CHAPTER XXI.

VOICES AND VISIONS.

Madame Bylles herself walked into the great work-room of Mesdames

Fillmer & Bylles, one Saturday morning.

Madame Bylles was a lady of great girth and presence. If Miss Tonker

were sub-aristocratic, Madame Bylles was almost super-aristocratic,

so cumulative had been the effect upon her style and manner of

constant professional contact with the élite. Carriages had rolled

up to her door, until she had got the roll of them into her very

voice. Airs and graces had swept in and out of her private

audience-room, that had not been able to take all of themselves away

again. As the very dust grows golden and precious where certain

workmanship is carried on, the touch and step and speech of those

who had come ordering, consulting, coaxing, beseeching, to her

apartments, had filled them with infinitesimal particles of a

sublime efflorescence, by which the air itself in which they floated

became--not the air of shop or business or down-town street--but the

air of drawing-room, and bon-ton, and Beacon Hill or the New Land.

And Madame Bylles breathed it all the time; she dwelt in the courtly

contagion. When she came in among her work-people, it was an advent

of awe. It was as if all the elegance that had ever been made up

there came floating and spreading and shining in, on one portly and

magnificent person.

But when Madame Bylles came in, in one of her majestic hurries!

Then it was as if the globe itself had orders to move on a little

faster, and make out the year in two hundred and eighty days or so,

and she was appointed to see it done.

She was in one of these grand and grave accelerations this morning.

Miss Pashaw's marriage was fixed for a fortnight earlier than had

been intended, business calling Mr. Soldane abroad. There were

dresses to be hurried; work for over-hours was to be given out. Miss

Tonker was to use every exertion; temporary hands, if reliable,

might be employed. All must be ready by Thursday next; Madame Bylles

had given her word for it.

The manner in which she loftily transmitted this grand intelligence,

warm from the high-born lips that had favored her with the

confidence,--the air of intending it for Miss Tonker's secondarily

distinguished ear alone, while the carriage-roll in her accents bore

it to the farthest corner in the room, where the meekest little

woman sat basting,--these things are indescribable. But they are in

human nature: you can call them up and scrutinize them for yourself.

Madame Bylles receded like a tidal wave, having heaved up, and

changed, and overwhelmed all things.

A great buzz succeeded her departure; Miss Tonker followed her out

upon the landing.

"I'll speak for that cashmere peignoir that is just cut out. I'll

make it nights, and earn me an ostrich band for my hat," said Elise

Mokey.

One spoke for one thing; one another; they were claimed beforehand,

in this fashion, by a kind of work-women's code; as publishers

advertise foreign books in press, and keep the first right by

courtesy.

Miss Proddle stopped her machine at last, and caught the news in her

slow fashion hind side before.

"We might some of us have overwork, I should think; shouldn't you?"

she asked, blandly, of Miss Bree.

Aunt Blin smiled. "They've been squabbling over it these five

minutes," she replied.

Aunt Blin was sure of some particular finishing, that none could do

like her precise old self.

Kate Sencerbox jumped up impatiently, reaching over for some fringe.

"I shall have to give it up," she whispered emphatically into Bel

Bree's ear. "It's no use your asking me to go to Chapel any more. I

ain't sanctified a grain. I did begin to think there was a kind of

work of grace begun in me,--but I _can't_ stand Miss Proddle! What

_are_ people made to strike ten for, always, when it's eleven?"

"I think _we_ are all striking _twelve_" said Bel Bree. "One's too

fast, and another's too slow, but the sun goes round exactly the

same."

Miss Tonker came back, and the talk hushed.

"Clock struck one, and down they run, hickory, dickory, dock," said

Miss Proddle, deliberately, so that her voice brought up the

subsiding rear of sound and was heard alone.

"What _under_ the sun?" exclaimed Miss Tonker, with a gaze of

mingled amazement, mystification, and contempt, at the poor old

maiden making such unwonted noise.

