CHAPTER XVI.

This extraordinary revival was going on when the doctor rushed in.

Carson, who had been the principal person in all this scene, rushed at

him and drew him back. She kept her hand on his arm, detained him, ran

into voluble but trembling explanations. When he came forward the doctor

gazed with a troubled face at the patient. A fainting fit brought on by

great agitation; nobody could give any other account of it; he felt her

pulse, and prescribed, and lingered, and looked at us all with mingled

inquiry and suspicion. What had we been doing to her? Why had she not

been removed to bed? A flash came from the awakening eyes. She made a

motion of her hand, waving him away, then looked at me, and pointed

vaguely but imperatively before her. When I did not obey immediately,

she repeated the question, and at last spoke, with great evident pain,

impatience, and imperiousness: “Bring him?” were those the words? She

was so imperative, so fiercely determined, that I hastened out to call

Luigi. I found him at the door watching, very pale, and in profound

distress. He came in after me without saying a word; he went up to her

without waiting for me, and knelt down at her feet, and took her hands

in his own. “Mother! Mother!” cried the young man. If it did not go to

her heart, it went to the heart of every other person present; and Aunt

Milly, with a great cry of amazement and terror, repeated it after him,

“Mother!” But who could think of any discovery then? The doctor stood

listening, thunderstruck, behind the screen. I believe Sara Cresswell

was in the room. But we who were round about this terrible figure could

observe nothing else, except the dread inarticulate waves of passion

that kept rising in her dead face. She thrust at her son with a wild

motion of her bloodless hands as if to put him away. She questioned him

with her eyes in such frantic impatience, because he could not

understand her, that the sight was more than I could bear. I fell back

from her trembling and like to faint. Then her will got the better of

her weakness. She cried out aloud, with a voice that I am sure could

have been heard all over the house;--it was not a living voice; it rang

out wild, and loud, and hard, in separate words,--“Where is he?--_he_?

dead! let him come. I know he is dead, let him come;--Count!” and here

the terrible voice rose and broke in a wild horror of babbling cries.

God help us! It was a dreadful scene. Aunt Milly stood supporting

herself by a chair, unable to utter a word or even to move. I was afraid

to stir, lest I should faint and fall on the floor. Carson only stood

close by her mistress, supporting her head and gazing with wistful eyes

at Luigi; the young man stumbled up from his knees in an agony of pity

and horror. He held up his hands in wild appeal, whether to her, or to

us, or only to God, I cannot tell. “It is my father!” he cried. “She

thinks it was my father; and I am to blame!” Then he knelt down again

humbly at her feet, and held up his clasped hands to her as if he were

praying. I think he must have done it with an intention of drawing her

attention by any means, and to prove to her that it was the truth he

said.

“Mother,” he cried, looking up at those eyes which had returned, and

were fixed upon him,--“mother, I am your son! My father is dead and

undisturbed in his grave; he has sent me to his wife. It is I, it is no

other. He is with the saints, where there are no names. It is I who am

Sermoneta; mother! Oh, heaven, does she not hear me? _will_ she not hear

me? It was I, only I. It was Luigi, Countess! If I must not bear your

name, I must bear my own. I say it was I, not my father, who can neither

do evil nor endure it,--me, either Luigi Sermoneta or Lewis Mortimer, as

you will,--your son!”

It is impossible to describe the effect this had upon us all. Aunt Milly

burst forth into weeping, convulsive, and not to be restrained. Poor

Carson’s bosom heaved with silent sobs. Luigi, who had risen up as he

said these last words, stood erect in a passionate self-assertion and

defence before his miserable mother. Even she changed under this sudden

blaze of revelation. She sat up in her chair, and grew more human; her

rigid head began to tremble, her dread-eyes to lose their horror. Now it

was no longer that mad ghastly stare with which she regarded the young

man before her. She looked at him, leaning forward, slowly recovering

her powers. Some convulsive gasps or sobs in her throat alone

interrupted this pause of terrible silence. She looked at him, from head

to foot, with a slow, dismal scrutiny. Only once before in her life had

she met him face to face; then she had been strong enough to send him

away and disown him. Now, perforce, the mother looked at her son. The

young man trembled under that steady gaze; he held out his hands, and

cried out “Mother!” as if all the eloquence in the world lay in that

word. She continued perusing him all over with that slow examination.

Gradually she returned to be herself again. Not changed, not subdued!

