THE BEAUTIES

I

I REMEMBER, when I was a high school boy in the fifth or sixth class, I

was driving with my grandfather from the village of Bolshoe Kryepkoe in

the Don region to Rostov-on-the-Don. It was a sultry, languidly dreary

day of August. Our eyes were glued together, and our mouths were parched

from the heat and the dry burning wind which drove clouds of dust to

meet us; one did not want to look or speak or think, and when our drowsy

driver, a Little Russian called Karpo, swung his whip at the horses

and lashed me on my cap, I did not protest or utter a sound, but only,

rousing myself from half-slumber, gazed mildly and dejectedly into the

distance to see whether there was a village visible through the dust.

We stopped to feed the horses in a big Armenian village at a rich

Armenian’s whom my grandfather knew. Never in my life have I seen a

greater caricature than that Armenian. Imagine a little shaven head with

thick overhanging eyebrows, a beak of a nose, long gray mustaches, and

a wide mouth with a long cherry-wood chibouk sticking out of it. This

little head was clumsily attached to a lean hunch-back carcass attired

in a fantastic garb, a short red jacket, and full bright blue trousers.

This figure walked straddling its legs and shuffling with its slippers,

spoke without taking the chibouk out of its mouth, and behaved with

truly Armenian dignity, not smiling, but staring with wide-open eyes and

trying to take as little notice as possible of its guests.

There was neither wind nor dust in the Armenian’s rooms, but it was just

as unpleasant, stifling, and dreary as in the steppe and on the road.

I remember, dusty and exhausted by the heat, I sat in the corner on a

green box. The unpainted wooden walls, the furniture, and the floors

colored with yellow ocher smelt of dry wood baked by the sun. Wherever

I looked there were flies and flies and flies.... Grandfather and the

Armenian were talking about grazing, about manure, and about oats....

I knew that they would be a good hour getting the samovar; that

grandfather would be not less than an hour drinking his tea, and then

would lie down to sleep for two or three hours; that I should waste a

quarter of the day waiting, after which there would be again the heat,

the dust, the jolting cart. I heard the muttering of the two voices, and

it began to seem to me that I had been seeing the Armenian, the cupboard

with the crockery, the flies, the windows with the burning sun beating

on them, for ages and ages, and should only cease to see them in the

far-off future, and I was seized with hatred for the steppe, the sun,

the flies....

A Little Russian peasant woman in a kerchief brought in a tray of

tea-things, then the samovar. The Armenian went slowly out into the

passage and shouted: “Mashya, come and pour out tea! Where are you,

Mashya?”

Hurried footsteps were heard, and there came into the room a girl of

sixteen in a simple cotton dress and a white kerchief. As she washed the

crockery and poured out the tea, she was standing with her back to me,

and all I could see was that she was of a slender figure, barefooted,

and that her little bare heels were covered by long trousers.

The Armenian invited me to have tea. Sitting down to the table, I

glanced at the girl, who was handing me a glass of tea, and felt all at

once as though a wind were blowing over my soul and blowing away all

the impressions of the day with their dust and dreariness. I saw the

bewitching features of the most beautiful face I have ever met in real

life or in my dreams. Before me stood a beauty, and I recognized that at

the first glance as I should have recognized lightning.

I am ready to swear that Masha--or, as her father called her,

Mashya--was a real beauty, but I don’t know how to prove it. It

sometimes happens that clouds are huddled together in disorder on the

horizon, and the sun hiding behind them colors them and the sky with

tints of every possible shade--crimson, orange, gold, lilac, muddy pink;

one cloud is like a monk, another like a fish, a third like a Turk in a

turban. The glow of sunset enveloping a third of the sky gleams on

the cross on the church, flashes on the windows of the manor house, is

reflected in the river and the puddles, quivers on the trees; far, far

away against the background of the sunset, a flock of wild ducks is

flying homewards.... And the boy herding the cows, and the surveyor

driving in his chaise over the dam, and the gentleman out for a walk,

all gaze at the sunset, and every one of them thinks it terribly

beautiful, but no one knows or can say in what its beauty lies.

I was not the only one to think the Armenian girl beautiful. My

grandfather, an old man of seventy, gruff and indifferent to women and

the beauties of nature, looked caressingly at Masha for a full minute,

and asked:

“Is that your daughter, Avert Nazaritch?”

“Yes, she is my daughter,” answered the Armenian.

“A fine young lady,” said my grandfather approvingly.

An artist would have called the Armenian girl’s beauty classical and

severe, it was just that beauty, the contemplation of which--God

knows why!--inspires in one the conviction that one is seeing correct

features; that hair, eyes, nose, mouth, neck, bosom, and every movement

of the young body all go together in one complete harmonious accord in

which nature has not blundered over the smallest line. You fancy for

some reason that the ideally beautiful woman must have such a nose as

Masha’s, straight and slightly aquiline, just such great dark eyes, such

long lashes, such a languid glance; you fancy that her black curly hair

and eyebrows go with the soft white tint of her brow and cheeks as

the green reeds go with the quiet stream. Masha’s white neck and her

youthful bosom were not fully developed, but you fancy the sculptor

would need a great creative genius to mold them. You gaze, and little

by little the desire comes over you to say to Masha something

extraordinarily pleasant, sincere, beautiful, as beautiful as she

herself was.

