CHAPTER THIRTEEN

On the day Mrs. Gould was going, in Dr. Monygham’s words, to “give a

tertulia,” Captain Fidanza went down the side of his schooner lying in

Sulaco harbour, calm, unbending, deliberate in the way he sat down

in his dinghy and took up his sculls. He was later than usual. The

afternoon was well advanced before he landed on the beach of the Great

Isabel, and with a steady pace climbed the slope of the island.

From a distance he made out Giselle sitting in a chair tilted back

against the end of the house, under the window of the girl’s room. She

had her embroidery in her hands, and held it well up to her eyes. The

tranquillity of that girlish figure exasperated the feeling of perpetual

struggle and strife he carried in his breast. He became angry. It seemed

to him that she ought to hear the clanking of his fetters--his silver

fetters, from afar. And while ashore that day, he had met the doctor

with the evil eye, who had looked at him very hard.

The raising of her eyes mollified him. They smiled in their flower-like

freshness straight upon his heart. Then she frowned. It was a warning to

be cautious. He stopped some distance away, and in a loud, indifferent

tone, said--

“Good day, Giselle. Is Linda up yet?”

“Yes. She is in the big room with father.”

He approached then, and, looking through the window into the bedroom

for fear of being detected by Linda returning there for some reason, he

said, moving only his lips--

“You love me?”

“More than my life.” She went on with her embroidery under his

contemplating gaze and continued to speak, looking at her work, “Or I

could not live. I could not, Giovanni. For this life is like death. Oh,

Giovanni, I shall perish if you do not take me away.”

He smiled carelessly. “I will come to the window when it’s dark,” he

said.

“No, don’t, Giovanni. Not-to-night. Linda and father have been talking

together for a long time today.”

“What about?”

“Ramirez, I fancy I heard. I do not know. I am afraid. I am always

afraid. It is like dying a thousand times a day. Your love is to me like

your treasure to you. It is there, but I can never get enough of it.”

He looked at her very still. She was beautiful. His desire had grown

within him. He had two masters now. But she was incapable of sustained

emotion. She was sincere in what she said, but she slept placidly at

night. When she saw him she flamed up always. Then only an increased

taciturnity marked the change in her. She was afraid of betraying

herself. She was afraid of pain, of bodily harm, of sharp words, of

facing anger, and witnessing violence. For her soul was light and tender

with a pagan sincerity in its impulses. She murmured--

“Give up the palazzo, Giovanni, and the vineyard on the hills, for which

we are starving our love.”

She ceased, seeing Linda standing silent at the corner of the house.

Nostromo turned to his affianced wife with a greeting, and was amazed at

her sunken eyes, at her hollow cheeks, at the air of illness and anguish

in her face.

“Have you been ill?” he asked, trying to put some concern into this

question.

Her black eyes blazed at him. “Am I thinner?” she asked.

“Yes--perhaps--a little.”

“And older?”

“Every day counts--for all of us.”

“I shall go grey, I fear, before the ring is on my finger,” she said,

slowly, keeping her gaze fastened upon him.

She waited for what he would say, rolling down her turned-up sleeves.

“No fear of that,” he said, absently.

She turned away as if it had been something final, and busied herself

with household cares while Nostromo talked with her father. Conversation

with the old Garibaldino was not easy. Age had left his faculties

unimpaired, only they seemed to have withdrawn somewhere deep within

him. His answers were slow in coming, with an effect of august gravity.

But that day he was more animated, quicker; there seemed to be more

life in the old lion. He was uneasy for the integrity of his honour.

He believed Sidoni’s warning as to Ramirez’s designs upon his younger

daughter. And he did not trust her. She was flighty. He said nothing of

his cares to “Son Gian’ Battista.” It was a touch of senile vanity. He

wanted to show that he was equal yet to the task of guarding alone the

honour of his house.

Nostromo went away early. As soon as he had disappeared, walking towards

the beach, Linda stepped over the threshold and, with a haggard smile,

sat down by the side of her father.

