DEATH OF GOLDSMITH'S MOTHER--BIOGRAPHY OF PARNELL--AGREEMENT WITH DAVIES
FOR THE HISTORY OF ROME--LIFE OP BOLINGBROKE--THE HAUNCH OF VENISON
On his return to England, Goldsmith received the melancholy tidings of the
death of his mother. Notwithstanding the fame as an author to which he had
attained, she seems to have been disappointed in her early expectations
from him. Like others of his family, she had been more vexed by his early
follies than pleased by his proofs of genius; and in subsequent years, when
he had risen to fame and to intercourse with the great, had been annoyed at
the ignorance of the world and want of management, which prevented him from
pushing his fortune. He had always, however, been an affectionate son, and
in the latter years of her life, when she had become blind, contributed
from his precarious resources to prevent her from feeling want.
He now resumed the labors of the pen, which his recent excursion to Paris
rendered doubly necessary. We should have mentioned a Life of Parnell,
published by him shortly after the Deserted Village. It was, as usual, a
piece of job work, hastily got up for pocket-money. Johnson spoke
slightingly of it, and the author, himself, thought proper to apologize for
its meagerness; yet, in so doing, used a simile which for beauty of imagery
and felicity of language is enough of itself to stamp a value upon the
essay.
"Such," says he, "is the very unpoetical detail of the life of a poet. Some
dates and some few facts, scarcely more interesting than those that make
the ornaments of a country tombstone, are all that remain of one whose
labors now begin to excite universal curiosity. A poet, while living, is
seldom an object sufficiently great to attract much attention; his real
merits are known but to a few, and these are generally sparing in their
praises. When his fame is increased by time, it is then too late to
investigate the peculiarities of his disposition; _the dews of morning
are past, and we vainly try to continue the chase by the meridian
splendor_."
He now entered into an agreement with Davies to prepare an abridgment, in
one volume duodecimo, of his History of Rome; but first to write a work for
which there was a more immediate demand. Davies was about to republish Lord
Bolingbroke's Dissertation on Parties, which he conceived would be
exceedingly applicable to the affairs of the day, and make a probable
_hit_ during the existing state of violent political excitement; to
give it still greater effect and currency he engaged Goldsmith to introduce
it with a prefatory life of Lord Bolingbroke.
About this time Goldsmith's friend and countryman, Lord Clare, was in great
affliction, caused by the death of his only son, Colonel Nugent, and stood
in need of the sympathies of a kind-hearted friend. At his request,
therefore, Goldsmith paid him a visit at his noble seat of Gosford, taking
his tasks with him. Davies was in a worry lest Gosford Park should prove a
Capua to the poet, and the time be lost. "Dr. Goldsmith," writes he to a
friend, "has gone with Lord Clare into the country, and I am plagued to get
the proofs from him of the Life of Lord Bolingbroke." The proofs, however,
were furnished in time for the publication of the work in December. The
Biography, though written during a time of political turmoil, and
introducing a work intended to be thrown into the arena of politics,
maintained that freedom from party prejudice observable in all the writings
of Goldsmith. It was a selection of facts drawn from many unreadable
sources, and arranged into a clear, flowing narrative, illustrative of the
career and character of one who, as he intimates, "seemed formed by nature
to take delight in struggling with opposition; whose most agreeable hours
were passed in storms of his own creating; whose life was spent in a
continual conflict of politics, and as if that was too short for the
combat, has left his memory as a subject of lasting contention." The sum
received by the author for this memoir is supposed, from circumstances, to
have been forty pounds.
Goldsmith did not find the residence among the great unattended with
mortifications. He had now become accustomed to be regarded in London as a
literary lion, and was annoyed at what he considered a slight on the part
of Lord Camden. He complained of it on his return to town at a party of his
friends. "I met him," said he, "at Lord Clare's house in the country; and
he took no more notice of me than if I had been an ordinary man." "The
company," says Boswell, "laughed heartily at this piece of 'diverting
simplicity.'" And foremost among the laughters was doubtless the
rattle-pated Boswell. Johnson, however, stepped forward, as usual, to
defend the poet, whom he would allow no one to assail but himself; perhaps
in the present instance he thought the dignity of literature itself
involved in the question. "Nay, gentlemen," roared he, "Dr. Goldsmith is in
the right. A nobleman ought to have made up to such a man as Goldsmith, and
I think it is much against Lord Camden that he neglected him."
After Goldsmith's return to town he received from Lord Clare a present of
game, which he has celebrated and perpetuated in his amusing verses
entitled the Haunch of Venison. Some of the lines pleasantly set forth the
embarrassment caused by the appearance of such an aristocratic delicacy in
the humble kitchen of a poet, accustomed to look up to mutton as a treat:
"Thanks, my lord, for your venison; for finer or fatter
Never rang'd in a forest, or smok'd in a platter:
The haunch was a picture for painters to study,
The fat was so white, and the lean was so ruddy;
Though my stomach was sharp, I could scarce help regretting,
To spoil such a delicate picture by eating:
I had thought in my chambers to place it in view,
To be shown to my friends as a piece of virtu;
As in some Irish houses where things are so-so,
One gammon of bacon hangs up for a show;
But, for eating a rasher, of what they take pride in,
They'd as soon think of eating the pan it was fry'd in.
* * * * * * *
"But hang it--to poets, who seldom can eat,
Your very good mutton's a very good treat;
Such dainties to them, their health it might hurt;
_It's like sending them ruffles, when wanting a shirt._"
We have an amusing anecdote of one of Goldsmith's blunders which took place
on a subsequent visit to Lord Clare's, when that nobleman was residing in
Bath.
Lord Clare and the Duke of Northumberland had houses next to each other, of
similar architecture. Returning home one morning from an early walk,
Goldsmith, in one of his frequent fits of absence, mistook the house, and
walked up into the duke's dining-room, where he and the duchess were about
to sit down to breakfast. Goldsmith, still supposing himself in the house
of Lord Clare, and that they were visitors, made them an easy salutation,
being acquainted with, them, and threw himself on a sofa in the lounging
manner of a man perfectly at home. The duke and duchess soon perceived his
mistake, and, while they smiled internally, endeavored, with the
considerateness of well-bred people, to prevent any awkward embarrassment.
They accordingly chatted sociably with him about matters in Bath, until,
breakfast being served, they invited him to partake. The truth at once
flashed upon poor heedless Goldsmith; he started up from the free-and-easy
position, made a confused apology for his blunder, and would have retired
perfectly disconcerted, had not the duke and duchess treated the whole as a
lucky occurrence to throw him in their way, and exacted a promise from him
to dine with them.
This may be hung up as a companion-piece to his blunder on his first visit
to Northumberland House.