always

eat in your own room? or walking about like a hungry ghost, and not

amongst us as you ought to. But I know a way to penetrate the mystery.

_Grace._ How?

_John._ This way. (_Opens door, scream heard._)

_Grace._ Stop!

_John._ (_Frightened._) I saw it! oh, lord! it’s true! I heard so.

_Grace._ What?

_John._ That the house was haunted. Grace, what was that fearful-looking

thing?

_Grace._ Nothing!

_John._ Didn’t you hear a scream?

_Grace._ No!

_John._ I’ll take my oath I saw something.

_Grace._ Fool!

_John._ You’re not a-going in?

_Grace._ Yes!

_John._ Don’t! don’t!

_Grace._ Go!

[_Exit through door in flat_, L. H.

_John._ I will; my eyes could not have deceived me, and my ears, too.

Here’s a beautifully-awful mystery, a ghost in the house; there’s

something delightfully frightful in having one’s feelings harrowed up and

agitated all ways at once. I’ve a great mind to peep, just to see if I

was right. Pooh! don’t be a coward, heart. I declare I’m goose-fleshing

all over; my hair is getting wiry, and my knees wretchedly rheumatic.

Pooh! here goes!

(_Approaches door, a wild laugh heard, he bolts precipitately,

falls on his knees._ GRACE _enters with dress, touches him on

the shoulder_.)

_John._ Oh! don’t; have pity, good ghost. I’ll never be curious again! I

won’t! I won’t!

_Grace._ Don’t!

_John._ Is it you? Oh, good gracious! what a coward I am! Oh! there’s a

good soul, tell me what I saw in the room.

_Grace._ (_Holding up dress._) Look!

_John._ Nothing but a white dress. Hurrah! Pleasant as it is to be

mysteriously terrified, it’s much more agreeable to be _not_. Oh! I

could, I really could, very nearly, be induced to embrace you. Indeed, my

own feelings have undergone such a complete upsetting that I do believe I

could almost kiss you.

_Grace._ Fool!

_John._ You’re right, of the long-eardest description, but I’m cured.

I’ll never dive into secret mysteries again.

[_Exit_, R. H., _Grace through door_.

SCENE II.—_Garden; bright moonlight._

_Enter_ JANE, L. H., _despondingly, leans against balcony_.

_Jane._ Shame, shame upon their cruelty; the pride that blazed within me

is quenched in the flood of my great disappointment. Is this the pleasant

change which I had pictured? This is the hard sterile rock my distant

hope had tinted over with the softest moonlight. Better, a thousand times

better, my solitary cell once more, than be gibed and mocked at by the

vulgar-wealthy; to have the badge of servitude engraved upon my very

heart, and know that tyrant circumstance has placed me in a world all

prison, where every human being is a watchful jailor, and where you must

endure the unceasing lash of insolence, the certain punishment of that

statuteless but unforgiven crime, poverty. But why should I weep; it is

my destiny—my stark and joyless destiny, and I must school myself, if not

to be content therewith, at least to endure without a murmur. (_Noise

outside._)

_Roch._ (_Supposed to have fallen from his horse._) How, Mesrour, what’s

to do now? you’ve hurt me, you ungrateful beast.

_Jane._ It is a traveller, who has fallen from his horse.

_Roch._ (_Outside._) Hallo! you hedge phantom, since you have frightened

my horse away, the least you can do will be to help me up.

_Jane._ With pleasure, sir.

[_Exit_, R. H.

_Roch._ (_Outside._) Pleasure, indeed; it ain’t much pleasure to break a

limb, is it?

_Jane._ Lean on me sir; you are not injured, I hope?

_Enter_ JANE _and_ ROCHESTER, R. H. U. E.

_Roch._ Not injured! what a fool you must be; to be tumbled upon a hard

rocky road doesn’t necessarily give a man the most pleasurable sensations.

_Jane._ I am sorry, sir, indeed I am.

_Roch._ Pooh! don’t talk nonsense! why should _you_ be sorry?

_Jane._ If it was through my being here that your horse was startled,

sir, I must feel sorrow for your accident.

_Roch._ I’d advise you not to waste any sympathy on my account, it will

be a bad investment of valueless capital.

_Jane._ I may at least inquire if you are seriously hurt.

_Roch._ I don’t recognise your right! Who are you? and what brings you

here at this time of the night? Go away home, if you have any.

_Jane._ I cannot think of leaving you, sir, until I see that you can

assist yourself.

_Roch._ Can’t you, indeed; you are rather a peremptory apparition,—where

do you come from? Have you descended from a moonbeam, or are you a

discontented Hamadryad, escaped from your oakey prison? Are you quite

sure that you havn’t bewitch’d my horse!

