CHAPTER III

OF MENTAL STANDPOINTS

'E parea posta lor diversa legge.'

DANTE.

The Crevequers, as they had anticipated, did eat too much at lunch--a

good deal too much. They cast, occasionally, wondering and interested

glances round the dining-room, and took in the fact that every one at

all the little tables was also eating too much. It was borne upon them

that this exorbitance, a strange incident in their own lives, was to

these others a daily occurrence. Every day at one o'clock the

dining-room at Parker's, the dining-rooms at all the hotels of its

genus, were filled with Anglo-Saxons and a few others, all sitting round

little tables, and all eating too much. Then again at dinner-time....

The impressiveness of the thought widened their eyes, filling them with

an awestruck solemnity. To eat too much, a good deal too much,

twice--nay, thrice--a day (for visions of the Anglo-Saxon breakfast

haunted them: one had honey, one ordered omelette) during a period of

weeks and months--it required thinking over quietly afterwards. At

present, face to face with the amazing succession of the courses, the

contemplation of all it meant made one a little dizzy. The Crevequers

took all the courses; they would not have missed one; they intended to

see this thing through. As they ate they talked stammeringly. Mrs.

Venables was struck by the melancholy of their pondering eyes. Her

interest--she had an immense fund of it--was gathering itself together

to pour itself unstintedly forth on Maddan Crevequer's children. Her son

and her daughter and her niece watched the gathering; it was a familiar

process to them. The son watched it with languid amusement; the daughter

with stolid unconcern (she was a bored child of eighteen); the niece

with eyes inscrutably remote. The Crevequers were copy; they came to be

studied, to be drawn out; they responded to the process with their usual

affability. They answered questions as to their way of life, their

friends, the customs of the Neapolitan poor, their religion. Mrs.

Venables, as she said, found the Roman Catholic standpoint quite

immensely interesting. The Crevequers groped uncomprehendingly after the

reason of such interest, and gave it up. They were, however, quite ready

to answer the questions put to them; it seemed a harmless craze enough.

Mrs. Venables had been to Mass the day before, and had, she affirmed,

been much struck by the impressive contrast of the ordered stateliness

of the service and the spontaneous gaiety of the people as they trooped

out into the piazza afterwards. It had occurred to her, watching the

devout worshippers, that Catholicism was in some of its aspects a

strange medium for the spiritual interpretation of the blithe Italian

genius. What did Mr. Crevequer think?

Mr. Crevequer thought, but did not say, that she might have been more

profitably employed in attending to the service than in watching the

devout worshippers.

Mrs. Venables' niece, Prudence Varley, talked about Naples, with a

certain careful accentuation of the purely ordinary point of view of the

cultivated seer of sights. Her cousin Warren, watching her, smiled

inwardly at the accentuation. He understood it perfectly well. There was

in it a certain quality of externality that gained edge from the

contrast with Mrs. Venables' all-reaching intimacy. It revealed, anyhow,

how the Crevequers wallowed in ignorance--how they knew nothing.

Museums, mosaics, pictures, sculpture, were to them less than names.

Churches they knew only in so far as they went to church in them; and it

was not from the point of view of one interested in worship, but in

architecture, that Miss Varley seemed to approach the subject, differing

herein from her aunt. When she discovered that the Crevequers knew

nothing, she did not follow the subject; she gently fell again into her

non-conversational attitude, which seemed almost a little abstracted.

(She had often that air.) The Crevequers had indeed their own knowledge

of Naples--none more so; but it was the intimacy of streets and corners,

that close acquaintance with the face of a city which belongs to those

who, as Warren Venables had said, 'drift about the bottom.' How should

they know of mosaics? They knew every little narrow _gradone_, shut in

with leaning houses, that led steeply up out of all the length of the

Toledo, from Piazza San Carlo to the doors of the museum. (Beyond the

doors their ignorance began.) They knew at what hour on Friday mornings

it was most amusing to be playing round Porta Nolana; they knew the

price at which you can get a plate of macaroni and a mezzo-litro of wine

at all the _trattorie_ (of any economy) in Naples, and at which you were

most likely to meet amusing acquaintances, and at what hours. But it was

possible that Miss Varley felt no more curiosity as to these things than

the Crevequers as to the Angevin tombs in Santa Chiara. In Naples there

seemed to be no meeting-ground, or none which Miss Varley cared to seek.

It was Mrs. Venables who talked of Pompei--of the unique, almost

oppressive, so she said, interest of it. The Crevequers knew Pompei as a

place with nice hot, bright streets, scampered over by lizards, where it

was agreeable to spend an afternoon among the gaily-hued, roofless

houses, and go to sleep. But, they said, Christian Pompei was a better

place--it had more variety. Here the gulf yawned aggressively; Mrs.

Venables strove to throw a bridge by remarking that to some mental

standpoints the present teemed with an eternal interest that quite

obscured the past. The Crevequers supposed that this might be so.

Young Miranda Venables said that she thought the past was an awful bore.

