NERO.

After the death of Claudius, Nero, then a youth of seventeen years,

mounted the throne without any opposition: whether Claudius had still

made a disposition in favour of Britannicus, can no longer be made out.

Nero was endowed by nature with bountiful gifts; he had a talent for

music and the fine arts, and also for mechanics: there is no reason to

doubt that in music he was a virtuoso. He was a pupil of Seneca. At

first, he gave birth to the fairest hopes; yet even thus early, it was

difficult for farsighted people to believe in them, who felt sure that a

viper’s brood must be vipers. His mother Agrippina was the unworthy

daughter of the worthy Germanicus, and the worthy sister of Caligula;

his father, Cn. Domitius Ahenobarbus, was quite her match, and he said

himself, that from him and Agrippina a monster only could have been

born. The whole of the Roman world shared in this foreboding; and

therefore people were so much the more astonished at Nero’s behaving at

first like the disciple of Seneca and Burrhus. The latter was a fine

honest man of the old school, and a good officer, who was appointed by

Nero as _præfectus prætorio_; Seneca was a refined man of the world, who

busied himself a great deal about virtue, and may also have looked upon

himself as an old Stoic, believing for certain that there was not a more

clever and virtuous man living than himself: yet this did not prevent

his giving himself every moment a dispensation from his virtue. The

influence of these two men during the first years of this reign was

decided; but the beautiful dream of Nero’s amiability was very short, as

both of these tutors were very soon set aside. The first impulse was

given by the profligacy to which Nero had yielded himself up from his

earliest youth; and then by his mother, who left no means untried to

keep her son in a state of dependence. She was opposed by Burrhus and

Seneca: the former withstood her out of love for his country; the latter

perhaps from the same motives, but just as much from personal grounds,

Agrippina being his enemy. When this change took place, cannot be

exactly ascertained. The progress of it—the personal connexions in which

Nero lived; the influence of Poppæa Sabina, a woman of high rank and

wonderful beauty, but tainted with the profligacy of her age, in whose

nets he was irretrievably entangled; the still more baneful influence of

his mother—is described by Tacitus: I will not speak of Nero’s

degeneracy and unbounded depravity; all of it is too well known,—his

name alone is enough. He resolved to murder his own mother, against whom

he bore a grudge; and after an unsuccessful attempt, he carried out his

purpose, owing, as Dio represents it, to Seneca’s instigation. That the

speech which he caused to be read on that subject in the senate, was

composed by Seneca, is an undoubted fact.

Though Nero now raged without restraint, and every day steeped his hands

more and more in bloodshed, Tacitus does not look upon it as certain,

that he had the city set on fire: on the contrary, he takes it for an

idle rumour. It looks like Nero’s madness, that during the fire he got

up upon the tower of Mæcenas, and in the attire of a tragedian sang the

Ἰλίου ἅλωσις to the lyre: at all events, it may have been a welcome

thing to him to be now able to build Rome anew. This fire, which lasted

six whole days, is of very great importance in history: an immense

number of monuments of every kind, historical records, works of art, and

libraries, utterly perished; the larger half of Rome was destroyed, or

at least very much damaged; the streets were all laid out in straight

lines, and made broader, and they were built up in a new style, which

gave the city quite a different appearance. The great fire at

Constantinople, under Leo Macellas[41] in the fifth century of our era,

has likewise had a most ruinous effect on Greek literature.

After this fire, Nero gave loose to his boundless prodigality and love

of building; and for this purpose he extorted money from the whole of

the Roman world. He built, what is called his “Golden Palace,” which

extended from the Palatine, where afterwards the temple of Venus and

Roma[42] was erected by Hadrian, to the baths of Titus, which, to speak

more correctly, are those of Trajan: Vespasian had it destroyed for the

sake of the remembrances connected with it. Some parts of the walls may

still be found in the substructions of the baths of Titus: it was a most

beautiful pile of masonry, with a coating of the finest marble: we are

to imagine it to have been like a fairy palace in an eastern dream.

After this, Nero also had Seneca executed, whose manly end somewhat

redeems the weakness of his life. Bareas Soranus and Thrasea Pætus were

likewise made to die: the latter was preceded by his wife Arria, who

gave him the example of a courageous death.

In Nero’s days, the Roman empire had not such rest as under Claudius.

During the reign of the latter, the Romans had carried on wars in

Britain, where they had established themselves, and had reduced a large

part of the country into the form of a Roman province. From the despair

of the Britons, we may see that the condition of a province, while it

was yet new, and especially in a poor country, was one of great

hardship; for it was only by great extortion that anything worth naming

could be wrung from it. Hence arose the insurrection of the Britons

under the great queen Boudicea as Tacitus calls her; according to Dio

Cassius, Bunduica. This war at first was disastrous, and, to say the

least, very serious indeed: the Romans were utterly beaten; their

fortresses were demolished, two of their towns were taken, and many of

them were slain. Suetonius Paullinus at last with great difficulty

crushed the rebellion; Boudicea killed herself, and the Britons again

bowed beneath the Roman yoke. Thus that outbreak paved the way for the

complete conquest of Britain; and the Romans were now already masters of

England, with the exception of Yorkshire and Lancashire, and the

northern provinces: Anglesea also was Roman.

