[20] ‘I protest against the unscholarly habit of omitting it

TRANSCRIBER’S NOTE

This was a reference book for typesetters and proofreaders at the

University Press, Oxford. While primarily covering English words and

grammar, it also addresses French, German, Latin and Greek

text in UP books.

This etext simplifies the original text by using common Unicode

characters, so that a wide variety of display devices will present

a more readable book to readers. A few less common characters remain,

and some devices may not display them correctly.

Footnote anchors are denoted by [number], and the footnotes have been

placed at the end of each major section. Many footnotes have more

than one anchor; in these cases the second and third anchors have been

denoted by {number}.

In this etext italic text is denoted by _underscores_.

A superscript is denoted by ^x or ^{xx}, for example y^e or

C^{10}H^{12}.

A subscript is denoted by _{x}, for example P_{1}.

The original book had many German words and phrases in Fraktur

(blackletter) font, primarily in Appendix III. This etext has

replaced each Fraktur letter with the corresponding roman letter,

and the Fraktur text string is denoted by =equalsigns=.

Appendix III addresses printing of German Fraktur text. There are

many digraphs (a pair of letters printed as one type-letter) in the

Fraktur text in the original book. They are shown in this etext as

a pair of letters in roman, for example ch, ck, ff, ſſ, ſt, ſz. The

printed long-s character, ſ, has been retained and _not_ changed to

the modern short s character. In the original book a Fraktur

word-division was indicated by an = (for example an=fangen); in this

etext a tilde ~ is used instead (an~fangen).

Page 98 shows a page of printed text with dozens of handwritten

proofreading correction marks and notes. These are not reproduced in

this etext, but can be seen in the web and ereader versions of this

book. Page 99 has the corrected version of that marked-up text.

RULES FOR COMPOSITORS

AND READERS

AT THE UNIVERSITY PRESS, OXFORD

BY

HORACE HART, M.A.

PRINTER TO THE UNIVERSITY OF OXFORD

THE ENGLISH SPELLINGS REVISED BY

SIR JAMES A. H. MURRAY, M.A., D.C.L., LL.D., D.LITT.

AND

HENRY BRADLEY, M.A., PH.D.

EDITORS OF THE OXFORD DICTIONARY

TWENTY-SECOND EDITION

(THE EIGHTH FOR PUBLICATION)

LONDON

HENRY FROWDE, AMEN CORNER, E.C.

OXFORD: 116 HIGH STREET

1912

These Rules apply generally, and they are only to be departed from

when the written instructions which accompany copy for a new book

contain an express direction that they are _not_ to be followed in

certain specified cases.

[Illustration: (light bulb; end of section marker)]

_First Edition, April 1893. Reprinted, Dec. 1894._

_Reprinted with alterations_—

_Jan. 1895_; _Feb. 1895_; _Jan. 1896_; _July 1897_;

_Sept. 1898_; _April 1899_; _Aug. 1899_; _Jan. 1901_;

_Feb. 1901_; _Jan. 1902_; _March 1902_; _May 1903_.

_Fifteenth Edition, revised and enlarged

the first for publication March 1904._

_Sixteenth Edition, April 1904._

_Seventeenth Edition, April 1904._

_Eighteenth Edition, revised and enlarged July 1904._

_Nineteenth Edition, July 1905._

_Twentieth Edition, July 1907._

_Twenty-first Edition, January 1909._

_Twenty-second Edition, January 1912._

_PREFACE_

_It is quite clearly set out on the title-page in previous editions

of these Rules and Examples, that they were intended especially_

for Compositors and Readers at the Clarendon Press. _Consequently

it seems necessary to explain why an edition or impression is now

offered to so much of the General Public as is interested in the

technicalities of Typography, or wishes to be guided to a choice

amidst alternative spellings._

_On the production of the First Edition at the Oxford Press, copies

were placed at the disposal of all Readers, Compositors, and

Compositor-apprentices; and other copies found their way into the

possession of Authors and Editors of books then in the printers’

hands. Subsequently, friends of authors, and readers and compositors

in other printing-offices, began to ask for copies, which were

always supplied without charge. By and by applications for copies

were received from persons who had no absolute claim to be supplied

gratuitously; but as many of such requests came from Officials of

the King’s Government at Home, in the Colonies, and in India, it

was thought advisable, on the whole, to continue the practice of

presentation._

_Recently, however, it became known that copies of the booklet were_

on sale _in London. A correspondent wrote that he had just bought

a copy ‘at the Stores’; and as it seems more than complaisant to

provide gratuitously what may afterwards be sold for profit, there is

no alternative but to publish this little book._

_As to the origin and progress of the work, it was begun in 1864,

when the compiler was a member of the London Association of

Correctors of the Press. With the assistance of a small band of

fellow members employed in the same printing-office as himself, a

first list of examples was drawn up, to furnish a working basis._

_Fate so ordained that, in course of years, the writer became in

succession general manager of three London printing-houses. In each

of these institutions additions were made to his selected list

of words, which, in this way, gradually expanded—embodying what

compositors term ‘the Rule of the House’._

_In 1883, as Controller of the Oxford Press, the compiler began

afresh the work of adaptation; but pressure of other duties deferred

its completion nearly ten years, for the first edition is dated 1893.

Even at that date the book lacked the seal of final approval, being

only part of a system of printing-office management._

_In due course, Sir J. A. H. MURRAY and Dr. HENRY BRADLEY, editors

of the_ Oxford Dictionary, _were kind enough to revise and approve

all the English spellings. Bearing the stamp of their sanction, the

booklet has an authority which it could not otherwise have claimed._

_To later editions Professor ROBINSON ELLIS and Mr. H. STUART JONES

contributed two appendices, containing instructions for the Division

of Words in Latin and Greek; and the section on the German Language

was revised by Dr. KARL BREUL, Reader in Germanic in the University

of Cambridge._

* * * * *

_The present issue is characterized by many additions and some

rearrangement. The compiler has encouraged the proofreaders of the

University Press from time to time to keep memoranda of troublesome

words in frequent—or indeed in occasional—use, not recorded in

previous issues of the ‘Rules’, and to make notes of the mode of

printing them which is decided on. As each edition of the book

becomes exhausted such words are reconsidered, and their approved

form finally incorporated into the pages of the forthcoming edition.

The same remark applies to new words which appear unexpectedly,

like new planets, and take their place in what Sir JAMES MURRAY

calls the ‘World of Words’. Such instances as air-man, sabotage,

stepney-wheel, will occur to every newspaper reader._

_Lastly, it ought to be added that in one or two cases, a particular

way of spelling a word or punctuating a sentence has been changed.

