VI

At home he lay on his bed and said, shuddering all over: “They are

alive! Alive! My God, those women are alive!”

He encouraged his imagination in all sorts of ways to picture himself

the brother of a fallen woman, or her father; then a fallen woman

herself, with her painted cheeks; and it all moved him to horror.

It seemed to him that he must settle the question at once at all costs,

and that this question was not one that did not concern him, but was his

own personal problem. He made an immense effort, repressed his despair,

and, sitting on the bed, holding his head in his hands, began thinking

how one could save all the women he had seen that day. The method for

attacking problems of all kinds was, as he was an educated man, well

known to him. And, however excited he was, he strictly adhered to that

method. He recalled the history of the problem and its literature, and

for a quarter of an hour he paced from one end of the room to the other

trying to remember all the methods practiced at the present time for

saving women. He had very many good friends and acquaintances who lived

in lodgings in Petersburg.... Among them were a good many honest and

self-sacrificing men. Some of them had attempted to save women....

“All these not very numerous attempts,” thought Vassilyev, “can be

divided into three groups. Some, after buying the woman out of the

brothel, took a room for her, bought her a sewing-machine, and she

became a semptress. And whether he wanted to or not, after having bought

her out he made her his mistress; then when he had taken his degree, he

went away and handed her into the keeping of some other decent man as

though she were a thing. And the fallen woman remained a fallen woman.

Others, after buying her out, took a lodging apart for her, bought the

inevitable sewing-machine, and tried teaching her to read, preaching at

her and giving her books. The woman lived and sewed as long as it was

interesting and a novelty to her, then getting bored, began receiving

men on the sly, or ran away and went back where she could sleep till

three o’clock, drink coffee, and have good dinners. The third class, the

most ardent and self-sacrificing, had taken a bold, resolute step.

They had married them. And when the insolent and spoilt, or stupid and

crushed animal became a wife, the head of a household, and afterwards a

mother, it turned her whole existence and attitude to life upside down,

so that it was hard to recognize the fallen woman afterwards in the wife

and the mother. Yes, marriage was the best and perhaps the only means.”

“But it is impossible!” Vassilyev said aloud, and he sank upon his bed.

“I, to begin with, could not marry one! To do that one must be a saint

and be unable to feel hatred or repulsion. But supposing that I,

the medical student, and the artist mastered ourselves and did marry

them--suppose they were all married. What would be the result? The

result would be that while here in Moscow they were being married, some

Smolensk accountant would be debauching another lot, and that lot would

be streaming here to fill the vacant places, together with others from

Saratov, Nizhni-Novgorod, Warsaw.... And what is one to do with the

hundred thousand in London? What’s one to do with those in Hamburg?”

The lamp in which the oil had burnt down began to smoke. Vassilyev did

not notice it. He began pacing to and fro again, still thinking. Now he

put the question differently: what must be done that fallen women should

not be needed? For that, it was essential that the men who buy them

and do them to death should feel all the immorality of their share in

enslaving them and should be horrified. One must save the men.

“One won’t do anything by art and science, that is clear...” thought

Vassilyev. “The only way out of it is missionary work.”

And he began to dream how he would the next evening stand at the corner

of the street and say to every passer-by: “Where are you going and what

for? Have some fear of God!”

He would turn to the apathetic cabmen and say to them: “Why are you

staying here? Why aren’t you revolted? Why aren’t you indignant? I

suppose you believe in God and know that it is a sin, that people go to

hell for it? Why don’t you speak? It is true that they are strangers

to you, but you know even they have fathers, brothers like

yourselves....”

One of Vassilyev’s friends had once said of him that he was a talented

man. There are all sorts of talents--talent for writing, talent for

the stage, talent for art; but he had a peculiar talent--a talent for

_humanity_. He possessed an extraordinarily fine delicate scent for pain

in general. As a good actor reflects in himself the movements and voice

of others, so Vassilyev could reflect in his soul the sufferings of

others. When he saw tears, he wept; beside a sick man, he felt sick

himself and moaned; if he saw an act of violence, he felt as though he

himself were the victim of it, he was frightened as a child, and in his

fright ran to help. The pain of others worked on his nerves, excited

him, roused him to a state of frenzy, and so on.

