CHAPTER XXVIII.

The conversation with Mrs. Poyntz left my mind restless and disquieted.

I had no doubt, indeed, of Lilian’s truth; but could I be sure that

the attentions of a young man, with advantages of fortune so brilliant,

would not force on her thoughts the contrast of the humbler lot and the

duller walk of life in which she had accepted as companion a man removed

from her romantic youth less by disparity of years than by gravity

of pursuits? And would my suit now be as welcomed as it had been by a

mother even so unworldly as Mrs. Ashleigh? Why, too, should both mother

and daughter have left me so unprepared to hear that I had a rival; why

not have implied some consoling assurance that such rivalry need not

cause me alarm? Lilian’s letters, it is true, touched but little on any

of the persons round her; they were filled with the outpourings of

an ingenuous heart, coloured by the glow of a golden fancy. They were

written as if in the wide world we two stood apart alone, consecrated

from the crowd by the love that, in linking us together, had hallowed

each to the other. Mrs. Ashleigh’s letters were more general and

diffusive,--detailed the habits of the household, sketched the guests,

intimated her continued fear of Lady Haughton, but had said nothing more

of Mr. Ashleigh Sumner than I had repeated to Mrs. Poyntz. However, in

my letter to Lilian I related the intelligence that had reached me, and

impatiently I awaited her reply.

Three days after the interview with Mrs. Poyntz, and two days before the

long-anticipated event of the mayor’s ball, I was summoned to attend

a nobleman who had lately been added to my list of patients, and whose

residence was about twelve miles from L----. The nearest way was through

Sir Philip Derval’s park. I went on horseback, and proposed to stop on

the way to inquire after the steward, whom I had seen but once since his

fit, and that was two days after it, when he called himself at my

house to thank me for my attendance, and to declare that he was quite

recovered.

As I rode somewhat fast through the park, I came, however, upon the

steward, just in front of the house. I reined in my horse and accosted

him. He looked very cheerful.

“Sir,” said he, in a whisper, “I have heard from Sir Philip; his letter

is dated since--since-my good woman told you what I saw,--well, since

then. So that it must have been all a delusion of mine, as you told her.

And yet, well--well--we will not talk of it, doctor; but I hope you have

kept the secret. Sir Philip would not like to hear of it, if he comes

back.”

“Your secret is quite safe with me. But is Sir Philip likely to come

back?”

“I hope so, doctor. His letter is dated Paris, and that’s nearer home

than he has been for many years; and--but bless me! some one is coming

out of the house,--a young gentleman! Who can it be?”

I looked, and to my surprise I saw Margrave descending the stately

stairs that led from the front door. The steward turned towards him,

and I mechanically followed, for I was curious to know what had brought

Margrave to the house of the long-absent traveller.

It was easily explained. Mr. Margrave had heard at L---- much of the

pictures and internal decorations of the mansion. He had, by dint

of coaxing (he said, with his enchanting laugh), persuaded the old

housekeeper to show him the rooms.

“It is against Sir Philip’s positive orders to show the house to any

stranger, sir; and the housekeeper has done very wrong,” said the

steward.

“Pray don’t scold her. I dare say Sir Philip would not have refused me a

permission he might not give to every idle sightseer. Fellow-travellers

have a freemasonry with each other; and I have been much in the same

far countries as himself. I heard of him there, and could tell you more

about him, I dare say, than you know yourself.”

“You, sir! pray do then.”

“The next time I come,” said Margrave, gayly; and, with a nod to me,

he glided off through the trees of the neighbouring grove, along the

winding footpath that led to the lodge.

“A very cool gentleman,” muttered the steward; “but what pleasant ways

he has! You seem to know him, sir. Who is he, may I ask?”

“Mr. Margrave,--a visitor at L----, and he has been a great traveller,

as he says; perhaps he met Sir Philip abroad.”

“I must go and hear what he said to Mrs. Gates; excuse me, sir, but I am

so anxious about Sir Philip.”

