CHAPTER XII

We fell back upon the sublime, the luminous art of newspaper

advertisement. Alluring pictures of natty maids in jaunty caps and

perfectly fitting dresses, as an answer to the question, "Do you need

help?" emerged from our subliminal consciousness, capped by the legend,

"If so, advertise in ----" So we advertised in ----. Each newspaper

seemed to vie with the other in exquisite promises to be-cook our

kitchen. There appeared to be no possible, probable shadow of doubt

about the proceeding. It was so easy that the inelegant simile of

"rolling off a log" impressed us as being absolutely justifiable. I

flatter myself that the advertisements I composed were delightful--gems

of succinct thought, though Letitia seemed dubious.

"I think you ought to offer some inducement," she said, "in order that

our advertisement should stand out from the rest--something to indicate

that we really are desperate. I suppose--please don't smile,

Archie--that it wouldn't do to hint that we give handsome Christmas

presents."

"What an immoral suggestion, Letitia!" I exclaimed testily. "It is

putting a premium on cupidity and incompetence. I am surprised at you.

Moreover, it is so horribly suggestive of the idea of beating a hasty

retreat after the receipt of those presents."

"Don't be so snappy, Archie," retorted Letitia peevishly. "I am merely

trying to throw light upon the situation. We ought to do something. What

do you say to mentioning matinée tickets once a week?"

"Or souvenirs if she runs for a hundred nights," I suggested gloomily.

"Of course," said Letitia resignedly, "if you ridicule everything I say,

there is no use my making further remarks. Put in the advertisement as

you like--'Cook wanted.' How original! Eighteen hundred people want

cooks, and eighteen hundred people won't get them. I merely meant to

emphasize our own special need. Do you think"--suddenly--"that if we

made it worth while at the newspaper offices, they would print our

advertisement in red ink--right in the center of all the others--or--or

in gold?"

"No, my girl," I replied shortly, pretending to look very sapient, as

though I were marvelously familiar with the inner workings of newspaper

offices. Then, conciliatingly, "Your idea is good, Letitia, but

impracticable. We must take our chance with the vulgar herd."

"At any rate," she cried despairingly, "you can surely say that this is

a lovely, refined home, with scarcely anything for a cook to do,

and--and--paint it up, Archie; paint it up. Moreover, we want a clean

slate, as Aunt Julia suggested--something inexperienced for me to

teach."

To my credit, be it said, I did not smile. The effort to resist was

intense, almost painful, but I succeeded in maintaining an owl-like

expression, and Letitia's quick glance at me--a glance that seemed to

suggest that she expected and dreaded a smile--was wasted.

We advertised in five papers, and the sense of elation that came with

the deposit of each advertisement was most refreshing. It looked as

though failure were impossible. Letitia calculated that seven million

people in New York would know of our need, and when I told her that

there were not seven million people in the greater city, she airily

decided that some of them therefore would know it twice--a piece of

logic that needed no squelching. That evening, that cookless evening of

waiting, after a restaurant dinner that had been particularly

indigestible and saddening, we discussed in low voice the possibilities

of the morrow.

Five advertisements! Letitia wondered what the neighborhood would think

of the crowd of aspiring, eager cooks that must assuredly besiege our

door. She even suggested that I notify the nearest police station, and

ask for a special squad of police to keep order. Her enthusiasm was

contagious. I pictured the battling mob outside--long lines of

throbbing, expectant women clamoring for an interview. The moral effect

of advertising is quite irresistible. It is not to be gainsaid. Whatever

the mere practical results may be, there is no doubt in the world but

that advertisement, psychologically, is worth its price. The notion that

from all the readers of five important newspapers, entering into all the

nooks and crannies of metropolitan life, a huge and varied collection of

cooks would fail to materialize was ridiculous. It was not to be

entertained for a moment. Letitia even mentioned the possibilities of

the poor women waiting outside all night on camp stools; in fact, taking

a look into the electric-lighted street, at about eleven o'clock, she

announced positively that she saw two women already standing outside the

door.

"If I were quite sure that they were applicants," said Letitia, "I'd ask

them up at once, and listen to them. Perhaps we ought to send out a

little soup or hot coffee."

I remembered my experience in the elevated train. It recurred to my mind

so vividly that I uttered a "Pshaw!" rather brusquely, and then meekly

told Letitia that she was probably mistaken.