Whether this friend were right I don’t know, but what Vassilyev

experienced when he thought this question was settled was something like

inspiration. He cried and laughed, spoke aloud the words that he should

say next day, felt a fervent love for those who would listen to him and

would stand beside him at the corner of the street to preach; he sat

down to write letters, made vows to himself....

All this was like inspiration also from the fact that it did not last

long. Vassilyev was soon tired. The cases in London, in Hamburg, in

Warsaw, weighed upon him by their mass as a mountain weighs upon the

earth; he felt dispirited, bewildered, in the face of this mass; he

remembered that he had not a gift for words, that he was cowardly

and timid, that indifferent people would not be willing to listen

and understand him, a law student in his third year, a timid and

insignificant person; that genuine missionary work included not only

teaching but deeds...

When it was daylight and carriages were already beginning to rumble in

the street, Vassilyev was lying motionless on the sofa, staring into

space. He was no longer thinking of the women, nor of the men, nor of

missionary work. His whole attention was turned upon the spiritual agony

which was torturing him. It was a dull, vague, undefined anguish akin to

misery, to an extreme form of terror and to despair. He could point

to the place where the pain was, in his breast under his heart; but

he could not compare it with anything. In the past he had had acute

toothache, he had had pleurisy and neuralgia, but all that was

insignificant compared with this spiritual anguish. In the presence of

that pain life seemed loathsome. The dissertation, the excellent work

he had written already, the people he loved, the salvation of fallen

women--everything that only the day before he had cared about or been

indifferent to, now when he thought of them irritated him in the same

way as the noise of the carriages, the scurrying footsteps of the

waiters in the passage, the daylight.... If at that moment someone

had performed a great deed of mercy or had committed a revolting

outrage, he would have felt the same repulsion for both actions. Of all

the thoughts that strayed through his mind only two did not irritate

him: one was that at every moment he had the power to kill himself, the

other that this agony would not last more than three days. This last he

knew by experience.

After lying for a while he got up and, wringing his hands, walked about

the room, not as usual from corner to corner, but round the room beside

the walls. As he passed he glanced at himself in the looking-glass. His

face looked pale and sunken, his temples looked hollow, his eyes were

bigger, darker, more staring, as though they belonged to someone else,

and they had an expression of insufferable mental agony.

At midday the artist knocked at the door.

“Grigory, are you at home?” he asked.

Getting no answer, he stood for a minute, pondered, and answered

himself in Little Russian: “Nay. The confounded fellow has gone to the

University.”

And he went away. Vassilyev lay down on the bed and, thrusting his head

under the pillow, began crying with agony, and the more freely his tears

flowed the more terrible his mental anguish became. As it began to get

dark, he thought of the agonizing night awaiting him, and was overcome

by a horrible despair. He dressed quickly, ran out of his room, and,

leaving his door wide open, for no object or reason, went out into the

street. Without asking himself where he should go, he walked quickly

along Sadovoy Street.

Snow was falling as heavily as the day before; it was thawing. Thrusting

his hands into his sleeves, shuddering and frightened at the noises,

at the trambells, and at the passers-by, Vassilyev walked along Sadovoy

Street as far as Suharev Tower; then to the Red Gate; from there he

turned off to Basmannya Street. He went into a tavern and drank off

a big glass of vodka, but that did not make him feel better. When he

reached Razgulya he turned to the right, and strode along side streets

in which he had never been before in his life. He reached the old bridge

by which the Yauza runs gurgling, and from which one can see long rows

of lights in the windows of the Red Barracks. To distract his spiritual

anguish by some new sensation or some other pain, Vassilyev, not knowing

what to do, crying and shuddering, undid his greatcoat and jacket and

exposed his bare chest to the wet snow and the wind. But that did not

lessen his suffering either. Then he bent down over the rail of the

bridge and looked down into the black, yeasty Yauza, and he longed to

plunge down head foremost; not from loathing for life, not for the sake

of suicide, but in order to bruise himself at least, and by one pain to

ease the other. But the black water, the darkness, the deserted banks

covered with snow were terrifying. He shivered and walked on. He walked

up and down by the Red Barracks, then turned back and went down to a

copse, from the copse back to the bridge again.

“No, home, home!” he thought. “At home I believe it’s better...”

And he went back. When he reached home he pulled off his wet coat and

cap, began pacing round the room, and went on pacing round and round

without stopping till morning.

The schoolmistress, and other stories · 第 10 / 37 题