Ever since that Sunday, when the infatuated and desperate Ramirez had

waited for her on the wharf, she had no doubts whatever. The jealous

ravings of that man were no revelation. They had only fixed with

precision, as with a nail driven into her heart, that sense of unreality

and deception which, instead of bliss and security, she had found in

her intercourse with her promised husband. She had passed on, pouring

indignation and scorn upon Ramirez; but, that Sunday, she nearly died

of wretchedness and shame, lying on the carved and lettered stone of

Teresa’s grave, subscribed for by the engine-drivers and the fitters of

the railway workshops, in sign of their respect for the hero of Italian

Unity. Old Viola had not been able to carry out his desire of burying

his wife in the sea; and Linda wept upon the stone.

The gratuitous outrage appalled her. If he wished to break her

heart--well and good. Everything was permitted to Gian’ Battista. But

why trample upon the pieces; why seek to humiliate her spirit? Aha! He

could not break that. She dried her tears. And Giselle! Giselle! The

little one that, ever since she could toddle, had always clung to

her skirt for protection. What duplicity! But she could not help it

probably. When there was a man in the case the poor featherheaded wretch

could not help herself.

Linda had a good share of the Viola stoicism. She resolved to say

nothing. But woman-like she put passion into her stoicism. Giselle’s

short answers, prompted by fearful caution, drove her beside herself by

their curtness that resembled disdain. One day she flung herself upon

the chair in which her indolent sister was lying and impressed the mark

of her teeth at the base of the whitest neck in Sulaco. Giselle cried

out. But she had her share of the Viola heroism. Ready to faint with

terror, she only said, in a lazy voice, “Madre de Dios! Are you going to

eat me alive, Linda?” And this outburst passed off leaving no trace upon

the situation. “She knows nothing. She cannot know any thing,” reflected

Giselle. “Perhaps it is not true. It cannot be true,” Linda tried to

persuade herself.

But when she saw Captain Fidanza for the first time after her meeting

with the distracted Ramirez, the certitude of her misfortune returned.

She watched him from the doorway go away to his boat, asking herself

stoically, “Will they meet to-night?” She made up her mind not to leave

the tower for a second. When he had disappeared she came out and sat

down by her father.

The venerable Garibaldino felt, in his own words, “a young man yet.” In

one way or another a good deal of talk about Ramirez had reached him

of late; and his contempt and dislike of that man who obviously was

not what his son would have been, had made him restless. He slept very

little now; but for several nights past instead of reading--or only

sitting, with Mrs. Gould’s silver spectacles on his nose, before the

open Bible, he had been prowling actively all about the island with his

old gun, on watch over his honour.

Linda, laying her thin brown hand on his knee, tried to soothe his

excitement. Ramirez was not in Sulaco. Nobody knew where he was. He was

gone. His talk of what he would do meant nothing.

“No,” the old man interrupted. “But son Gian’ Battista told me--quite

of himself--that the cowardly esclavo was drinking and gambling with the

rascals of Zapiga, over there on the north side of the gulf. He may get

some of the worst scoundrels of that scoundrelly town of negroes to help

him in his attempt upon the little one. . . . But I am not so old. No!”

She argued earnestly against the probability of any attempt being made;

and at last the old man fell silent, chewing his white moustache. Women

had their obstinate notions which must be humoured--his poor wife was

like that, and Linda resembled her mother. It was not seemly for a man

to argue. “May be. May be,” he mumbled.

She was by no means easy in her mind. She loved Nostromo. She turned

her eyes upon Giselle, sitting at a distance, with something of maternal

tenderness, and the jealous anguish of a rival outraged in her defeat.

Then she rose and walked over to her.

“Listen--you,” she said, roughly.