She did not approve of Naples; she was vexed at missing the hockey and

beagling season at home, and she thought towns were beastly, especially

Italian towns. She hated them. She looked towards the Crevequers with a

rising of hope; here, it seemed, were two people who lacked intelligent

interest even as she did. Miranda was, from her mother's point of view,

a failure. She was in no way aesthetic, except sartorially. The Liberty

frocks and flopping hats that her soul loathed seemed to give an edged

incongruity to her pleasant round face, with its rosy cheeks and blue

eyes, and mouth that drooped pathetically at the corners. She did not

rebel against the bitter yoke of the picturesque: it was not worth

while; she was merely used to remark, with her customary forcible

elegance of phrase, that if her mother chose to spend money on making

her look a guy, it was her look out, though Miranda considered it a pity

that she could not get better value than that for her outlay. But her

soul was not at all in her clothes; it was in quite different

things--chiefly in hockey.

She raised that theme.

'I say, couldn't we get up a sort of a club? There must be a ground

somewhere.'

But the Crevequers, it seemed, did not play hockey. It was sad how

everywhere gulfs yawned. Miranda sighed, and fell back upon her lunch.

That remains, even in Naples.

The Crevequers, on their side of the gulf, talked; they were really

quite entertaining; their acquaintance included such various types of

persons, their experience such interesting incidents. Some of the

incidents revealed them, personally, in a light rather unusual--a light

not apt, as a rule, to illumine a lunch-party. Of this they were

sublimely unconscious; at their ignoring of it Warren Venables smiled a

little. They were wholly innocent of the half-humorous, half-boastful

posturing of the conscious rake; these things, assumed as the basis of

their stories rather than narrated, were to them entirely natural--a

matter of course. From the same outer darkness--Venables came to believe

it was that--Tommy had discoursed of _Marchese Peppino_. It was not that

they considered themselves reputable people, but simply that

reputability (and the word includes in this case common honesty) was a

thing wholly ignored by them, outside their sphere of knowledge.

Certainly, such ignoring obviated embarrassment. Meanwhile, to entertain

a tableful of strangers at lunch is an admirable gift. Mrs. Venables,

possibly, did not sufficiently appreciate it; being amused came very

much lower down on her scale of pleasures than being interested; it was

perhaps fortunate, therefore, that it was a pleasure much rarer of

attainment. She did not desire it of the Crevequers; she desired, as she

phrased it, to draw them out, to achieve a near and serious intimacy.

When every one had finished eating too much (the Crevequers wondered to

each other afterwards why it had come to an end just at that point, no

sooner and no later; they themselves, once wound up to eat continuously,

could have carried it on indefinitely), Mrs. Venables found a divan for

herself and Betty in a secluded corner of the large hall, and continued

the process of eduction. She had formed a plan; she wished of all things

to come into contact with the real life of the people; she wanted Tommy

and Betty to help her.

'You must be so delightfully intimate with them. With me they may be

suspicious and reserved at first. And I am not at all completely

mistress of the language. But I can at all events give them a very

genuine sympathy and interest; and it would please me to try the

experiment. I know something of our girls in London who work at the

great factories. If we could form a sort of club here--social evenings,

and so on--your help would be of immense value to me. You have achieved

a real intimacy--you and your brother. To share the same faith must be a

tremendous bond; there is no more tenacious or more beautiful tie, as

Tolstoy says.... You remember the passage, perhaps?'

Betty shook her head.

'We don't read much, Tommy and I don't. There seems always something

else to be done, out in the streets or somewhere.'

'The true pagan joy in mere living,' reflected Mrs. Venables, and

continued: 'If one could call oneself, definitely, a member of any

faith.... But one cannot, after all, sacrifice truth to beauty--even to

the beauty of sympathy and close community with others.... You are happy

in having found a firm foothold.'

Mrs. Venables was not crude enough to ask questions on these subjects;

she drew confidence gently towards her. Doubt found in her always a

ready hearer. But Betty, it seemed, was not in doubt.

A further step in intimacy Mrs. Venables achieved.

'If there is anything I can do to help you.... I should be glad, you

know, to be of any service to your father's children.... We must see a

great deal of each other.'

'Thank you very much,' said Betty, considering.

Mrs. Venables perceived the pondering glance of the melancholy eyes, and

leaned forward, laying a gentle hand on the thin childish one, waiting

confidence.

'Well ... if you would be so awfully kind as to l-lend us twenty

francs,' the sad tones stammered.

'Lend you....'

Mrs. Venables drew back; her surprise startled Betty. It was, surely, a

very usual and natural request.

'Of course,' Mrs. Venables said gently, after a moment. 'I will give it

to you now.... I am so sorry....'

'Thank you tremendously.'

Betty put the notes in her purse. Mrs. Venables became aware that the

Crevequer smile, with the single dimple, was rather engaging. Then Tommy

came up with Venables, and said it was time to go away.

Miss Varley, as she said good-bye, referred to Betty's statement that

she sometimes posed.

'Will you for me? I am painting a picture, and I should be very grateful

if you would.'

The unsmiling directness of the tone made the request very much a matter

of business. Betty said she would.

