The Empress then has of late years faded a little out of political

life. I think it may be taken for granted that although she is a quick,

clever woman, with talents far beyond the mere inventing of bonnets and

petticoats, she is not gifted with any political genius, not qualified

to see quickly into the heart of a difficult question, not endowed with

the capacity to surmount a great crisis. I have never heard anything

which induces me to think that Eugenie's intellect and power would count

for much in the chances of the dynasty should Louis Napoleon die while

his son is yet a boy. Like Louis Napoleon himself, she was twice

misjudged: first when people set her down as an empty-headed coquette,

and next when they cried her up as a woman with a genius for government.

So far as one may venture to predict, I think she would not prove strong

enough for the place, if evil fortune should throw upon her the task of

preserving the throne for her boy.

Recent events seem to me to prove that the imperial system is less

strong and more shaky than most of us would have supposed six months

ago. I for one do fully believe that the recent disturbances are the

genuine indications of a profound and bitter popular discontent. I beg

the readers of THE GALAXY to be very cautious how they form an estimate

of the situation from the correspondence and editorial articles of the

London press. If the "Times" believes Bonapartism safe and strong in

Paris, I have only to remark that the "Times" believed the same, almost

up to the bitter end, of Bonapartism in Mexico. There are very few

London journals which can be trusted where the politics of France are

concerned. Not that the journals are bribed; everybody knowing anything

of the London press knows how absurd the idea of such bribery is; but

that all London Philistinism (and Philistinism does a good deal of the

writing for the London papers) considers it genteel and respectable, and

the right sort of thing generally, to go in for the Empire and sneer at

revolution. I have read with no little wonder many of the comments of

the London, and indeed some of the New York journals, on Henri Rochefort

and his colleagues. One would think that in order to prove a certain

revolutionary movement powerless and contemptible, you had only to show

that its leaders were themselves contemptible and disreputable persons.

Some of the journals here and in London write as if the Empire must be

safe because the satire of the "Lanterne" and the "Marseillaise" seems

to them coarse and witless, and because they have heard that Henri

Rochefort is an insincere man, of doubtful courage and tainted moral

character. One longs to ask whether the "Pere Duchesne" and the "Vieux

Cordelier" were publications fit to be read in the drawing-rooms of

virtuous families; whether Mirabeau's private character was quite

blameless; whether Marat and Hebert had led reputable lives; whether

Camille Desmoulins was habitually received into the highest circles;

whether Theroigne de Mericourt was the sort of young woman one's wife

would like to invite to tea. The imbecility with which certain

journalists go on day after day trying to assure themselves and the

world that imperialism has nothing to fear at the hands of a movement

led by scurrilous and disreputable men, has something in it at once

amusing and provoking. The strength of a revolutionary movement is not

exactly to be estimated by the claims of its leaders to carry off the

_prix Monthyon_ or the Holy Grail. Perhaps if it were to be so

estimated, it would be hard to say where the victory should go in the

present instance. For the worst of Rochefort's colleagues have never

been accused of any profligacies and basenesses so bad as those which

universal public opinion ascribes to the leading Bonapartes and some of

their most influential supporters. Undoubtedly there is a great deal of

scurrility and even worse in the papers conducted by Rochefort. It is

not in good taste to go on asking who was the mother of De Morny, who

was the father of Walewski; how the present Walewski, Walewski _fils_,

comes to be called a count, and who was his mother, and so on; and the

direct and libellous attacks on the Empress are utterly indefensible. If

one were making up a memoir of Henri Rochefort, or engaged in a debating

society's controversy on his character, one would have to admit that he

is by no means a model demagogue, a pattern patriot. But one might at

the same time hint that, judging by historical precedent, he is probably

all the more formidable as a revolutionary leader for that very reason.

His literary attacks on the Government are by no means all vulgar, or

scurrilous, or contemptible. There was fresh and genuine humor as well

as telling satire in the "Lanterne's" early declaration of allegiance to

the Napoleons, the purport of which was that, feeling bound to express

his devotion to a Napoleon, Rochefort had selected as the object of his

loyal homage Napoleon the Second, the sovereign who never coerced the

press, or corrupted the Senate, or robbed the nation of its liberty, or

exiled its patriots, or carried on a Mexican expedition, or impoverished

the country to maintain a gigantic army. But there is one thing

certain--that whether Rochefort is witty or not, wise or not, he has

waked an echo throughout France and Europe in general which even very

wise and undeniably witty enemies of the Empire did not succeed in

creating. Nothing he has written will compare in artistic strength of

satire or invective with Victor Hugo's "Chatimens" or "Napoleon le

Petit." Eugene Pelletan's "Nouvelle Babylone" was a prolonged outpouring

of indignant eloquence by a gentleman, a scholar, and a thinker.