"You see," remarked Letitia thoughtfully, "five advertisements in one

day, are rather unusual. There are bound to be results. Think of the

colossal population of Greater New York! In fact, Archie, I really feel

a bit afraid. We have perhaps reared a Frankenstein. I am not at all

sure that I can cope with an immense crowd."

My rest that night was fitful. I had nightmare of a most distressing

nature, which I will refrain from describing for the reason that daymare

seems more popular, as a rule, with readers. Letitia rose at seven

o'clock just as I had fallen into refreshing slumber, and went, in her

nightgown, into the drawing-room to note the line of cooks from the

window. I was unable to sleep again, and lay there awaiting her return,

anxious and uncomfortable.

She came back, looking like Lady Macbeth, and exclaimed in a voice of

dire amazement: "Not a soul, Archie! Positively, there's not a human

creature in the street. What can it mean?"

"It's early," I suggested feebly.

"Oh, nonsense!" cried Letitia. "Out of four million people, there must

be a very large percentage that doesn't regard seven o'clock as so

frightfully early. Perhaps the police, seeing a mob, ordered it to

disperse and reassemble later. At any rate, we had better get ready. How

annoying! I forgot all about breakfast, and we can not leave the house.

I must prepare some coffee, and with the crackers that Aunt Julia

bought, we must make shift."

After this meal, that was strangely lacking in solidity and in various

other qualities--Letitia's coffee tasting like slate-pencils, only not

quite so nice--we stationed ourselves at the window. We saw cable-cars,

horse-cars, wagons, cabs, perambulators. We noted tradesmen, and

tradeswomen, schoolgirls and schoolboys, business-men and

business-women. There was plenty to look at, but there was no cook.

Letitia grew restive; I became nervous. Every feminine creature that

approached seemed to be a cook--until she went past. We looked at each

petticoated passer-by, with the avid expectation of hearing her ring our

door-bell and ask to be taken in.

"There's one!" cried Letitia excitedly. "I bet you anything that she's

going to ring. How shabby her skirt is, poor thing. And just look at her

hat! She is reading the numbers on the doors. Yes, she's stopping here.

She--she--"

Went by.

"This time," I exclaimed, "I'll wager anything that--look, Letitia!--the

girl opposite is going to apply. She has a newspaper in her hand and she

keeps reading it. I'm not often mistaken, Letitia. When I do venture a

prophecy, it is generally correct. Ah, I told you so. She is looking up

at us. She has crossed the street. She has examined the house.

She--she--"

Went next door.

Mariana, in her moated grange, may have had an unpleasant time of it, as

she "glanced athwart the glooming flats." (I should have indignantly

called them "blooming" flats, but unfortunately I'm not Tennyson.) Then,

in Mariana's case, "old faces glimmer'd thro' the doors," which must

have made things cheerful for her. With us, neither old faces nor young

ones "glimmer'd" through anything whatsoever. Gladly would we have

hailed them, for, in good sooth, we were "aweary, weary." We "drew the

casement curtain by"--Letitia begged me to be careful, as it had just

been done up--and stood there, stolidly, silently. There were no

moldering wainscots, or flitting bats, or rusted nails, or oxen's low.

In spite of which I am perfectly convinced that Mariana was less

miserable than we were, as at eleven o'clock, the awful certainty was

borne in upon us that "she cometh not."

"Perhaps," said Letitia dejectedly, "we are the victims of conspiracy.

Anna Carter, and Mrs. Potzenheimer, and Birdie Miriam McCaffrey may have

banded themselves together to--to ruin us."

"Letitia!"

"There is some reason for all this, Archie. It is to be accounted for in

some way. It is absolutely impossible that five important advertisements

in five important newspapers should have produced no fruit whatsoever. I

shall write to each paper and say, 'After advertising in your valuable

columns, I have come to the conclusion that you are no good.'"

"Why antagonize the newspapers?"

"I must have the satisfaction of recording our experience," she replied,

her face flushed, her eyes bright. "I shall do it, Archie. I intend--"

At that moment there was a ring at the front door-bell. Letitia,

wrought-up, nervously clutched my arm. For a moment a sort of paralysis

seized me. Then, alertly as a young calf, I bounded toward the door,

hope aroused, and expectation keen. It was rather dark in the outside

hall and I could not quite perceive the nature of our visitor. But I

soon gladly realized that it was something feminine, and as I held the

door open, a thin, small, soiled wisp of a woman glided in, and smiled

at me.