This does not generally mean that an error has been discovered in

the ‘Rules’; but rather that the fashion has altered, and that it is

necessary to guide the compositor accordingly._

H. H.

_January 1912._

[Illustration: (light bulb)]

CONTENTS

_Page_

SOME WORDS ENDING IN -ABLE 9

SOME WORDS ENDING IN -IBLE 11

SOME WORDS ENDING IN -ISE OR -IZE 12

SOME ALTERNATIVE OR DIFFICULT SPELLINGS, ARRANGED

IN ALPHABETICAL ORDER 15

SOME WORDS ENDING IN -MENT 24

HYPHENED AND NON-HYPHENED WORDS 25

DOUBLING CONSONANTS WITH SUFFIXES 29

FORMATION OF PLURALS IN WORDS OF FOREIGN ORIGIN 31

ERRATA, ERRATUM 33

PLURALS OF NOUNS ENDING IN -O 34

FOREIGN WORDS AND PHRASES, WHEN TO BE SET IN ROMAN

AND WHEN IN ITALIC 35

SPELLINGS OF FIFTEENTH TO SEVENTEENTH CENTURY

WRITERS 38

PHONETIC SPELLINGS 38

A OR AN 39

O AND OH 39

NOR AND OR 40

VOWEL-LIGATURES (Æ AND Œ) 41

CONTRACTIONS 41

POETRY: WORDS ENDING IN -ED, -ÈD, &C. 45

CAPITAL LETTERS 46

LOWER-CASE INITIALS 47

SMALL CAPITALS 47

SPECIAL SIGNS OR SYMBOLS 48

SPACING 49

ITALIC TYPE 50

REFERENCES TO AUTHORITIES 52

DIVISION OF WORDS—ENGLISH, ITALIAN, PORTUGUESE,

AND SPANISH 53

PUNCTUATION 55

FIGURES AND NUMERALS 68

APPENDIX I }

POSSESSIVE CASE OF PROPER NAMES } 71

BY SIR J. A. H. MURRAY }

APPENDIX II }

WORKS IN THE FRENCH LANGUAGE } 73

APPENDIX III }

WORKS IN THE GERMAN LANGUAGE } 88

APPENDIX IV }

DIVISION OF LATIN WORDS } 95

BY PROF. ROBINSON ELLIS }

APPENDIX V }

DIVISION OF GREEK WORDS } 97

BY MR. H. STUART JONES }

MARKS USED IN THE CORRECTION OF PROOFS 98

SOME ENGLISH NAMES OF TYPES 100

GENERAL INDEX 103

[Illustration: (light bulb)]

RULES FOR SETTING UP ENGLISH WORKS[1]

SOME WORDS ENDING IN -ABLE

Words ending in silent _e_ generally lose the _e_ when -able is

added, as—

adorable

arguable

desirable

excusable

indispensable

leisurable

But this rule is open to exceptions upon which authorities are not

agreed. The following spellings are in _The Oxford Dictionary_, and

must be followed:

advisable

analysable

ascribable

atonable

baptizable

believable

blameable

bribable

chaseable

confinable

conversable

creatable

datable

debatable

defamable

definable

delineable

dilatable

dissolvable

drivable

endorsable

evadable

excisable

exercisable

finable

forgivable

framable

giveable

hireable

immovable

improvable

indispensable

inflatable

irreconcilable

lapsable

likeable

linable

liveable

losable

lovable

malleable

movable

nameable

overcomable

palatable

partakable

pleasable

provable

rateable

rebukeable

receivable

reconcilable

removable

saleable

solvable

tameable

tuneable

unmistakable

If -able is preceded by _ce_ or _ge_, the _e_ should be retained, to

preserve the soft sound of _c_ or _g_, as—

bridgeable

changeable

chargeable

knowledgeable

lodgeable

manageable

noticeable

peaceable

pledgeable

serviceable

Words ending in double _ee_ retain both letters, as—agreeable.

In words of English formation, a final consonant is usually doubled

before -able, as—

admittable

biddable

clubbable

conferrable

deferrable

forgettable

gettable

incurrable

rebuttable

regrettable[2]

FOOTNOTES:

[1] At Oxford especially, it must always be remembered that the Bible

has a spelling of its own; and that in Bible and Prayer Book printing

the Oxford standards are to be exactly followed.—H. H.

[2] For an authoritative statement on the whole subject see _The

Oxford Dictionary_, Vol. I, p. 910, art. _-ble_.

SOME WORDS ENDING IN -IBLE

The principle underlying the difference between words ending in

-able and those ending in -ible is thus stated by _The Oxford

English Dictionary_ (s.v. _-ble_): ‘In English there is a prevalent

feeling for retaining _-ible_ wherever there was or might be a Latin

_-ibilis_, while _-able_ is used for words of distinctly French or

English origin.’ The following are examples of words ending in -ible:

accessible

addible

adducible

admissible

audible

avertible

collapsible

comprehensible

controvertible

credible

discernible

discerpible

edible

eligible

existible

expressible

extendible

feasible

fencible

flexible

forcible

incomprehensible

incorruptible

incredible

indefeasible

indefensible

indelible

indestructible

indigestible

intangible

intelligible

irresistible

legible

negligible

ostensible

permissible

persuasible

plausible

producible

reducible

remissible

reprehensible

reversible

tangible

vendible

visible

SOME WORDS ENDING IN -ISE or -IZE

The following spellings are those adopted for _The Oxford Dictionary_:

actualize

advertise

advise

affranchise

aggrandize

agonize

alcoholize

alkalize

anathematize

anatomize

anglicize

apologize

apostrophize

apprise (_to inform_)

apprize (_to appraise_)

authorize

baptize

brutalize

canonize

capitalize

capsize

carbonize

catechize

categorize

catholicize

cauterize

centralize

characterize

chastise

christianize

cicatrize

circumcise

civilize

collodionize

colonize

communize

comprise

compromise

contrariwise

conventionalize

corporealize

criticize

crystallize

demise

demoralize

deodorize

desilverize

despise

devise

discolorize

disfranchise

disguise

disorganize

dogmatize

dualize

economize

emphasize

emprise

enfranchise

enterprise

epigrammatize

epitomize

equalize

eternize

etherealize

etymologize

eulogize

euphonize

evangelize

excise

exercise

exorcize

experimentalize

extemporize

familiarize

feminize

fertilize

formalize

fossilize

franchise

fraternize

gallicize

galvanize

generalize

germanize

gormandize

gothicize

graecize

harmonize

hebraize

hellenize

hibernize

humanize

hydrogenize

hypnotize

idealize

idolize

immortalize

improvise

incise

italicize

jacobinize

japanize

jeopardize

kyanize

laicize

latinize

legalize

legitimatize

liberalize

localize

macadamize

magnetize

mainprize

manumise

materialize

memorialize

memorize

merchandise

mesmerize

methodize

minimize

misadvise

mobilize

modernize

monetize

monopolize

moralize

nasalize

nationalize

naturalize

neutralize

neologize

normalize

organize

ostracize

oxidize

ozonize

paganize

particularize

patronize

pauperize

penalize

philosophize

plagiarize

pluralize

polarize

popularize

premise

prise up (_to_)