The invincible candour of the gaze, raised up all violet and dew,

excited her rage and admiration. She had beautiful eyes--the Chica--this

vile thing of white flesh and black deception. She did not know whether

she wanted to tear them out with shouts of vengeance or cover up their

mysterious and shameless innocence with kisses of pity and love. And

suddenly they became empty, gazing blankly at her, except for a little

fear not quite buried deep enough with all the other emotions in

Giselle’s heart.

Linda said, “Ramirez is boasting in town that he will carry you off from

the island.”

“What folly!” answered the other, and in a perversity born of long

restraint, she added: “He is not the man,” in a jesting tone with a

trembling audacity.

“No?” said Linda, through her clenched teeth. “Is he not? Well, then,

look to it; because father has been walking about with a loaded gun at

night.”

“It is not good for him. You must tell him not to, Linda. He will not

listen to me.”

“I shall say nothing--never any more--to anybody,” cried Linda,

passionately.

This could not last, thought Giselle. Giovanni must take her away

soon--the very next time he came. She would not suffer these terrors for

ever so much silver. To speak with her sister made her ill. But she was

not uneasy at her father’s watchfulness. She had begged Nostromo not

to come to the window that night. He had promised to keep away for this

once. And she did not know, could not guess or imagine, that he had

another reason for coming on the island.

Linda had gone straight to the tower. It was time to light up. She

unlocked the little door, and went heavily up the spiral staircase,

carrying her love for the magnificent Capataz de Cargadores like an

ever-increasing load of shameful fetters. No; she could not throw it

off. No; let Heaven dispose of these two. And moving about the lantern,

filled with twilight and the sheen of the moon, with careful movements

she lighted the lamp. Then her arms fell along her body.

“And with our mother looking on,” she murmured. “My own sister--the

Chica!”

The whole refracting apparatus, with its brass fittings and rings of

prisms, glittered and sparkled like a domeshaped shrine of diamonds,

containing not a lamp, but some sacred flame, dominating the sea. And

Linda, the keeper, in black, with a pale face, drooped low in a wooden

chair, alone with her jealousy, far above the shames and passions of the

earth. A strange, dragging pain as if somebody were pulling her about

brutally by her dark hair with bronze glints, made her put her hands up

to her temples. They would meet. They would meet. And she knew where,

too. At the window. The sweat of torture fell in drops on her cheeks,

while the moonlight in the offing closed as if with a colossal bar of

silver the entrance of the Placid Gulf--the sombre cavern of clouds and

stillness in the surf-fretted seaboard.

Linda Viola stood up suddenly with a finger on her lip. He loved neither

her nor her sister. The whole thing seemed so objectless as to frighten

her, and also give her some hope. Why did he not carry her off? What

prevented him? He was incomprehensible. What were they waiting for? For

what end were these two lying and deceiving? Not for the ends of their

love. There was no such thing. The hope of regaining him for herself

made her break her vow of not leaving the tower that night. She must

talk at once to her father, who was wise, and would understand. She ran

down the spiral stairs. At the moment of opening the door at the bottom

she heard the sound of the first shot ever fired on the Great Isabel.

She felt a shock, as though the bullet had struck her breast. She ran on

without pausing. The cottage was dark. She cried at the door, “Giselle!

Giselle!” then dashed round the corner and screamed her sister’s name

at the open window, without getting an answer; but as she was rushing,

distracted, round the house, Giselle came out of the door, and darted

past her, running silently, her hair loose, and her eyes staring

straight ahead. She seemed to skim along the grass as if on tiptoe, and

vanished.

Linda walked on slowly, with her arms stretched out before her. All

was still on the island; she did not know where she was going. The tree

under which Martin Decoud spent his last days, beholding life like a

succession of senseless images, threw a large blotch of black shade upon

the grass. Suddenly she saw her father, standing quietly all alone in

the moonlight.

The Garibaldino--big, erect, with his snow-white hair and beard--had a

monumental repose in his immobility, leaning upon a rifle. She put her

hand upon his arm lightly. He never stirred.

