Having drunk two glasses of porter, the artist became suddenly tipsy and
grew unnaturally lively.
“Let’s go to another!” he said peremptorily, waving his hands. “I will
take you to the best one.”
When he had brought his friends to the house which in his opinion was
the best, he declared his firm intention of dancing a quadrille.
The medical student grumbled something about their having to pay
the musicians a rouble, but agreed to be his _vis-a-vis_. They began
dancing.
It was just as nasty in the best house as in the worst. Here there were
just the same looking-glasses and pictures, the same styles of coiffure
and dress. Looking round at the furnishing of the rooms and the
costumes, Vassilyev realized that this was not lack of taste, but
something that might be called the taste, and even the style, of S.
Street, which could not be found elsewhere--something intentional in its
ugliness, not accidental, but elaborated in the course of years. After
he had been in eight houses he was no longer surprised at the color of
the dresses, at the long trains, the gaudy ribbons, the sailor dresses,
and the thick purplish rouge on the cheeks; he saw that it all had to
be like this, that if a single one of the women had been dressed like a
human being, or if there had been one decent engraving on the wall, the
general tone of the whole street would have suffered.
“How unskillfully they sell themselves!” he thought. “How can they
fail to understand that vice is only alluring when it is beautiful and
hidden, when it wears the mask of virtue? Modest black dresses, pale
faces, mournful smiles, and darkness would be far more effective than
this clumsy tawdriness. Stupid things! If they don’t understand it of
themselves, their visitors might surely have taught them....”
A young lady in a Polish dress edged with white fur came up to him and
sat down beside him.
“You nice dark man, why aren’t you dancing?” she asked. “Why are you so
dull?”
“Because it is dull.”
“Treat me to some Lafitte. Then it won’t be dull.”
Vassilyev made no answer. He was silent for a little, and then asked:
“What time do you get to sleep?”
“At six o’clock.”
“And what time do you get up?”
“Sometimes at two and sometimes at three.”
“And what do you do when you get up?”
“We have coffee, and at six o’clock we have dinner.”
“And what do you have for dinner?”
“Usually soup, beefsteak, and dessert. Our madam keeps the girls well.
But why do you ask all this?”
“Oh, just to talk....”
Vassilyev longed to talk to the young lady about many things. He felt an
intense desire to find out where she came from, whether her parents were
living, and whether they knew that she was here; how she had come
into this house; whether she were cheerful and satisfied, or sad and
oppressed by gloomy thoughts; whether she hoped some day to get out of
her present position.... But he could not think how to begin or
in what shape to put his questions so as not to seem impertinent. He
thought for a long time, and asked:
“How old are you?”
“Eighty,” the young lady jested, looking with a laugh at the antics of
the artist as he danced.
All at once she burst out laughing at something, and uttered a long
cynical sentence loud enough to be heard by everyone. Vassilyev was
aghast, and not knowing how to look, gave a constrained smile. He was
the only one who smiled; all the others, his friends, the musicians, the
women, did not even glance towards his neighbor, but seemed not to have
heard her.
“Stand me some Lafitte,” his neighbor said again.
Vassilyev felt a repulsion for her white fur and for her voice, and
walked away from her. It seemed to him hot and stifling, and his heart
began throbbing slowly but violently, like a hammer--one! two! three!
“Let us go away!” he said, pulling the artist by his sleeve.
“Wait a little; let me finish.”
While the artist and the medical student were finishing the quadrille,
to avoid looking at the women, Vassilyev scrutinized the musicians. A
respectable-looking old man in spectacles, rather like Marshal Bazaine,
was playing the piano; a young man with a fair beard, dressed in the
latest fashion, was playing the violin. The young man had a face that
did not look stupid nor exhausted, but intelligent, youthful, and fresh.
He was dressed fancifully and with taste; he played with feeling. It was
a mystery how he and the respectable-looking old man had come here. How
was it they were not ashamed to sit here? What were they thinking about
when they looked at the women?
If the violin and the piano had been played by men in rags, looking
hungry, gloomy, drunken, with dissipated or stupid faces, then one could
have understood their presence, perhaps. As it was, Vassilyev could not
understand it at all. He recalled the story of the fallen woman he had
once read, and he thought now that that human figure with the guilty
smile had nothing in common with what he was seeing now. It seemed to
him that he was seeing not fallen women, but some different world quite
apart, alien to him and incomprehensible; if he had seen this world
before on the stage, or read of it in a book, he would not have believed
in it....
The woman with the white fur burst out laughing again and uttered a
loathsome sentence in a loud voice. A feeling of disgust took possession
of him. He flushed crimson and went out of the room.
“Wait a minute, we are coming too!” the artist shouted to him.