Ten millions of people inhabit the manufacturing districts of which

Manchester is the centre. It is at once the wealthiest and the poorest

district in England, where wealth has an increasing tendency to

accumulate in the hands of the few, and where, according to official

returns, there are, at the other extreme, more paupers than anywhere

else in the land, with the single exception of Middlesex, including

London. The inevitable reverse to the medal of great commercial

prosperity is wretched poverty existing side by side with it. It

is only in poor agricultural, non-manufacturing countries that

poverty is comparatively happy and endurable. If there is a remedy

for such a state of things in the industrial centres, no one has

yet found or applied it. There is always a large proportion here of

the classes it has become the fashion to style “submerged,” and in

times when prosperity wanes it increases so as to include most of the

wage-earners, and to bring the smaller shopkeepers to the verge of

ruin. Many of these periods of depression have been beyond human power

to foresee or to avert, but others have been induced by the action of

the manufacturers, in competition with one another. But in almost every

instance of hard times the nearest remedy has been sought, on one side,

or the other, in the strike or the lock-out. Lancashire is the home of

these crude remedies.

[Sidenote: _OVER-PRODUCTION_]

Next to the shortage, or the high price, of raw material, or the

slackness of trade, the greatest evil is that of the glutted market,

caused by over-production, hardly possible before the days of

machinery; an evil which is most often caused by the competition of

manufacturers, who continue to manufacture, each one in the hope that,

whoever else suffers, he at least will not. Over-production has in

the past been carried on to such an extent that goods have had to be

sold in bulk for very considerably lower than the cost of manufacture.

Selling at a heavy loss, the manufacturers have sought the nearest

means handy to reduce their deficit; and this has usually been found in

the reduction of wages, rather than in decreasing the output. A five

or ten per cent. reduction has generally brought about a strike, which

has, before now, been welcome to great firms, in affording an excuse

for ceasing to manufacture at a ruinous loss. To provoke a strike on

these terms has been the only way out of an impossible situation;

and the indignant workpeople have thus, instead of embarrassing the

masters, unwittingly saved them from bankruptcy. The middle course is

the expedient of “short time.”

These are large and serious questions, happily not of late years

pushed forward by circumstances so greatly as of yore; but once very

prominent indeed. The literature of cotton-spinning and strikes is a

very extensive one, and written upon largely by no less an authority

than Mr. John Morley, who is of opinion that “some of them (the

manufacturers) are idle, some are incompetent, and some of them

are blackguards.” This is severe criticism indeed to pass upon as

enterprising and as upright a body of commercial men as it is possible

to find in England: men, too, not so long since, generally of his own

brand of politics. They do not seem the words of a philosopher.

The greatest period of over-production was that culminating in the

gorged markets of 1861. The years 1859-60 had been times of “terrific

prosperity,” in which new mills had sprung up numerously, and had, in

common with the older, been working overtime. In the beginning of 1861

there were 2,270 factories in Lancashire, Derbyshire, and Cheshire,

working at high pressure. As a result of the supposition that those

good times would last, manufacturers strained every nerve to work

their plant and their hands to their utmost capacity, and in doing so

produced such a bulk of goods that by their own efforts they brought

prosperity to an end. India and China, the great markets for shirtings

and yarn, were full up, and ceased to be buyers; and all the while,

the warehouses of Manchester were bursting with an increasing stock of

unsaleable goods. The result was “short time” in October 1861. Even had

there been no war in America, bad times would have come; but with the

opening of the civil war between North and South, the Cotton Famine of

1862-3, brought about by the cessation of the supply of raw cotton from

the Southern States, brought wealthy cotton-spinners to the verge of

ruin, and misery and starvation to hundreds of thousands. Every one in

the manufacturing districts suffered, for the classes are dependent one

upon another. To manufacturers, workpeople, shopkeepers, professional

men, the Cotton Famine was a very grim reality. By December 1862, no

fewer than 247,000 hands were out of employment, and more than half

that number on “short time.” The huge number of 234,000 were in receipt

of poor-relief, and the average poor-rates for the manufacturing

districts rose from 7-5/8_d._ in the £, to 2_s._ 2-1/2_d._ The Relief

Funds subscribed amounted to over £2,000,000, and the trade losses due

to the Cotton Famine were calculated at £70,000,000.