prize (_a_)

pulverize

rationalize

realize

recognize

reorganize

reprise

revolutionize

rhapsodize

romanize

satirize

scandalize

scrutinize

secularize

seise (_in law_)

seize (_to grasp_)

sensitize

signalize

silverize

solemnize

soliloquize

specialize

spiritualize

sterilize

stigmatize

subsidize

summarize

supervise

surmise

surprise

syllogize

symbolize

sympathize

syndicalize

synthesize

systematize

tantalize

temporize

terrorize

theorize

tranquillize

tyrannize

utilize

ventriloquize

victimize

villanize

visualize

vitalize

vocalize

vulgarize

[Illustration: (light bulb)]

SOME ALTERNATIVE OR DIFFICULT SPELLINGS

MORE OR LESS IN DAILY USE, ARRANGED IN ALPHABETICAL ORDER FOR EASY

REFERENCE

abetter

abettor (_law_)

accepter (-or _in law_)

adaptable

adapter

addorsed

adjutants-general[3] _pl._

adjudgement

admonitor

aerate

aerial

aerie

aeronaut

aeroplane

aetiological, -logist

aetiology

ageing

aides-de-camp{3} _pl._

aline, -ment[4]

allineation

almanac[5]

ambidexterity

analyse

aneurysm

ankle

apanage

apophthegm

apostasy

apparelled

archetype

archidiaconal

arcking[6]

armful

artisan

ascendancy, -ant

assessable

aught (_anything_)

automobile

aweing

awesome

axe[7]

ay (_always_)

aye (_yes—‘the ayes have it’_)

bandoleer

banns

banyan

Barbadoes

bark (_ship_)

basin

basses (_pl._)

battalion

befall

beldam

bethrall

blouse

bluish

bodice

bogie (_a truck_)

bogy (_apparition_)

bothy

brand-new

brier

brooch (_ornament_)

browse

bryony

bulrush

buncombe

by and by

by-election

by-lane

by-law

byname

bypath

by-play

by-plot

by-product

by-street

by the by

by-way

byword

caddis

calendar

calligraphy

calliper

caltrop

camlet

camomile

canst

canvas (_cloth_)

canvass (_political_)

carcass

carriable

cartography

catarrhine

cat’s-paw

cauldron (_a vessel_)

caulk

celluloid

censer (_a vessel_)

censor (_an official_)

centigram

centipede

chaldron (_measure_)

chalet

chant

chaperon

cheque (_on a bank_)

chequered (_career_)

chestnut

chillness

chock-full

choroid

cider

cipher

clangor

clarinet

clench (_fists_)

clerestory

clinch (_argument_)

clinometer

cloak (_not_ cloke)

clue (_but_ clew _for part of a sail_)

coalesce

coco-nut

cognizance

colander

coloration

colourist

commonplace

confidante (_fem._)

conjurer

conjuror (_law_)

connexion

connivence

conscience’ sake

consensus

contemporary

conterminous

contestor

cony

copier

corrupter

corslet

corvette

cosy

cotillion

cottar

couldst

couldn’t

coulter

courts martial (_pl._)

cousins-german (_pl._)

craftsman

crenellate

crosier

curtsy

cyst

debarkation

debonair

decrepit

deflexion

demeanour

dependant (_noun_)

dependence

dependent (_adj._)

desiccate

detector

develop, -ment

devest (_law_)

dexterously

diaeresis[8]

dialyse

dike

dinghy

discoloration

discolour

disk

dispatch (_not_ despatch)

distension

distil

disyllable

doggerel

doily

Domesday Book

dote

draft (_prepare_)

draftsman (_one who drafts documents_)

draught-board

draughtsman (_one who makes drawings_)

draughtsmen (_in game of draughts_)

dryly

dullness

duress

dyeing (_cloth_)

ecstasy

eloin, -ment

embargo

embarkation

embassage

embed

embroil

empanel

encase

enclasp

enclose

encrust

endorse

enroll

enrolment

ensconce

ensure (_make safe_)

enthral

entreat

entrench, -ment

entrust

envelop (_verb_)

envelope (_noun_)

erector

ethereal

exorrhizal

expense

faecal

faeces

faggot

fantasy

favour

feldspar

fetid

filigree

finicking

fledgeling

fleurs-de-lis (_pl._)

floatage

floatation

fluky

flyer

foetal

foetus

fogy, _pl._ -ies

forbade

foregone (_gone before_)

foretell

forgather

forgo[9]

forme (_printer’s_)

fount (_of type_)

frenzy

frowzy

fuchsia

fulfil

fullness

fusilier

fusillade

gage (_a pledge_)

gaily

gauge (_a measure_)

genuflexion

gewgaw

gibe

gillie

gimlet

gipsy

goodness’ sake

gourmand

gramme

grammetre

gramophone

grandam

granddaughter

granter (_one who grants_)

grantor (_in law: one who makes a grant_)

grey

grisly (_terrible_)

grizzly (_grey_)

grizzly bear

gruesome

guerrilla

gullible

hadst

haematite

haematology

haemorrhage

haemorrhoids

ha! ha! (_laughter_)

ha-ha (_a fence_)

hairbreadth

halberd

hallo

handful

handiwork

hare-brained

hauler

haulm

havoc

hearken

hectogram

hectolitre

hectometre

he’ll (_no space_)

honour

horehound

hornblende

horsy

humorist

humorous

humour, -less

hyena

hypotenuse

icing

I’d, I’ll (_no space_)

idiosyncrasy

idolater

impermeable

inferable

inflexion

innocuous

inoculate

inquire, -quiry[10]

install

instalment

instil

insure (_in a society_)

Inverness-shire, &c.