_Jane._ I live at yonder house, sir; shall I run and obtain some

assistance, for I know that you are suffering much pain, notwithstanding

your apparent carelessness.

_Roch._ Hold your tongue; you live there, do you?

_Jane._ Yes, sir.

_Roch._ Whose house is it?

_Jane._ Mr. Rochester’s.

_Roch._ Indeed! do you know him?

_Jane._ No; I have never seen him; and if he resembles the majority of

his visitors, I have no wish.

_Roch._ You are not a servant, of course; I see you are not. Forgive me.

You’ll find me rough, but not rude; though what is it to you whether I am

or not. May I inquire who you are?

_Jane._ The governess, sir.

_Roch._ Ah! the governess! where do you come from?

_Jane._ From Lowood school.

_Roch._ That charitable concern over the way; how long were you there?

_Jane._ Eight years.

_Roch._ Eight years! you must be tenacious of life; I thought half the

time in such a place would have done up any constitution. Who are your

parents?

_Jane._ I have none.

_Roch._ But you had I suppose; do you remember them? You think me

impertinent, I perceive; never mind, it doesn’t signify. Who were you

waiting for here? did you know I was returning? but how could you?—there,

I think I can walk now. Lend me your arm. Have you an umbrella? No

matter, I can hobble along pretty well.

_Jane._ You are suffering, sir—I know you are.

_Roch._ Well, what’s that to you; confound it, can’t you let me suffer

quietly; don’t for pity’s sake fall into the common error of worldly

friends, who think that condoling with you on your misfortunes,

ameliorates them, the fools, when forgetfulness would be mercy, their

tongues are never quiet; but where’s your curiosity—are you not dying to

know who I am?

_Jane._ I have no such unwarrantable desire, sir.

_Roch._ Ah, that’s a famous sting for me; but I may as well tell you at

once; that then is my home, ah! (_expression of disgust_) the casket

of my treasure—look at those brilliant casements, those ivy covered

battlements, those old ancestral trees, that smoothly shaven lawn, that

richly variegated garden, is it not an earthly paradise?

_Jane._ It is indeed, externally a——

_Roch._ What do you mean, do you know? Externally—why not internally; ah,

your eye is placid—pshaw! it is a large pest-house, there is a memento

written in the air in lurid characters, which—but is it not an enviable

retreat?

_Jane._ Most enviable.

_Roch._ Aye, even to the arch fiend himself, so full of delicious

memories, that I cannot but dally with my happiness, even within its very

sight—but come, the threshold must be passed.

_John._ (_Outside_, L. H.) He’s here—I see him.

_Enter Servants with torches, then_ LORD INGRAM _furred_, COL.

DENT, _&c. &c._, L. H. U. E.

_Lord Ing._ Rochester, my dear boy, you gave us a deuce of a fright, made

me feel remarkably queer. Your horse rushed into the stable, all in a

foam, without you.

_Roch._ That will do; you see it is accounted for.

_Lord Ing._ But my sister Blanche, you know the tender interest she takes

in you.

_Roch._ Is she here?

_Lord Ing._ No, she’s fainting most grammatically in the drawing-room.

_Roch._ Silence, puppy—home! (_to Servants._) come, my Samaritan.

(_Rochester and Jane go towards entrance to house—Servants

range at each side with torches._)

_Col. Dent._ How do you feel, Ingram?

_Lord Ing._ Snubbed again, by Jove! The dem Rhinoceros!

(_Music.—Curtain._)

END OF ACT II.

ACT III.

SCENE I.—_Temporary Stage with curtains in drawing-room—preparation for

the Charade_—JOHN _fastening curtains, &c._, ROBERT _assists_.

_Rob._ What be these crincums for, John?

_John._ Bless your unsophisticated ignorance, these are the games that

shut up theatres; this is for domestic play acting—what with charades,

as they call them, tableauxes, and fancy performances, in drawing-rooms,

the bread is fairly taken out of the poor people’s mouths as makes it a

purfession. I once had some hambition to be a player myself, but since

the quality has taken it up, I’ve altered my mind.

_Rob._ I say, John, when do you think the wedding will take place; I like

weddings—housekeepers don’t limit a chap’s ale.

_John._ Whose wedding?

_Rob._ Why, Mr. Rochester’s, with that there high-flyer, Miss Ingram.

_John._ Permit me, sir, as your superior in office, to give you a word of

advice. Never you inquire about nothing, nor never you wonder at nothing.

Specially in this enchanted castle.

_Rob._ Well I won’t; but you’ll tell us what these charades is.

_John._ The servants can come to the door and see them, then you’ll be

likely to know.

_Rob._ You’re very kind.