“If it be not too great a favour, may I be allowed the same privilege

granted to Mr. Margrave? To judge by the outside of the house, the

inside must be worth seeing; still, if it be against Sir Philip’s

positive orders--”

“His orders were, not to let the Court become a show-house,--to admit

none without my consent; but I should be ungrateful indeed, doctor, if I

refused that consent to you.”

I tied my horse to the rusty gate of the terrace-walk, and followed

the steward up the broad stairs of the terrace. The great doors were

unlocked. We entered a lofty hall with a domed ceiling; at the back of

the hall the grand staircase ascended by a double flight. The design was

undoubtedly Vanbrugh’s,--an architect who, beyond all others, sought

the effect of grandeur less in space than in proportion; but Vanbrugh’s

designs need the relief of costume and movement, and the forms of a more

pompous generation, in the bravery of velvets and laces, glancing amid

those gilded columns, or descending with stately tread those broad

palatial stairs. His halls and chambers are so made for festival and

throng, that they become like deserted theatres, inexpressibly desolate,

as we miss the glitter of the lamps and the movement of the actors.

The housekeeper had now appeared,--a quiet, timid old woman. She excused

herself for admitting Margrave--not very intelligibly. It was plain

to see that she had, in truth, been unable to resist what the steward

termed his “pleasant ways.”

As if to escape from a scolding, she talked volubly all the time,

bustling nervously through the rooms, along which I followed her

guidance with a hushed footstep. The principal apartments were on the

ground-floor, or rather, a floor raised some ten or fifteen feet above

the ground; they had not been modernized since the date in which they

were built. Hangings of faded silk; tables of rare marble, and mouldered

gilding; comfortless chairs at drill against the walls; pictures, of

which connoisseurs alone could estimate the value, darkened by dust or

blistered by sun and damp, made a general character of discomfort. On

not one room, on not one nook, still lingered some old smile of home.

Meanwhile, I gathered from the housekeeper’s rambling answers to

questions put to her by the steward, as I moved on, glancing at the

pictures, that Margrave’s visit that day was not his first. He had been

to the house twice before,--his ostensible excuse that he was an amateur

in pictures (though, as I had before observed, for that department of

art he had no taste); but each time he had talked much of Sir Philip. He

said that though not personally known to him, he had resided in the same

towns abroad, and had friends equally intimate with Sir Philip; but when

the steward inquired if the visitor had given any information as to

the absentee, it became very clear that Margrave had been rather asking

questions than volunteering intelligence.

We had now come to the end of the state apartments, the last of which

was a library. “And,” said the old woman, “I don’t wonder the gentleman

knew Sir Philip, for he seemed a scholar, and looked very hard over the

books, especially those old ones by the fireplace, which Sir Philip,

Heaven bless him, was always poring into.”

Mechanically I turned to the shelves by the fireplace, and examined the

volumes ranged in that department. I found they contained the works

of those writers whom we may class together under the title of

mystics,--Iamblichus and Plotinus; Swedenborg and Behmen; Sandivogius,

Van Helmont, Paracelsus, Cardan. Works, too, were there, by writers less

renowned, on astrology, geomancy, chiromancy, etc. I began to understand

among what class of authors Margrave had picked up the strange notions

with which he was apt to interpolate the doctrines of practical

philosophy.

“I suppose this library was Sir Philip’s usual sitting-room?” said I.

“No, sir; he seldom sat here. This was his study;” and the old woman

opened a small door, masked by false book backs. I followed her into a

room of moderate size, and evidently of much earlier date than the rest

of the house. “It is the only room left of an older mansion,” said the

steward in answer to my remark. “I have heard it was spared on account

of the chimneypiece. But there is a Latin inscription which will tell

you all about it. I don’t know Latin myself.”

The chimneypiece reached to the ceiling. The frieze of the lower part

rested on rude stone caryatides; the upper part was formed of oak panels

very curiously carved in the geometrical designs favoured by the taste

prevalent in the reigns of Elizabeth and James, but different from any

I had ever seen in the drawings of old houses,--and I was not quite

unlearned in such matters, for my poor father was a passionate antiquary

in all that relates to mediaeval art. The design in the oak panels was

composed of triangles interlaced with varied ingenuity, and enclosed in

circular bands inscribed with the signs of the Zodiac.