“What have you done?” she asked, in her ordinary voice.

“I have shot Ramirez--infame!” he answered, with his eyes directed to

where the shade was blackest. “Like a thief he came, and like a thief he

fell. The child had to be protected.”

He did not offer to move an inch, to advance a single step. He stood

there, rugged and unstirring, like a statue of an old man guarding the

honour of his house. Linda removed her trembling hand from his arm,

firm and steady like an arm of stone, and, without a word, entered the

blackness of the shade. She saw a stir of formless shapes on the ground,

and stopped short. A murmur of despair and tears grew louder to her

strained hearing.

“I entreated you not to come to-night. Oh, my Giovanni! And you

promised. Oh! Why--why did you come, Giovanni?”

It was her sister’s voice. It broke on a heartrending sob. And the voice

of the resourceful Capataz de Cargadores, master and slave of the

San Tome treasure, who had been caught unawares by old Giorgio while

stealing across the open towards the ravine to get some more silver,

answered careless and cool, but sounding startlingly weak from the

ground.

“It seemed as though I could not live through the night without seeing

thee once more--my star, my little flower.”

* * * * *

The brilliant tertulia was just over, the last guests had departed, and

the Senor Administrador had gone to his room already, when Dr. Monygham,

who had been expected in the evening but had not turned up, arrived

driving along the wood-block pavement under the electric-lamps of the

deserted Calle de la Constitucion, and found the great gateway of the

Casa still open.

He limped in, stumped up the stairs, and found the fat and sleek Basilio

on the point of turning off the lights in the sala. The prosperous

majordomo remained open-mouthed at this late invasion.

“Don’t put out the lights,” commanded the doctor. “I want to see the

senora.”

“The senora is in the Senor Adminstrador’s cancillaria,” said Basilio,

in an unctuous voice. “The Senor Administrador starts for the mountain

in an hour. There is some trouble with the workmen to be feared, it

appears. A shameless people without reason and decency. And idle, senor.

Idle.”

“You are shamelessly lazy and imbecile yourself,” said the doctor,

with that faculty for exasperation which made him so generally beloved.

“Don’t put the lights out.”

Basilio retired with dignity. Dr. Monygham, waiting in the brilliantly

lighted sala, heard presently a door close at the further end of the

house. A jingle of spurs died out. The Senor Administrador was off to

the mountain.

With a measured swish of her long train, flashing with jewels and the

shimmer of silk, her delicate head bowed as if under the weight of a

mass of fair hair, in which the silver threads were lost, the “first

lady of Sulaco,” as Captain Mitchell used to describe her, moved along

the lighted corredor, wealthy beyond great dreams of wealth, considered,

loved, respected, honoured, and as solitary as any human being had ever

been, perhaps, on this earth.

The doctor’s “Mrs. Gould! One minute!” stopped her with a start at the

door of the lighted and empty sala. From the similarity of mood and

circumstance, the sight of the doctor, standing there all alone amongst

the groups of furniture, recalled to her emotional memory her unexpected

meeting with Martin Decoud; she seemed to hear in the silence the voice

of that man, dead miserably so many years ago, pronounce the words,

“Antonia left her fan here.” But it was the doctor’s voice that spoke, a

little altered by his excitement. She remarked his shining eyes.

“Mrs. Gould, you are wanted. Do you know what has happened? You remember

what I told you yesterday about Nostromo. Well, it seems that a lancha,

a decked boat, coming from Zapiga, with four negroes in her, passing

close to the Great Isabel, was hailed from the cliff by a woman’s

voice--Linda’s, as a matter of fact--commanding them (it’s a moonlight

night) to go round to the beach and take up a wounded man to the town.

The patron (from whom I’ve heard all this), of course, did so at once.