[Sidenote: _THE COTTON FAMINE_]

The newspapers of that dreadful time were full of pen-pictures of the

Famine, and they are readily to be referred to, but no good purpose

would be served by recounting those sad tales. Yet, in spite of all

their sufferings, in spite of having everything to gain from the

success of the South, the essential sturdiness, independence, and

honesty of the Lancashire people’s character kept their original

opinions firm: that the North was right in fighting against slavery.

It was essentially the people’s opinion. Knowing something themselves

of slavery in the days before the Factory Acts, they were sympathetic,

and were solid for the North. Other classes were, at best, divided, and

England as a whole was for the South.

Manchester long ago ceased to be a cotton-manufacturing centre. The

growth of the industry, the growth of the city, and the increase of

rent, rates, and taxes within it, all led to Manchester becoming the

metropolis of cotton, in which it is no longer worked up from the raw

material, but where the finished product is warehoused. Warehouses,

and not factories, are the prominent buildings of “Cottonopolis”;

which is now a city of merchants and middlemen, and the metropolis of

the Lancashire industrial towns, where all professions and trades are

represented. To see the cotton mills, you need go to Stockport, Bolton,

Blackburn, Oldham, and Preston: but whenever they suffer, Manchester

will share in their trials.

The magnitude of the cotton-spinning trade is too great to be readily

grasped. In the comparatively early stages of its history, in the years

1793-1824, the value of the total exports was £365,000,000, or an

average of, say, twelve millions sterling a year, and that of the raw

material imported £128,000,000. In 1887, the total value of the annual

exports had risen to £70,957,000; or, in other words, it had grown

almost six-fold.

[Sidenote: _ENGLAND’S BRAIN-CENTRE_]

There were then 700,000 operatives, and a sum of £29,400,000 was paid

annually in wages. According to the returns for 1905, the exports of

cotton goods in that year were valued at £92,000,000, showing an annual

increase since 1887 of considerably over a million sterling a year. And

still the tide of commercial prosperity is rising; no fewer than eighty

new cotton mills having been built in Lancashire in the eighteen months

comprising 1906 and the first half of 1907: with the result that there

is more work to be done than hands to do it. When in due course the

usual over-production ensues, and the scarcity of labour is replaced by

lack of work, the bulk of misery and suffering will be proportionately

increased; and should there ever come another Cotton Famine, the

horrors of 1863 will fade into comparative insignificance.

VIII

[Sidenote: _THE MANCHESTER SHIP CANAL_]

“What Lancashire thinks to-day, England will think to-morrow.” That is

a political byword, not always supported by events; but if we enlarge

the scope into a plenary comprehension of affairs, the truth of it

becomes much more evident. Railways, in the opening of the Manchester

and Liverpool Railway, August 26th, 1830, the first in England,

originated in Lancashire, and spread from it; and canals, although the

first was made elsewhere, at Manchester first became of importance. The

opening of the Duke of Bridgewater’s canal in 1761, and that of the

Manchester Ship Canal in 1894, mark the beginnings of two different

eras: the second of the two freighted with no one yet knows what

tremendous possibilities. Manchester is a port, and has become so by

an exertion of local patriotism not equalled elsewhere. When shares in

the proposed Ship Canal were offered in the financial world and no one

would find the capital, the future of the project looked hopeless. The

powers for its construction, granted by Act of Parliament, were nearly

lapsing, and the promoters were reduced to stumping the surrounding

country and holding meetings to advertise the scheme. In that dark hour

many working-men of Manchester put their savings into the Company, and

the Corporation itself became very largely concerned in it. When the

success of the issue appeared assured, the giants of finance plucked

up a little courage, the situation was saved at the eleventh hour, and

the Canal became at last, after an expenditure of fifteen millions and

a quarter sterling, an accomplished fact. It has only recently yielded

any return upon that huge expenditure, but the direct access to the sea

it gives has enormously increased Manchester’s wealth and importance.

The useful and the beautiful, we are told, are one, but the Manchester

Ship Canal is not a beautiful object. Its waters are black and smell

to Heaven on hot days, and the great locks, swing-bridges, and the

like, although wonderful engineering feats, are not improvements upon

the landscape. But they have a majesty of their own, and if you

voyage down the Ship Canal, duly holding your nose, you will be much

impressed. You will be even more impressed if you don’t hold it. A

succession of docks, lairages, grain elevators and coal-shoots lines

this Acherontean tideway: everything equipped with machinery that

performs marvels in a quiet, unostentatious, matter-of-fact manner. And

the great ocean-going steamers come surging slowly up to Manchester,

bellowing for the swing bridges to swing open, and crowds of interested

idlers, and the impatient traffic, held up at the flung-up bridges,

look upon the sight with never-satiated gaze. It is a perennial wonder,

a sensation that never stales.