"Yes'm," said Kate Sencerbox. "It is 'under the sun,' that we're

talking about; the way things turn round, and clocks strike; some

too fast, and some too slow; and--whether there's anything new under

the sun. I think there is; Miss Proddle made a bright speech, that's

all."

Miss Tonker, utterly bewildered, took refuge in solemn and

supercilious disregard; as if she saw the joke, and considered it

quite beneath remark.

"You will please resume your work, and remember the rules," she

said, and sailed down upon the cutters' table.

There was a certain silk evening dress, of singular and

indescribably lovely tint,--a tea-rose pink; just the color of the

blush and creaminess that mingle themselves into such delicious

anonymousness in the exquisite flower. It was all puffed and fluted

till it looked as if it had really blossomed with uncounted curving

petals, that showed in their tender convolutions each possible

deepening and brightening of its wonderful hue.

It _looked_ fragrant. It conveyed a subtle sense of flavor. It fed

and provoked every perceptive sense.

It was not a dress to be hurried with; every quill and gather of its

trimming must be "set just so;" and there was still one flounce to

be made, and these others were only basted, as also the corsage.

After the hours were up that afternoon, Miss Tonker called Aunt Blin

aside. She uncovered the large white box in which it lay,

unfinished.

"You have a nice room, Miss Bree. Can you take this home and finish

it,--by Wednesday? In over-hours, I mean; I shall want you here

daytimes, as usual. It has been tried on; all but for the hanging of

the skirt; you can take the measures from the white one. _That_ I

shall finish myself."

Aunt Blin's voice trembled with humble ecstasy as she answered. She

thanked Miss Tonker in a tone timid with an apprehension of some

possible unacceptableness which should disturb or change the

favoring grace.

"Certainly, ma'am. I'll spread a sheet on the floor, and put a

white cloth on the table. Thank you, ma'am. Yes; I have a nice room,

and nothing gets meddled with. It'll be quite safe there. I'm sure

I'm no less than happy to be allowed. You're very kind, ma'am."

Miss Tonker said nothing at all to the meekly nervous outpouring.

She did not snub her, however; that was something.

Miss Bree and her niece, between them, carried home the large box.

On the way, a dream ran through the head of Bel. She could not help

it.

To have this beautiful dress in the house,--perhaps to have to stand

up and be tried to, for the fall of its delicate, rosy trail; with

the white cloth on the floor, and the bright light all through the

room,--why it would be almost like a minute of a ball; and what if

the door should be open, and somebody should happen to go by,

up-stairs? If she could be so, and be seen so, just one minute, in

that blush-colored silk! She should like to look like that, just

once, to somebody!

Ah, little Bel! behind all her cosy, practical living--all her busy

work and contentedness--all her bright notions of what might be

possible, for the better, in things that concerned her class,--she

had her little, vague, bewildering flashes of vision, in which she

saw impossible things; things that might happen in a book, things

that must be so beautiful if they ever did really happen!

A step went up and down the stairs and along the passage by her

aunt's room, day by day, that she had learned to notice every time

it came. A face had glanced in upon her now and then, when the door

stood open for coolness in the warm September weather, when they

had been obliged to have a fire to make the tea, or to heat an iron

to press out seams in work that they were doing. One or two days of

each week, they had taken work home. On those days, they did,

perhaps, their own little washing or ironing, besides; sewing

between whiles, and taking turns, and continuing at their needles

far on into the night. Once Mr. Hewland had come in, to help Aunt

Blin with a blind that was swinging by a single hinge, and which she

was trying, against a boisterous wind, to reset with the other.

After that, he had always spoken to them when he met them. He had

opened and shut the street-door for them, standing back,

courteously, with his hat in his hand, to let them pass.