"_Talar ni svensk?_" she asked, but I had no idea what she meant. She

may have been impertinent, or even rude, or perhaps improper, but she

looked as though she might be a domestic, and I led her gently,

reverently, to Letitia in the drawing-room. I smiled back at her, in a

wild endeavor to be sympathetic. I would have anointed her, or bathed

her feet, or plied her with figs and dates, or have done anything that

any nationality craves as a welcome. As the front door closed, I heaved

a sigh of relief. Here was probably the quintessence of five

advertisements. Out of the mountain crept a mouse, and quite a little

mouse, too!

"_Talar ni svensk?_" proved to be nothing more outrageous than "Do you

speak Swedish?" My astute little wife discovered this intuitively. I

left them together, my mental excuse being that women understand each

other and that a man is unnecessary, under the circumstances. I had some

misgivings on the subject of Letitia and _svensk_, but the universal

language of femininity is not without its uses. I devoutly hoped that

Letitia would be able to come to terms, as the mere idea of a cook who

couldn't excoriate us in English was, at that moment, delightful. At the

end of a quarter of an hour I strolled back to the drawing-room. Letitia

was smiling and the handmaiden sat grim and uninspired.

"I've engaged her, Archie," said Letitia. "She knows nothing, as she has

told me, in the few words of English that she has picked up, but--you

remember what Aunt Julia said about a clean slate."

I gazed at the maiden, and reflected that while the term "slate" might

be perfectly correct, the adjective seemed a bit over-enthusiastic. She

was decidedly soiled, this quintessence of a quintette of

advertisements. I said nothing, anxious not to dampen Letitia's very

evident elation.

"She has no references," continued my wife, "as she has never been out

before. She is just a simple little Stockholm girl. I like her face

immensely, Archie--immensely. She is willing to begin at once, which

shows that she is eager, and consequently likely to suit us. Wait for

me, Archie, while I take her to the kitchen. _Kom_, Gerda."

Exactly why Letitia couldn't say "Come, Gerda," seemed strange. She

probably thought that _Kom_ must be Swedish, and that it sounded well.

She certainly invented _Kom_ on the spur of the Scandinavian moment, and

I learned afterward that it was correct. My inspired Letitia! Still, in

spite of all, my opinion is that "Come, Gerda," would have done just as

well.

"Isn't it delightful?" cried Letitia, when she joined me later. "I am

really enthusiastic at the idea of a Swedish girl. I adore Scandinavia,

Archie. It always makes me think of Ibsen. Perhaps Gerda Lyberg--that's

her name--will be as interesting as Hedda Gabler, and Mrs. Alving, and

Nora, and all those lovely complex Ibsen creatures."

"They were Norwegians, dear," I said gently, anxious not to shatter

illusions; "the Ibsen plays deal with Christiania, not with Stockholm."

"But they are so near," declared Letitia, amiable and seraphic once

more. "Somehow or other, I invariably mix up Norway and Sweden and

Denmark. I know I shall always look upon Gerda as an Ibsen girl, who has

come here to 'live her life,' or 'work out her inheritance.' Perhaps,

dear, she has some interesting internal disease, or a maggoty brain.

Don't you think, Archie, that the Ibsen inheritances are always most

fascinating? A bit morbid, but surely fascinating."

"I prefer a healthy cook, Letitia," I said meditatively, "somebody

willing to interest herself in our inheritance, rather than in her own."

"I don't mind what you say now," she pouted, "I am not to be put down by

clamor. We really have a cook at last, and I feel more lenient toward

you, Archie. Of course I was only joking when I suggested the Ibsen

diseases. Gerda Lyberg may have inherited from her ancestors something

quite nice and attractive."

"Then you mustn't look upon her as Ibsen, Letitia," I protested. "The

Ibsen people never inherit nice things. Their ancestors always bequeath

nasty ones. That is where their consistency comes in. They are

receptacles for horrors. Personally, if you'll excuse my flippancy, I

prefer Norwegian anchovies to Norwegian heroines. It is a mere matter of

opinion."