inweave

ipecacuanha

jail

jam, _v._ (_not_ jamb)

jamb (_noun_)

janizary

jewellery

jews’ harp _and_

jews’ harps

judgeship

jugful

kilogram

kilogrammetre

kilolitre

kilometre

kilowatt

kinematograph

kleptomania

knick-knack

lachrymal

lachrymose

lackey

lacquer

lamb’s-wool

lantern

largess

lateish

latten

laverock

leaf-mould

lettuce

licence (_noun_)

license (_verb_)

licensee

lich-gate

lineament

Linnaean[11]

linsey-woolsey

liny

liquefy

liquorice

litre

loadstone

loath (_adj._)

loathe (_verb_)

lodestar

lour (_frown_)

macintosh

maelstrom

maharaja

mamma

mandolin

manikin

manyplies

marquess

mattress

mayst

mediaeval

men-of-war[12] (_pl._)

metamorphose

mightst

mileage

millennium

millepede

milligram

millimetre

miscall

misdemeanour

misspelling

mistletoe

mizen, -mast

moccasin

Mohammedan

mollusc

moneyed

moneys

mould, -ing (_v. & n._)

naught (_nothing_)

negotiate

net (_profits_)

newsvendor

novitiate

nursling

octet

omelet

oneself

orangeade

orgy

osculatory

osier

ought (_cipher_)

ouzel

overalls

oyez!

ozone

pannikin

parakeet

parallelepiped

paralyse

parsnip

parti-coloured

partisan

party-wall

pasha

pastille

paten

pavilion

paviour

pedagogy

pedlar

peewit

pendant

peony

petrify

picnicking

plaguy

pomace

poniard

portray

postilion

posy

pot (_size of paper_)

potato, _pl._ -es

practice (_noun_)

practise (_verb_)

prehistoric

premises (_no sing._, _conveyancing_)

premiss, premisses (_logic_)

primaeval

printer’s error, _but_ printers’ errors[13]

programme

proletariate

prophecy (_noun_)

prophesy (_verb_)

pundit

pupilage

putrefy

pyjamas

quartet

quinine

quinsy

quintet

racket (_bat_)

rackets (_game_)

racoon

radical (_chemistry_)

radicle (_botany_)

radium (_small_ r)

ragi (_grain_)

raja

rarefaction

rarefy

rase (_to erase_)

raze (_to the ground_)

react

rearward

recall

recompense (_v. & n._)

recompose

referable

refill

reflection[14]

rhyme (_verse_)[15]

ribbon

rigorous

rigors (_in med._)

rigour

rime (_hoar-frost_)

rodomontade

rout (_verb_)

secrecy

sergeant (_military_)

serjeant (_law_)

Shakespeare[16]

Shakespearian, -iana

she’ll (_no space_)

shouldst

show (_v. & n._)

shrillness

sibyl

sibylline

siliceous

singeing

siphon

siren

skilful

skilless

slyly

sons-in-law (_pl._)

spadeful

sphinx

sponge

spoonful

stanch

stationary (_standing still_)

stationery (_paper_)

steadfast

stillness

story (_of a house_)

stupefy

suggester

swingeing (_blow_)

sycamore[17]

sylvan

syndicalism

synonymous

syrup

tallness[18]

tease

tenor

thyme (_herb_)

tire (_of a wheel_)[19]

tiro

toboggan, -ing

toilet

tranquillity

transcendent

transferable

tranship, -ment

transplendent

trousers

Tuileries

tumour

unmistakably

vender (_as generally used_)

vendor (_in law_)

vermilion

villany

visor

wabble

wagon

weasand

we’ll (_no space_)

whilom

whisky

whitish

wilful

woe, woful

wooed, woos

wouldst

zoogloea

[Illustration: (light bulb)]

FOOTNOTES:

[3] Compound words of this class form their plurals by a change in

the first word.—H. H.

[4] ‘The Eng. form _alinement_ is preferable to _alignment_, a bad

spelling of the French.’—_O.E.D._

[5] But the _k_ is retained in _The Oxford Almanack_, following the

first publication in 1674.—H. H.

[6] ‘In derivatives formed from words ending in _c_, by adding

a termination beginning with _e_, _i_, or _y_, the letter

_k_ is inserted after the _c_, in order that the latter may

not be inaccurately pronounced like _s_ before the following

vowel.’—WEBSTER.

[7] In _The Oxford Dictionary_, Vol. I, p. 598, Sir James Murray

says, ‘The spelling _ax_ is better on every ground ... than _axe_,

which has of late become prevalent.’ (But as authors generally still

call for the commoner spelling, compositors must follow it.—H. H.)

[8] The sign [¨] sometimes placed over the second of two vowels in an

English word to indicate that they are to be pronounced separately,

is so called by a compositor. By the way, this sign is now used

only for learned or foreign words; not in _chaos_ or in _dais_, for

instance. _Naïve_ and _naïveté_ still require it, however (see pp.

35, 37).—H. H.

[9] In 1896, Mr. W. E. Gladstone, not being aware of this rule,

wished to include, in a list of errata for insertion in Vol. II of

_Butler’s Works_, an alteration of the spelling, in Vol. I, of the

word ‘forgo’. On receipt of his direction to make the alteration,

I sent Mr. Gladstone a copy of _Skeat’s Dictionary_ to show that

‘forgo’, in the sense in which he was using the word, was right,

and could not be _corrected_; but it was only after reference to

Sir James Murray that Mr. Gladstone wrote to me, ‘Personally I am

inclined to prefer forego, on its merits; but authority must carry

the day. _I give in._’—H. H.

[10] ‘This is now usual. See _O.E.D._, s.v. Enq-.’—J. A. H. M.

[11] But Linnean Society.

[12] Compound words formed of two nouns connected by a preposition

form their plurals by a change in the first word.—H. H.

[13] Sir James Murray thinks that where there is any ambiguity a

hyphen may also be used, as ‘bad printers’-errors,’—H. H.

[14] ‘Etymology is in favour of _reflexion_, but usage seems to be

overpoweringly in favour of the other spelling.’—H. B.

[15] The older form ‘rime’ is occasionally used by modern writers,

and in such cases the copy should be followed.—H. H.

[16] ‘Shakspere is preferable, as—The New Shakspere Society.’—J.

A. H. M. (But the Clarendon Press is already committed to the more

extended spelling.—H. H.)

[17] The ‘sycomore’ of the Bible is a different tree—the

fig-mulberry.—H. H.

[18] It is generally agreed that words ending in _ll_ should drop one

_l_ before _less_ (as in _skilless_) and _ly_; but there is not the

same agreement in dropping an _l_ before _ness_.—H. H.

[19] ‘But the bicycle-makers have apparently adopted the

non-etymological _tyre_.’—J. A. H. M.

SOME WORDS ENDING IN -MENT

In words ending in -ment print the _e_ when it occurs in the

preceding syllable, as—abridgement, acknowledgement, judgement,

lodgement.[20] But omit the _e_ in development, envelopment, in

accordance with the spelling of the verbal forms develop, envelop.