Out of that death and agony there came forth, not a repentant woman, but

Sarah Mortimer, a creature who would not believe in everlasting truth

and justice--not though one should rise from the dead.

“If you are Count Sermoneta,” she said, with all her old expression,

pausing between the words to get strength, but speaking in her usual

voice, “how do you dare come to me and offer what your father refused?

Impostor! you shall never, never, never sit in my father’s place! I

disown you. I--I have nothing to do with you. What! would you kill me

again?”

Here I interposed; I could not help myself. My very soul sickened at

her. I came forward, without knowing what I was doing. “Let her alone,”

I cried out, “don’t say anything. She has died and come alive again, and

is no better. Do you think you can move her? Oh, Aunt Milly, it is your

part now. Take him away out of her sight, leave her alone in her

wretchedness. Can you bear to see her smiling there?--_smiling_ at us!

She is dead, and it is a devil that has come into her frame!”

“Milly, hush, hush, you are mad,” cried Sara Cresswell, behind me; but

Aunt Milly did not think I was mad. She came and put her arm into

Luigi’s, her tears driven away by horror and indignation. “As sure as

God sees us all,” cried Aunt Milly, “I will do you justice. Come away

from her, as Milly, says. You make her wickeder and wickeder--Oh,

wickeder than she really is! Oh, Sarah,” she cried out, turning suddenly

round, “is it true?--is he your son?”

Miss Mortimer said nothing;--the very colour had returned to her face.

Her head trembled excessively, but she had forced some frightful

caricature of a smile upon her lip. She held out her hand and pointed at

them in a kind of derision. “You were always a fool,” she said at last,

with a gasp. Aunt Milly did not wait or hesitate any longer. She was

possessed, like me, with a sudden impatience and intolerance of that

inhuman hard-heartedness. She went away hastily out of the room,

drawing Luigi with her. Miss Mortimer listened to the sound of their

steps till it had quite died away. Then she turned round to Carson with

some instinctive confession of weakness at last. Their eyes met; but

even Carson could no longer receive this dreadful confidence. She

stumbled back from her mistress with a cry. “I cannot, I cannot!” cried

Carson, “anything but this. I held him in my arms a baby, and I’ll never

disown him, if I was to die.” As her mistress turned round upon her,

Carson retreated back till she came to the wall, and stood there, fixed

and desperate, holding up her hands as if to keep off those pursuing

eyes. “Whatever you please!” cried Carson, “but not to disown him as I

dressed the first day he was in this world. No! not for no payment nor

coaxing! I’ve served you faithful all times and seasons, but I’ll not do

no more, not if I was to die!”

Miss Mortimer sat gazing at her rebellious maid. What no other appeal

could do this did. She sank into the frail old woman she was, as she

gazed at Carson, who had forsaken her. She broke forth into feeble,

passionate tears. She could bear to send her son away from her, but she

could not bear to lose her faithful companion and attendant of forty

years. “Carson!” cried the broken voice, in a tone of absolute despair.

Then Miss Mortimer rose up. I ran forward to her in terror, and so did

Sara, but she waved us both away, steadied herself, cast a long look

upon the woman who stood trembling against the wall, and slowly turned

to make her way out of the room. She walked like some one upon whom

sudden blindness had fallen, wavering, stopping to steady herself,

putting out her hand to pilot the way, groping through the piercing

daylight that penetrated every corner of the room. We followed her,

trembling and terrified. As she went slowly through the long room, heavy

sobs came from her poor breast, sobs of which she was not conscious; her

muslin scarf had been torn and crushed in her dreadful faint, if it was

a faint, and hung all dishevelled from her shoulders. One hand hung

loosely down by her side, the other she groped with as she made her way.

Now and then she moaned aloud. Oh, miserable forsaken creature! there

had been still one link of life to hold her on to the living world.

We went after her, silent, hushing our very steps lest she should turn

upon us, and watching with a perfect awe of wonder how she steered

herself through the room; she stumbled on the stair, but still rejected

any assistance. All the way up she went forlorn, accepting no support.

When we reached her door, I rushed forward not to let her shut me out.

“Let me be your maid to-night,” I cried out, laying my hand upon hers.

Her hand made me shiver; it was cold, as if it had actually been dead.

