If one could have been present at the recent interviews between Count

Bismarck and M. Thiers, he would doubtless have enjoyed a curious and

edifying intellectual treat. Bismarck is a man of imperturbable good

humor; Thiers a man of imperturbable self-conceit. Thiers has a tongue

which never lacks a word, and that the most expressive word. Bismarck

has a rare gift of shrewd satirical humor, and of phrases that stick to

public memory. Each man would have regarded the other as a worthy

antagonist in a duel of words. Neither would care to waste much time in

lofty sentiment and grandiose appeals. Each would thoroughly understand

that his best motto would be, "_A corsaire, corsaire et demi_." Bismarck

would find in Thiers no feather-headed Benedetti; assuredly, Thiers

would favor Bismarck with none of Jules Favre's sighs and tears, and

bravado and choking emotions. Thiers would have the greater part of the

talk, that is certain; but Bismarck would probably contrive to compress

a good deal of meaning and significance into his curt interjected

sentences. Thiers assuredly must have long since worn out any freshness

of surprise or thrilling emotion of any kind at the political

convulsions of France. To him even the spectacle of the standard of

Prussia hoisted on the pinnacles of Versailles could hardly have been an

overpowering wonder. He had seen the soldiers of Prussia picketed in

Paris; he could remember when a fickle Parisian populace, weary of war,

had thronged into the streets to applaud the entrance of the conquering

Czar of Russia. He had seen the Bourbon restored, and had helped to

overthrow him. He had been twice the chief Minister of that Louis

Philippe of Orleans, who in his youth had had to save the Princess his

sister by carrying her off in her night-gown, without time to throw a

shawl around her, and whose long years of exile had led him, in

fulfilment of the prophecy of Danton, to the throne of France at last.

He had helped towards the downfall of that same King his master, and had

striven vainly at the end to stand between him and his fate. He had seen

a second Republic rise and sink; he had now become the envoy of a third

Republic. He had refused to serve an Imperial Napoleon, although his own

teaching and preaching had been among the most effective agencies in

debauching the mind and heart of the nation, and thus rendering a second

Empire possible. People say M. Thiers has no feelings, and I shall not

venture to contradict them--I have often heard the statement from those

who know better than I can pretend to do. It would have been personally

unfortunate for him in his interview with Count von Bismarck if he had

been burthened with feelings. For he must surely in such a case have

felt bitterly the consciousness that the misfortunes which had fallen on

his country were in great measure the fruit of his own doctrines and his

own labors. If the public conscience of France had not been seared and

hardened against all sentiment of obligation to international principle,

where French glory and French aggrandizement were concerned; if France

had not learned to believe that no foreign nation had any rights which

she was bound to respect; if she had not been saturated with the

conviction that every benefit to a neighbor was an injury to herself; if

she had not accepted these views as articles of national faith, and

followed them out wherever she could to their uttermost consequences,

then M. Thiers might be said to have written and spoken and lived in

vain.