Another war was waged by Corbulo against the Parthians in Armenia, where

a younger dynasty of the Arsacidæ was seated on the throne. This war

Corbulo carried on with unfaltering success, conquering Artaxata and

Tigranocerta, and obliging Vologæsus to sue for peace. The last scion of

this race of kings, Tiridates, was forced to receive Armenia as a fief

from Nero; for which purpose he had to come to Rome, where he met with a

splendid reception. His appearance in Rome is one of those events of

which the memory has survived in the traditions of the middle ages: he

is mentioned, for instance, in the _Mirabilia Romæ_; and there is a

legend—which, of course, is quite unfounded—that he brought the statues

of Castor and Pollux, the work of Phidias and Praxiteles, as a present

to Rome. The thanks which Corbulo earned for his victories, was death.

He was undoubtedly one of the best Romans of that age; he was a man free

from every craving of ambition, true and conscientious. His bust was

found about forty years ago; its features are noble.

Nero now passed from one mad freak to another. I am inclined to believe,

that he was not morally accountable for all of this, as insanity seems

to have been hereditary in his family: Caligula was his uncle. Many

things that he did were merely contemptible; as for instance, his going

like a stroller through the Greek towns, where he tried to win the

prizes, either as a musician, singer, or poet, in the public contests,

or else in the horse-races, putting himself on a level with the other

competitors. This would have been the most innocent of his pranks, were

it not that he also robbed Greece of its works of art. The _præfectus

prætorio_, Tigellinus, who had been appointed in the room of Burrhus,

was at that time the most infamous of all those men who had any energy:

the world was rid of him by the rising of Galba and Vindex.

In the thirteenth year of Nero’s reign, the first real attempt was made

to overthrow his rule: a former conspiracy of Calpurnius Piso, in which

Seneca also had perished, was a mere court plot in which no troops had

any share. Nero had undertaken his journey through Greece to gratify his

vanity: and whilst he everywhere caused himself to be crowned there as a

conqueror, a rebellion broke out in Gaul under Julius Vindex, an

Aquitanian of rank. The Gauls who had received the Roman franchise, bore

all of them at that time the _prænomen_ of Julius, either after Julius

Cæsar or Augustus; just as in Asia all had the name of Tiberius Claudius

(thus, without a doubt Tib. Claudius Galenus). This has given rise to

confusion in the system of Roman names: Julius Agricola, although a

native of the Roman colony Forum Julii, may likewise have sprung from

Gallic ancestors, which Tacitus, of course, says nothing about. Julius

Vindex had the rank of a Roman senator; and by his wealth and his

influence he set an insurrection on foot, which had quite a different

character from a former rising in the reign of Tiberius: his object was

simply as a Roman to shake off the yoke of Nero, not to sever Gaul

itself from Rome. He met with very great sympathy, and had already

spread his rule from Aquitaine as far as Besançon. The history of that

time is in a very wretched state, as Tacitus is wanting, and nothing is

left of Dio but the abridgment of Xiphilinus. Near Besançon, Vindex met

T. Virginius Rufus, the commander of the German troops, a distinguished

man, one of the few disinterested and true patriots which Rome still

had. The latter was afraid that such a rising in Gaul, although it had

the deliverance of Rome for its object, might cause the dismemberment of

the empire; so they made a truce, and agreed to acknowledge the

authority of the senate. The German troops wished to have Rufus for

emperor; but he refused: Vindex, on the other hand, was slain in a

tumult which had broken out between the two armies.

In the meanwhile, Servius Sulpicius Galba was proclaimed emperor in

Spain: in that country there was only one legion, though there were many

veterans out of whom a militia might be formed. Galba sprang from one of

the most distinguished Roman houses. The _prænomen_ Servius was quite an

heir-loom among the Sulpicii, as Appius was among the Claudii: yet it

had altogether vanished as a _prænomen_, and had almost become a nomen,

so that sometimes another _prænomen_ is put before it; which indeed is

incorrect, but may be accounted for. Of Galba’s character we do not know

much; had we but Suetonius, we should be at a loss how to form any

notion of him, as Suetonius himself has no insight into character, being

nothing but a pleasing and lively teller of anecdotes; some light is,

however, thrown on Galba by the beginning of the _Historiæ_ of Tacitus.

Galba had the respect of the army; he had been, when in his best days, a

good general, and for those times at least, a blameless governor: but

now he was in his seventy-first year, and had fallen under the influence

of unworthy people, especially of freedmen. This sort of petty courts,

composed of freedmen, had a great deal to do with the demoralized state

of the Roman world. On the whole, there was in the Roman empire a bitter

hatred against Nero, except among bloodthirsty men, of whom there were

not a few: these rather liked him. Galba began his march, and soon

formed new legions from the Romans and Italians who came to hand.

According to the obscure accounts which we have, it appears that he now

availed himself of the pretence that the Gauls were rebels against the

majesty of the Roman senate, although under Vindex they had risen

against the tyrant only; and he allowed his troops to plunder the

southern Gallic towns. Virginius Rufus declared for him, and they both

of them now crossed the Alps by different roads. Not a sword was drawn

in behalf of Nero, although the prætorians were devoted to him: the

passes of the Alps opened without a blow being struck, and the rebel

armies drew nigh to the capital; on which Nero found himself abandoned

by every one. The senate quickly passed from its former cringing

servility into defiance and contempt; Nero fled from his palace, and

took refuge in the farm-yard of one of the retainers of his household,

where he hid himself, and, with the greatest reluctance, and with

uncertain hand, inflicted on himself a deadly wound. Against him and his

memory, every possible condemnation was denounced; yet his dead body was

buried after all.

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