FOOTNOTES:

[20] ‘I protest against the unscholarly habit of omitting it

from “abridg_e_ment”, “acknowledg_e_ment”, “judg_e_ment”,

“lodg_e_ment”,—which is against all analogy, etymology, and

orthoepy, since elsewhere _g_ is hard in English when not followed

by _e_ or _i_. I think the University Press ought to set a scholarly

example, instead of following the ignorant to do ill, for the sake of

saving four _e_’s. The word “judgement” has been spelt in the Revised

Version correctly.’—J. A. H. M.

HYPHENED AND NON-HYPHENED WORDS[21]

The hyphen need not, as a rule, be used to join an adverb to the

adjective which it qualifies: as in—

a beautifully furnished house,

a well calculated scheme.

When the word might not at once be recognized as an adverb, use the

hyphen: as—

a well-known statesman,

an ill-built house,

a new-found country,

the best-known proverb,

a good-sized room.

When an adverb qualifies a predicate, the hyphen _should not_ be

used: as—

this fact is well known.

Where either (1) a noun and adjective or participle, or (2) an

adjective and a noun, in combination, are used as a compound

adjective, the hyphen _should_ be used:

a poverty-stricken family, a blood-red hand, a nineteenth-century

invention.

A compound noun which has _but one accent_, and from familiar use has

become one word, requires no hyphen. Examples:

bláckbird

býname

býword

háirbrush

háirdresser

háirpin

hándbook

hándkerchief

mántelpiece

nówadays

schóolboy

schóolgirl

seáport

téapot

tórchlight

upstáirs

wátchcase

whéelbarrow

The following should also be printed as one word:

aglow

anybody

anyhow

anything

anywhere

bedroom

childbed

coeval

coexist

coextensive

coheir

cornfield

downhill

downstairs

evermore

everyday (_as adj._)

everything

everyway (_adverb_)

everywhere

eyewitness

fairyland

fatherland

footsore

footstep

freshwater (_as adj._)

godlike

goodwill

harebell

hopscotch

horseshoe

indoor

ladylike

lambskin

lifetime

maybe

meantime

meanwhile

midday

motherland

newfangled

noonday

offprint

offsaddle

offshoot

onrush

outdoor

overleaf

oversea

percentage

reappear

reimburse

reinstate

reopen

seaweed

selfsame

uphill

wellnigh

widespread

wrongdoing

zigzag

Compound words of _more than one accent_, as—ápple-trée, chérry-píe,

grável-wálk, wíll-o’-the-wisp, as well as others which follow,

require hyphens:

aide-de-camp

air-man

air-ship

a-kimbo

alms-house

arm-chair

battle-field

bird-cage

bi-weekly

by-law

by-way

child-birth

come-at-able

common-sense (_as adj._)

co-adjust

co-declination

co-operate

co-ordinate

court-plaster

cousin-german

death-bed

death-rate

ding-dong

dumb-bell

ear-rings

farm-house

farm-yard

first-hand

foot-note

foot-stone

foot-stool

free-will

get-at-able

good-bye

good-day

good-humoured

good-natured

guide-book

gutta-percha

half-crown

half-dozen

half-hour

half-way

handy-man

harvest-field

head-dress

head-foremost

head-quarters

hey-day

high-flyer

hill-side

hill-top

hoar-frost

hob-a-nob

hour-glass

hymn-book

ill-fated

india-rubber

jaw-bone

key-note

knick-knack

life-like

looking-glass

man-of-war

never-ending

new-built

new-comer

new-mown

note-book

note-paper

off-hand

oft-times

one-and-twenty

one-eighth

ore-weed

out-and-out

out-of-date

out-of-door

over-glad

pre-eminent

quarter-day

race-course

re-bound[22] (_as a book_)

re-cover (_a chair_)

re-enter

re-form (_form again_)

rolling-pin

sea-breeze

sea-shore

second-hand

small-pox

son-in-law

starting-point

step-father

such-like

table-land

text-book

title-deeds

title-page

to-day

top-mast

topsy-turvy

up-to-date[23]

water-course

week-day

year-book

Half an inch, half a dozen, &c., require no hyphens. Print the

following also without hyphens:

any one

cast iron

common sense (_adj. and noun together_)

court martial

dare say

easy chair

every one

fellow men

for ever

good humour

good nature

good night

head master[24]

high priest

high road

ill health

ill luck

ill nature

no one

plum pudding

post office

revenue office

some one

union jack

[Illustration: (light bulb)]

FOOTNOTES:

[21] See _Oxford Dict._, Vol. I, page xiii, art. ‘Combinations’,

where Sir James Murray writes: ‘In many combinations the hyphen

becomes an expression of unification of sense. When this unification

and specialization has proceeded so far that we no longer analyse

the combination into its elements, but take it in as a whole, as in

_blackberry_, _postman_, _newspaper_, pronouncing it in speech with a

single accent, the hyphen is usually omitted, and the fully developed

compound is written as a single word. But as this also is a question

of degree, there are necessarily many compounds as to which usage has

not yet determined whether they are to be written with the hyphen or

as single words.’

And again, in _The Schoolmasters’ Year-book_ for 1903 Sir James

Murray writes: ‘There is no rule, propriety, or consensus of usage in

English for the use or absence of the hyphen, except in cases where

grammar or sense is concerned; as in a day well remembered, but a

well-remembered day, the sea of a deep green, a deep-green sea, a

baby little expected, a little-expected baby, not a deep green sea, a

little expected baby.... Avoid Headmaster, because this implies one

stress, Héadmaster, and would analogically mean “master of heads”,

like schoolmaster, ironmaster.... Of course the hyphen comes in at

once in combinations and derivatives, as head-mastership.’

[22] ‘The hyphen is often used when a writer wishes to mark the

fact that he is using not a well-known compound verb, but _re-_ as

a living prefix attached to a simple verb (_re-pair_ = pair again);

also usually before _e_ (_re-emerge_), and sometimes before other

vowels (_re-assure_, usually _reassure_); also when the idea of

repetition is to be emphasized, especially in such phrases as _make_

and _re-make_.’—_The Concise Oxford Dictionary_ (1911), p. 694.

[23] As, up-to-date records; but print ‘the records are up to

date’.—H. H.

[24] See note on page 25.

