II

[Note: SPANGENBERG was a literary "bummer." The real author was one

ANDREAS GUARNA of Salerno. See FRÄNKEL, Zeitschrift für

Litteraturgeschichte, xiii, 242.]

[Note: Pindar's words are: [Greek: glyky d' apeiroisi polemos].]

Concrete or abstract, there are general resemblances between any two

wars, and so war lends itself readily to allegories. Every one has read

Bunyan's Holy War. Not every one has read Spangenberg's Grammatical War.

It is an ingenious performance, which fell into my hands many years

after I had gone forth to see and to feel what war was like. In

Spangenberg's Grammatical War the nouns and the verbs are the contending

parties. Poeta is king of the nouns, and Amo king of the verbs. There is

a regular debate between the two sovereigns. The king of the verbs

summons the adverbs to his help, the king of the nouns the pronouns.

The camps are pitched, the forces marshalled. The neutral power,

participle, is invoked by both parties, but declines to send open

assistance to either, hoping that in this contest between noun and verb

the third party will acquire the rule over the whole territory of

language. After a final summons on the part of the king of the verbs,

and a fierce response from the rival monarch, active hostilities begin.

We read of raids and forays. Prisoners are treated with contumely, and

their skirts are docked as in the Biblical narrative. Treachery adds

excitement to the situation. Skirmishes precede the great engagement, in

which the nouns are worsted, though they have come off with some of the

spoils of war; and peace is made on terms dictated by Priscian, Servius,

and Donatus. Spangenberg's Grammatical War is a not uninteresting, not

uninstructive squib, and the salt of it, or saltpetre of it, has not all

evaporated after the lapse of some three centuries. There are bits that

remind one of the Greco-Turkish war of a few weeks ago.

[Note: Terror and Affright, Il. 15, 19: [Greek: hôs phato kai rh'

hippous keleto Deimon te Phobon te | zeugnymen]. These horses of Ares

furnished the names Deimos and Phobos for the two satellites of the

planet Mars. Such traces of familiarity with the classics are refreshing

to one who lives in an age when allusion is under the ban. How many

appreciate the appropriateness of the Baltimore County Timonium, named

after Mark Antony's growlery in Plutarch? Not many of the sports who

some years ago laid their bets on Irex recalled the line of the Odyssey

13, 86:

[Greek:

oude ken irêx

kirkos homartêseien elaphrotatos peteênôn.]]

But there is no military science in Bunyan's Holy War nor in

Spangenberg's Grammatical War: why should there be? Practical warfare is

rough work. To frighten, to wound, to kill,--these three abide under all

forms of military doctrine, and the greatest of these is frightening.

Ares, the god of war, has two satellites, Terror and Affright. Fear is

the Gorgon's head. The serpents are very real, very effective, in their

way, but logically they are unessential tresses. The Gorgon stares you

out of countenance, and that suffices. The object is the removal of an

obstacle. Killing and wounding are but means to an end. Hand-to-hand

fighting is rare, and it would be easy to count the instances in which

cavalry meets the shock of cavalry. Crossing sabres is not a common

pastime in the red game of war. It makes a fine picture, to be sure, the

finer for the rarity of the thing itself.

To frighten, to wound, to kill, being the essential processes, war

amounts to the same thing the world over, world of time and world of

space. Whether death or disability comes by Belgian ball or Spencer

bullet, by the stone of a Balearic slinger, by a bolt from a crossbow,

is a matter of detail which need not trouble the philosophic mind, and

the ancients showed their sense in ascribing fear to divine inspiration.

[Note: The Scandinavian scholar, JESPERSEN.]

If the processes of war are primitive, the causes of war are no less so.

It has been strikingly said of late by a Scandinavian scholar that

"language was born in the courting-days of mankind: the first utterance

of speech <was> something between the nightly love-lyrics of puss upon the

tiles and the melodious love-songs of the nightingale." "War, the father

of all things," goes back to the same origin as language. The serenade

is matched by the battle-cry. The fight between two cock-pheasants for

the love of a hen-pheasant is war in its last analysis, in its primal

manifestation. Selfish hatred is at the bottom of it. It is the

hell-fire to which we owe the heat that is necessary to some of the

noblest as to some of the vilest manifestations of human nature.

Righteous indignation, sense of injustice, sympathy with the oppressed,

consecration to country, fine words all, fine things, but so many of the

men who represent these fine things perish. It wrings the heart at a

distance of more than thirty years to think of those who have fallen,

and love still maintains passionately that they were the best. At any

rate, they were among the best, and both sides are feeling the loss to

this day, not only in the men themselves, but in the sons that should

have been born to them.