It is probable that a new career presents itself as a possibility to the

indomitable energy, and, as many would say, the insatiable ambition of

M. Thiers. Certainly, there seems not the faintest indication that the

veteran believes himself to lag superfluous on the stage. It is likely

that he rushed into the recent peace negotiations with the hope of

playing over again the part so skilfully played by Talleyrand at the

time of the Congress of Vienna, by virtue of which France obtained so

much advantage which might hardly have been expected, and Germany got so

little of what she might naturally have looked for. I certainly shall

not venture to say whether M. Thiers may not even yet have an important

official career before him. His recent enterprises and expeditions give

evidence enough that he has nerve and physique for any undertaking

likely to attract him, and I see no reason to doubt that his intellect

is as fresh and active as it was thirty years ago. Thiers deserves

nothing but honor for the unconquerable energy and courage which refuse

to yield to years, and will not acknowledge the triumph of time. He

would deserve far greater honor still if we could regard him as a

disinterested patriot; highest honor of all if his principles were as

wise and just as his ambition was unselfish. But charity itself could

hardly hope to reconcile the facts of M. Thiers's long and varied career

with any theory ascribing to the man himself a pure and disinterested

purpose. That a statesman has changed his opinions is often his highest

glory, if, as in the case of Mr. Gladstone, he has thereby grown into

the light and the right. Nor is a change of views necessarily a reproach

to a politician, even though he may have retrograded or gone wrong. But

the man who is invariably a passionate liberal when out of office, and a

severe conservative when in power; who makes it a regular practice to

have one set of opinions while he leads the opposition, and another when

he has succeeded in mounting to the lead of a ministry; such a man

cannot possibly hope to obtain for such systematic alternations the

credit of even a capricious and fantastic sincerity. No one who knows

anything of M. Thiers would consent thus to exalt his heart at the

expense of his head. When the late Lord Cardigan was, rightly or

wrongly, accused of having returned rather too quickly from the famous

charge of the Light Brigade at Balaklava, his lordship, among other

things, alleged that his horse had run away with him. A bitter critic

thereupon declared that Lord Cardigan could not be allowed thus unfairly

to depreciate his consummate horsemanship, I am afraid we cannot allow

M. Thiers's intelligence and shrewdness to be unjustly depreciated by

the assumption that his political tergiversations were the result of

meaningless caprice.

M. Thiers is one of the most gifted men of his day. But he is not, in my

judgment, a great man. He wants altogether the grand and stable

qualities of principle and judgment which are needed to constitute

political greatness. His statesmanship is a sort of policy belonging

apparently to the school of the Lower Empire; a Byzantine blending of

intrigue and impudence. He has never had the faculty of reading the

signs of the times, or of understanding that to-day is not necessarily

like yesterday. But for the wonderful gifts of the man, there would seem

to be something positively childish in the egotism which could believe

that it lay in the power of France to maintain, despite of destiny, the

petty princes of Germany and Italy, to arrange the political conditions

of England, and prescribe to the United States how far their principle

of internal cohesion should reach. Victor Hugo is undoubtedly an

egotistic Frenchman. Some of his recent utterances have been foolish and

ridiculous. But the folly has been that of a great soul; the folly has

consisted in appealing, out of all time and place, to sublime and

impracticable sentiments of human brotherhood and love which ought to

influence all human souls, but do not and probably never will. Far

different is the egotism of Thiers. It is the egotism of selfishness,

arrogance, and craft. In a sublime world, Victor Hugo's appeals would

cease to be ridiculous; but the nobler the world, the more ignoble would

seem the doctrines and the policy of Thiers. My own admiration of Thiers

extends only to his skill as a debater and his marvellous intellectual

vitality. The man who, despite the most disheartening disadvantages of

presence, voice, and manner, is yet the most fascinating political

debater of his time, the man who at seventy-three years of age can go up

in a balloon in quest of a new career, must surely command some interest

and admiration, let critical wisdom preach to us never so wisely. But

the best days will have arisen for France when such a political

character and such a literary career as those of M. Thiers shall have

become an anachronism and an impossibility.

PRINCE NAPOLEON.

Some few years ago, seven or eight perhaps, a certain sensation was

created among artists, and journalists, and literary men, and

connoisseurs, and critics, by one of Flandrin's best portraits.

Undoubtedly, the portrait was an admirable likeness; no one who had ever

seen the original could deny or question that; but yet there was an air,

a character, a certain depth of idealized expression about it which

seemed to present the subject in a new light, and threw one into a kind

of doubt as to whether he had ever truly understood the original before.

