VI. (Vivace, minor mode). Brilliant like its predecessor, this variation
introduces a new figure.
VII. (Grazioso, major mode). In Siciliano rhythm (6-8), the seventh
variation is generally regarded as the crowning glory of the set.
Against a descending scale for first violins and clarinets, violas and
piccolo play the melody. Then the first violins give out a theme whose
first four notes provide the movement with its rhythmic basis. There is
a wealth of fascinating detail.
VIII. (Presto non troppo, minor mode). In a mysterious whisper of muted
strings the last variation leads darkly to the Finale. (Andante, major
mode). A ground bass, five measures long and repeated twelve times below
a variety of harmonies, occupies much of this summing up. At a signal
from the triangle an outburst of vernal life sweeps through the
orchestra, ending with the theme in fortissimo proclamation.