"As it is wondrous dun?
Or it is sic as a saikless maid
And a leal true knight may swim?"
"The water it is deep," she said, 65
"As it is wondrous dun;
But it is sic as a saikless maid
And a leal true knight may swim."
The knight spurred on his tall black steed,
The lady spurred on her brown; 70
And fast they rade unto the flood,
And fast they baith swam down.
"The water weets my tae," she said,
"The water weets my knee;
And hold up my bridle reins, sir knight, 75
For the sake of Our Ladye."
"If I would help thee now," he said,
"It were a deadly sin;
For I've sworn neir to trust a fair may's word,
Till the water weets her chin." 80
"O the water weets my waist," she said,
"Sae does it weet my skin;
And my aching heart rins round about,
The burn maks sic a din.
"The water is waxing deeper still, 85
Sae does it wax mair wide;
And aye the farther that we ride on,
Farther off is the other side.
"O help me now, thou false, false knight,
Have pity on my youth; 90
For now the water jawes owre my head,
And it gurgles in my mouth."
The knight turned right and round about,
All in the middle stream,
And he stretched out his head to that lady, 95
But loudly she did scream.
"O this is hallow-morn," he said,
"And it is your bridal day;
But sad would be that gay wedding,
If bridegroom and bride were away. 100
"And ride on, ride on, proud Margaret!
Till the water comes o'er your bree;
For the bride maun ride deep, and deeper yet,
Wha rides this ford wi' me.
"Turn round, turn round, proud Margaret! 105
Turn ye round, and look on me;
Thou hast killed a true knight under trust,
And his ghost now links on with thee."
APPENDIX.
FRAGMENT OF THE BALLAD OF KING ARTHUR AND THE KING OF CORNWALL.
Printed from the celebrated Percy MS. in Madden's _Syr Gawayne_, p. 275.
The editor has added the following note.
"It has no title, and the first line has been cut away by the ignorant
binder to whom the volume was intrusted, but both are supplied from
the notice given of the ballad in the Dissertation prefixed to vol.
iii. of the _Reliques_, p. xxxvii. Dr. Percy has added in the margin
of the MS. these words: "To the best of my remembrance, this was the
first line, before the binder cut it." The poem is very imperfect,
owing to the leaves having been half torn away to light fires (!) as
the Bishop tells us, but I am bound to add, previous to its coming
into his possession. The story is so singular, that it is to be hoped
an earlier and complete copy of it may yet be recovered. On no account
perhaps is it more remarkable, than the fact of its close imitation of
the famous _gabs_ made by Charlemagne and his companions at the court
of King Hugon, which are first met with in a romance of the twelfth
century, published by M. Michel from a MS. in the British Museum,
12mo., London, 1836, and transferred at a later period to the prose
romance of _Galien Rethore_, printed by Verard, fol., 1500, and often
afterwards. In the absence of other evidence, it is to be presumed
that the author of the ballad borrowed from the printed work,
substituting Arthur for Charlemagne, Gawayne for Oliver, Tristram for
Roland, etc., and embellishing his story by converting King Hugon's
spy into a "lodly feend," by whose agency the _gabs_ are accomplished.
It is further worthy of notice, that the writer seems to regard Arthur
as the sovereign of Little Britain, and alludes to an intrigue between
the King of Cornwall and Queen Guenever, which is nowhere, as far as I
recollect, hinted at in the romances of the Round Table."
"Come here my cozen, Gawain, so gay;
My sisters sonne be yee;
For you shall see one of the fairest Round Tables,
That ever you see with your eye."
Then bespake [the] Lady Queen Guenever, 5
And these were the words said shee:
"I know where a Round Table is, thou noble king,
Is worth thy Round Table and other such three.
"The trestle that stands under this Round Table," she said,
"Lowe downe to the mould, 10
It is worth thy Round Table, thou worthy king,
Thy halls, and all thy gold.
"The place where this Round Table stands in,
It is worth thy castle, thy gold, thy fee;
And all good Litle Britaine,"-- 15
"Where may that table be, lady?" quoth hee,
"Or where may all that goodly building be?"
"You shall it seeke," shee sayd, "till you it find,
For you shall never gett more of me."