Aunt Blin,--dear old simple, kindly-hearted Aunt Blin, who believed

cats and birds,--_her_ cat and bird, at least,--might be thrown

trustfully into each other's company, if only she impressed it

sufficiently upon the quadruped's mind from the beginning, that the

bird was "very, _very_ precious,"--thought Mr. Hewland was "such a

nice young man."

And so he was. A nice, genial, well-meaning, well-bred gentleman;

above anything ignoble, or consciously culpable, or common. His

danger lay in his higher tendencies. He had artistic tastes; he was

a lover of all grace and natural sweetness; no line of beauty could

escape him. More than that, he drew toward all that was most

genuine; he cared nothing for the elegant artificialities among

which his social position placed him. He had been singularly

attracted by this little New Hampshire girl, fresh and pretty as a

wild rose, and full of bright, quaint ways and speech, of which he

had caught glimpses and fragments in their near neighborhood. Now

and then, from her open window up to his had come her gay, sweet

laugh; or her raised, gleeful tone, as she said some funny, quick,

shrewd thing in her original fashion to her aunt.

Through the month of August, while work was slack, and the Hewland

family was away travelling, and other lodgers' rooms were vacated,

the Brees had been more at home, and Morris Hewland had been more in

his rooms above, than had been usual at most times. The music

mistress had taken a vacation, and gone into the country; only old

Mr. Sparrow, lame with one weak ankle, hopped up and down; and the

spare, odd-faced landlady glided about the passages with her prim

profile always in the same pose, reminding one of a badly-made

rag-doll, of which the nose, chin, and chest are in one invincible

flat line, interrupted feebly by an unsuccessful hint of drawing in

at the throat.

Mr. Hewland liked June for his travels; and July and August, when

everybody was out of the way, for his quiet summer work.

The Hewlands called him odd, and let him go; he stayed at home

sometimes, and he happened in and out, they knew where to find him,

and there was "no harm in Morris but his artistic peculiarities."

He had secured in these out-of-the way-lodgings in Leicester Place,

one of the best north lights that could be had in the city; he would

not take a room among a lot of others in a Studio Building. So he

worked up his studies, painted his pictures, let nobody come near

him except as he chose to bring them, and when he wanted anything of

the world, went out into the world and got it.

Now, something had come right in here close to him, which brought

him a certain sense of such a world as he could not go out into at

will, to get what he wanted. A world of simplicities, of blessed

contents, of unworn, joyous impulses, of little new, unceasing

spontaneities; a world that he looked into, as we used to do at

Sattler's Cosmoramas, through the merest peepholes, and comprehended

by the merest hints; but which the presence of this girl under the

roof with himself as surely revealed to him as the wind-flower

reveals the spring.

On her part, Bel Bree got a glimpse, she knew not how, of a world

above and beyond her own; a world of beauty, of power, of reach and

elevation, in which people like Morris Hewland dwelt. His step, his

voice, his words now and then to the friend or two whom he had the

habit of bringing in with him,--the mere knowledge that he "made

pictures," such pictures as she looked at in the windows and in

art-dealers' rooms, where any shop-girl, as freely as the most

elegant connoisseur, can go in and delight her eyes, and inform her

perceptions,--these, without the face even, which had turned its

magnetism straight upon hers only once or twice, and whose

revelation was that of a life related to things wide and full and

manifold,--gave her the stimulating sense of a something to which

she had not come, but to which she felt a strange belonging.

Beside,--alongside--in each mind, was the undeveloped mystery; the

spell under which a man receives such intuitions through a woman's

presence,--a woman through a man's. Yet these two individuals were

not, therefore, going to be necessary to each other, in the plan of

God. Other things might show that they were not meant, in rightness,

for each other; they represented mutually, something that each life

missed; but the something was in no special companionship; it was a

great deal wider and higher than that. They might have to learn that

it was so, nevertheless, by some briefly painful process of

experience. If in this process they should fall into mistake and

wrong,--ah, there would come the experience beyond the experience,

the depth they were not meant to sound, yet which, if they let their

game of life run that way, they could not get back from but through

the uttermost. They must play it out; the move could not be taken

back,--yet awhile. The possible better combinations are in God's

knowledge; how He may ever reset the pieces and give his good

chances again, remains the hidden hope, resting upon the Christ that

is in the heart of Him.