_John._ I tell you what it is, I can’t get no satisfaction from anybody,

and I’m resolved not to give no satisfaction to nobody; see if that there

curtain will work.

(_Curtain drawn, discovers_ GRACE POOL _with her cake and pint

of beer_.)

_John._ Hillo, what brought you there? look, Bob, that’s what the gentry

calls a tabloo.

_Rob._ Why, that’s half-witted Grace, with her everlasting pint of beer.

_John._ What are you doing there, Grace?

_Grace._ Eating.

_Rob._ Here, Grace. She knows everything if she’d only let it out.

(_Grace comes down._) Is there going to be a wedding in the house?

_Grace._ No!

_Rob._ When will there?

_Grace._ Never. (_Noise of company._)

_John._ Hillo, here they come. Bob, down with the curtain! Grace, bundle

out.

_Grace._ No! (_Sits down._)

_John._ But don’t you hear the company’s coming from the drawing-room!

_Grace._ Yes.

_John._ Come, you must be off.

_Grace._ Shan’t.

_John._ Here they are. Well, I don’t care, you old fool. Won’t there be a

rumpus.

_Grace._ Brute!

_Enter_ DOWAGER, LADY INGRAM _and all the guests. All stare

with astonishment at Grace._

_Lord Ing._ By Jove, what a character! it’s Rochester dressed up; no, it

isn’t.

_Grace._ Beer! (_Offering pint._)

_Dow._ It must be one of the visitors in a fancy dress. Whoever you are,

disclose yourself.

_Grace._ Cake? (_Offering cake._)

_Lord Ing._ Capital, by Jupiter!

[_Grace offers her beer all around, then stalks across

mysteriously, and exit._

_Col. Dent._ Who the deuce can it be?

_Lord Ing._ I have it! you remember on the occasion of our last visit

here, we heard sundry mysterious noises, at strange times, putting one’s

nerves in an inelegant state of agitation. This must be the cause, depend

upon it. It’s a lunatic servant that Rochester don’t like to get rid of.

_Dow._ Dear me, suppose she had hurt somebody? Ah, here comes that odious

governess; six months hasn’t made her a whit more humble. I wonder

Rochester keeps her here.

_Lord Ing._ Because he’s a dem’d original, and does nothing like anybody

else: with his countless mine of money, it’s astonishing how barbarous he

is. I’m sure when we were in town last season, I used all my endeavours

to transmute his rugged iron into smooth, fashionable gold, but all my

efforts were of no avail. One might as well try to civilize a polar bear

or teach an alligator the polka.

_Enter_ ROCHESTER.

Ah, my dear Rochester, the sound of your praise has scarcely done echoing

through the apartment. We are all dying with anxiety to see what Charade

is about to be presented.

_Roch._ Where is Miss Eyre? John, tell Miss Eyre to come here.

_Lord Ing._ Demmit, Rochester, have a little feeling for the Dowager. You

know how she dislikes the atmosphere of a domestic.

_Roch._ The instructress of my child, my lord, ranks amongst the foremost

of my friends; my acquaintances surely need not blush to be in such

society.

_Enter_ JANE.

_Jane._ You sent for me, sir?

_Roch._ I did, Miss Eyre. Sit down; I presume you care as little as

myself for those frivolous pastimes, and yet they may amuse you.

(_Aside._) I cannot struggle against the heart spell she has thrown

around me. Spite of the dark chasm of the future, my soul is hurried

onward with the very speed of destiny. Could she but love me sufficient

to brave all—this day shall prove it.

_Enter_ JOHN _with letter which he gives to_ ROCHESTER.

Excuse me friends; what’s this? (_Reads. “Depart at once; a matter of

grave importance.”_) You hear, friends, how abruptly I am summoned; but

let not my absence check your enjoyment; I shall return as quickly as I

can.

[_Exit Rochester._

_Lord Ing._ Ah, Miss Eyre. Pray, how do you find yourself? don’t be under

any apprehension! I have forgotten what passed between us during my last

visit.

_Jane._ Indeed! my lord. I congratulate you upon the complaisance of your

memory. I wish I had so obliging a recollection.

_Lord Ing._ Why, have you not forgotten it?

_Jane._ No, my lord, nor ever shall!

_Lord Ing._ What an unforgiving creature!

_Jane._ Pardon me, it is _forgiven_ long since, _that_ is my share of the

transaction, to teach me to _forget_ it, must be _yours_.

_Lord Ing._ Ah! yes. You’re too dem’d metaphysical for me! (_Small bell._)

_Col. Dent._ The signal to prepare for the Charade.

(_Servants appear at stage doors; crowding their heads amongst

them, Grace, John, Bob, &c._)

_Col. Dent._ Who are to be the representatives?