DOUBLING CONSONANTS WITH SUFFIXES

Words of one syllable, ending with one consonant preceded by one

vowel, double that consonant on adding -ed or -ing: e.g.

drop dropped dropping

fit fitted fitting

stop stopped stopping

Words of more than one syllable, ending with one consonant preceded

by one vowel, and accented on the last syllable, double that

consonant on adding -ed or -ing: e.g.

allot allotted allotting

commit committed committing

infer inferred inferring

trepan trepanned trepanning

But words of this class _not_ accented on the last syllable, _do not

double the last consonant_[25] on adding -ed, -ing: e.g.

balloted, -ing

banqueted, -ing

bayoneted, -ing

benefited, -ing

biased, -ing

billeted, -ing

bishoped, -ing

blanketed, -ing

bonneted, -ing

bracketed, -ing

buffeted, -ing

carpeted, -ing

chirruped, -ing

combated, -ing

cricketing

crocheted, -ing

crotcheted, -ing, -y

discomfited, -ing

docketed, -ing

faceted, -ing

ferreted, -ing

fidgeted, -ing, -y

filleted, -ing

filliped, -ing

focused, -ing

galloped, -ing

gibbeted, -ing

gossiped, -ing, -y

initialed, -ing

junketed, -ing

marketed, -ing

packeted, -ing

paralleled, -ing

pelleted, -ing

picketed, -ing

piloted, -ing

profited, -ing

rabbeted, -ing

rabbiting

rickety

riveted, -ing

russeted, -ing, -y

scolloped, -ing

tennising

trinketed, -ing

trousered, -ing

trumpeted, -ing

velvety

visited, -ing

wainscoted, -ing

In words ending in _-l_, the final consonant is generally doubled,

whether accented on the last syllable or not: e. g.

annulled, -ing

appalled, -ing

apparelled, -ing

barrelled

bethralled, -ing

caballed, -ing

channelled, -ing

compelled, -ing

cudgelled, -ing

dishevelled, -ing

empanelled, -ing

extolled, -ing

forestalled, -ing

grovelled, -ing

impelled, -ing

installed, -ing

kennelled, -ing

levelled, -ing

libelled, -ing

marshalled, -ing

parcelled, -ing

quarrelled, -ing

revelled, -ing

rivalled, -ing

shovelled, -ing

trammelled, -ing

travelled, -ing

tunnelled, -ing

[Illustration: (light bulb)]

FOOTNOTES:

[25] ‘We must, however, still except the words ending in _-el_, as

levelled, -er, -ing; travelled, -er, -ing; and also worshipped, -er,

-ing.’—J. A. H. M.

FORMATION OF PLURALS IN WORDS OF FOREIGN ORIGIN

Plurals of nouns taken into English from other languages sometimes

follow the laws of inflexion of those languages. But often, in

non-technical works, additional forms are used, constructed after

the English manner. Print as below, in cases where the author does

not object. In scientific works the scientific method must of course

prevail:

SING. addendum PL. addenda[26]

alkali alkalis

alumnus alumni

amanuensis amanuenses

analysis analyses

animalculum animalcula

antithesis antitheses

apex apices

appendix appendices

arcanum arcana

automaton automata

axis axes

bandit banditti

basis bases

beau beaux

bronchus bronchi

calculus calculi

calix calices

chrysalis chrysalises

coagulum coagula

corrigendum corrigenda{26}

cortex cortices

crisis crises

criterion criteria

datum data

desideratum desiderata

dilettante dilettanti

effluvium effluvia

elenchus elenchi

ellipsis ellipses

ephemera ephemerae

epithalamium epithalamia

equinox equinoxes

erratum errata

focus focuses (_fam._)

formula formulae

fungus fungi

genius geniuses[27]

(_meaning a person or persons of genius_)

genus genera

helix helices

hypothesis hypotheses

ignis fatuus ignes fatui

index indexes[28]

iris irises

lamina laminae

larva larvae

lemma lemmas[29]

libretto libretti

matrix matrices

maximum maxima

medium mediums (_fam._)

memorandum memorandums[30]

(_meaning a written note or notes_)

metamorphosis metamorphoses

miasma miasmata

minimum minima

nebula nebulae

nucleus nuclei

oasis oases

papilla papillae

parenthesis parentheses

parhelion parhelia

phenomenon phenomena

radius radii

radix radices

sanatorium sanatoria

scholium scholia

spectrum spectra

speculum specula

stamen stamens

stimulus stimuli

stratum strata

synopsis synopses

terminus termini

thesis theses

virtuoso virtuosi

volsella volsellae

vortex vortexes (_fam._)

FOOTNOTES:

[26] See reference to these words for another purpose on p. 33.—H. H.

[27] Genius, in the sense of a tutelary spirit, must of course have

the plural genii.—H. H.

[28] In scholarly works, indices is often preferred, and in the

mathematical sense must always be used.—H. H.

[29] But lemmata in botany or embryology.—H.H.

[30] But in a collective or special sense we must print

memoranda.—H. H.

ERRATA, ERRATUM

Do not be guilty of the absurd mistake of printing ‘Errata’ as a

heading for a single correction. When a list of errors has been dealt

with, by printing cancel pages and otherwise, so that only one error

remains, take care to alter the heading from ‘Errata’ to ‘Erratum’.

The same remarks apply to Addenda and Addendum, Corrigenda and

Corrigendum.

PLURALS OF NOUNS ENDING IN -O

The plurals of nouns ending in -o, owing to the absence of any

settled system, are often confusing. _The Concise Oxford Dictionary_

says (p. vi): ‘It may perhaps be laid down that on the one hand

words of which the plural is very commonly used, as _potato_, have

almost invariably _-oes_, and on the other hand words still felt to

be foreign or of abnormal form, as _soprano_, _chromo_, have almost

invariably _-os_.’ The following is a short list, showing spellings

preferred:

altos

banjos

buffaloes

calicoes

cantos

cargoes

centos

chromos

curios

duodecimos

electros

echoes

embargoes

haloes

heroes

manifestoes

mosquitoes

mottoes

negroes

octavos

porticoes

potatoes

provisos

quartos

ratios

solos

sopranos

tiros

tomatoes

volcanoes

[Illustration: (light bulb)]

FOREIGN WORDS & PHRASES WHEN TO BE SET IN ROMAN AND WHEN IN ITALIC

Print the following anglicized words in roman type:

aide-de-camp

al fresco

alibi

à propos

aurora borealis

beau idéal

bézique

bizarre

bona fide

bouquet

bravos

bric-à-brac

bulletin

café

carte-de-visite

chargé d’affaires

chauffeur

chiaroscuro

cliché

connoisseur

cul-de-sac

débris

début

dépôt[31]

détour

diarrhoea

dilettante

dramatis personae

éclat

employé[32]

ennui

entrée

entrepôt

etiquette[33]

facsimile

fête

fleur-de-lis

garage

gratis

habeas corpus

hors-d’œuvre

innuendo, -es

levée

littérateur

litterati

manœuvre

menu

morale

naïve

omnibus

papier mâché

per annum

personnel

post-mortem (_adj. and n._)

poste restante

précis

prestige

prima facie

procès-verbal

protégé

provenance

régime

rendezvous[34]

rôle

sabotage

savants

seraglio

sobriquet

soirée

versus

via

vice versa

virtuoso

viva voce

Zollverein

The following to be printed in italic:

