IX

Midnight was once more chiming from all the brazen tongues of the

city when he awoke, and, all being still around him, ventured to

put his head out of the brass door of the stove to see why such a

strange bright light was round him.

It was a very strange and brilliant light indeed; and yet, what

is perhaps still stranger, it did not frighten or amaze him, nor

did what he saw alarm him either, and yet I think it would have

done you or me. For what he saw was nothing less than all the

_bric-à-brac_ in motion.

A big jug, an Apostel-Krug, of Kruessen, was solemnly dancing a

minuet with a plump Faenza jar; a tall Dutch clock was going

through a gavotte with a spindle-legged ancient chair; a very

droll porcelain figure of Littenhausen was bowing to a very stiff

soldier in _terre cuite_ of Ulm; an old violin of Cremona was

playing itself, and a queer little shrill plaintive music that

thought itself merry came from a painted spinet covered with

faded roses; some gilt Spanish leather had got up on the wall and

laughed; a Dresden mirror was tripping about, crowned with

flowers, and a Japanese bonze was riding along on a griffin; a

slim Venetian rapier had come to blows with a stout Ferrara

sabre, all about a little pale-faced chit of a damsel in white

Nymphenburg china; and a portly Franconian pitcher in _grès gris_

was calling aloud, "Oh, these Italians! always at feud!" But

nobody listened to him at all. A great number of little Dresden

cups and saucers were all skipping and waltzing; the teapots,

with their broad round faces, were spinning their own lids like

teetotums; the high-backed gilded chairs were having a game of

cards together; and a little Saxe poodle, with a blue ribbon at

its throat, was running from one to another, whilst a yellow cat

of Cornelis Lachtleven's rode about on a Delft horse in blue

pottery of 1489. Meanwhile the brilliant light shed on the scene

came from three silver candelabra, though they had no candles set

up in them; and, what is the greatest miracle of all, August

looked on at these mad freaks and felt no sensation of wonder! He

only, as he heard the violin and the spinet playing, felt an

irresistible desire to dance too.

No doubt his face said what he wished; for a lovely little lady,

all in pink and gold and white, with powdered hair, and

high-heeled shoes, and all made of the very finest and fairest

Meissen china, tripped up to him, and smiled, and gave him her

hand, and led him out to a minuet. And he danced it perfectly,--poor

little August in his thick, clumsy shoes, and his thick, clumsy

sheepskin jacket, and his rough homespun linen, and his broad

Tyrolean hat! He must have danced it perfectly, this dance of

kings and queens in days when crowns were duly honored, for the

lovely lady always smiled benignly and never scolded him at all,

and danced so divinely herself to the stately measures the spinet

was playing that August could not take his eyes off her till,

their minuet ended, she sat down on her own white-and-gold

bracket.

"I am the Princess of Saxe-Royale," she said to him, with a

benignant smile; "and you have got through that minuet very

fairly."

The Nürnberg Stove · 第 14 / 18 题