SCIENCE AND ART

[Speech of Thomas H. Huxley at the annual banquet of the Royal Academy,

London, May 5, 1883. Sir Frederic Leighton, President of the Academy,

said in introducing him: "With science I couple the name under which

we know one of the most fearless, keen and lucid intellects which have

ever in this country grappled with the problems of natural science and

set them solved before us, the name of Professor Huxley [cheers], a

name known far and wide wherever the pregnant science of biology is

studied, and through the vehicle of other tongues besides that strong

and trenchant English with which he is wont to strike his thoughts so

vigorously home."]

SIR FREDERIC LEIGHTON, YOUR ROYAL HIGHNESSES, MY LORDS AND

GENTLEMEN:--I beg leave to thank you for the extremely kind and

appreciative manner in which you have received the toast of Science. It

is the more grateful to me to hear that toast proposed in an assembly of

this kind, because I have noticed of late years a great and growing

tendency among those who were once jestingly said to have been born in a

pre-scientific age to look upon science as an invading and aggressive

force, which if it had its own way would oust from the universe all

other pursuits. I think there are many persons who look upon this new

birth of our times as a sort of monster rising out of the sea of modern

thought with the purpose of devouring the Andromeda of art. And now and

then a Perseus, equipped with the shoes of swiftness of the ready

writer, with the cap of invisibility of the editorial article, and it

may be with the Medusa-head of vituperation, shows himself ready to try

conclusions with the scientific dragon. Sir, I hope that Perseus will

think better of it [laughter]; first, for his own sake, because the

creature is hard of head, strong of jaw, and for some time past has

shown a great capacity for going over and through whatever comes in his

way; and secondly, for the sake of justice, for I assure you, of my own

personal knowledge that if left alone, the creature is a very debonair

and gentle monster. [Laughter.] As for the Andromeda of art, he has the

tenderest respect for that lady, and desires nothing more than to see

her happily settled and annually producing a flock of such charming

children as those we see about us. [Cheers.]

But putting parables aside, I am unable to understand how anyone with a

knowledge of mankind can imagine that the growth of science can threaten

the development of art in any of its forms. If I understand the matter

at all, science and art are the obverse and reverse of Nature's medal,

the one expressing the eternal order of things, in terms of feeling, the

other in terms of thought. When men no longer love nor hate; when

suffering causes no pity, and the tale of great deeds ceases to thrill,

when the lily of the field shall seem no longer more beautifully arrayed

than Solomon in all his glory, and the awe has vanished from the

snow-capped peak and deep ravine, then indeed science may have the world

to itself, but it will not be because the monster has devoured art, but

because one side of human nature is dead, and because men have lost the

half of their ancient and present attributes. [Cheers.]

Modern Eloquence: Vol II, After-Dinner Speeches E-O · 第 120 / 212 题