A rotten business. It happened when Michael was twenty-two, and he
expected never to be happy again. The sound of his own voice shouting
as he was carried out, the doctor's voice saying, "I consider you
responsible," the coming of Harold's parents, the voice of the curate
summarizing Harold's relations with the unseen--all these things
affected him so deeply that he supposed they would affect him for
ever. They did not, because he lived to be over seventy, and with the
best will in the world, it is impossible to remember clearly for so
long. The mind, however sensitive and affectionate, is coated with new
experiences daily; it cannot clear itself of the steady accretion,
and is forced either to forget the past or to distort it. So it was
with Michael. In time only the more dramatic incidents survived.
He remembered Harold's final gesture (one hand grasping his own,
the other plunged deep into the sea), because there was a certain
æsthetic quality about it, not because it was the last of his friend.
He remembered the final words for the same reason. "Don't you see the
point of it? Well, you will some day." The phrase struck his fancy, and
passed into his own stock; after thirty or forty years he forgot its
origin. He is not to blame; the business of life snowed him under.
There is also this to say: he and Harold had nothing in common except
youth. No spiritual bond could survive. They had never discussed
theology or social reform, or any of the problems that were thronging
Michael's brain, and consequently, though they had been intimate
enough, there was nothing to remember. Harold melted the more one
thought of him. Robbed of his body, he was so shadowy. Nor could one
imagine him as a departed spirit, for the world beyond death is surely
august. Neither in heaven nor hell is there place for athletics and
aimless good temper, and if these were taken from Harold, what was
left? Even if the unseen life should prove an archetype of this, even
if it should contain a sun and stars of its own, the sunburn of earth
must fade off our faces as we look at it, the muscles of earth must
wither before we can go rowing on its infinite sea. Michael sadly
resigned his friend to God's mercy. He himself could do nothing, for
men can only immortalize those who leave behind them some strong
impression of poetry or wisdom.
For himself he expected another fate. With all humility, he knew that
he was not as Harold. It was no merit of his own, but he had been born
of a more intellectual stock, and had inherited powers that rendered
him worthier of life, and of whatever may come after it. He cared for
the universe, for the tiny tangle in it that we call civilisation,
for his fellow-men who had made the tangle and who transcended it.
Love, the love of humanity, warmed him; and even when he was thinking
of other matters, was looking at Orion perhaps in the cold winter
evenings, a pang of joy, too sweet for description, would thrill him,
and he would feel sure that our highest impulses have some eternal
value, and will be completed hereafter. So full a nature could not
brood over death.
To summarize his career.
Soon after the tragedy, when he in his turn was recruiting, he met the
woman who was to become his helpmate through life. He had met her once
before, and had not liked her; she had seemed uncharitable and hard.
Now he saw that her hardness sprang from a morality that he himself
lacked. If he believed in love, Janet believed in truth. She tested all
men and all things. She had no patience with the sentimentalist who
shelters from the world's rough and tumble. Engaged at that time to
another man, she spoke more freely to Michael than she would otherwise
have done, and told him that it is not enough to feel good and to
feel that others are good; one's business is to make others better,
and she urged him to adopt a profession. The beauty of honest work
dawned upon the youth as she spoke. Mentally and physically, he came to
full manhood, and, after due preparation, he entered the Home Civil
Service--the British Museum.
Here began a career that was rather notable, and wholly beneficial
to humanity. With his ideals of conduct and culture, Michael was not
content with the official routine. He desired to help others, and,
since he was gifted with tact, they consented to the operation. Before
long he became a conciliatory force in his department. He could mollify
his superiors, encourage his inferiors, soothe foreign scholars, and
show that there is something to be said for all sides. Janet, who
watched his rise, taxed him again with instability. But now she was
wrong. The young man was not a mere opportunist. He always had a
sincere opinion of his own, or he could not have retained the respect
of his colleagues. It was really the inherent sweetness of his nature
at work, turned by a woman's influence towards fruitful ends.
At the end of a ten years' acquaintance the two married. In the
interval Janet had suffered much pain, for the man to whom she had been
engaged had proved unworthy of her. Her character was set when she
came to Michael, and, as he knew, strongly contrasted with his own;
and perhaps they had already interchanged all the good they could. But
the marriage proved durable and sufficiently happy. He, in particular,
made endless allowances, for toleration and sympathy were becoming the
cardinal points of his nature. If his wife was unfair to the official
mind, or if his brother-in-law, an atheist, denounced religion, he
would say to himself, "They cannot help it; they are made thus, and
have the qualities of their defects. Let me rather think of my own, and
strive for a wider outlook ceaselessly." He grew sweeter every day.