One morning Morris Hewland had come up the stairs with a handful of

tuberoses; he was living at home, then, through the pleasant

September, at his father's country place, whence the household would

soon remove to the city for the winter.

Miss Bree's door was open. She was just replacing her door-mat,

which she had been shaking out of the entry window. She had an old

green veil tied down over her head to keep the dust off; nobody

could suspect any harm of a wish or a willingness to have a word

with her; Morris Hewland could not have suspected it of himself, if

he had indeed got so far as to investigate his passing impulses.

There was something pitiful in the contrast, perhaps, of the pure,

fresh, exquisite blossoms, and the breath of sweet air he and they

brought with them in their swift transit from the places where it

blessed all things to the places where so much languished in the

need of it, not knowing, even, the privation. The old, trodden,

half-cleansed door-mat in her hands,--the just-created beauty in

his. He stopped, and divided his handful.

"Here, Miss Bree,--you would like a piece of the country, I imagine,

this morning! I couldn't have come in without it."

The voice rang blithe and bright into the room where Bel sat,

basting machine work; the eyes went after the voice.

The light from the east window was full upon the shining hair, the

young, unworn outlines, the fresh, pure color of the skin. Few city

beauties could bear such morning light as that. Nothing but the

morning in the face can meet it.

Morris Hewland lifted his hat, and bowed toward the young girl,

silently. Then he passed on, up to his room. Bel heard his step,

back and forth, overhead.

The tuberoses were put into a clear, plain tumbler. Bel would not

have them in the broken vase; she would not have them in a _blue_

vase, at all. She laid a white napkin over the red of the

tablecloth, and set them on it. The perfume rose from them and

spread all through the room.

"I am so glad we have work at home to-day," said Bel.

There had been nothing but little things like these; out into Bel's

head, as she and Aunt Blin carried home the tea-blush silk, and laid

it by with care in its white box upon the sofa-end, came that little

wish, with a spring and a heart-beat,--"If she might have it on for

a minute, and if in that minute he might happen to come by!"

She did not think she was planning for it; but when on the Tuesday

evening the step went down the stairs at eight o'clock, while they

sat busily working, each at a sleeve, by the drop-light over the

white-covered table, a little involuntary calculation ran through

her thoughts.

"He always comes back by eleven. We shall have two hours' work--or

more,--on this, if we don't hurry; and it's miserable to hurry!"

They stitched on, comfortably enough; yet the sleeves were finished

sooner than she expected. Before nine o'clock, Aunt Blin was sewing

them in. Then Bel wanted a drink of water; then they could not both

get at the waist together; there was no need.

"I'll do it," said Bel, out of her conscience, with a jump of fright

as she said it, lest Aunt Blin should take her at her word, and

begin gauging and plaiting the skirt.

"No, you rest. I shall want you by and by, for a figure."

"May I have it _all_ on?" says Bel eagerly. "Do, Auntie! I should

just like to be in such a dress once--a minute!"

"I don't see any reason why not. _You_ couldn't do any hurt to it,

if 'twas made for a queen," responded Aunt Blin.

"I'll do up my hair on the top of my head," said Bel.

And forthwith, at the far end of the room, away from the delicate

robe and its scattered material, she got out her combs and brushes,

and let down her gleaming brown hair.