'Warren and Prudence are always painting,' Miranda explained mournfully.

'Their pictures are rotten, I think; I hate them.'

The Crevequers went.

'Very picturesque; very striking; very sad,' Mrs. Venables observed.

'Very obvious,' Warren commented. 'I would have betted a guinea that

Crevequer would borrow from me; he did. I call that so obvious as to be

tiresome.'

To his cousin, a little later, he remarked:

'You're standing on a quite false pedestal of superiority, you know.

Because you're going to paint her yourself. Where's the difference?'

'Ah, well, there is some. To me she's frankly copy, you see; I shall

pretend nothing else; I shan't call it making friends--don't you see?

There's where it comes in.'

'All the same, you'll be doing what you repudiate; you'll be making use

for your own ends of what you wouldn't otherwise have anything to do

with. You're in a false position; you can't escape that by

sophistries.'

'If I am, I shall have to be more than ever careful not to make it

falser by throwing veils over it,' said Prudence Varley consideringly.

She had the air of a person of a very delicate sense of

justice--delicate almost to exaggeration. One detected it in her

farsighted grey eyes, with the twinkle that lurked just within call.

Warren chuckled.

'Poor model! You needn't make it so hard as all that for her; let her

have a veil or two--it's so much more comfortable.'

Prudence shook her head with decision.

'It wouldn't be fair; it would be ugly.'

Warren smiled again--at her characteristic habit of arriving, with great

deliberation, at her own position in a matter, and remaining in it

unshaken. If to her perception an immense difference stretched between

the frankness of taking copy as such, and ending there, and the course

of tact and sympathy and 'achievement of intimacy' which his mother

pursued, no accusations of sophistry or overniceness would bridge that

gulf to her.

'Well,' Venables said, half defensively, 'Mother really is interested,

you know--very much so.'

Prudence frowned over it, half abstractedly.

'As I see it, you either like people or you don't. If you don't, and yet

make use of them, they've got to know how the thing stands and all about

it.'

'The Crevequers, you know,' Venables said, 'are quite clever enough to

know "all about it," even if you do use a veil or two.'

'Are they?' Prudence's eyes mused. 'Oh, I dare say they're clever enough

to know. But, Warren, I have a feeling about them--it came to me in the

middle of lunch, quite suddenly--that they _don't_ know; that, somehow,

either because they are made so, or because they've missed their

chances, they know--well, really very little indeed about themselves and

how they stand. And that--if that's so--makes it worse; because, do you

see, if we accepted them, they would take it naturally, and be content

to be accepted; and all the time there would be all kinds of things

between us, that we knew of and that they didn't. That would be ugly.

Don't you see? But if we don't accept them, the things between don't

matter; it's all right and fair.'

'Well, it may be. Anyhow, if that's what mother would call your "mental

standpoint," I'm a little sorry for Miss Crevequer. It will be an

embarrassing sitting--except that I can't quite imagine either of you

embarrassed.... Personally, you know, they amuse me quite a lot.'

'Oh, well, as to that----' The twinkle came to the front of the grey

eyes.

* * * * *

The Crevequers, lounging about Santa Lucia that evening, had their own

comments to make. They were a little puzzled.

'Why _not_ be a Catholic?' Tommy pondered, with knitted forehead. 'What

else should a man be? Why is it funnier than to be a heretic, or a Jew,

or a Buddhist? Perhaps those things _are_ interesting, though, if once

one begins thinking about them. We aren't interested in enough things,

Betty. Let's study agnostics, and begin with Mrs. Venables. We'll ask

her how she feels in church, and say "this is most impressive," as she

does. Do agnostics go to church, at least?'

'She does. She watches the devout worshippers. We must think of some

nice striking things to tell her, Tommy. She likes that, and we ought to

do it, as they've been so kind to us--about how the contadini round Baja

still pray to Pan, and things of that sort, that foreigners always like

to hear. Would she take that, do you think? No, not quite,

perhaps--rather risky. It was very nice of them to lend us both money;

and they won't be in a hurry, I should think. I shall rather like to sit

to Miss Varley; she's nice to look at, don't you think? She doesn't say

very much, but then I can do that.'

'Well, I call them all rather decent,' Tommy said.

They stood for a little and listened to the soft sound of the little

night waves scraping the shingle, and looked over the still, dark bay,

cut across by the golden road of the three-quarter moon, to where the

pine-shaped column above Vesuvius hung and blazed intermittently.

'Something ominous in that sign that the sleeping monster still lives,'

murmured Betty. Then, in answer to a questioning stare, 'Not my

own--Mrs. Venables. Tommy, I'm sleepy; let's go to bed.'

'No,' said Tommy--'supper at Brunati's. We'll find some one to have it

with us.'

Betty looked dubious.

'To-morrow, don't you think? We really did have such a splendid

lunch....'

'To-night,' said Tommy recklessly. 'They must have had tea just after we

left them, and dinner after that, and I expect they eat more at it than

they did at lunch. We're as good as they are, I should think.'

The Furnace · 第 3 / 13 章