CHAPTER III.

A LADY’S EDUCATION IN THE SEVENTEENTH CENTURY.

Retrogression in the seventeenth century--Tone of women’s

education--Mrs. Hutchinson--Lady Ann Halkett--Mrs. Alice

Thornton--Mrs. Makins--The Duchess of Newcastle--General

estimation of learning--Changes in social life--Some patronesses

of learning.

After the sixteenth century the lamp of learning flickered a good

deal. The air was very unsteady; winds came blowing from all quarters.

There was the adverse gale of the Civil War, which was a great peril

to progress. And what followed was almost equally disastrous. Neither

the austerity of the Puritans nor the licence of the Royalists was

favourable to the arts of peace, and when political passions were

dividing the country, it was no time for poring over books, and holding

commune with philosophers and poets. Religious enthusiasm thrives by

opposition, and the purity of principle has often been maintained by

persecution. It is otherwise with learning and culture. They need

encouragement and tending in order to blossom and bear fruit. From

a variety of causes, a period of reaction set in after the vigorous

and healthy awakening in the time of the Tudors. The fault of the

seventeenth century was its lack of earnestness about intellectual

matters. It combined all the faults of all the ages--laxity of morals,

indifference to high aims, combined with religious fanaticism and a

lack of appreciation of knowledge and learning. The Puritan party were

so much engrossed with religious dogmas, that they had little time to

spend on purely secular thought, which they considered a frivolous if

not a sinful exercise. The Royalists loved pleasure too well to give

more than passing attention to serious studies. The period of the

Restoration is thus described by a writer in the next century--

“Religion which had been in vogue in the late times was

now universally discountenanced; the name of it was hardly

mentioned but with contempt, in a health or a play. Those who

observed the sabbath and scrupled profane swearing and drinking

healths were exposed under the opprobrious names of puritans,

fanaticks, presbyterians, republicans, seditious persons.”

The advantages to be derived from intellectual liberty were not

appreciated. Charles II., joking with the Royal Society, to whom he

loved to propound insoluble problems, reflects the attitude of the

aristocracy towards science and literature. By that time Shakespeare

was considered a little out of date and vulgar by an age of fops and

_élégantes_ who could read Wycherley without blushing. There was a

quiet cultured set, such as Evelyn and his friends. Evelyn’s daughter

Mary, who died at the age of about nineteen, was a most accomplished

and studious girl, and shared her father’s literary labours and

enjoyments. But the seventeenth century was not favourable to the

production of scholars. As the intellectual horizon widened learning

became less profound. Women’s education was pursued on somewhat

different lines. There was less scholarship among the best-educated

women. We do not hear of ladies corresponding in Greek or translating

from the Hebrew. The classics no longer held the chief place in the

curriculum. Literature was multiplying in English and other living

languages, and music and painting were more cultivated.

But there was little attempt, in the seventeenth century, to provide

substitutes for what women had lost by the dissolution of the convent

schools. For accomplishments, such as singing and dancing, wealthy

families engaged special masters--generally French--and the domestic

chaplain sometimes acted as tutor for the more solid parts of

education. Among middle-class families, however, whose means did not

allow of private tuition, the girls came off badly, there being very

few schools of any sort, and very scanty supplies of literature in the

home.

The seventeenth century was a great period for famous painters, and the

presence of numerous excellent foreign artists in England influenced

the attitude of society among the higher classes towards art. It might

have been thought that, with a professed pedant like James I. following

the learned Queen Elizabeth, there would have been a renewed impetus

towards the profounder studies. But James I. was deficient in real

strength of character, and was not an intellectual force. He might

have played a very fair part among a knot of schoolmen disputing over

theological points, but as a sovereign his talents did not show to

good advantage. Moreover, he was in every way adverse to the progress

of women. He treated them as inferiors, with a ponderous levity, and

nothing was further from his mind than giving any encouragement to the

cultivation of learning among the ladies of the court. Under Charles

I. culture would have had a fair chance in England had not political

trouble intervened, and during the remainder of the century society

underwent a series of changes inimical to learning.

Women’s education in the seventeenth century, among those sections

of society where learning was cultivated, seems to have taken a more

feminine tone. Accomplishments were sought after rather than solid

acquirements. There was a leaning to lighter pursuits, to what were

quaintly called “virtues,” such as instrumental and vocal music,

dancing, and needlework. There was a dash of fine ladyism in it all.

At the same time there was a parade of education. It was customary,

among the families of the nobility, for the daughters to have tutors

for reading and writing (which are specified as distinct subjects, not

included, as now, under a general term), French, Latin, and perhaps

Italian. Mrs. Hutchinson tells us that she had as many as eight tutors

when she was seven years old, but she was exceptionally well instructed.

Lucy Aspley, as she was then, was a child of extraordinary abilities,

of which her father was very proud. At four years old she could read

English perfectly. Her brothers at school, finding she was outstripping

them in Latin with her tutor at home, tried to emulate her zeal. She

cared for none of the feminine accomplishments, such as needlework and

dancing, and always preferred the company and conversation of older

people, even as a child. With all her precocity, and in spite of the

fact that she was treated as the literary light of the family, she

grew up unspoiled by flattery, and developed into one of the noblest

women of her age.