Rogeard's "Propos de Labienus" was a piece of really fine sarcasm. But

not the most celebrated of these attacks on the Empire created anything

like the sensation which Rochefort has succeeded in creating by the

constant "pegging away" of his bitter, envenomed, and unscrupulous pen.

Indeed, the reason is obvious--at least to those who, like me, believe

that the great mass of the Parisian population (the army, the officials,

and the priests not counted) are heartily sick of Bonapartism, and would

get rid of it if they could. Rochefort assails the Empire and the

Emperor in a style which they can understand. He is a master of a

certain kind of coarse, rasping ridicule, which delights the disaffected

_ouvrier_; and he has no scruple about assailing any weak place he can

find in his enemy, even though in doing so the heart of a woman has

likewise to be wounded. An angry and disaffected populace delights in

this kind of thing. The fact that Rochefort has created such a sensation

is the best proof in the world that the Parisian populace is angry and

disaffected. Rochefort has a happy gift of epithets, which goes a long

way with admirers and followers such as his. I doubt whether a whole

chapter could have described more accurately and vividly the person,

character, and career of Prince Pierre Bonaparte than Rochefort did when

he branded him as "a social bandit." Personally, Rochefort is not

qualified to be a demagogue in the sense that Danton was a demagogue,

and he can make no pretension to be a revolutionary leader of a high

class. But he can incite a populace, madden the hearts of disaffected

crowds, as the bitter tongue of a shrill woman might do, and as the

tongue of a great orator might perhaps fail to do. Doubtless Rochefort

and his literary sword-and-buckler men are not strong enough to create a

serious disturbance of themselves alone. But if a moment of general

uncertainty and unsettlement came, they might prove a dangerous

disturbing force. If, for example, there should come a crisis which of

itself rendered change of some kind necessary, when all the chances of

the future might depend upon a single hour or perhaps a single decisive

command, and when it was not certain who had the right, who would assume

the responsibility to give the command, then indeed the bitter screams,

and jeers, and invectives of these reckless literary bravos might have

much to do with the ordering of the situation. If, for example, the

Emperor were to die just now, who shall venture to say how much the

chances of the Empress and her son might not be affected at that moment

of terrible crisis by the pens and the tongues of Rochefort and his

followers?

Some time, in the natural course of things, the Empress may expect to

have to face such a crisis. It is highly probable that the time will

come while yet her boy is young and dependent upon her guardianship and

care. Has she won for herself the affection, confidence, and loyalty of

France, to such an extent that she could count upon national support? I

am convinced that she has not. She is much liked and even loved by those

who know her. They have countless anecdotes to tell of her affectionate

ways as a mother, of her generosity and kindness as a woman. But

although she has outlived many of the early prejudices against her, she

is still regarded with distrust and dislike by the older families of

France; and I am confident that a large proportion of the working

classes in Paris and the large towns delight to believe the worst things

that malice and slander can say to her detriment. The priests and the

shopkeepers are probably her best friends; but I am not aware that

priests and shopkeepers have ever proved themselves very powerful

bulwarks against sudden popular revolution. The generals and the army

might of course remain perfectly loyal to her; probably would if they

had no time to consider the situation, and there were no favorite rival

in the way (if Prince Napoleon, for example, were a brilliant soldier,

she would not have a ghost of a chance against him); but it must be

remembered that the loyalty of an army is something like the

epigrammatic description of the honor of a woman: when there is any

deliberation, it is likely to be lost; and the claims of the Empress are

certainly not such as absolutely to forbid deliberation and render it

impossible. Much of course would depend on the woman herself. There was

a moment when Catharine of Russia's unfortunate husband might have

carried all before him if he had only seized the chance; and he did not

seize it, and so lost all. There was a moment when Catharine might have

utterly failed if she had not risen to the height of the crisis, and

seized the opportunity with both hands; and she did rise to the height

of the crisis, did seize the opportunity, and so won all. Place Eugenie

in such a position, and is she a woman to win? Is she in fact a woman of

genius? I think not. Nothing that I have ever heard of her--and I have

known many who were her intimate friends--has led me to believe her

endowed with a quick, strong, commanding intellect. Mentally she seems

to be narrow and shallow; in temper she is quick, capricious, full of

warm personal affections and almost groundless personal dislikes. I have

a strong idea that no matter what the urgency of the crisis, she would

stay to make herself picturesque before taking any public action; and I

venture to think she would be guided by counsel only where she happened

to have a personal liking for the counsellor. She cannot, I fancy, be

trusted at a great crisis to make the fortune of her son. Enough if she

do not mar it at such a time.