Either the painter had unduly glorified his sitter, or the sitter had

impressed upon the artist a true idea of his character and intellect

which had never before been revealed to the public at large. The

portrait was that of a man of middle age, with a smooth, broad,

thoughtful brow, a character of command about the finely-formed,

somewhat sensuous lips; chin and nose beautifully moulded, in fact what

ladies who write novels would call "chiselled;" a face degenerating a

little into mere flesh, but still dignified and imposing. Everywhere

over the face there was a tone of dissatisfaction, of disappointment, of

sullenness mingling strangely with the sensuous characteristics, and

conveying somehow the idea of great power and daring ambition unduly

repressed by outward conditions, or rendered barren by inward defects,

or actually frustrated by failure and fate. "A Caesar out of employment!"

exclaimed a celebrated French author and critic. So much there was of

the Caesar in the face that no school-boy, no Miss in her teens could

have even glanced at it without saying, "That is the face of a

Bonaparte!" Were not the features a little too massive, it might have

passed for an admirable likeness of the victor of Austerlitz; or, at all

events, of the Napoleon of Leipzig or the Hundred Days. Probably any

ordinary observer would at once have set it down as a portrait of the

great Napoleon, and never thought there could be any doubt about the

matter. It was, in fact, the likeness of Napoleon-Jerome, son of the

rattle-pate King of Westphalia--Prince Napoleon, as he is ordinarily

called, the Plon-plon whom soldiers jeer at, the "Red Prince" whom

priests and Legitimists denounce, the cousin of the Emperor of the

French, the son-in-law of the King of Italy.

It was only somewhere about, or a little before the time of the Flandrin

portrait, that Prince Napoleon had the honor of becoming a mystery in

the eyes of the public. Up to 1860, his character was quite settled in

public estimation, just as that of Louis Napoleon had been up to the

time of the _coup d'etat_. Public opinion generally settles the

characters of conspicuous men at first by the intuitive process--the

most delightful and easy method possible, dispensing, as it does, with

any necessity for studying the subject, or even knowing anything at all

about it. When the intuitive process has once adjusted a man's

character, it is not easy to get people to believe in any other

adjustment. Still, there are some remarkable instances of a change in

popular opinion. The case of Louis Napoleon, the Emperor, is one

illustration; that of Prince Napoleon, his cousin, is another, not so

remarkable, certainly, but still quite worthy of some attention.

Prince Napoleon had been before the world more or less since he appeared

as representative of Corsica, in the Constituent Assembly of 1848. He

was made conspicuous, in a negative sort of way, by having had no hand

in the _coup d'etat_, or having even opposed it, although he did not

scruple to profit by its success and enjoy its golden advantages. He

had a command in the Crimean war; he was sent into Tuscany during the

Italian campaign. All that time public opinion in Europe was unanimous

about him. He was a sensualist, a coward, an imbecile, and a blockhead.

He was a fat, stupid, muddle-headed Heliogabalus. Dulness, cowardice,

and profligacy were his principal, perhaps his only characteristics.

When the young Clotilde, of Savoy, was given to him for a wife, a

positive cry of wonder and disgust went up from every country of Europe.

In good truth, it was a scandalous thing to marry a young and innocent

girl to a man nearly as old as her father; and who, undoubtedly, had

been a _mauvais sujet_, and had led a life of dissipation so far. But

Europe cried aloud as if three out of every four princely alliances were

not made on the same principle and endowed with the same character. Had

the Princess Clotilde been affianced to a hog or a gorilla, there could

hardly have been greater wonder and horror expressed, so clear was the

public mind about the stupidity and brutality of Prince Napoleon.

Certainly, if one looked a little deeper than mere public opinion, he

would have found, even then, that here and there some men, not quite

incapable of judging, did not accept the popular estimate of the

Emperor's cousin. All through the memorable progress of the Congress of

Paris--out of which sprang Italy--we find, by the documents subsequently

made public, that Cavour was in close and frequent consultation with

Prince Napoleon. Once we find Cavour saying that Prince Napoleon

complains of his slowness, his too great moderation, and thinks he could

serve the cause better by a little more boldness. "Perhaps he is right,"

says Cavour, in words to that effect; "but I fear I lack his force of

character, his daringness of purpose." Richard Cobden makes the

acquaintance of Prince Napoleon, and is surprised and delighted with his

advanced opinions on the subject of free trade; and deliberately

describes him (I heard Cobden use the words) as "one of the best

informed, if not the very best informed, of all the public men of

Europe." Kinglake observes the Prince during the Crimean campaign--where

Napoleon-Jerome got his reputation for cowardice and his nick-name of

Plon-plon--and finds in him a genius very like that of his uncle, the

great Napoleon, especially a wonderful power of distinguishing at a

glance between the essentials and the accidentals of any question or

situation--and any one who has ever studied politics and public men will

know how rare a faculty that is--and finally declares that he sees no

reason to believe him inferior in courage to the conqueror of Marengo!