Lady Anne Halkett, the daughter of Thomas Murray, preceptor to Charles

I., was probably better taught than most young women of the time. She

herself lays stress on the pains bestowed upon her education by her

parents, but there is no mention of any profound study. She had masters

for French, for writing, for dancing, and for the practice of the

lute and the virginals, and a gentlewoman was employed to teach her

needlework.

Mrs. Alice Thornton, who lived between 1626 and 1707, and whose family

on the father’s side was related to the Earl of Strafford, says that in

1632, while living in Ireland, she had--

“the best education that Kingdome could afford, having the

advantage of societie in the sweet and chaste company of the

Earle of Strafford’s daughter, the most virtuous Lady Anne, and

the Lady Arbella Wentworth, learning those qualities with them

which my father ordered, namelie--the French language, to write

and speak the same; singing, danceing, plaeing on the lute

and theorboe; learning such other accomplishments of working

silkes, gummework, sweetmeats, and other sutable huswifery, as

by my mother’s vertuous provision and caire, she brought me up

in what was fitt for her qualitie and my father’s childe.”

Presumably, spelling formed one of the subjects of education; but the

extremely faulty orthography of female letter-writers, even among the

cultured classes, in the seventeenth century, points to a haphazard

method of teaching this branch of knowledge. After making due allowance

for the unsettled state of the language, and the want of uniformity in

good authors, the letters of women of high rank show an extraordinary

licence in orthography, which appeared to be a matter regulated by

individual fancy.

Mrs. Makins, writing in 1673, says--

“I verily think women were formerly educated in the knowledge

of arts and tongues, and by their education many did rise to a

great height in learning. Were women thus educated now, I am

confident the advantage would be very great.” She adds, “I am

very sensible it is an ill time to set on foot this design,

wherein not only learning but vertue itself is scorn’d and

neglected as pedantic things, fit only for the vulgar....

Were a competent number of schools erected to educate ladyes

ingeniously, methinks I see how asham’d men would be of their

ignorance, and how industrious the next generation would be to

wipe off their reproach.”

One of the most celebrated women of learning in the early part of the

century was Margaret Lucas, afterwards Duchess of Newcastle, and she

seems to have acquired her knowledge chiefly by her own efforts.

Sir Charles Lucas had tutors for his daughters, but half the year

the family spent in London, enjoying all the diversions the capital

could afford, and study was not at all strictly enforced on the girls.

The Duchess wrote numerous poems and prose works of a philosophical

character, and was, she tells us herself, a very rapid composer, her

ideas outrunning her hand. Judged by the standard of to-day, her works

seem like the voluble outpourings of a curious fancy. Her ideas are

interesting rather as giving us a glimpse of the thought of her day,

than valuable for intrinsic merit or freshness; but in her lifetime

she was applauded by scholars with lavish adulation, partly, no doubt,

on account of her rank. The heads of the University of Cambridge were

full of wonder that a woman should be able to compose such works, and

many scholars from other parts wrote in terms of respectful admiration

and astonishment. The fulsome flatteries poured into the ears of the

duchess were unworthy of their authors, but there is no doubt that her

productions appeared sufficiently remarkable to her contemporaries.

More than one scholar to whom the duchess sent her books, remarks on

the proof her Grace has given that women are as capable of intellectual

acquirements as men. One writes that she has confirmed the statement

of an old author, that women excel men; and another, that she has

clearly decided the question of mental equality between the sexes.

In watching the evolution of women in regard to learning, the general

estimation in which learning was held in those days has also to be

noted. Gentlemen might certainly be scholars, but scholars were not

considered gentlemen. The study of books, more especially the writing

of them, was thought a laborious occupation unfit for those who could

sit at ease and enjoy the world.

“Neither do our Nobilitie and Gentry so much affect the study

of good Letters as in former times,” wrote Henry Peachman in

1638, “loving better the _Active_ than the _Contemplative_ part

of _Knowledge_, which in times of the Monasteries was more

esteemed and doated on than now.”

One scholar, writing to the Duchess of Newcastle, speaks of authorship

as an “inferior employment” unmeet for the rank and qualities of a lady

like her Grace.

Another element that has to be taken into account was the change which

came over social life in the upper ranks of society. There was more

going to and fro between London and the country. Formerly, people

stayed quietly in their own homes from one year to another. But as

travelling became more general, the custom grew up for families of

rank and wealth to spend half the year in London--the winter half--and

the other half in the country. This greatly altered the conditions

of family life. The season in London was a period for amusement,

for seeing sights, receiving company, and going to balls and masks.

There was not much time for serious studies, and the more frequent

intercourse with society encouraged young daughters in a family to

cultivate such accomplishments as music and dancing, to study French

and Italian rather than Latin, Greek, and Hebrew, and to generally

avoid subjects that demanded much patience and assiduity. There were

women clever and brilliant, and noted for their versatile talents. Lucy

Harrington, Countess of Bedford, was one of these. She was certainly

a good Latin scholar, had many accomplishments, and was a friend and

favourite of the learned men of the day. Lady Wroth, niece of the

celebrated Mary Sidney, Countess of Pembroke, was another patroness of

the learned, and seems to have inherited some of her aunt’s ability.

But we have to wait until the middle of the next century before we find

any coterie of learned women, comparable with the scholars and students

of the Tudor Period.

Women in English Life from Mediæval to Modern Times, Vol. I · 第 3 / 10 章