It took different shades, from umber to almost golden, this "funny

hair" of hers, as she called it. She thought it was because she had

faded it, playing out in the sun when she was a child; but it was

more like having got the shine into it. It did not curl, or wave;

but it grew in lovely arches, with roots even set, around her

temple and in the curves of her neck; and now, as she combed it up

in a long, beautiful mass, over her grasping hand, raising it with

each sweep higher toward the crown of her pretty head, all this

vigorous, beautiful growth showed itself, and marked with its

shadowy outline the dainty shapings. One twist at the top for the

comb to go in, and then she parted it in two, and coiled it like a

golden-bronze cable; and laid it round and round till the foremost

turn rested like a wreath midway about her head. She pulled three

fresh geranium leaves and a pink-white umbel of blossom from the

plant in the window, and tucked the cluster among the soft front

locks against the coil above the temple.

Then she took off the loose wrapping-sack she had thrown over her

shoulders, washed her fingers at the basin, and came back to her

seat under the lamp.

Aunt Blin looked up at her and smiled. It was like having it all

herself,--this youth and beauty,--to have it belonging to her, and

showing its charming ways and phases, in little Bel. Why shouldn't

the child, with her fair, sweet freshness, and the deep-green,

velvety leaves making her look already like a rose against which

they leaned themselves, have on this delicate rose dress? If things

stayed, or came, where they belonged, to whom should it more

fittingly fall to wear it than to her?

Bel watched the clock and Aunt Blin's fingers.

It was ten when the plaits and gathers were laid, and the skirt

basted to its band for the trying. Bel was dilatory one minute, and

in a hurry the next.

"It would be done too soon; but he might come in early; and, O dear,

they hadn't thought,--there was that puffing to put round the

corsage, bertha-wise, with the blonde edging. 'It was all ready;

give it to her.'"

"Now!"

The wonderful, glistening, aurora-like robe goes over her head; she

stands in the midst, with the tender glowing color sweeping out from

her upon the white sheet pinned down above the carpet.

Was that anybody coming?

Aunt Blin left her for an instant to put up the window-top that had

been open to cool the lighted and heated room. Bel might catch cold,

standing like this.

"O, it is _so_ warm, Auntie! We can't have everything shut up!" And

with this swift excuse instantly suggesting itself and making

justification to her deceitful little heart that lay in wait for it,

Bel sprang to the opposite corner where the doorway opened full

toward her, diagonally commanding the room. She set it hastily just

a hand's length ajar. "There is no wind in the entry, and nobody

will come," she said.

When she was only excitedly afraid there wouldn't! I cannot justify

little Bel. I do not try to.

"Now, see! isn't it beautiful?"

"It sags just a crumb, here at the left," said Aunt Blin, poking and

stooping under Bel's elbow. "No; it is only a baste give way. You

shouldn't have sprung so, child."

The bare neck and the dimpled arms showed from among the cream-pink

tints like the high white lights upon the rose. Bel had not looked

in the glass yet: Aunt Blin was busy, and she really had not thought

of it; she was happy just in being in that beautiful raiment--in the

heart of its color and shine; feeling its softly rustling length

float away from her, and reach out radiantly behind. What is there

about that sweeping and trailing that all women like, and that

becomes them so? That even the little child pins a shawl about her

waist and walks to and fro, looking over her shoulder, to get a

sensation of?

The door _did_ shut, below. A step did come up the stairs, with a

few light springs.

Suddenly Bel was ashamed!

She did not want it, now that it had come! She had set a dreadful

trap for herself!

"O, Aunt Blin, let me go! Put something over me!" she whispered.

But Aunt Blin was down on the floor, far behind her, drawing out and

arranging the slope of the train, measuring from hem to band with

her professional eye.

The footstep suddenly checked; then, as if with an as swift

bethinking, it went by. But through that door ajar, in that bright

light that revealed the room, Morris Hewland had been smitten with

the vision; had seen little Bel Bree in all the possible flush of

fair array, and marvelous blossom of consummate, adorned loveliness.

Somehow, it broke down the safeguard he had had.

In what was Bel Bree different, really, from women who wore such

robes as that, with whom he had danced and chatted in drawing-rooms?