It was partly this desire for a wider outlook that turned him to
literature. As he was crossing the forties it occurred to him to write
a few essays, somewhat retrospective in tone, and thoughtful rather
than profound in content. They had some success. Their good taste,
their lucid style, the tempered Christianity of their ethics, whetted
the half-educated public, and made it think and feel. They were not,
and were not intended to be, great literature, but they opened the
doors to it, and were indubitably a power for good. The first volume
was followed by "The Confessions of a Middle-aged Man." In it Michael
paid melodious tribute to youth, but showed that ripeness is all.
Experience, he taught, is the only humanizer; sympathy, balance and
many-sidedness cannot come to a man until he is elderly. It is always
pleasant to be told that the best is yet to be, and the sale of the
book was large. Perhaps he would have become a popular author, but
his wife's influence restrained him from writing anything that he did
not sincerely feel. She had borne him three children by now--Henry,
Catherine, and Adam. On the whole they were a happy family. Henry never
gave any trouble. Catherine took after her mother. Adam, who was wild
and uncouth, caused his father some anxiety. He could not understand
him, in spite of careful observation, and they never became real
friends. Still, it was but a little cloud in a large horizon. At home,
as in his work, Michael was more successful than most men.
Thus he slipped into the fifties. On the death of his father he
inherited a house in the Surrey hills, and Janet, whose real interests
were horticultural, settled down there. After all, she had not proved
an intellectual woman. Her fierce manner had misled him and perhaps
herself into believing it. She was efficient enough in London society,
but it bored her, for she lacked her husband's pliancy, and aged more
rapidly than he did. Nor did the country suit her. She grew querulous,
disputing with other ladies about the names of flowers. And, of course,
the years were not without their effect on him, too. By now he was
somewhat of a valetudinarian. He had given up all outdoor sports, and,
though his health remained good, grew bald, and rather stout and timid.
He was against late hours, violent exercise, night walks, swimming when
hot, muddling about in open boats, and he often had to check himself
from fidgeting the children. Henry, a charming sympathetic lad, would
squeeze his hand and say, "All right, father." But Catherine and Adam
sometimes frowned. He thought of the children more and more. Now that
his wife was declining, they were the future, and he was determined to
keep in touch with them, remembering how his own father had failed with
him. He believed in gentleness, and often stood between them and their
mother. When the boys grew up he let them choose their own friends.
When Catherine, at the age of nineteen, asked if she might go away and
earn some money as a lady gardener, he let her go. In this case he had
his reward, for Catherine, having killed the flowers, returned. She
was a restless, scowling young woman, a trial to her mother, who could
not imagine what girls were coming to. Then she married and improved
greatly; indeed, she proved his chief support in the coming years.
For, soon after her marriage, a great trouble fell on him. Janet became
bedridden, and, after a protracted illness, passed into the unknown.
Sir Michael--for he had been knighted--declared that he should not
survive her. They were so accustomed to each other, so mutually
necessary, that he fully expected to pass away after her. In this he
was mistaken. She died when he was sixty, and he lived to be over
seventy. His character had passed beyond the clutch of circumstance and
he still retained his old interests and his unconquerable benignity.
A second trouble followed hard on the first. It transpired that Adam
was devoted to his mother, and had only tolerated home life for her
sake. After a brutal scene he left. He wrote from the Argentine that he
was sorry, but wanted to start for himself. "I don't see the point of
it," quavered Sir Michael. "Have I ever stopped him or any of you from
starting?" Henry and Catherine agreed with him. Yet he felt that they
understood their brother better than he did. "I have given him freedom
all his life," he continued. "I have given him freedom, what more does
he want?" Henry, after hesitation, said, "There are some people who
feel that freedom cannot be given. At least I have heard so. Perhaps
Adam is like that. Unless he took freedom he might not feel free." Sir
Michael disagreed. "I have now studied adolescence for many years," he
replied, "and your conclusions, my dear boy, are ridiculous."
The two rallied to their father gallantly; and, after all, he spent a
dignified old age. Having retired from the British Museum, he produced
a little aftermath of literature. The great public had forgotten him,
but the courtliness of his "Musings of a Pensioner" procured him
some circulation among elderly and educated audiences. And he found
a new spiritual consolation. _Anima naturaliter Anglicana_, he had
never been hostile to the Established Church; and, when he criticized
her worldliness and occasional inhumanity, had spoken as one who
was outside her rather than against her. After his wife's death and
the flight of his son he lost any lingering taste for speculation.