Then bespake him noble King Arthur, 20
These were the words said hee;
"Ile make mine avow to God,
And alsoe to the Trinity,
"Ile never sleepe one night, there as I doe another,
Till that Round Table I see; 25
Sir Marramiles and Sir Tristeram,
Fellowes that ye shall bee.
"Weele be clad in palmers weede,
Five palmers we will bee;
There is noe outlandish man will us abide, 30
Nor will us come nye."
Then they rived east and they rived west,[L32]
In many a strange country.
Then they travelled[L34] a litle further,
They saw a battle new sett; 35
"Now, by my faith," saies noble King Arthur,
[_Half a page is here torn away._]
But when he came that castle to,
And to the palace gate,
Soe ready was ther a proud porter,
And met him soone therat. 40
Shooes of gold the porter had on,
And all his other rayment was unto the same;
"Now, by my faith," saies noble King Arthur,
"Yonder is a minion swaine."
Then bespake noble King Arthur, 45
These were the words says hee:
"Come hither, thou proud porter,
I pray thee come hither to me.
"I have two poor rings of my finger,
The better[L50] of them Ile give to thee; 50
[To] tell who may be lord of this castle," he saies,
"Or who is lord in this cuntry?"
"Cornewall King," the porter sayes,
"There is none soe rich as hee;
Neither in Christendome, nor yet in heathennest, 55
None hath soe much gold as he."
And then bespake him noble King Arthur,
These were the words sayes hee:
"I have two poore rings of my finger,
The better of them Ile give thee, 60
If thou wilt greete him well, Cornewall King,
And greete him well from me.
"Pray him for one nights lodging, and two meales meate,
For his love that dyed uppon a tree;
A bue[L65] ghesting, and two meales meate, 65
For his love that dyed uppon a tree.
"A bue[L67] ghesting, and two meales meate,
For his love that was of virgin borne,
And in the morning that we may scape away,
Either without scath or scorne." 70
Then forth is gone[L71] this proud porter,
As fast as he cold hye;
And when he came befor Cornewall King,
He kneeled downe on his knee.
Sayes, "I have beene porter, man, at thy gate, 75
[_Half a page is wanting._]
... our Lady was borne,
Then thought Cornewall King these palmers had beene in Britt.
Then bespake him Cornewall King,
These were the words he said there:
"Did you ever know a comely King, 80
His name was King Arthur?"
And then bespake him noble King Arthur,
These were the words said hee:
"I doe not know that comly King,
But once my selfe I did him see." 85
Then bespake Cornwall King againe,
These were the words said he.
Sayes, "Seven yeere I was clad and fed,
In Litle Brittaine, in a bower;
I had a daughter by King Arthurs wife, 90
It now is called my flower;
For King Arthur, that kindly cockward,
Hath none such in his bower.
"For I durst sweare, and save my othe,
That same lady soe bright, 95
That a man that were laid on his death-bed
Wold open his eyes on her to have sight."
"Now, by my faith," sayes noble King Arthur,
"And thats a full faire wight!"
And then bespoke Cornewall [King] againe, 100
And these were the words he said:[L101]
"Come hither, five or three of my knights,
And feitch me downe my steed;
King Arthur, that foule cockeward,
Hath none such, if he had need. 105
"For I can ryde him as far on a day,
As King Arthur can doe any of his on three.
And is it not a pleasure for a King,
When he shall ryde forth on his journey?
"For the eyes that beene in his head, 110
They[L111] glister as doth the gleed;"--
"Now, by my faith," says noble King Arthur,
[_Half a page is wanting._]
No body....
But one thats learned to speake.
Then King Arthur to his bed was brought, 115
A greeived man was hee;
And soe were all his fellowes with him,
From him they[L118] thought never to flee.
Then take they did that lodly boome,[L119]
And under thrubchandler[L120] closed was hee; 120
And he was set by King Arthurs bed-side,
To heere theire talke, and theire com'nye;
That he might come forth, and make proclamation,
Long before it was day;
It was more for King Cornwalls pleasure, 125
Then it was for King Arthurs pay.