On the stone frieze supported by the caryatides, immediately under the

woodwork, was inserted a metal plate, on which was written, in Latin, a

few lines to the effect that “in this room, Simon Forman, the seeker

of hidden truth, taking refuge from unjust persecution, made those

discoveries in nature which he committed, for the benefit of a wiser

age, to the charge of his protector and patron, the worshipful Sir Miles

Derval, knight.”

Forman! The name was not quite unfamiliar to me; but it was not without

an effort that my memory enabled me to assign it to one of the most

notorious of those astrologers or soothsayers whom the superstition of

an earlier age alternately persecuted and honoured.

The general character of the room was more cheerful than the statelier

chambers I had hitherto passed through, for it had still the look of

habitation,--the armchair by the fireplace; the kneehole writing-table

beside it; the sofa near the recess of a large bay-window, with

book-prop and candlestick screwed to its back; maps, coiled in their

cylinders, ranged under the cornice; low strong safes, skirting

two sides of the room, and apparently intended to hold papers and

title-deeds, seals carefully affixed to their jealous locks. Placed on

the top of these old-fashioned receptacles were articles familiar to

modern use,--a fowling-piece here, fishing-rods there, two or three

simple flower-vases, a pile of music books, a box of crayons. All

in this room seemed to speak of residence and ownership,--of the

idiosyncrasies of a lone single man, it is true, but of a man of one’s

own time,--a country gentleman of plain habits but not uncultivated

tastes.

I moved to the window; it opened by a sash upon a large balcony, from

which a wooden stair wound to a little garden, not visible in front of

the house, surrounded by a thick grove of evergreens, through which

one broad vista was cut, and that vista was closed by a view of the

mausoleum.

I stepped out into the garden,--a patch of sward with a fountain in the

centre, and parterres, now more filled with weeds than flowers. At the

left corner was a tall wooden summer-house or pavilion,--its door wide

open. “Oh, that’s where Sir Philip used to study many a long summer’s

night,” said the steward.

“What! in that damp pavilion?”

“It was a pretty place enough then, sir; but it is very old,--they say

as old as the room you have just left.”

“Indeed, I must look at it, then.”

The walls of this summer-house had once been painted in the arabesques

of the Renaissance period; but the figures were now scarcely traceable.

The woodwork had started in some places, and the sunbeams stole through

the chinks and played on the floor, which was formed from old tiles

quaintly tessellated and in triangular patterns; similar to those I

had observed in the chimneypiece. The room in the pavilion was large,

furnished with old worm-eaten tables and settles. “It was not only here

that Sir Philip studied, but sometimes in the room above,” said the

steward.

“How do you get to the room above? Oh, I see; a stair case in the

angle.” I ascended the stairs with some caution, for they were crooked

and decayed; and, on entering the room above, comprehended at once why

Sir Philip had favoured it.

The cornice of the ceiling rested on pilasters, within which the

compartments were formed into open unglazed arches, surrounded by a

railed balcony. Through these arches, on three sides of the room, the

eye commanded a magnificent extent of prospect. On the fourth side the

view was bounded by the mausoleum. In this room was a large telescope;

and on stepping into the balcony, I saw that a winding stair mounted

thence to a platform on the top of the pavilion,--perhaps once used as

an observatory by Forman himself.

“The gentleman who was here to-day was very much pleased with this

look-out, sir,” said the housekeeper. “Who would not be? I suppose Sir

Philip has a taste for astronomy.”

“I dare say, sir,” said the steward, looking grave; “he likes most

out-of-the-way things.”

The position of the sun now warned me that my time pressed, and that I

should have to ride fast to reach my new patient at the hour appointed.

I therefore hastened back to my horse, and spurred on, wondering

whether, in the chain of association which so subtly links our pursuits

in manhood to our impressions in childhood, it was the Latin inscription

on the chimneypiece that had originally biassed Sir Philip Derval’s

literary taste towards the mystic jargon of the books at which I had

contemptuously glanced.

A Strange Story — Complete · 第 28 / 89 章