"I'm ashamed of you," retorted Letitia defiantly. "You talk like some of

the wretchedly frivolous criticisms, so called, that men like Acton

Davies, and Alan Dale inflict upon the long-suffering public. They never

amuse me. Ibsen may make his heroines the recipients of ugly legacies,

but he has never yet cursed them with the odious incubus known as 'a

sense of humor.' The people with a sense of humor have something in

their brains worse than maggots. We'll drop the subject, Archie. I'm

going to learn Swedish. Before Gerda Lyberg has been with us a month, I

intend to be able to talk fluently. It will be most useful. Next time we

go to Europe, we'll take in Sweden, and I'll do the piloting. I am going

to buy some Swedish books, and study. Won't it be jolly? And just think

how melancholy we were this morning, you and I, looking out of that

window, and trying to materialize cooks. Wasn't it funny, Archie? What

amusing experiences we shall be able to chronicle, later on!"

Letitia babbled on like half a dozen brooks, and thinking up a gentle

parody, in the shape of, "cooks may come, and men may go," I decided to

leave my household gods for the bread-earning contest down-town. I could

not feel quite as sanguine as Letitia, who seemed to have forgotten the

dismal results of the advertisement--just one little puny Swedish

result. I should have preferred to make a choice. Letitia was as pleased

with Gerda Lyberg as though she had been a selection instead of a

that-or-nothing.

If somebody had dramatized Gerda Lyberg's initial dinner, it would

probably have been considered exceedingly droll. As a serious episode,

however, its humor, to my mind, lacked spontaneity. Letitia had asked

her to cook us a little Swedish meal, so that we could get some idea of

Stockholm life, in which, for some reason or other, we were supposed to

be deeply interested. Unfortunately I was extremely hungry, and had

carefully avoided luncheon in order to give my appetite a chance. We sat

down to a huge bowl of cold greasy soup, in which enormous lumps of meat

swam, as though, for their life, awaiting rescue at the prongs of a

fork. In addition to this epicurean dish was a teeming plate of

water-soaked potatoes, delicately boiled. That was all. Letitia said

that it was Swedish, and the most annoying part of the entertainment was

that I was alone in my critical disapprobation. Letitia was so engrossed

with a little Swedish conversation book that she brought to table that

she forgot the mere material question of food--forgot everything but the

horrible jargon she was studying, and the soiled, wisp-like maiden, who

looked more unlike a clean slate than ever.

"What shall I say to her, Archie?" asked Letitia, turning over the pages

of her book, as I tried to rescue a block of meat from the cold fat in

which it lurked. "Here is a chapter on dinner. 'I am very hungry,' '_Jag

är myckel hungrig._' Rather pretty, isn't it? Hark at this: '_Kypare gif

mig matsedeln och vinlistan._' That means: 'Waiter, give me the bill of

fare, and the list of wines.'"

"Don't," I cried; "don't. This woman doesn't know what dining means.

Look out a chapter on feeding--or filling up."

Letitia was perfectly unruffled. She paid no attention to me whatsoever.

She was fascinated with the slovenly girl, who stood around and gaped at

her Swedish.

"Gerda," said Letitia, with her eyes on the book, "_Gif mir apven senap

och nägra potäter_." And then, as Miss Lyberg dived for the drowned

potatoes, Letitia exclaimed in an ecstasy of joy, "She understands,

Archie, she understands. I feel I am going to be a great success. _Jag

tackar_, Gerda. That means 'I thank you.' _Jag tackar._ See if you can

say it, Archie. Just try, dear, to oblige me. _Jag tackar._ Now, that's

a good boy, _jag tackar_."

"I won't," I declared spitefully. "No _jag tackar_-ing for a parody like

this, Letitia. You don't seem to realize that I'm hungry. Honestly, I

prefer a delicatessen dinner to this."

"'Pray, give me a piece of venison,'" read Letitia, absolutely

disregarding my mood. "'_Var god och gif mig ett stycke vildt._' It is

almost intelligible, isn't it dear? '_Ni äter icke_': you do not eat."

"I can't," I asserted mournfully, anxious to gain Letitia's sympathy.

It was not forthcoming. Letitia's eyes were fastened on Gerda, and I

could not help noting on the woman's face an expression of scorn. I felt

certain of it. She appeared to regard my wife as a sort of irresponsible

freak, and I was vexed to think that Letitia should make such an

exhibition of herself, and countenance the alleged meal that was set

before us.