And when King Arthur on his bed was laid,
These were the words said hee:
"Ile make mine avow to God,
And alsoe to the Trinity, 130
That Ile be the bane of Cornwall Kinge
Litle Brittaine or ever I see!"
"It is an unadvised vow," saies Gawaine the gay,
"As ever king hard make I;
But wee that beene five christian men, 135
Of the christen faith are wee;
And we shall fight against anoynted King,
And all his armorie."
And then he spake him noble Arthur,
And these were the words said he: 140
"Why, if thou be afraid, Sir Gawaine the gay,
Goe home, and drinke wine in thine owne country."
32, the rived west.
34, tranckled.
50, They better.
65, bue, _sic_.
67, bue, _sic_; of two.
71, his gone.
101, said he.
111, The.
118, the.
119, goome?
120, thrubchadler.
THE THIRD PARTE.
And then bespake Sir Gawaine the gay,
And these were the words said hee:
"Nay, seeing you have made such a hearty vow, 145
Here another vow make will I.
"Ile make mine avow to God,
And alsoe to the Trinity,
That I will have yonder faire lady
To Litle Brittaine with mee. 150
"Ile hose her hourly to my hart,[L151]
And with her Ile worke my will;
[_Half a page is wanting._]
These were the words sayd hee:
"Befor I wold wrestle with yonder feend,
It is better be drowned in the sea." 155
And then bespake Sir Bredbeddle,
And these were the words said he:
"Why, I will wrestle with yon lodly feend,
God! my governor thou shalt bee."
Then bespake him noble Arthur, 160
And these were the[L161] words said he:
"What weapons wilt thou have, thou gentle knight?
I pray thee tell to me."
He sayes, "Collen brand Ile have in my hand,
And a Millaine knife fast be my knee; 165
And a Danish axe fast in my hands,
That a sure weapon I thinke wilbe."
Then with his Collen brand, that he had in his hand,
The bunge of the trubchandler he burst in three.
What that start out a lodly feend, 170
With seven heads, and one body.
The fyer towards the element flew,
Out of his mouth, where was great plentie;
The knight stoode in the middle, and fought,
That it was great joy to see. 175
Till his Collaine brand brake in his hand,
And his Millaine knife burst on his knee;
And then the Danish axe burst in his hand first,
That a sur weapon he thought shold be.
But now is the knight left without any weapone, 180
And alacke! it was the more pitty;
But a surer weapon then had he one,
Had never Lord in Christentye:
And all was but one litle booke,
He found it by the side of the sea. 185
He found it at the sea-side,
Wrucked upp in a floode;
Our Lord had written it with his hands,
And sealed it with his bloode.
[_Half a page is wanting._]
"That thou doe.... 190
But ly still in that wall of stone;
Till I have beene with noble King Arthur,
And told him what I have done."
And when he came to the King's chamber,
He cold of his curtesie 195
Saye, "Sleep you, wake you, noble King Arthur?
And ever Jesus watch yee!"
"Nay, I am not sleeping, I am waking,"
These were the words said hee:
"For thee I have car'd; how hast thou fared? 200
O gentle knight, let me see."
The knight wrought the King his booke,
Bad him behold, reede, and see;
And ever he found it on the backside of the leafe,
As noble Arthur wold wish it to be. 205
And then bespake him King Arthur,
"Alas! thou gentle knight, how may this be,
That I might see him in the same licknesse,
That he stood unto thee?"
And then bespake him the Greene Knight,[L210] 210
These were the words said hee:
"If youle stand stifly in the battell stronge,
For I have won all the victory."
Then bespake him the King againe,
And these were the words said hee: 215
"If we stand not stifly in this battell strong,
Wee are worthy to be hanged all on a tree."
Then bespake him the Greene Knight,
These were the words said hee:
Saies, "I doe coniure thee, thou fowle feend, 220
In the same licknesse thou stood unto me."
With that start out a lodly feend,
With seven heads, and one body;
The fier towarde the element flaugh,
Out of his mouth, where was great plenty. 225
The knight stood in the middle....
[_Half a page is wanting._]
... the space of an houre,
I know not what they did.
And then bespake him the Greene Knight,
And these were the words said he: 230
Saith, "I coniure thee, thou fowle feend,
That thou feitch downe the steed that we see."