Political considerations apart, one can only wish her well. Her face is

one which ought to smile sweetly and gracefully through history. If fate

and France will endure the Bonapartes for another generation or so,

there will be some consolation to gallant and romantic souls in the

thought that thereby this gracious, queenly woman will be allowed to

make a happy end of her brilliant, not untroubled life. Thus far we may,

in summing up her career, describe her, first, as a bright, vivacious

young coquette, with a dash of the adventuress about her, ranging the

world in search of a husband; then a woman suddenly and surprisingly

raised to the dazzling rank of an Empress, and a little bewildered by

the change; then a splendid leader of the world's fashion, magnificently

frivolous and heedless; then a political _intrigante_, the supreme

patroness of Ultramontanism; and now a quiet, queenly mother, verging

toward that kind of devoteeism in which some satirical person declares

that coquetry in France is sure to end. She is not a woman to make any

deep impression on history. She has neither gifts enough nor faults

enough. As a politician she has been a failure, and perhaps worse than a

failure; but she has been fortunate enough to escape from all public

responsibility for her mistakes, and may get quietly into history as

merely an intelligent, good-natured, and beautiful woman. Posterity will

probably see her and appreciate her sufficiently in her portrait by

Winterhalter: a name, a vague memory, and a smooth fair picture with

bright complexion, shining hair, and noble shoulders, alone carrying

down to other times the history of the Third Napoleon's wife. Only great

misfortunes could redeem her from this destiny of half oblivion; and

history has names enough that are burnt by misfortune into eternal

memory, and may well spare hers. One great claim she has to a liberal

construction of her character: her personal enemies are those who do not

know her well; her intimates seem to be always her friends. She has one

good quality, which her husband with all his faults likewise possesses:

she has never in her imperial splendor forgotten or neglected or been

ashamed of old acquaintances and friends. I have heard scores of

anecdotes from people who know her well--I have heard one such anecdote

since I began writing this article--which prove her to be entirely above

the mean and vulgar weakness of the _parvenu_, who shrinks in her

magnificence from any acquaintanceship or association likely to remind

her of less brilliant days. Taken on the whole, the Empress Eugenie is

better than her fortunes and her surroundings might have made her. She

is, I think, a woman much more deserving of respect than Josephine

Beauharnais, whose misfortunes, joined with the quiet pathetic dignity

of her retirement and her later years, have made the world forget the

levities, frivolities, and follies of her earlier life. She has shown a

quicker and better appreciation of the duties and difficulties of her

station, and the temper of the people among whom she had to live, than

was at any time shown by Marie Antoinette. Whether she could ever under

the most favorable conditions prove an Anne of Austria may well be

doubted; and we must all hope for her own sake that she may never be put

to the proof. She has at least made it clear that she is no mere Reine

Crinoline; she has shown that she possesses some heart, some courage,

and some brains; she has had sense enough to retrieve blunders, and

merit enough to live down calumny. The best thing one can hope for her

is that she may never again be placed in a position which would tempt

and allow her to make political influence the instrument of religious

bigotry. The greatest woman her native country ever produced, Isabella

of Castile, became with all her virtues and genius a curse to Spain,

because of her bigotry and her power; and there was a time when it

seemed as if the Empress Eugenie was likely to make for herself an

odious fame as the chief patroness of a conspiracy against the religious

and political liberties of the south of Europe. Let us hope that in her

future career she may be saved from any such temptation, and that she

may be kept as much as possible out of all political complications where

religion interferes; and if she be thus graced by fortune, it is all but

certain that whatever her future years may bring, she will deserve and

receive a genial record in the history of France.

THE PRINCE OF WALES.

"It is now sixteen or seventeen years," says Edmund Burke, in that

famous passage to which one is almost ashamed to allude any more, so

hackneyed has it been, "since first I saw the Queen of France, then the

Dauphiness, at Versailles; and surely never lighted on this orb, which

she hardly seemed to touch, a more delightful vision." That glowing,

impassioned apostrophe did more to make partisans and admirers for poor

Marie Antoinette among all English-speaking peoples, probably for all

time, than any charms, or virtues, or misfortunes of the Queen and the

woman could have done. I can never of late read or recall to mind the

burning words of Burke, without thinking of a certain day in March some

seven years ago, when I stood on a platform in Trafalgar Square, London,

and saw a bright, beautiful young face smiling and bending to a vast

enthusiastic crowd on either side, and I, like everybody else, was

literally stricken with admiration of the beauty, the sweetness, and the

grace of the Princess Alexandra of Denmark. In truth, I am not in

general an enthusiast about princes or princesses; I do not believe that

the king's face usually gives grace. In this instance the beauty of the

Princess Alexandra had been so noisily trumpeted by literary lacqueys

already, that one's natural instinct was to feel disappointed, and to

say so, when the Princess herself came in sight. But it was impossible

to feel disappointment, or anything but admiration, at the sight of that

bright, fair face, so transparent in the clearness of its complexion, so

delicate and refined in its outlines, so sweet and gracious in its

expression. I think something like the old-fashioned, chivalric,

chimerical feeling of personal loyalty must have flamed up for the

moment that day in the hearts of many men, who perhaps would have been

ashamed to confess that their first experience of such an emotion was

due to a passing glimpse of the face of a pretty, tremulous girl.