"'I have really dined very well'," she continued joyously. "'_Jag har

verkligen atit mycket bra._'"

"If you are quite sure that she doesn't understand English, Letitia," I

said viciously, "I'll say to you that this is a kind of joke I don't

appreciate. I won't keep such a woman in the house. Let us put on our

things and go out and have dinner. Better late than never."

Letitia was turning over the pages of her book, quite lost to her

surroundings. As I concluded my remarks she looked up and exclaimed,

"How very funny, Archie. Just as you said 'Better late than never,' I

came across that very phrase in the list of Swedish proverbs. It must be

telepathy, dear. Better late than never,' '_Battre sent än aldrig_.'

What were you saying on the subject, dear? Will you repeat it? And do

try it in Swedish. Say '_Battre sent än aldrig_'."

"Letitia," I shot forth in a fury, "I'm not in the humor for this sort

of thing. I think this dinner, and this woman are rotten. See if you can

find the word rotten in Swedish."

"I am surprised at you," Letitia declared glacially, roused from her

book by my heroic though unparliamentary language. "Your expressions are

neither English nor Swedish. Please don't use such gutter-words before a

servant, to say nothing of your own wife."

"But she doesn't understand," I protested, glancing at Miss Lyberg. I

could have sworn that I detected a gleam in the woman's eyes and that

the sphinx-like attitude of dull incomprehensibility suggested a

strenuous effort. "She doesn't understand anything. She doesn't want to

understand."

"In a week from now," said Letitia, "she will understand everything

perfectly, for I shall be able to talk with her. Oh, Archie, do be

agreeable. Can't you see that I am having great fun? Don't be such a

greedy boy. If you could only enter into the spirit of the thing, you

wouldn't be so oppressed by the food question. Oh, dear! How important

it does seem to be to men. Gerda, _hur gammal är ni_?"

The maiden sullenly left the room, and I felt convinced that Letitia

had Swedishly asked her to do so. I was wrong. "_Hur gammal är ni?_"

Letitia explained, simply meant, "How old are you?"

"She evidently didn't want to tell me," was my wife's comment, as we

went to the drawing-room. "I imagine, dear, that she doesn't quite like

the idea of my ferreting out Swedish so persistently. But I intend to

persevere. The worst of conversation books is that one acquires a

language in such a parroty way. Now, in my book, the only answer to the

question 'How old are you?' is, 'I was born on the tenth of August,

1852.' For the life of me, I couldn't vary that, and it would be most

embarrassing. It would make me fifty-two. If any one asked me in Swedish

how old I was, I should _have_ to be fifty-two!"

"When I think of my five advertisements," I said lugubriously, as I

threw myself into an arm-chair, fatigued at my efforts to discover

dinner, "when I remember our expectation, and the pleasant anticipations

of to-day, I feel very bitter, Letitia. Just to think that from it all

nothing has resulted but that beastly mummy, that atrocious ossified

thing."

"Archie, Archie!" said my wife warningly; "please be calm. Perhaps I was

too engrossed with my studies to note the deficiencies of dinner. But do

remember that I pleaded with her for a Swedish meal. The poor thing did

what I asked her to do. Our dinner was evidently Swedish. It was not her

fault that I asked for it. To-morrow, dear, it shall be different. We

had better stick to the American régime. It is more satisfactory to you.

At any rate, we have somebody in the house, and if our five

advertisements had brought forth five hundred applicants we should only

have kept one. So don't torture yourself, Archie. Try and imagine that

we _had_ five hundred applicants, and that we selected Gerda Lyberg."

"I can't, Letitia," I said sulkily, and I heaved a heavy sigh.

"Come," she said soothingly, "come and study Swedish with me. It will be

most useful for your _Lives of Great Men_. You can read up the Swedes in

the original. I'll entertain you with this book, and you'll forget all

about Mrs. Potz--I mean Gerda Lyberg. By-the-by, Archie, she doesn't

remind me so much of Hedda Gabler. I don't fancy that she is very

subtile."

"You, Letitia," I retorted, "remind me of Mrs. Nickleby. You ramble on

so."

Letitia looked offended. She always declared that Dickens "got on her

nerves." She was one of the new-fashioned readers who have learned to

despise Dickens. Personally, I regretted only his nauseating sense of

humor. Letitia placed a cushion behind my head, smoothed my forehead,

kissed me, made her peace, and settled down by my side. Lack of

nourishment made me drowsy, and Letitia's babblings sounded vague and

muffled.

