The Dazzling Light

The new head-covering is made of heavy steel, which has been

specialty treated to increase its resisting power. The walls

protecting the skull are particularly thick, and the weight of the

helmet renders its use in open warfare out of the question. The rim

is large, like that of the headpiece of Mambrino, and the soldier

can at will either bring the helmet forward and protect his eyes or

wear it so as to protect the base of the skull . . . Military

experts admit that continuance of the present trench warfare may

lead to those engaged in it, especially bombing parties and barbed

wire cutters, being more heavily armoured than the knights, who

fought at Bouvines and at Agincourt.--_The Times_, July 22, 1915

The war is already a fruitful mother of legends. Some people think

that there are too many war legends, and a Croydon gentleman--or lady,

I am not sure which--wrote to me quite recently telling me that a

certain particular legend, which I will not specify, had become the

"chief horror of the war." There may be something to be said for this

point of view, but it strikes me as interesting that the old

myth-making faculty has survived into these days, a relic of noble,

far-off Homeric battles. And after all, what do we know? It does not

do to be too sure that this, that, or the other hasn't happened and

couldn't have happened.

What follows, at any rate, has no claim to be considered either as

legend or as myth. It is merely one of the odd circumstances of these

times, and I have no doubt it can easily be "explained away." In fact,

the rationalistic explanation of the whole thing is patent and on the

surface. There is only one little difficulty, and that, I fancy, is by

no means insuperable. In any case this one knot or tangle may be put

down as a queer coincidence and nothing more.

Here, then, is the curiosity or oddity in question. A young fellow,

whom we will call for avoidance of all identification Delamere Smith--

he is now Lieutenant Delamere Smith--was spending his holidays on the

coast of west South Wales at the beginning of the war. He was

something or other not very important in the City, and in his leisure

hours he smattered lightly and agreeably a little literature, a little

art, a little antiquarianism. He liked the Italian primitives, he knew

the difference between first, second, and third pointed, he had looked

through Boutell's "Engraved Brasses." He had been heard indeed to

speak with enthusiasm of the brasses of Sir Robert de Septvans and Sir

Roger de Trumpington.

One morning--he thinks it must have been the morning of August 16,

1914--the sun shone so brightly into his room that he woke early, and

the fancy took him that it would be fine to sit on the cliffs in the

pure sunlight. So he dressed and went out, and climbed up Giltar

Point, and sat there enjoying the sweet air and the radiance of the

sea, and the sight of the fringe of creaming foam about the grey

foundations of St. Margaret's Island. Then he looked beyond and gazed

at the new white monastery on Caldy, and wondered who the architect

was, and how he had contrived to make the group of buildings look

exactly like the background of a mediæval picture.

After about an hour of this and a couple of pipes, Smith confesses

that he began to feel extremely drowsy. He was just wondering whether

it would be pleasant to stretch himself out on the wild thyme that

scented the high place and go to sleep till breakfast, when the

mounting sun caught one of the monastery windows, and Smith stared

sleepily at the darting flashing light till it dazzled him. Then he

felt "queer." There was an odd sensation as if the top of his head

were dilating and contracting, and then he says he had a sort of

shock, something between a mild current of electricity and the

sensation of putting one's hand into the ripple of a swift brook.

Now, what happened next Smith cannot describe at all clearly. He knew

he was on Giltar, looking across the waves to Caldy; he heard all the

while the hollow, booming tide in the caverns of the rocks far below

him, And yet he saw, as if in a glass, a very different country--a

level fenland cut by slow streams, by long avenues of trimmed trees.

"It looked," he says, "as if it ought to have been a lonely country,

but it was swarming with men; they were thick as ants in an anthill.

And they were all dressed in armour; that was the strange thing about

it.

"I thought I was standing by what looked as if it had been a

farmhouse; but it was all battered to bits, just a heap of ruins and

rubbish. All that was left was one tall round chimney, shaped very

much like the fifteenth-century chimneys in Pembrokeshire. And

thousands and tens of thousands went marching by.

"They were all in armour, and in all sorts of armour. Some of them had

overlapping tongues of bright metal fastened on their clothes, others

were in chain mail from head to foot, others were in heavy plate

armour.

"They wore helmets of all shapes and sorts and sizes. One regiment had

steel caps with wide trims, something like the old barbers' basins.

Another lot had knights' tilting helmets on, closed up so that you

couldn't see their faces. Most of them wore metal gauntlets, either of

steel rings or plates, and they had steel over their boots. A great

many had things like battle-maces swinging by their sides, and all

these fellows carried a sort of string of big metal balls round their

waist. Then a dozen regiments went by, every man with a steel shield

slung over his shoulder. The last to go by were cross-bowmen."

In fact, it appeared to Delamere Smith that he watched the passing of

a host of men in mediæval armour before him, and yet he knew--by the

position of the sun and of a rosy cloud that was passing over the

Worm's Head--that this vision, or whatever it was, only lasted a

second or two. Then that slight sense of shock returned, and Smith

returned to the contemplation of the physical phenomena of the

Pembrokeshire coast--blue waves, grey St. Margaret's, and Caldy Abbey

white in the sunlight.

It will be said, no doubt, and very likely with truth, that Smith fell

asleep on Giltar, and mingled in a dream the thought of the great war

just begun with his smatterings of mediæval battle and arms and

armour. The explanation seems tolerable enough.

But there is the one little difficulty. It has been said that Smith is

now Lieutenant Smith. He got his commission last autumn, and went out

in May. He happens to speak French rather well, and so he has become

what is called, I believe, an officer of liaison, or some such term.

Anyhow, he is often behind the French lines.

He was home on short leave last week, and said:

"Ten days ago I was ordered to ----. I got there early in the morning,

and had to wait a bit before I could see the General. I looked about

me, and there on the left of us was a farm shelled into a heap of

ruins, with one round chimney standing, shaped like the 'Flemish'

chimneys in Pembrokeshire. And then the men in armour marched by, just

as I had seen them--French regiments. The things like battle-maces

were bomb-throwers, and the metal balls round the men's waists were

the bombs. They told me that the cross-bows were used for

bomb-shooting.

"The march I saw was part of a big movement; you will hear more of it

before long."

The Angels of Mons: The Bowmen and Other Legends of the War · 第 8 / 13 题