At first I felt hurt and abashed that Masha took no notice of me, but

was all the time looking down; it seemed to me as though a peculiar

atmosphere, proud and happy, separated her from me and jealously

screened her from my eyes.

“That’s because I am covered with dust,” I thought, “am sunburnt, and am

still a boy.”

But little by little I forgot myself, and gave myself up entirely to the

consciousness of beauty. I thought no more now of the dreary steppe, of

the dust, no longer heard the buzzing of the flies, no longer tasted the

tea, and felt nothing except that a beautiful girl was standing only the

other side of the table.

I felt this beauty rather strangely. It was not desire, nor ecstacy,

nor enjoyment that Masha excited in me, but a painful though pleasant

sadness. It was a sadness vague and undefined as a dream. For some

reason I felt sorry for myself, for my grandfather and for the Armenian,

even for the girl herself, and I had a feeling as though we all four

had lost something important and essential to life which we should never

find again. My grandfather, too, grew melancholy; he talked no more

about manure or about oats, but sat silent, looking pensively at Masha.

After tea my grandfather lay down for a nap while I went out of the

house into the porch. The house, like all the houses in the Armenian

village stood in the full sun; there was not a tree, not an awning, no

shade. The Armenian’s great courtyard, overgrown with goosefoot and

wild mallows, was lively and full of gaiety in spite of the great heat.

Threshing was going on behind one of the low hurdles which intersected

the big yard here and there. Round a post stuck into the middle of the

threshing-floor ran a dozen horses harnessed side by side, so that they

formed one long radius. A Little Russian in a long waistcoat and full

trousers was walking beside them, cracking a whip and shouting in a tone

that sounded as though he were jeering at the horses and showing off his

power over them.

“A--a--a, you damned brutes!... A--a--a, plague take you! Are you

frightened?”

The horses, sorrel, white, and piebald, not understanding why they

were made to run round in one place and to crush the wheat straw, ran

unwillingly as though with effort, swinging their tails with an offended

air. The wind raised up perfect clouds of golden chaff from under their

hoofs and carried it away far beyond the hurdle. Near the tall fresh

stacks peasant women were swarming with rakes, and carts were moving,

and beyond the stacks in another yard another dozen similar horses were

running round a post, and a similar Little Russian was cracking his whip

and jeering at the horses.

The steps on which I was sitting were hot; on the thin rails and here

and there on the window-frames sap was oozing out of the wood from the

heat; red ladybirds were huddling together in the streaks of shadow

under the steps and under the shutters. The sun was baking me on my

head, on my chest, and on my back, but I did not notice it, and was

conscious only of the thud of bare feet on the uneven floor in the

passage and in the rooms behind me. After clearing away the tea-things,

Masha ran down the steps, fluttering the air as she passed, and like

a bird flew into a little grimy outhouse--I suppose the kitchen--from

which came the smell of roast mutton and the sound of angry talk in

Armenian. She vanished into the dark doorway, and in her place there

appeared on the threshold an old bent, red-faced Armenian woman wearing

green trousers. The old woman was angry and was scolding someone. Soon

afterwards Masha appeared in the doorway, flushed with the heat of

the kitchen and carrying a big black loaf on her shoulder; swaying

gracefully under the weight of the bread, she ran across the yard to the

threshing-floor, darted over the hurdle, and, wrapt in a cloud of golden

chaff, vanished behind the carts. The Little Russian who was driving the

horses lowered his whip, sank into silence, and gazed for a minute in

the direction of the carts. Then when the Armenian girl darted again by

the horses and leaped over the hurdle, he followed her with his

eyes, and shouted to the horses in a tone as though he were greatly

disappointed:

“Plague take you, unclean devils!”

And all the while I was unceasingly hearing her bare feet, and seeing

how she walked across the yard with a grave, preoccupied face. She ran

now down the steps, swishing the air about me, now into the kitchen, now

to the threshing-floor, now through the gate, and I could hardly turn my

head quickly enough to watch her.

And the oftener she fluttered by me with her beauty, the more acute

became my sadness. I felt sorry both for her and for myself and for the

Little Russian, who mournfully watched her every time she ran through

the cloud of chaff to the carts. Whether it was envy of her beauty, or

that I was regretting that the girl was not mine, and never would be,

or that I was a stranger to her; or whether I vaguely felt that her rare

beauty was accidental, unnecessary, and, like everything on earth,

of short duration; or whether, perhaps, my sadness was that peculiar

feeling which is excited in man by the contemplation of real beauty, God

only knows.

The three hours of waiting passed unnoticed. It seemed to me that I had

not had time to look properly at Masha when Karpo drove up to the river,

bathed the horse, and began to put it in the shafts. The wet horse

snorted with pleasure and kicked his hoofs against the shafts. Karpo

shouted to it: “Ba--ack!” My grandfather woke up. Masha opened the

creaking gates for us, we got into the chaise and drove out of the yard.

We drove in silence as though we were angry with one another.

When, two or three hours later, Rostov and Nahitchevan appeared in

the distance, Karpo, who had been silent the whole time, looked round

quickly, and said:

“A fine wench, that at the Armenian’s.”

And he lashed his horses.

The schoolmistress, and other stories · 第 35 / 37 题