"It is a most inclusive little book," she said, "and if I can succeed in

memorizing it all I shall be quite at home with the language. In fact,

dear, I think I shall always keep Swedish cooks. Hark at this: 'If the

wind be favorable, we shall be at Grothenburg in forty hours.' '_Om

vinden är god, sa äro vi pa pyrtio timmar i Goteborg._' I think it is

sweetly pretty. 'You are seasick.' 'Steward, bring me a glass of brandy

and water.' 'We are now entering the harbor.' 'We are now anchoring.'

'Your passports, gentlemen.'"

A comfortable lethargy was stealing o'er me. Letitia took a pencil and

paper, and made notes as she plied the book. "A chapter on 'seeing a

town' is most interesting, Archie. Of course, it must be a Swedish town.

'Do you know the two private galleries of Mr. Smith, the merchant, and

Mr. Muller, the chancellor?' 'To-morrow morning, I wish to see all the

public buildings and statues.' '_Statyerna_' is Swedish for statues,

Archie. Are you listening, dear? 'We will visit the Church of the Holy

Ghost, at two, then we will make an excursion on Lake Mälan and see the

fortress of Vaxholm.' It is a charming little book. Don't you think that

it is a great improvement on the old Ollendorff system? I don't find

nonsensical sentences like 'The hat of my aunt's sister is blue, but the

nose of my brother-in-law's sister-in-law is red.'"

I rose and stretched myself. Letitia was still plunged in the irritating

guide to Sweden, where I vowed I would never go. Nothing on earth should

ever induce me to visit Sweden. If it came to a choice between Hoboken

and Stockholm, I mentally determined to select the former. As I paced

the room, I heard a curious splashing noise in the kitchen. Letitia's

studies must have dulled her ears. She was evidently too deeply

engrossed.

I strolled nonchalantly into the hall, and proceeded deliberately toward

the kitchen. The thick carpet deadened my footsteps. The splashing noise

grew louder. The kitchen door was closed. I gently opened it. As I did

so, a wild scream rent the air. There stood Gerda Lyberg in--in--my pen

declines to write it--a simple unsophisticated birthday dress, taking an

ingenuous reluctant bath in the "stationary tubs," with the plates, and

dishes, and dinner things grouped artistically around her!

The instant she saw me, she modestly seized a dish-towel, and shouted at

the top of her voice. The kitchen was filled with the steam from the hot

water. 'Venus arising' looked nebulous, and mystic. I beat a hasty

retreat, aghast at the revelation, and almost fell against Letitia, who,

dropping her conversation book, came to see what had happened.

"She's bathing!" I gasped, "in the kitchen--among the plates--near the

soup--"

"Never!" cried Letitia. Then, melodramatically: "Let me pass. Stand

aside, Archie. I'll go and see. Perhaps--perhaps--you had better come

with me."

"Letitia," I gurgled, "I'm shocked! She has nothing on but a

dish-towel."

Letitia paused irresolutely for a second, and going into the kitchen

shut the door. The splashing noise ceased. I heard the sound of voices,

or rather of a voice--Letitia's! Evidently she had forgotten Swedish,

and such remarks as "If the wind be favorable, we shall be at Gothenburg

in forty hours." I listened attentively, and could not even hear her say

"We will visit the Church of the Holy Ghost at two." It is strange how

the stress of circumstances alters the complexion of a conversation

book! All the evening she had studied Swedish, and yet suddenly

confronted by a Swedish lady bathing in our kitchen, dish-toweled but

unashamed, all she could find to say was "How disgusting!" and "How

disgraceful!" in English!

"You see," said Letitia, when she emerged, "she is just a simple peasant

girl, and only needs to be told. It is very horrid, of course."

"And unappetizing!" I chimed in.

"Of course--certainly unappetizing. I couldn't think of anything Swedish

to say, but I said several things in English. She was dreadfully sorry

that you had seen her, and never contemplated such a possibility. After

all, Archie, bathing is not a crime."

"And we were hunting for a clean slate," I suggested satirically. "Do

you think, Letitia, that she also takes a cold bath in the morning,

among the bacon and eggs, and things?"

"That is enough," said Letitia sternly. "The episode need not serve as

an excuse for indelicacy."

Wanted: A Cook Domestic Dialogues · 第 12 / 17 章