He told me that when they got round to the low side of the Great Isabel,

they found Linda Viola waiting for them. They followed her: she led them

under a tree not far from the cottage. There they found Nostromo lying

on the ground with his head in the younger girl’s lap, and father Viola

standing some distance off leaning on his gun. Under Linda’s direction

they got a table out of the cottage for a stretcher, after breaking off

the legs. They are here, Mrs. Gould. I mean Nostromo and--and Giselle.

The negroes brought him in to the first-aid hospital near the harbour.

He made the attendant send for me. But it was not me he wanted to

see--it was you, Mrs. Gould! It was you.”

“Me?” whispered Mrs. Gould, shrinking a little.

“Yes, you!” the doctor burst out. “He begged me--his enemy, as he

thinks--to bring you to him at once. It seems he has something to say to

you alone.”

“Impossible!” murmured Mrs. Gould.

“He said to me, ‘Remind her that I have done something to keep a roof

over her head.’ . . . Mrs. Gould,” the doctor pursued, in the greatest

excitement. “Do you remember the silver? The silver in the lighter--that

was lost?”

Mrs. Gould remembered. But she did not say she hated the mere mention of

that silver. Frankness personified, she remembered with an exaggerated

horror that for the first and last time of her life she had concealed

the truth from her husband about that very silver. She had been

corrupted by her fears at that time, and she had never forgiven herself.

Moreover, that silver, which would never have come down if her husband

had been made acquainted with the news brought by Decoud, had been in

a roundabout way nearly the cause of Dr. Monygham’s death. And these

things appeared to her very dreadful.

“Was it lost, though?” the doctor exclaimed. “I’ve always felt that

there was a mystery about our Nostromo ever since. I do believe he wants

now, at the point of death----”

“The point of death?” repeated Mrs. Gould.

“Yes. Yes. . . . He wants perhaps to tell you something concerning that

silver which----”

“Oh, no! No!” exclaimed Mrs. Gould, in a low voice. “Isn’t it lost and

done with? Isn’t there enough treasure without it to make everybody in

the world miserable?”

The doctor remained still, in a submissive, disappointed silence. At

last he ventured, very low--

“And there is that Viola girl, Giselle. What are we to do? It looks as

though father and sister had----”

Mrs. Gould admitted that she felt in duty bound to do her best for these

girls.

“I have a volante here,” the doctor said. “If you don’t mind getting

into that----”

He waited, all impatience, till Mrs. Gould reappeared, having thrown

over her dress a grey cloak with a deep hood.

It was thus that, cloaked and monastically hooded over her evening

costume, this woman, full of endurance and compassion, stood by the side

of the bed on which the splendid Capataz de Cargadores lay stretched

out motionless on his back. The whiteness of sheets and pillows gave a

sombre and energetic relief to his bronzed face, to the dark, nervous

hands, so good on a tiller, upon a bridle and on a trigger, lying open

and idle upon a white coverlet.

“She is innocent,” the Capataz was saying in a deep and level voice, as

though afraid that a louder word would break the slender hold his

spirit still kept upon his body. “She is innocent. It is I alone. But no

matter. For these things I would answer to no man or woman alive.”

He paused. Mrs. Gould’s face, very white within the shadow of the hood,

bent over him with an invincible and dreary sadness. And the low sobs

of Giselle Viola, kneeling at the end of the bed, her gold hair with

coppery gleams loose and scattered over the Capataz’s feet, hardly

troubled the silence of the room.

“Ha! Old Giorgio--the guardian of thine honour! Fancy the Vecchio coming

upon me so light of foot, so steady of aim. I myself could have done no

better. But the price of a charge of powder might have been saved. The

honour was safe. . . . Senora, she would have followed to the end of

the world Nostromo the thief. . . . I have said the word. The spell is

broken!”

A low moan from the girl made him cast his eyes down.

