1. In judging Mr. Sandburg's work, it is important to remember that his
theory involves complete freedom from conventions of all sorts--in
thinking, in metrical form, and in vocabulary. His aim seems to be to
reproduce the impressions that all phases of life make upon him.
2. Consider whether his early prairie environment had anything to do with
the large scale of his imagination, the appeal to him of enormous periods
of time, masses of men, and forces.
3. Do you find elements of universality in his exaggerated localisms? Do
they combine to form a definite philosophy?
4. What effect do the eccentricities and crudities of form have upon you?
Do you consider them an essential part of his poetic expression or
blemishes which he may one day overcome?
5. Do you find elements of greatness in Mr. Sandburg's work? Do you think
they are likely to outweigh his obvious defects?