She pushed me back, not looking at me, and shut the door. What she did,

or how she sustained herself in that vacant room, we could see no

longer. Sara and I, arrested at the door, turned and looked into each

other’s faces. Sara broke out into the passionate tears of excitement

and agitation which could be restrained no longer. “She will kill

herself!” cried Sara. “Oh, godmamma, let me in, let _me_ in. I will

never cross you or trouble you. I will wait upon you night and day,

godmamma!” No answer came. We tried to open the door, but she had

fastened it. We could do nothing but leave her alone in this dreadful

solitude. For a little while a rustling sound of motion was in the room,

and still those pathetic, unconscious moans breaking at intervals into

the silence. But after a while all became still. She had not fainted or

fallen, for we should have heard her. She made no answer to our

entreaties--dead silence reigned in the room where that living spirit,

with all its dread forces and passions, palpitated within its veil of

worn-out flesh. I could imagine her taking possession of that dreadful

solitude, losing at a blow far more than reputation or fair-fame, all

that made her life tolerable to her, entering upon a new, unthought of,

murderous purgatory. We could not make up our minds to leave that closed

door. Sara was still crying, and almost hysterical with her long strain

of excitement. I made her go into the neighbouring room, where Lizzie

was with my boy, while I ran downstairs for Aunt Milly. Oh, what a

contrast it was! I snatched little Harry into my arms to kiss him, and

went away again, with a pity, I cannot describe, past the door where

that dreadful forsaken woman lay alone in the silence. I could not bear

it. God alone knew how she had sinned; but to leave her thus deserted in

her misery was not in the heart of man.

I ran downstairs very hastily without waiting to think--at the foot of

the stairs Carson stood crying. She gasped out an inquiry at me which

was not audible at first. “Is she alone? alone? alone? Will nobody stay

with her?” cried Carson. “Oh, ma’am, my missis will never let me near

her again! I know it’s no use trying; but, for the love of mercy, let

somebody get into the room! There’s poisons and all sorts there. God

forgive me! couldn’t I have held my tongue?” cried the poor woman, in an

agony of terror. I was angry with her in the impatience of my thoughts.

I did not consider for how many long years Carson had endured all.

“But why can’t you go up now? try if she will let you in; she is fond of

you, Carson,” said I. “Oh, go, go, and try.”

“She’ll never look at me more,” said Carson with mournful certainty;

“but I’ll go, I’ll try. If it was at the end of the world, I’d go; but

she’ll never see me again.” The poor woman went upstairs saying this

over to herself, and dreadful as it was to think so, I was certain she

was right.

And I went on to the library where Aunt Milly was. She had forgotten her

sister. She was listening, with a glowing face, with tears, and

outcries, and lamentations, to the tale Luigi told her. Some papers were

lying before them, and a miniature, which caught my eye even at such a

moment--a picture of a lovely fair woman, imperious and splendid. I

cannot say that it bore any resemblance to the wretched, solitary

creature upstairs; but I knew it was Sarah Mortimer,--Sarah Mortimer,

unkind, untrue, a woman making no account of love or tenderness; but not

the Sarah Mortimer who had delivered herself to the devil, and turned

her back upon nature. I pointed at it unconsciously in my excitement. It

was easier than naming her name.

“Do you know she is alone upstairs, by herself?” cried I, “perhaps

dying, and nobody with her! Aunt Milly, you are her sister. She will

neither let us in, nor answer us. You have a right to go to her. There

are all kinds of dangerous things in the room--she might die!”

“But Carson--Carson is there,” cried Aunt Milly, grasping my hand, to

bring me to myself. “My dear, Carson is a better companion than either

you or me.”

“But Carson has gone,” I cried, “Carson will never be with her any more.

Hush! was that a sound upstairs? Come, I entreat you! She is all alone,

quite alone, not a creature with her. It is heartrending to think what

she is doing there--come! come!”

Aunt Milly stood perplexed. She could not comprehend Carson’s absence,

and I might have had a long account of the whole matter to go through

had not Luigi come to my assistance. He took her hand hurriedly, and

pressed it in his own.

“My aunt, I can wait,” said Luigi, “and I _will_ till there is time for

me; but my mother, my mother is----”

Aunt Milly started, and understood all in a moment. His mother, the

unfortunate wretched woman who had disowned and rejected him--no need

for over-much explaining, or setting-forth of all the darker shades of

the picture to show her wretchedness. Nature and she had parted company,

and there was nothing too dreadful that might not befall her in the

fatal silence of that secluded room.

The Last of the Mortimers: A Story in Two Voices · 第 16 / 20 章