Only in being a thousand times fresher and prettier.

After that, he began to make reasons for speaking to them. He

brought Aunt Blin a lot of illustrated papers; he lent them a

stereoscope, with Alpine and Italian views; he brought down a

picture of his own, one day, to show them; before October was out,

he had spent an evening in Aunt Blin's room, reading aloud to them

"Mirèio."

Among the strange metaphysical doublings which human nature

discovers in itself, there is such a fact, not seldom experienced,

as the dreaming of a dream.

It is one thing to dream utterly, so that one believes one is

awake; it is another to sleep in one's dream, and in a vision give

way to vision. It is done in sleep, it is done also in life.

This was what Bel Bree--and it is with her side of the experience

that I have business--was in danger now of doing.

It is done in life, as to many forms of living--as to religion, as

to art. People are religious, not infrequently because they are in

love with the idea of being so, not because they are simply and

directly devoted to God. They are æsthetic, because "The Beautiful"

is so beautiful, to see and to talk of, and they choose to affect

artistic having and doing; but they have not come even into that

sheepfold by the door, by the honest, inevitable pathway that their

nature took because it must,--by the entrance that it found through

a force of celestial urging and guidance that was behind them all

the while, though they but half knew it or understood.

Women fall in love that way, so often! It is a lovely thing to be

loved; there is new living, which seems to them rare and grand, into

which it offers to lift them up. They fall into a dream about a

dream; they do not lay them down to sleep and give the Lord their

souls to keep, till He shall touch their trustful rest with a divine

fire, and waken them into his apocalypse.

It was this atmosphere in which Morris Hewland lived, and which he

brought about him to transfuse the heavier air of her lowly living,

that bewildered Bel. And she knew that she was bewildered. She knew

that it was the poetic side of her nature that was stirred, excited;

not the real deep, woman's heart of her that found, suddenly, its

satisfying. If women will look, they can see this.

She knew--she had found out--that she was a fair picture in the

artist's eyes; that the perception keen to discover and test and

analyze all harmonies of form and tint,--holding a hallowed,

mysterious kinship in this power to the Power that had made and

spoken by them,--turned its search upon her, and found her lovely in

the study. It was as if a daisy bearing the pure message and meaning

of the heavenly, could thrill with the consciousness of its

transmission; could feel the exaltation of fulfilling to a human

soul, grand in its far up mystery and waiting upon God,--one of his

dear ideas.

There was something holy in the spirit with which she thus realized

her possession of maidenly beauty; her gift of mental charm and

fitness even; it was the countersign by which she entered into this

realm of which Morris Hewland had the freedom; it belonged to her

also,--she to it; she had received her first recognition. It was a

look back into Paradise for this Eve's daughter, born to labor, but

with a reminiscence in her nature out of which she had built all her

sweetest notions of being, doing, abiding; from which came

the-home-picture, so simple in its outlines, but so rich and gentle

in all its significance, that she had drawn to herself as "her

wish"; the thing she would give most, and do most, to have come

true.

But all this was not necessarily love, even in its beginning,--though

she might come for a while to fancy it so,--for this one

man. It was a thing between her own life and the Maker of it; an

unfolding of herself toward that which waited for her in Him, and

which she should surely come to, whatever she might grasp at

mistakenly and miss upon the way.

Morris Hewland--young, honest-hearted, but full of a young man's

fire and impulse, of an artist's susceptibility to outward beauty,

of the ready delight of educated taste in fresh, natural, responsive

cleverness--was treading dangerous ground.

He, too, knew that he was bewildered; and that if he opened his eyes

he should see no way out of it. Therefore he shut his eyes and

drifted on.

Aunt Blin, with her simplicity,--her incapacity of believing, though

there might be wrong and mischief in the world, that anybody she

knew could ever do it, sat there between them, the most bewildered,

the most inwardly and utterly befooled of the three.

The Other Girls · 第 21 / 35 章