Edmond About, not a very dull personage, and not quite given up to

panegyric, bursts into a strain of almost lyrical enthusiasm about the

wit, the brilliancy, the culture, the daring ambition of Prince

Napoleon, and declares that the Prince is kept as much out of the way as

possible, because a man endowed with a soul of such unresting energy,

and the face of the great Emperor, is too formidable a personage to be

seen hanging about the steps of a throne. To close this string of

illustrations, Prince Napoleon is in somewhat frequent and confidential

intercourse with Michel Chevalier, a man not likely to cultivate the

society of heavy blockheads and dullards, even though these might happen

to wear princely coronets. Clearly, public opinion here was even more

directly at odds than it often is with the opinion of some whom we may

call experts; and the difference was so great that there seemed no

possible way of reconciling the two. A man may be a profligate and yet a

man of genius, and even a patriot; but one cannot be a profligate

blockhead and a man of genius, a Cloten and an Alcibiades, a Caesar and a

Pyrgopolinices at once.

It was in the early part of 1861 that Prince Napoleon contributed

something of his own spontaneous motion to help in the solution of the

enigma. That was the year when the Emperor removed the restriction which

prevented both Chambers of the Legislature from freely debating the

address, and the press from fully reporting the discussions. There was a

remarkable debate in the Senate, ranging over a great variety of

domestic and foreign questions, and one most memorable event of the

debate was the brilliant, powerful and exhaustive oration delivered,

with splendid energy and rhetorical effect, by Prince Napoleon. _Mon ane

parle et meme il parle bien_, declares the astonished Joan, in

Voltaire's scandalous poem, "La Pucelle." Perhaps there was something of

a similar wonder mingled with the burst of genuine admiration which went

up first from Paris, then from France, and finally from Europe and

America, when that magnificent democratic manifesto came to be read.

Certainly, I remember no single speech which, during my time, created

anything like the same sensation in Europe. For it took the outer world

wholly by surprise. It was not a case like that of the sensation lately

created by the florid and fervid eloquence of the young Spanish orator,

Castellar. In this latter case the public were surprised and delighted

to find that there was a master of thrilling rhetoric alive, and arrayed

on the side of democratic freedom, of whose very existence most persons

had been previously ignorant. But, in the case of Prince Napoleon, the

surprise was, that a man whom the public had long known, and always set

down as a stupid sensualist, should suddenly, and without any previous

warning, turn out a great orator, whose eloquence had in it something so

fresh, and genuine, and forcible that it recalled the memory of the most

glorious days of the French Tribune. I write of this celebrated oration

now only from recollection; and, of course, I did not hear it spoken. I

say "of course," because the rules of the French Senate, unlike those of

the Corps Legislatif, forbid the presence of any strangers during the

debates. But those who heard it spoke enthusiastically of the force and

freedom with which it was delivered; the sudden, impulsive fervor of

occasional outbursts; and the wonderful readiness with which the

speaker, when interrupted, as he was very frequently, passed from one

topic to another in order to dispose of the interruption, and replied to

sudden challenge with even prompter repartee. No one could read the

speech without admiring the extent and variety of the political

knowledge it displayed; the prodigality of illustration it flung over

every argument; the thrilling power of some of its rhetorical "phrases;"