_ab extra_

_ab origine_

_ad nauseam_

_ad valorem_

_a fortiori_

_amende honorable_

_amour propre_

_ancien régime_

_anglice_

_a priori_

_au courant_

_au revoir_

_bête noire_

_billet doux_

_bonhomie_

_bon ton_

_bourgeoisie_

_carte blanche_

_casus belli_

_chef-d’œuvre_

_chevaux de frise_

_con amore_

_confrère_

_cortège_[35]

_coup d’état_

_coup de grâce_

_coup de main_

_coup d’œil_

_débâcle_

_dénouement_

_de quoi vivre_

_déshabillé_

_édition de luxe_

_élan_

_élite_

_en bloc_

_en masse_

_en passant_

_en rapport_

_en route_

_entente cordiale_

_esprit de corps_

_ex cathedra_

_ex officio_ (adv. and adj.)

_ex parte_ (adv. and adj.)

_facile princeps_

_factum est_

_felo de se_

_garçon_

_grand monde_

_habitué_

_hors de combat_

_imprimis_

_in camera_

_in propria persona_

_jeu d’esprit_

_laisser-faire_

_lapsus linguae_

_lèse-majesté_

_mêlée_

_mise en scène_

_modus operandi_

_more suo_

_multum in parvo_

_naïveté_

_née_

_nemine contradicente_

_ne plus ultra_

_noblesse oblige_

_nolens volens_

_non est_

_par excellence_

_pari passu_

_per contra_

_pièce de résistance_

_plébiscite_

_pro forma_

_pro tempore_

_raison d’être_

_rapprochement_

_réchauffé_

_répertoire_

_résumé_

_sang-froid_

_sans cérémonie_

_sans-culotte_

_sine qua non_

_sotto voce_

_sub rosa_

_tabula rasa_

_tête à tête_ (adv.)

_tête-à-tête_ (noun)

_tour de force_

_vis-à-vis_

The modern practice is to omit accents from Latin words.

For further directions as to the use of italic in foreign words and

phrases see pp. 50-1.

[Illustration: (light bulb)]

FOOTNOTES:

[31] For this and nearly all similar words, the proper accents are to

be used, whether the foreign words be anglicized or not.—H. H.

[32] Employee is more legitimate when it is used in contrast with the

English word employer.—H. H.

[33] Omit the accent from étiquette.—H. H.

[34] Omit the hyphen from rendez-vous.—H. H.

[35] For a statement as to this and other French words now printed

with a grave accent, see pp. 78-9.—H. H.

SPELLINGS OF FIFTEENTH TO SEVENTEENTH CENTURY WRITERS

When it is necessary to reproduce the spellings and printed forms of

old writers the following rules should be observed:

Initial _u_ is printed _v_, as in vnderstande. Also in such

combinations as wherevpon.

Medial _v_ is printed _u_, as in haue, euer.

Initial and medial _j_ are printed _i_, as in iealousie, iniurie.

In capitals the U is non-existent, and should always be printed with

a V, initially and medially, as VNIVERSITY, FAVLCONRIE.

In y^e and y^t the second letter should be a superior, and without a

full point.

[Illustration: (light bulb)]

PHONETIC SPELLINGS

Some newspapers print phonetic spellings, such as program, hight (to

describe altitude), catalog, &c. But the practice has insufficient

authority, and can be followed only by special direction.

A OR AN

a European

a ewe

a ewer

a herb

a herbal

a heroic

a hospital

a humble

a unanimous

a uniform

a union

a unique

a universal

a university

a useful

a usurper

an habitual[36]

an heir

an heirloom

an historical{36}

an honest

an honour

an hotel

an hour

Print _a_, not _an_, before contractions beginning with a consonant:

e.g. a L.C.C. case, a MS. version.

FOOTNOTES:

[36] This is in accordance with what seems to be the preponderance of

modern usage. Originally the cover of _The Oxford Dictionary_ had ‘a

historical’, and the whole question will be found fully treated in

that work, arts. A, An, and H.—H. H.

O AND OH

When used in addressing persons or things the vocative ‘O’ is printed

with a capital and without any point following it; e.g. ‘O mighty

Caesar! dost thou lie so low’; ‘O world! thou wast the forest to this

hart’; ‘O most bloody sight!’ Similarly, ‘O Lord’, ‘O God’, ‘O sir’.

But when not used in the vocative, the spelling should be ‘Oh’, and

separated from what follows by a punctuation mark; e.g. ‘Oh, pardon

me, thou bleeding piece of earth’; ‘For if you should, oh! what would

become of it?’

NOR AND OR

Print: (1) Neither one nor the other; neither Jew nor Greek; neither

Peter nor James. (2) Either one or the other; either Jew or Greek;

either Peter or James.

Never print: Neither one or the other; neither Peter or James;—but

when the sentence is continued to a further comparison, _nor_ and

_or_ must be printed (in the continuation) according to the sense.[37]

Likewise note that the verb should be in the singular, as ‘Neither

Oxford nor Reading is stated to have been represented’.

[Illustration: (light bulb)]

FOOTNOTES:

[37] The necessity of giving strict attention to this rule was once

exemplified in my experience, when the printing of a fine quarto was

passing through my hands in 1882. The author desired to say in the

preface, ‘The writer neither dares nor desires to claim for it the

dignity or cumber it with the difficulty of an historical novel’

(_Lorna Doone_, by R. D. Blackmore, 4to, 1883). The printer’s reader

inserted a letter _n_ before the _or_; the author deleted the _n_,

and thought he had got rid of it; but at the last moment the press

reader inserted it again; and the word was printed as _nor_, to the

exasperation of the author, who did not mince his words when he found

out what had happened.—H. H.

VOWEL-LIGATURES[38] (Æ AND Œ)

The combinations _ae_ and _oe_ should each be printed as two letters

in Latin and Greek words, e.g. Aeneid, Aeschylus, Caesar, Oedipus;

and in English, as mediaeval, phoenix. But in Old-English and in

French words use the ligatures _æ_, _œ_, as Ælfred, Cædmon, manœuvre.

CONTRACTIONS

_NOTE.—Some abbreviations of Latin words such as_ ad loc., _&c., to

be set in roman, are shown on page 51._

Names of the books of the Bible as abbreviated where necessary:

_Old Testament._

Gen.

Exod.

Lev.

Num.

Deut.

Joshua

Judges

Ruth

1 Sam.

2 Sam.

1 Kings

2 Kings

1 Chron.

2 Chron.

Ezra

Neh.