Any two wars, then, will yield a sufficient number of resemblances, in

killed, wounded, and missing, in the elemental matter of hatred, or, if

you choose to give it a milder name, rivalry. These things are of the

essence of war, and the manifestations run parallel even in the finer

lines. One cock-pheasant finds the drumming of another cock-pheasant a

very irritating sound, Chanticleer objects to the note of Chanticleer,

and the more articulate human being is rasped by the voice of his

neighbor. The Attic did not like the broad Boeotian speech. Parson

Evans's "seese and putter" were the bitterest ingredients in Falstaff's

dose of humiliation. "Yankee twang" and "Southern drawl" incited as well

as echoed hostility.

[Note: Ach. 527.]

Borderers are seldom friends. "An Attic neighbor" is a Greek proverb.

Kentucky and Ohio frown at each other across the river. Cincinnati looks

down on Covington, and Covington glares at Cincinnati. Aristophanes, in

his mocking way, attributes the Peloponnesian war to a kidnapping affair

between Athens and Megara. The underground railroad preceded the

aboveground railroad in the history of the great American conflict.

There were jealousies enough between Athens and Sparta in the olden

times, which correspond to our colonial days, and in the Persian war,

which was in a sense the Greek war of independence. In like manner the

chronicles of our Revolutionary period show that there was abundance of

bad blood between Northern colonies and Southern colonies. The Virginian

planter whom all have agreed to make the one national hero was after all

a Virginian, and Virginians have not forgotten the impatient utterances

of the "imperial man" on the soil of Massachusetts and in the streets of

New York. Nobody takes Knickerbocker's History of New York seriously, as

owlish historians are wont to take Aristophanes. Why not? We accept the

hostility of Attica and Boeotia, of Attica and Megara; and there are

no more graphic chapters than those which set forth the enmity between

New York and Maryland, between New Amsterdam and Connecticut.

[Note: The Peloponnesians called it the Attic War (Thuc. 5, 28, 3); the

Ionians the Doric War. In a recent number of the Jahrbücher, xxxv, No. 2

(1915), there is a discussion of the name of the Peloponnesian War

apropos of the present "World-war," or, if you choose, "Wirrwarr." For

our war the misnomer "The Civil War" has been adopted as the official

designation.]

Business is often more potent than blood. Nullification, the forerunner

of disunion, rose from a question of tariff. The echoes had not died out

when I woke to conscious life. I knew that I was the son of a nullifier,

and the nephew of a Union man. It was whispered that our beloved family

physician found it prudent to withdraw from the public gaze for a while,

and that my uncle's windows were broken by the palmettoes of a

nullification procession; and I can remember from my boyhood days how

unreconciled citizens of Charleston shook their fists at the revenue

cutter and its "foreign flag." Such an early experience enables one to

understand our war better. It enables one to understand the

Peloponnesian war better, the struggle between the union of which Athens

was the mistress and the confederacy of which Sparta was the head.

Non-intercourse between Athens and Megara was the first stage. The

famous Megarian decree of Pericles, which closed the market of Athens to

Megarians, gave rise to angry controversy, and the refusal to rescind

that decree led to open war. But Megara was little more than a pretext.

The subtle influence of Corinth was potent. The great merchant city of

Greece dreaded the rise of Athens to dominant commercial importance, and

in the conflict between the Corinthian brass and the Attic clay, the

clay was shattered. Corinth does not show her hand much in the

Peloponnesian war. She figures at the beginning, and then disappears.

But the old mole is at work the whole time, and what the Peloponnesians

called the Attic war, and the Attics the Peloponnesian war, might have

been called the Corinthian war. The exchange, the banking-house, were

important factors then as now. "Sinews of war" is a classical

expression. The popular cry of "Persian gold" was heard in the

Peloponnesian war as the popular cry of "British gold" is heard now.

True, there was no slavery question in the Peloponnesian war, for

antique civilization without slavery is hardly thinkable; but after all,

the slavery question belongs ultimately to the sphere of economics. The

humanitarian spirit, set free by the French Revolution, was at work in

the Southern States as in the Northern States, but it was hampered by

economic considerations. Virginia, as every one knows, was on the verge

of becoming a free State. Colonization flourished in my boyhood. A

friend of my father's left him trustee for his "servants," as we called

them. They were quartered opposite our house in Charleston, and the

pickaninnies were objects of profound interest to the children of the

neighborhood. One or two letters came from the emigrants after they

reached Liberia. Then silence fell on the African farm.

Some of the most effective anti-slavery reformers were Charlestonians by

birth and breeding. I cannot say that Grimké was a popular name, but

homage was paid to the talent of Frederick, as I remember only too well,

for I had to learn a speech of his by heart, as a schoolboy exercise.

But the economic conditions of the South were not favorable to the

spread of the ideas represented by the Grimkés. The slavery question

kept alive the spirit that manifested itself in the tariff question.

State rights were not suffered to slumber. The Southerner resented

Northern dictation as Pericles resented Lacedæmonian dictation, and our

Peloponnesian war began.

The Creed of the Old South 1865-1915 · 第 5 / 12 题