the tone of sustained and passionate eloquence which made itself heard

all throughout; and, perhaps above all, that flexible, spontaneous

readiness of language and resource to which every interruption, every

interjected question only acted like a spur to a generous horse, calling

forth new and greater, and wholly unexpected efforts. In the French

Senate I need, perhaps, hardly tell my readers, it is the habit to allow

the utmost license of interruption, and Prince Napoleon's audacious

onslaught on the reactionists and the _parti pretre_ called out even an

unusual amount of impatient utterance. Those who interrupted took little

by their motion. The energetic Prince tossed off his assailants as a

bull flings the dogs away on the points of his horns. "Our principles

are not yours," scornfully exclaims a Legitimist nobleman--the late

Marquis de la Rochejaquelein, if I remember rightly. "Your principles

are not ours!" vehemently replies the orator. "No, nor are your

antecedents ours. Our pride is that our fathers fell on the battle-field

resisting the foreign invaders whom your fathers brought in for the

subjugation of France!" The speech is studded with sudden replies

equally fervid and telling. Indeed, the whole material of the oration

is rich, strong, and genuine. There seems to be in the eloquence of the

French Chambers, of late, a certain want of freshness and natural power.

I do not speak of Berryer--he had no such want. But Thiers--by far the

ablest living debater who speaks only from preparation--with all his

wonderful science and skill as an artist in debate, appears to be always

somewhat artificial and elaborate. Jules Favre, with his exquisitely

modulated tones, and his unrivalled choice of words, hardly ever appears

to me to rise to that height where the orator, lost in his subject,

compels his hearers to lose themselves also in it. Now, I cannot help

thinking that the two or three really great speeches made by Prince

Napoleon had in them more of the native fibre, force and passion of

oratory than those of almost any Frenchman since the days of Mirabeau.

However that may be, the effect wrought on the public mind was

unmistakable. Plon-plon had startled Europe. He entered the palace of

the Luxembourg on that memorable day without any repute but that of a

dullard and a sensualist; he came out of it a recognized orator. I have

been told that he lay back in his open carriage and smoked his cigar, as

he drove home from the Senate, to all appearance the same indolent,

sullen, heavy apathetic personage whom all Paris had previously known

and despised.

One notable effect of this famous speech was the reply which a certain

passage in it drew from Louis Philippe's son, the Duc d'Aumale. Prince

Napoleon had indulged in a bitter sneer or two against former dynasties,

and the Duc d'Aumale, a man of great culture and ability, took up the

quarrel fiercely. The Duke assailed Prince Napoleon in one of the

keenest, most biting pamphlets which the political controversy of our

day has produced. Among other things, the Duke replied to a supposed

imputation on the weakness of Louis Philippe by admitting, frankly, that

the _bourgeois_ King had not dealt with enemies, when in his power, as a

Bonaparte would have done. "_Et tenez_, Prince," wrote the Duke, "the

only time when the word of a Bonaparte may be believed is when he avows

that he will never spare a defenceless enemy." The pamphlet bristled

with points equally sharp and envenomed. But the Duc d'Aumale was not

content with written rejoinder. He sent a challenge to the Prince, and

in serious earnest. The Prince, it need hardly be said, did not accept

the challenge.

Yes, like enough, high-battled Caesar will

Unstate his greatness, and be staged to the show

Against a sworder!

Our Caesar, though not "high-battled," was by no means likely to consent

to be "staged against a sworder." The Emperor hastened to prevent any

disastrous consequences, by insisting that the Prince must not accept

the challenge--and there was no duel. People winked and sneered a good

deal. It is said that the martial King Victor Emmanuel grumbled and

chafed at his son-in-law; but there was no fight. Let me say, for my own

part, that I think Prince Napoleon was quite right in not accepting the

challenge, and that I do not believe him to be wanting in personal

courage.

From that moment, Prince Napoleon became a conspicuous figure in

European politics, and when any great question arose, men turned

anxiously toward him, curious to know what he would do or say. In three

or four successive sessions he spoke in the Senate, and even with the

impression of the first surprise still strong on the public mind, the

speeches preserved abundantly the reputation which the earliest of them

had so suddenly created. He might be the _enfant terrible_ of the

Bonaparte family; he might be utterly wanting in statesmanship; he

might be insincere; he might be physically a coward; but all the world

now admitted him to be an orator, and, in his way, a man of genius.

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