If ours were days of augury, men might have shuddered at the omens which

accompanied the wedding ceremonies of the Prince and Princess of Wales.

When Goethe, then a youth, surveyed the preparations for the reception

of Marie Antoinette at Strasbourg, on her way to Paris, he observed

significantly on the inauspicious fact that in the grand chamber adorned

for her coming, the tapestry represented the wedding of Jason and Medea.

The civil authorities of London certainly did not greet the fair

stranger with any such grisly and ghastly emblazonings; but there were

other and even more inauspicious omens offered by chance and the hour.

The sky darkened, a dreary wind whistled; presently the rain came down

in drenching streams that would not abate. There was a mourning-garb at

the wedding--the black dress of the Queen, who would not lay aside her

widow's-weeds even for that hour; and the night of the wedding, when the

streets of London were illuminated, the crowd was so great that, as on a

memorable occasion in the early married life of Marie Antoinette, people

were crushed and trampled to death amid the universal jubilation.

Well, we defy augury, with Hamlet. But I think some at least in the

crowd who welcomed Alexandra felt a kind of doubt and pity as to her

future, which needed no inspiration from omens and superstition. No

foreign princess has ever been so popular in England as Alexandra; and

assuredly some at least of the affection felt for her springs from a

pity which, whether called for or not, is genuine and universal. The

last time I saw the Princess of Wales was within a very few days of my

leaving England to visit the United States. It was in Drury Lane

Theatre, then fitted up as an opera house in consequence of the recent

burning of Her Majesty's Theatre. The Prince of Wales, his wife, and one

of his sisters were in their box. I had not seen the Princess for some

time, and I was painfully impressed with the change which had come over

her. Remembering, as it was easy to do, the brightness of her beauty

during the early days of her marriage, there was something almost

shocking in the altered appearance of her face. It looked wasted and

haggard; the complexion, which used to be so dazzlingly fair, had grown

dull, and, if I may say so, discolored; and I must be ungracious enough

to declare bluntly that, to my eyes at least, there seemed little trace

indeed of the beauty of a few years before left in that dimmed and worn

countenance. "Only the eyes remained--they would not go." Of course, it

must be remembered that the Princess was then only just recovering from

a long, painful, and exhausting illness; and she may have--I truly hope

she has--since then regained all her brightness and beauty. In any case,

it would be unjust indeed to assume that the wasted look of the Princess

was to be attributed to domestic unhappiness. But even a very

matter-of-fact and unsentimental person, looking at her then, and

remembering what she so lately was, might be excused if he fancied that

some of the unpropitious omens which surrounded the Princess's marriage

had already begun to justify themselves in practical fulfilment.

For even at the time of the marriage of the Prince and Princess there

were not wanting prophets of evil who predicted that this royal union

would not prove much happier than state-made marriages commonly are.

Even then there were stories and reports afloat which ascribed to the

Prince habits and tendencies not likely to promote the domestic

happiness of a delicate and refined young wife, hardly more than a mere

child in years. Indeed, there was already considerable doubt in the

public mind as to the personal character of the Prince of Wales. He

certainly did not look a very intellectual or refined sort of person

even then, and some at least were inclined to think him, as Steerforth

says of little Em'ly's lover, "rather a chuckle-headed kind of fellow,"

to get such a girl. There was, certainly, a breath of serious distrust

abroad. On the Prince's coming of age, and again, I think, on the

announcement of his approaching marriage, the London daily papers had

set themselves to preaching sermons at him; and a very foolish chorus of

sermons that was which broke out from all those tongues together. The

only marked effect of this outburst of lay-preaching was, I fancy, to

impress the public mind with the idea that the Prince was really a very

much more dreadful young man than there was any good reason to believe

him. People naturally imagined that the writers who poured forth such

eloquent, wise, and suggestive admonitions must know a great deal more

than they felt disposed to hint at; whereas, I venture to think that, in

truth, the majority of the writers were disposed to hint at a great deal

more than they knew. For, indeed, almost all that is generally and

substantially known of the Prince of Wales has been learned and observed

since his marriage.

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