In some ways even more wonderful are the changes that have overtaken

Trafford Park, at the head of the Canal. Time was, and not so long

since, when the park railings, along the Chester Road, at the outskirts

of Manchester, disclosed broad stretches of wooded lawns, sloping to

the Irwell, but it is now as though some magician’s wand had waved

away the trees and the lawns and in one act had replaced them with

a close imitation of the East India Docks, where skyscraping blocks

of fireproof warehouses and mazes of railway sidings form amazing

evidences of what the Canal has already done for Manchester. It has

certainly “done for” any lingering rural fringe.

I well remember in the long ago being dumped down by the railway in

Manchester, as a stranger, with no friends in the great city, and with

that dim sense of locality only a railway journey can give. Coming by

road into any such place, you bring topographical continuity with you,

and know where the grim houses end and the smiling country begins; but

to be set down solitary in midst of these miles of streets, and then

on some leisure day to essay the enterprise of walking out to where

the last house fronts upon the fields, and to walk on and on, and

never seem to come any nearer the fringe of the frowning houses, is an

experience whose horror only De Quincey could hope to portray. London

is larger, but its streets have a more varied interest. Here, away

from the midst of Manchester, whose central architecture is ornate,

if black, the mean, featureless streets sear your very soul. It was

before the days of electric tramways, and I walked on and on, and still

on, without coming to the end of Manchester, and then at Old Trafford,

obsessed with a dread of it all, walked back; thinking, rather wildly,

did it ever come to an end.

Having since then come to it and left it by several roads, I am now

fully informed as to its limits, and, with that knowledge, the houses

look a little kindlier, the streets do not seem quite interminable. But

I am still impressed with the extraordinary length to which the paved

roads and lanes—paved with granite setts—run. There is a lane—a country

lane, for it is bordered with hedges—which I found when exploring the

neighbourhood on a bicycle, and that lane went on and onwards, ever

winding, for miles, and always, although extraordinarily lonely, and

with never a house nor a wayfarer, paved with granite setts which it

must have cost a considerable fortune to lay there. It began in the

neighbourhood of Warburton and ended at a misbegotten place called

Broad Heath, and still it was more than six and a half miles to

Manchester. I was never before so genuinely astonished in all my life.

At Old Trafford are the Botanical Gardens, once admirably placed, but

now as incongruous as though, say, St. James’s Park were set beside

the Commercial Road. Manchester amused itself in a genteel way there;

but to see how Manchester can intensely enjoy itself after a spell of

dogged work, the Belle Vue Gardens, Longsight, should be visited at

holiday time. The place is the, superlatively _the_, popular resort,

and is Hampstead Heath, Rosherville, and the Crystal Palace combined.

[Sidenote: _THE FENIANS_]

There is no end to describing Manchester: it is so vast and so varied,

and its story presents so many chapters. One might say something of the

Fenian outrage of September 18th, 1867, when Sergeant Brett, in charge

of the prison-van conveying prisoners to Belle Vue Gaol, was shot in

the Hyde Road by a desperate gang of forty armed men endeavouring to

release the criminals, Kelly and Deasy. Of those arrested, Allen,

Larkin, and O’Brien were sentenced to death, and hanged at the New

Bailey Prison, Salford; figuring since in the perverted Irish Valhalla

of heroes as “the Manchester Martyrs.”

[Illustration: MANCHESTER TOWN HALL.]

In another glance at Manchester the great Town Hall, in Albert

Square, demands notice, not merely because it cost considerably over

a million pounds, but because it is one of the chief architectural

embellishments of the city. Opened in 1877, it was, like many other

modern public buildings here, the work of Alfred Waterhouse. The style

is an enriched Early English and the exterior stately to a degree. But

what shall we say of the beautiful but dark interior, with its maze

of corridors, its unexpected steps up and steps down? The stranger to

Manchester, however, must needs entrust himself to the perils of that

wilderness, for in the very fine and striking series of twelve fresco

paintings by Ford Madox Brown he will find not only a justification

of pre-Raphaelite methods, allied with some fine colouring and some

very quaint drawing, but an illuminating pictorial commentary upon the

history of the city.