Esther

Job

Ps.

Prov.

Eccles.

Song of Sol.

Isa.

Jer.

Lam.

Ezek.

Dan.

Hos.

Joel

Amos

Obad.

Jonah

Mic.

Nahum

Hab.

Zeph.

Hag.

Zech.

Mal.

_New Testament._

Matt.

Mark

Luke

John

Acts

Rom.

1 Cor.

2 Cor.

Gal.

Eph.

Phil.

Col.

1 Thess.

2 Thess.

1 Tim.

2 Tim.

Titus

Philem.

Heb.

Jas.

1 Pet.

2 Pet.

1 John

2 John

3 John

Jude

Rev.

_Apocrypha._

1 Esdras

2 Esdras

Tobit

Judith

Rest of Esth.

Wisd. of Sol.

Ecclus.

Baruch

Song of Three Childr.

Susanna

Bel and Dragon

Pr. of Manasses

1 Macc.

2 Macc.

Abbreviate the names of the months:

Jan.

Feb.

Mar.

Apr.

May

June

July

Aug.

Sept.

Oct.

Nov.

Dec.

Where the name of a county is abbreviated, as Yorks., Cambs., Berks.,

Oxon., use a full point; but print Hants (no full point) because it

is not a modern abbreviation.

4to, 8vo, 12mo,[39] &c. (sizes of books), are symbols, and should

have no full point. A parallel case is that of 1st, 2nd, 3rd, and so

on, which also need no full points.

Print lb. for both sing. and pl.; not lbs. Also omit the plural _-s_

in the following: cm., cwt., dwt., gr., grm., in., min., mm., oz.

When beginning a footnote, the abbreviations e.g., i.e., p. or pp.,

and so on, to be all in lower-case.

Use ETC. in a cap. line and ETC. in a small cap. line where an

ampersand (&) will not range. Otherwise print &c.; and Longmans,

Green & Co.; with no comma before ampersand in the name of a firm.

Print the symbolic letters I O U, without full points.

The points of the compass, N. E. S. W., when separately used, to have

a full point: but print NE., NNW. These letters to be used only in

geographical or similar matter: do not, even if N. is in the copy,

use the contraction in ordinary composition; print ‘Woodstock is

eight miles north of Carfax’.

MS. = manuscript, MSS. = manuscripts, to be spelt out when used in

a general sense. But in printing bibliographical details, and in

references to particular manuscripts, the contracted forms should be

used; e.g. the Worcester MS., the Harleian MSS., Add. MS. 25642.

Print PS. (not P.S.) for postscript or postscriptum; MM. (messieurs),

SS. not S.S. (steamship); but H.M.S. (His Majesty’s Ship); H.R.H.;

I.W. (Isle of Wight); N.B., Q.E.D., and R.S.V.P., because more than

one word is contracted.

Print ME. and OE. in philological works for Middle English and Old

English. When an author prefers M.E., O.E., do not put a space

between the letters.

Abbreviations of titles, such as M.P., D.D., M.A., or of occupations

or parties, such as I.C.S., I.L.P., to have no space between the

letters.

When titles of books are represented by initials, put a thin space

only between each letter; e.g. _J. T. S._, _S. B. E._

Mr., Mrs., Dr., &c. must be printed with a full point, but not Mme,

Mlle.

In printing S. or St. for Saint, the compositor must be guided by the

manuscript. Ordinarily St. should be used, but if S. is consistently

written this must be assumed as the form in which the author wishes

it printed.

Print Bt. for Baronet, and Kt. for Knight.

Apostrophes in similar abbreviations to the following should

join close up to the letters—don’t, ’em, haven’t, o’er, shan’t,

shouldn’t, ’tis, won’t, there’ll, I’d, I’ll, we’ll.[40]

An apostrophe should not be used with hers, ours, theirs, yours.

_Apostrophes in Place-Names._[41]—1. Use an apostrophe after the ‘s’

in Queens’ College (Cambs.). But

2. Use an apostrophe before the ‘s’ in Connah’s Quay (Flints.),

Hunter’s Quay (N.B.), Orme’s Head (Carn.), Queen’s Coll. (Oxon.),

St. Abb’s Head (N.B.), St. John’s (Newfoundland), St. John’s Wood

(London), St. Mary’s Loch (N.B.), St. Michael’s Mount (Cornwall), St.

Mungo’s Well (Knaresboro’), St. Peter’s (Sydney, N.S.W.).

3. Do not use an apostrophe in—All Souls (Oxon.), Bury St. Edmunds,

Husbands Bosworth (Rugby), Johns Hopkins University (U.S.A.), Millers

Dale (Derby), Owens College (Manchester), St. Albans, St. Andrews,

St. Bees, St. Boswells, St. Davids, St. Helens (Lancs., and district

in London), St. Heliers (Jersey), St. Ives (Hunts. and Cornwall),

St. Kitts (St. Christopher Island, W.I.), St. Leonards, St. Neots

(Hunts., but St. Neot, Cornwall), Somers Town (London).

[Illustration: (light bulb)]

FOOTNOTES:

[38] The separately written _oe_, _ae_ are ‘digraphs’, because the

sounds they represent are in modern pronunciation _not_ diphthongs,

though they were such in classical Latin; but _ch_, _ph_, _sh_ are

also digraphs. _Æ_, _æ_, _Œ_, _œ_, are rather single letters than

digraphs, though they might be called ligatured digraphs.—H. B.

[39] To justify the use in ordinary printing of these symbols (as

against the use of 4^o, 8^o, 12^o, a prevailing French fashion

which is preferred by some writers), it may suffice to say that

the ablative cases of the ordinal numbers _quartus_, _octavus_,

_duodecimus_, namely _quarto_, _octavo_, _duodecimo_, are according

to popular usage represented by the forms or symbols 4to, 8vo, 12mo;

just as by the same usage we print 1st and 2nd as forms or symbols of

the English words _first_ and _second_.—H. H.

[40] See page 49 for an exception to this rule.

[41] The selection is arbitrary; but the examples are given on

the authority of the Oxford University and Cambridge University

Calendars, the Post Office Guide, Bartholomew’s Gazetteer, Bradshaw’s

Railway Guide, Crockford’s Clerical Directory, Keith Johnston’s

Gazetteer, and Stubbs’s Hotel Guide.

POETRY

Words ending in -ed are to be spelt so in all cases; and with a grave

accent when the syllable is separately pronounced, thus—èd. (’d is

not to be used.)

This applies to poetical quotations introduced into prose matter, and

to new works. It must not apply to reprints of standard authors, nor

to quotations in works which reproduce old spellings, &c.

Rules for compositors and readers at the University Press, Oxford · 第 1 / 5 段