_Lord Ing._ Mr. Rochester.

_Col. Dent._ And your lovely sister, of course!

_Lord Ing._ I suppose so. If he’s going to marry her, I wish he’d make

haste about it. I want to cut in for a slice of his ready——

_Col. Dent._ Silence! Here comes the first syllable.

(_Curtain rises to music, and discovers Lady Blanche dressed as

bride, two bridesmaids attending; Tableau—Music._)

_Lord Ing._ Superb, by Jove! Blanche is rehearsing for the Mrs. Rochester

role, evidently.

_Col. Dent._ But what is the syllable intended?

_Lord Ing._ Don’t ask me. I never fatigue my brain with thinking.

_Dow._ It must be——_Bride_.

_All._ Certainly!

_Col. Dent._ Now for the second syllable.

(_Tableau of Rebecca at the well, after Victor Adam—Music._)

_Lord Ing._ We all know what it is,—fountain!

_Dent._ No; Bride fountain, spells no word that I know of.

_Dow._ I know it,—it must be WELL!

_All._ So it is. (_They applaud._)

_Dent._ Now for the Tableau of the whole word.

(_Curtain: Tableau of the Momentous question._)

_Dent._ Capital, by Jove,—“_Bride-well_,” ain’t it, Miss Eyre?

_Jane._ Pardon me, sir, but I was not attending to the exhibition.

_Lord Ing._ Perhaps you object to such frivolous amusement?

_Jane._ My objections, my lord, carry but little weight.

_Lord Ing._ Modest creature!

_Enter_ JOHN.

_John._ If you please, my lady, there’s an old gipsy has ensconced

himself by the library fire, and nothing can induce him to go.

_Dow._ The wretched person; what does he want?

_John._ He wants to tell the gentry their fortunes, and swears he won’t

leave till he does.

_Lady Blan._ Oh! ma! do let us see him, it is so deliciously romantic.

_Lord Ing._ What is he like?

_John._ As old as Methuselah, and as ugly as a scare-crow, my lord.

_Lord Ing._ Then let’s see him, it would be a thousand pities to lose

such a chance of making fun of the old sorcerer.

_John._ He says whoever wants him must go to him.

_Dent._ An independent wizard; suppose I lead the way.

_Lord Ing._ No; let Blanche propitiate the fellow.

_Dow._ I cannot possibly countenance any such inconsistent proceeding.

_Blan._ Indeed, ma, but you can and will; I have a curiosity to have my

fortune told: John, lead the way.

_Dow._ Oh, my best—oh, my dearest, consider——

_Blan._ Ma, don’t be foolish!

[_Exit with John._

_Dow._ Oh, my beloved darling; if anything should happen to her, I should

never forgive myself. Theodore, why don’t you rush to the protection of

your precious sister.

_Lord Ing._ Don’t alarm yourself, perturbated maternity; Blanche can take

good care of her precious self.

_Dow._ Oh, you have no sympathy for a mother’s feelings.

_Lord Ing._ No! never had; don’t think I ever shall.

_Dow._ A horrible presentiment of evil oppresses me; I do believe if she

don’t come instantly I shall be positively obliged to faint.

_Lord Ing._ Don’t throw away a scene, indiscreet woman; there are no

strangers present.

_Lady Mary._ Ma, I’m frightened.

_Dow._ So am I, my timid dove.

_L. Mary._ This silence is inexpressively awful.

_Dow._ Perfectly appalling.

_Lord Ing._ Absolutely excruciating—ha! ha! Dent, for gracious sake, look

at the interesting old hen and her one little chick. Here she comes; calm

your fluttering hearts.

_Enter_ BLANCHE.

_Dow._ (_Rushes to her._) She’s safe; my own is safe.

_L. Mary._ Well, love, what did he say?

_Lord Ing._ What did he do?

_Col. Dent._ How did he look?

_Dow._ How do you feel, precious?

_Blan._ Now, good people, don’t press on me; restrain your curiosity,

I have seen a gipsy imposter, who endeavoured to practise the usual

cheating of his kind; and I treated the knavery as it deserved, with

contempt.

_Dow._ But tell me, love, did he say anything about—you know

what—Rochester, you know?

(_Jane expresses anxiety._)

_Blan._ It’s perfectly laughable—he told me this marriage should never

take place.

_Dow._ How absurd.

(_All go up laughing._)

_Lord Ing._ Very likely.

_Jane._ Ha! why does that sentence thrill through my frame, sharp and

stunning as a shock of electricity; what is it to me—oh, weak, weak,

foolish heart, strive not against thy betters; down to thy station, down!

[_Exit_, R. H.

Jane Eyre · 第 1 / 4 章