[Sidenote: _BACK STREETS_]

It is not, however, all culture at Manchester: there are all sorts

here, as in every great city. Some think the Cheetham Hill suburb the

last word in dignity and ease: others extol Whalley Range, but all

unite in reviling the Redbank district and Angel Meadow, or Angel

Street as I believe it is now styled. Any intimate acquaintance

with large towns and the flagrant purlieus in them, usually styled

Providence Place, Pleasant View, and the like, will prepare the reader

for the statement that angels do not inhabit Angel Meadow, any more

than they do Seven Dials in London. Culture does not linger here.

There is oblique testimony to this in a recent resolution of the Watch

Committee to supply a police-constable with a new “set of teeth, to

take the place of those he has lost in the discharge of his duty.”

They were the celestials of the Angel Meadow district who knocked the

constable’s teeth out. Hallelujah! The place is not so far from the

Cathedral and the Strangeways Gaol, but neither the promise of present

punishment that the gaol holds forth for evil courses, nor the hope

of Heaven for the repentant that the Cathedral typifies, suffices to

blanch the scarlet sins of Redbank, or to win the inhabitants of Angel

Meadow to a better life.

If one thing is more certain than another in any great town, it is that

the stranger should not explore back streets. Civic pride will see

eye to eye with me there. For, indeed, the stranger in back streets

sees strange sights, hears weird language, and smells still weirder

odours that are not mentioned in conventional council chambers. The

back streets converse in a speech of their own: they read a literature

their own, and feed on food of which the front streets know nothing. In

fact, in back streets and front you have two worlds that are entirely

dissimilar, and know little, and would probably like to know even less,

of one another.

IX

In despair at picturing Manchester in brief—for it is not to be done—I

will devote some pages to a few words as to coaching times, and then

conclude. Little can with advantage be said of those times, because

the inns to and from which the coaches and waggons came and went are

nearly all of the past, and because old inns of any kind are rare in

Manchester nowadays. The ancient “Seven Stars” in Withy Grove is,

however, not only much older than the oldest coach, but looks it too,

in its timbered gables and stout walls, and is even of age remote

enough for it to be claimed that the Collegiate Church itself is junior

to it. Nay, it even pretends to be the “Oldest Licensed House in Great

Britain.” Near it is the equally picturesque and ancient “Old Rover’s

Return.” The “Bull’s Head,” in a neighbouring alley, with the finely

moulded head of a bull by way of sign, has convivial memories and

associations with early postal times, and there stands a grotesquely

out-of-plumb timbered and lath-and-plastered old tenement in Long

Millgate that was once the “Sun” inn, the place where Ben Brierley and

his fellow dialect-poets found inspiration in the chimney-corner. The

initials “W. A. F.” and the date 1647, are found upon the old building,

but it is obviously at least a century older than that. No longer an

inn, it is still known as “Poets’ Corner,” and in its rather vague

celebrity the curio-dealer who now occupies the premises doubtless

finds his account.

[Illustration: THE “SUN” INN, POET’S CORNER.]

[Sidenote: _THE “BRIDGEWATER ARMS”_]

The foremost coaching inn at Manchester was the “Bridgewater Arms,”

near the corner of High Street and Market Street. To it came the Royal

Mail. In later years H. C. Lacy removed to grander premises, at the

corner of Mosley Street and Market Street: a house that had in its

day been a fine private mansion, and then still had the advantage of

possessing a very large, well-stocked garden in the rear. He styled

this house the “Royal Hotel and New Bridgewater Arms,” and to it came

as well as the Mail, the “Defiance” and other smart coaches. It has

long since disappeared, and the present “Royal Hotel” stands on the

site; but the old original “Bridgewater Arms” still exists, although

now, and for many a year past, occupied as warehouses. The initials

B. I. M. and date 1736 are on a spout-head that looks down upon

Bridgewater Place, the narrow alley upon which the warehouse fronts. It

is a fustian warehouse in these days, but a poetic tribute by a former

guest of the house, torn from the arms of his lady-love, remains,

scratched on the glass of an upper window. He had his own ideas of

where capital letters and punctuation should occur:

Adieu, ye streams that smoothly flow;

Ye vernal airs that gently blow;

Ye fields, by flowing spring arraid;

Ye birds, that warble in the shade.