“I cannot see her. . . . No matter,” he went on, with the shadow of the

old magnificent carelessness in his voice. “One kiss is enough, if

there is no time for more. An airy soul, senora! Bright and warm, like

sunshine--soon clouded, and soon serene. They would crush it there

between them. Senora, cast on her the eye of your compassion, as famed

from one end of the land to the other as the courage and daring of

the man who speaks to you. She will console herself in time. And even

Ramirez is not a bad fellow. I am not angry. No! It is not Ramirez

who overcame the Capataz of the Sulaco Cargadores.” He paused, made an

effort, and in louder voice, a little wildly, declared--

“I die betrayed--betrayed by----”

But he did not say by whom or by what he was dying betrayed.

“She would not have betrayed me,” he began again, opening his eyes very

wide. “She was faithful. We were going very far--very soon. I could have

torn myself away from that accursed treasure for her. For that child I

would have left boxes and boxes of it--full. And Decoud took four. Four

ingots. Why? Picardia! To betray me? How could I give back the treasure

with four ingots missing? They would have said I had purloined them. The

doctor would have said that. Alas! it holds me yet!”

Mrs. Gould bent low, fascinated--cold with apprehension.

“What became of Don Martin on that night, Nostromo?”

“Who knows? I wondered what would become of me. Now I know. Death was

to come upon me unawares. He went away! He betrayed me. And you think

I have killed him! You are all alike, you fine people. The silver has

killed me. It has held me. It holds me yet. Nobody knows where it is.

But you are the wife of Don Carlos, who put it into my hands and said,

‘Save it on your life.’ And when I returned, and you all thought it

was lost, what do I hear? ‘It was nothing of importance. Let it go. Up,

Nostromo, the faithful, and ride away to save us, for dear life!’”

“Nostromo!” Mrs. Gould whispered, bending very low. “I, too, have hated

the idea of that silver from the bottom of my heart.”

“Marvellous!--that one of you should hate the wealth that you know so

well how to take from the hands of the poor. The world rests upon the

poor, as old Giorgio says. You have been always good to the poor. But

there is something accursed in wealth. Senora, shall I tell you where

the treasure is? To you alone. . . . Shining! Incorruptible!”

A pained, involuntary reluctance lingered in his tone, in his eyes,

plain to the woman with the genius of sympathetic intuition. She averted

her glance from the miserable subjection of the dying man, appalled,

wishing to hear no more of the silver.

“No, Capataz,” she said. “No one misses it now. Let it be lost for

ever.”

After hearing these words, Nostromo closed his eyes, uttered no word,

made no movement. Outside the door of the sick-room Dr. Monygham,

excited to the highest pitch, his eyes shining with eagerness, came up

to the two women.

“Now, Mrs. Gould,” he said, almost brutally in his impatience, “tell me,

was I right? There is a mystery. You have got the word of it, have you

not? He told you----”

“He told me nothing,” said Mrs. Gould, steadily.

The light of his temperamental enmity to Nostromo went out of Dr.

Monygham’s eyes. He stepped back submissively. He did not believe Mrs.

Gould. But her word was law. He accepted her denial like an inexplicable

fatality affirming the victory of Nostromo’s genius over his own. Even

before that woman, whom he loved with secret devotion, he had been

defeated by the magnificent Capataz de Cargadores, the man who had lived

his own life on the assumption of unbroken fidelity, rectitude, and

courage!

“Pray send at once somebody for my carriage,” spoke Mrs. Gould from

within her hood. Then, turning to Giselle Viola, “Come nearer me, child;

come closer. We will wait here.”

Giselle Viola, heartbroken and childlike, her face veiled in her falling

hair, crept up to her side. Mrs. Gould slipped her hand through the arm

of the unworthy daughter of old Viola, the immaculate republican, the

hero without a stain. Slowly, gradually, as a withered flower droops,

the head of the girl, who would have followed a thief to the end of the

world, rested on the shoulder of Dona Emilia, the first lady of Sulaco,

the wife of the Senor Administrador of the San Tome mine. And Mrs.

Gould, feeling her suppressed sobbing, nervous and excited, had the

first and only moment of bitterness in her life. It was worthy of Dr.

