XII

I grant that all this is full of questionable hopes and that it would be

almost as reasonable to despair of the destinies of man. But, already,

it is much that the choice remains possible and that, hitherto, nothing

has been decided against us. Every hour that passes increases our

chances of holding out and conquering. It may be said, I know, that,

from the point of view of beauty, enjoyment and the harmonious

understanding of life, some nations--the Greeks and the Romans of the

commencement of the Empire, for instance--were superior to ourselves.

The fact none the less remains that the sum total of civilization

spread over our globe was never to be compared with that of to-day. An

extraordinary civilization, such as that of Athens, Rome or Alexandria,

formed but a luminous islet which was threatened on every side and which

ended by being swallowed up by the savage ocean that surrounded it.

Nowadays--apart from the Yellow Peril, which does not seem serious--it

is no longer possible for a barbarian invasion to make us lose in a few

days our essential conquests. The barbarians can no longer come from

without: they would issue from our fields and our cities, from the

shallow waters of our own life; they would be saturated with the

civilization which they would lay claim to destroy; and it is only by

making use of its conquests that they would succeed in depriving us of

its fruits. There would, therefore, at the worst, be but a halt,

followed by a redistribution of riches.

Since we have a choice of two interpretations, forming a background of

light or of shade for our existence, it would be unwise to hesitate.

Even in the most trivial circumstances ... of life, our ignorance very

often offers us only a choice of the same kind, and one which does not

impose itself more strongly. Optimism thus understood is in no way

devout or childish; it does not rejoice stupidly like a peasant leaving

the inn; but it strikes a balance between what has taken and what can

take place, between hopes and fears, and, if the last be not heavy

enough, it throws in the weight of life.

For the rest, this choice is not even necessary: it is enough that we

should feel conscious of the greatness of our expectation. For we are in

the magnificent state in which Michael Angelo painted the prophets and

the just men of the Old Testament, on that prodigious ceiling of the

Sistine Chapel: we are living in expectation and perhaps in the last

moments of expectation. Expectation, in fact, has degrees which begin

with a sort of vague resignation and which do not yet hope for the

thrill aroused by the nearest movements of the expected object. It seems

as though we heard those movements: the sound of superhuman footsteps,

an enormous door opening, a breath caressing us, or light coming; we do

not know; but expectation at this pitch is an ardent and marvellous

state of life, the fairest period of happiness, its youth, its

childhood....

I repeat, we never had so many good reasons for hope. Let us cherish

them. Our predecessors were sustained by slighter reasons when they did

the great things that have remained for us the best evidence of the

destinies of mankind. They had confidence when they found none but

unreasonable reasons for having it. To-day, when some of those reasons

really spring from reason, it would be wrong to show less courage than

did those who derived theirs from the very circumstances whence we

derive only our discouragements.

We no longer believe that this world is as the apple of the eye of one

God who is alive to our slightest thoughts; but we know that it is

subjected to forces quite as powerful, quite as alive to laws and duties

which it behoves us to penetrate. That is why our attitude in the face

of the mystery of these forces has changed. It is no longer one of fear,

but one of boldness. It no longer demands that the slave shall kneel

before the master or the creator, but permits a gaze as between equals,

for we bear within ourselves the equal of the deepest and greatest

mysteries.

The Double Garden · 第 112 / 114 题