Unhurt From you my soul could fly,

Nor drop one tear, nor heave one sigh;

But forced, from C(elia)’s charms, to part,

All joy, forsakes my drooping heart.

1797

This enriched pane is very carefully preserved from injury by being

covered with wire, and thus the lover’s lament will probably remain so

long as the house stands.

The “Peacock,” resorted to by the “Peveril of the Peak”; the “Swan,”

where the “Independent” pulled up; the “Star,” rendezvous of the

“Manchester Telegraph,” are now merely names; and the times they

belonged to are perhaps more thoroughly forgotten at Manchester than in

any other city. Looking upon the maze of branching tramlines and the

hundreds of swiftly running electric cars that begin at five o’clock in

the morning and do not cease until after midnight, and are driven more

recklessly and at a greater speed than elsewhere, you clearly perceive

that Manchester has no time for the past and not much leisure to expend

upon the present.

X

[Sidenote: _THE HUNDRED OF SALFORD_]

Crossing the Irwell by Blackfriars Bridge, Salford is reached; a

distinction, so far as the pilgrim is concerned, without a difference.

Just as, to outward appearance, London and Southwark, and Brighton and

Hove are one, so are Manchester and Salford. But in local politics they

are all separate and independent, and if an observant eye is turned

upon the very tramway cars here, it will be seen that there is not

only a Corporation of Manchester but a Corporation also of Salford;

and, if the comparative gorgeousness of the Salford tramcars were any

criterion, Salford should be the more important place of the two. Their

comparative rank is, however, to be judged by the fact that a Lord

Mayor heads the Town Council of Manchester and a Mayor that of Salford;

but the curious anomaly still exists that Manchester stands in the

Hundred of Salford, and thus the larger is, in that respect at least,

included within the smaller. This singular anachronism is a relic of

those very ancient times when the Hundreds were formed. In that era

Manchester itself was a place largely lying in ruin, the result of

Norse fire and sword, and Salford, sprung up on the other side of the

river, away from the scene of desolation, bid fair to be its successor

in all the ages.

The thunder of railway trains overhead, and the crash and rumble of

heavy-laden lorries along the road, accompany the explorer along

his way through Salford. But there is an oasis in all this at the

Crescent, where the Irwell, in one of its far-flung loops, approaches

and the extensive Peel Park appears. Beyond this again comes unlovely

Pendleton, and then the Bolton Road and Irlam-o’-th’-Height—that is to

say, Irwellham-on-the-Hill—not so romantic in appearance as in name.

Here the road rises to those always grim uplands extending to Bolton

and giving that place its old name of Bolton-le-Moors: more grim now

than ever, for here is the great coal-field that has made Manchester

possible.

Passing through Pendlebury, with the old Duke of Bridgewater’s

collieries of Worsley away to the left, we plunge into the district

of coal-pits at Clifton, where the hoisting-gear of the Clifton Hall

Colliery, the marshalled coal-waggons, the rails across the road, and

the spoil-banks where starved vegetation takes a precarious hold, make

a desolation beside the way. On the left are the sullen moors, with

perhaps a solitary cow grazing in one of the few remaining fields, just

to emphasise the change that has come over the scene; while on the

right, far down, flows the Irwell, amid a curious medley of beautiful

country, ancient halls and manor-houses, and innumerable collieries and

mills whose chimney-stacks spout smoke and steam over all the valley.

When a steady rain comes down, on windless days, and diffuses the

mingled steam and smoke over the landscape in a grey, woolly mass of

vapour, the scene is weird in the extreme; while a wet day at Kearsley

or Farnworth, places of grey houses and drab shops, is a desolation

in which even the public-houses that have superseded the inns fail to

radiate a meretricious cheerfulness.

[Sidenote: _MOSES GATE_]

Moses Gate, now a kind of succursal to Bolton, and with a railway

station of its own, was once a toll-gate on the turnpike road. Who was

Moses, except perhaps the pikeman, I do not know, nor does any one

locally evince the least curiosity. The name is accepted as a matter

of course, together with the unlovely circumstances; but railway

passengers passing to more favoured places are as a rule extremely

amused by it.

The Manchester and Glasgow Road, Volume 2 (of 2) This Way to Gretna Green · 第 3 / 17 段