And then forth is gone Burlow-beanie,
As fast as he cold hie;
And feitch he did that faire steed, 235
And came againe by and by.
Then bespake him Sir Marramile,
And these were the words said hee:
"Riding of this steed, brother Bredbeddle,
The mastery belongs to me." 240
Marramiles tooke the steed to his hand,
To ryd him he was full bold;
He cold noe more make him goe,
Then a child of three yeere old.
He laid[L245] uppon him with heele and hand, 245
With yard that was soe fell;
"Helpe! brother Bredbeddle," says Marramile,
"For I thinke he be the devill of hell.
"Helpe! brother Bredbeddle," says Marramile.
"Helpe! for Christs pittye; 250
For without thy help, brother Bredbeddle,
He will never be rydden for me."[L252]
Then bespake him Sir Bredbeddle,
These were the words said he:
"I coniure thee, thou Burlow-beane,[L255] 255
Thou tell me how this steed was riddin in his country."
He saith, "There is a gold wand,
Stands in King Cornwalls study windowe.
"Let him take that wand in that window,
And strike three strokes on that steed; 260
And then he will spring forth of his hand,
As sparke doth out of gleede."
Then bespake him the Greene Knight,
[_Half a page is wanting._]
A lowd blast....
And then bespake Sir Bredbeddle, 265
To the feend these words said hee:
Says, "I coniure thee, thou Burlow-beanie,
The powder-box thou feitch me."
Then forth is gone Burlow-beanie,
As fast as he cold hie; 270
And feich he did the powder-box,
And came againe by and by.
Then Sir Tristeram tooke powder forth of that box,
And blent it with warme sweet milke;
And there put it unto the horne, 275
And swilled it about in that ilke.
Then he tooke the horne in his hand,
And a lowd blast he blew;
He rent the horne up to the midst,
All his fellowes this they knew.[L280] 280
Then bespake him the Greene Knight,
These were the words said he:
Saies. "I coniure thee, thou Burlow-beanie,
That thou feitch me the sword that I see."
Then forth is gone Burlow-beanie, 285
As fast as he cold hie;
And feitch he did that faire sword,
And came againe by and by.
Then bespake him Sir Bredbeddle,
To the king these words said he: 290
"Take this sword in thy hand, thou noble King,
For the vowes sake that thou made Ile give it thee;
And goe strike off King Cornewalls head,
In bed where he doth lye."[L294]
Then forth is gone noble King Arthur, 295
As fast as he cold hye;
And strucken he hath King Cornwalls head,
And came againe by and by.
He put the head upon a swords point,
[_The poem terminates here abruptly._]
151, hurt.
161, they words.
210, The Greene Knight is Sir Bredbeddle.
245, sayed.
252, p' me, _i.e._ pro or per.
255, Burlow-leane.
280, the knew.
294, were.
FRAGMENT OF CHILD ROWLAND AND BURD ELLEN.
It is not impossible that this ballad should be the one quoted by
Edgar in _King Lear_, (Act iii. sc. 4:)
"Child Rowland to the dark tower came."
We have extracted the fragment given by Jamieson, with the breaks in
the story filled out, from _Illustrations of Northern Antiquities_, p.
397; and we have added his translation of the Danish ballad of _Rosmer
Hafmand_, which exhibits a striking similarity to _Child Rowland_,
from _Popular Ballads and Songs_, ii. 202. The tale of the _Red Etin_,
as given in Chamber's _Pop. Rhymes of Scotland_, p. 56, has much
resemblance to Jamieson's story, and, like it, is interspersed with
verse.
The occurrence of the name Merlin is by no means a sufficient ground
for connecting this tale, as Jamieson would do, with the cycle of King
Arthur. For Merlin, as Grundtvig has remarked (_Folkeviser_, ii. 79),
did not originally belong to that cycle, and again, his name seems to
have been given in Scotland to any sort of wizard or prophet.
* * * * *
["King Arthur's sons o' merry Carlisle]
Were playing at the ba';
And there was their sister Burd Ellen,
I' the mids amang them a'.