The experience of years disposed him to accept the experience of
centuries, and to merge his feeble personal note in the great voice of
tradition. Yes; a serene and dignified old age. Few grudged it to him.
Of course, he had enemies, who professed to see through him, and said
that Adam had seen through him too; but no impartial observer agreed.
No ulterior motive had ever biased Sir Michael. The purity of his
record was not due to luck, but to purity within, and his conciliatory
manner sprang from a conciliated soul. He could look back on failures
and mistakes, and he had not carried out the ideals of his youth. Who
has? But he had succeeded better than most men in modifying those
ideals to fit the world of facts, and if love had been modified into
sympathy and sympathy into compromise, let one of his contemporaries
cast the first stone.
One fact remained--the fact of death. Hitherto, Sir Michael had never
died, and at times he was bestially afraid. But more often death
appeared as a prolongation of his present career. He saw himself
quietly and tactfully organizing some corner in infinity with his
wife's assistance; Janet would be greatly improved. He saw himself
passing from a sphere in which he had been efficient into a sphere
which combined the familiar with the eternal, and in which he would
be equally efficient--passing into it with dignity and without pain.
This life is a preparation for the next. Those who live longest are
consequently the best prepared. Experience is the great teacher;
blessed are the experienced, for they need not further modify their
ideals.
The manner of his death was as follows. He, too, met with an accident.
He was walking from his town house to Catherine's by a short cut
through a slum; some women were quarrelling about a fish, and as he
passed they appealed to him. Always courteous, the old man stopped,
said that he had not sufficient data to judge on, and advised them to
lay the fish aside for twenty-four hours. This chanced to annoy them,
and they grew more angry with him than with one another. They accused
him of "doing them," of "getting round them," and one, who was the
worse for drink, said, "See if he gets round that," and slapped him
with the fish in the face. He fell. When he came to himself he was
lying in bed with one of his headaches.
He could hear Catherine's voice. She annoyed him. If he did not open
his eyes, it was only because he did not choose.
"He has been like this for nearly two years," said Henry's voice.
It was, at the most, ten minutes since he had fallen in the slum. But
he did not choose to argue.
"Yes, he's pretty well played out," said a third voice--actually the
voice of Adam; how and when had Adam returned? "But, then, he's been
that for the last thirty years."
"Gently, old boy," said Henry.
"Well, he has," said Adam. "I don't believe in cant. He never did
anything since Mother died, and damned little before. They've forgotten
his books because they aren't first-hand; they're rearranging the cases
he arranged in the British Museum. That's the lot. What else has he
done except tell people to dress warmly, but not too warm?"
"Adam, you really mustn't----"
"It's because nobody speaks up that men of the old man's type
get famous. It's a sign of your sloppy civilisation. You're all
afraid--afraid of originality, afraid of work, afraid of hurting
one another's feelings. You let any one come to the top who doesn't
frighten you, and as soon as he dies you forget him and knight some
other figurehead instead."
An unknown voice said, "Shocking, Mr. Adam, shocking. Such a dear old
man, and quite celebrated, too."
"You'll soon get used to me, nurse."
The nurse laughed.
"Adam, it is a relief to have you," said Catherine after a pause. "I
want you and your boy to help me with mine." Her voice sounded dimmer;
she had turned from her father without a word of farewell. "One must
profit by the mistakes of others ... after all, more heroism.... I am
determined to keep in touch with my boy----"
"Larrup him," said Adam. "That's the secret." He followed his sister
out of the room.
Then Henry's delightful laugh sounded for the last time. "You make us
all feel twenty years younger," he said; "more like when----"
The door shut.
Sir Michael grew cold with rage. This was life, this was what the
younger generation had been thinking. Adam he ignored, but at the
recollection of Henry and Catherine he determined to die. If he chose,
he could have risen from bed and driven the whole pack into the
street. But he did not choose. He chose rather to leave this shoddy
and ungrateful world. The immense and super-human cynicism that is
latent in all of us came at last to the top and transformed him. He saw
the absurdity of love, and the vision so tickled him that he began to
laugh. The nurse, who had called him a dear old man, bent over him, and
at the same moment two boys came into the sick-room.
"How's grandpapa?" asked one of them--Catherine's boy.
"Not so well," the nurse answered.