Monygham himself.

“Console yourself, child. Very soon he would have forgotten you for his

treasure.”

“Senora, he loved me. He loved me,” Giselle whispered, despairingly. “He

loved me as no one had ever been loved before.”

“I have been loved, too,” Mrs. Gould said in a severe tone.

Giselle clung to her convulsively. “Oh, senora, but you shall live

adored to the end of your life,” she sobbed out.

Mrs. Gould kept an unbroken silence till the carriage arrived. She

helped in the half-fainting girl. After the doctor had shut the door of

the landau, she leaned over to him.

“You can do nothing?” she whispered.

“No, Mrs. Gould. Moreover, he won’t let us touch him. It does not

matter. I just had one look. . . . Useless.”

But he promised to see old Viola and the other girl that very night. He

could get the police-boat to take him off to the island. He remained

in the street, looking after the landau rolling away slowly behind the

white mules.

The rumour of some accident--an accident to Captain Fidanza--had been

spreading along the new quays with their rows of lamps and the dark

shapes of towering cranes. A knot of night prowlers--the poorest of the

poor--hung about the door of the first-aid hospital, whispering in the

moonlight of the empty street.

There was no one with the wounded man but the pale photographer, small,

frail, bloodthirsty, the hater of capitalists, perched on a high stool

near the head of the bed with his knees up and his chin in his hands. He

had been fetched by a comrade who, working late on the wharf, had

heard from a negro belonging to a lancha, that Captain Fidanza had been

brought ashore mortally wounded.

“Have you any dispositions to make, comrade?” he asked, anxiously. “Do

not forget that we want money for our work. The rich must be fought with

their own weapons.”

Nostromo made no answer. The other did not insist, remaining huddled

up on the stool, shock-headed, wildly hairy, like a hunchbacked monkey.

Then, after a long silence--

“Comrade Fidanza,” he began, solemnly, “you have refused all aid from

that doctor. Is he really a dangerous enemy of the people?”

In the dimly lit room Nostromo rolled his head slowly on the pillow and

opened his eyes, directing at the weird figure perched by his bedside a

glance of enigmatic and profound inquiry. Then his head rolled back, his

eyelids fell, and the Capataz de Cargadores died without a word or moan

after an hour of immobility, broken by short shudders testifying to the

most atrocious sufferings.

Dr. Monygham, going out in the police-galley to the islands, beheld the

glitter of the moon upon the gulf and the high black shape of the Great

Isabel sending a shaft of light afar, from under the canopy of clouds.

“Pull easy,” he said, wondering what he would find there. He tried to

imagine Linda and her father, and discovered a strange reluctance within

himself. “Pull easy,” he repeated.

* * * * * *

From the moment he fired at the thief of his honour, Giorgio Viola had

not stirred from the spot. He stood, his old gun grounded, his hand

grasping the barrel near the muzzle. After the lancha carrying off

Nostromo for ever from her had left the shore, Linda, coming up, stopped

before him. He did not seem to be aware of her presence, but when,

losing her forced calmness, she cried out--

“Do you know whom you have killed?” he answered--

“Ramirez the vagabond.”

White, and staring insanely at her father, Linda laughed in his face.

After a time he joined her faintly in a deep-toned and distant echo of

her peals. Then she stopped, and the old man spoke as if startled--

“He cried out in son Gian’ Battista’s voice.”

The gun fell from his opened hand, but the arm remained extended for a

moment as if still supported. Linda seized it roughly.

“You are too old to understand. Come into the house.”

He let her lead him. On the threshold he stumbled heavily, nearly coming

to the ground together with his daughter. His excitement, his activity

of the last few days, had been like the flare of a dying lamp. He caught

at the back of his chair.

“In son Gian’ Battista’s voice,” he repeated in a severe tone. “I heard

him--Ramirez--the miserable----”

Nostromo: A Tale of the Seaboard · 第 55 / 57 题