"Child Rowland kick'd it wi' his foot, 5
And keppit it wi' his knee;
And ay, as he play'd out o'er them a',
O'er the kirk he gar'd it flee.
"Burd Ellen round about the isle
To seek the ba' is gane; 10
But they bade lang and ay langer,
And she camena back again.
"They sought her east, they sought her west,
They sought her up and down;
And wae were the hearts [in merry Carlisle,] 15
For she was nae gait found!"
At last her eldest brother went to the Warluck Merlin, (_Myrddin
Wyldt_,) and asked if he knew where his sister, the fair Burd Ellen,
was. "The fair Burd Ellen," said the Warluck Merlin, "is carried away
by the fairies, and is now in the castle of the king of Elfland; and
it were too bold an undertaking for the stoutest knight in Christendom
to bring her back." "Is it possible to bring her back?" said her
brother, "and I will do it, or perish in the attempt." "Possible
indeed it is," said the Warluck Merlin; "but woe to the man or
mother's son who attempts it, if he is not well instructed beforehand
of what he is to do."
Influenced no less by the glory of such an enterprise, than by the
desire of rescuing his sister, the brother of the fair Burd Ellen
resolved to undertake the adventure; and after proper instructions
from Merlin, (which he failed in observing,) he set out on his
perilous expedition.
"But they bade lang and ay langer,
Wi' dout and mickle maen;
And wae were the hearts [in merry Carlisle,]
For he camena back again." 20
The second brother in like manner set out; but failed in observing the
instructions of the Warluck Merlin; and
"They bade lang and ay langer,
Wi' mickle dout and maen;
And wae were the hearts [in merry Carlisle,]
For he camena back again."
Child Rowland, the youngest brother of the fair Burd Ellen, then
resolved to go; but was strenuously opposed by the good queen,
[Gwenevra,] who was afraid of losing all her children.
At last the good queen [Gwenevra] gave him her consent and her
blessing; he girt on (in great form, and with all due solemnity of
sacerdotal consecration,) his father's good _claymore_, [Excalibar,]
that never struck in vain, and repaired to the cave of the Warluck
Merlin. The Warluck Merlin gave him all necessary instructions for his
journey and conduct, the most important of which were, that he should
kill every person he met with after entering the land of Fairy, and
should neither eat nor drink of what was offered him in that country,
whatever his hunger or thirst might be; for if he tasted or touched in
Elfland, he must remain in the power of the Elves, and never see
_middle eard_ again.
So Child Rowland set out on his journey, and travelled "on and ay
farther on," till he came to where (as he had been forewarned by the
Warluck Merlin,) he found the king of Elfland's horse-herd feeding his
horses.
"Canst thou tell me," said Child Rowland to the horse-herd, "where
the king of Elfland's castle is?"--"I cannot tell thee," said the
horse-herd; "but go on a little farther, and thou wilt come to the
cow-herd, and he, perhaps, may tell thee." So Child Rowland drew the
good claymore, [Excalibar,] that never struck in vain, and hewed off
the head of the horse-herd. Child Rowland then went on a little
farther, till he came to the king of Elfland's cow-herd, who was
feeding his cows. "Canst thou tell me," said Child Rowland to the
cow-herd, "where the king of Elfland's castle is?"--"I cannot tell
thee," said the cow-herd; "but go on a little farther, and thou wilt
come to the sheep-herd, and he perhaps may tell thee." So Child
Rowland drew the good claymore, [Excalibar,] that never struck in
vain, and hewed off the head of the cow-herd. He then went on a little
farther, till he came to the sheep-herd. * * * * [_The sheep-herd,
goat-herd, and swine-herd are all, each in his turn, served in the
same manner; and lastly he is referred to the hen-wife._]
"Go on yet a little farther," said the hen-wife, "till thou come to a
round green hill surrounded with rings (_terraces_) from the bottom to
the top; go round it three times _widershins_, and every time say,
"Open, door! open, door! and let me come in; and the third time the
door will open, and you may go in." So Child Rowland drew the good
claymore, [Excalibar,] that never struck in vain, and hewed off the
head of the hen-wife. Then went he three times _widershins_ round the
green hill, crying, "Open, door! open, door! and let me come in;" and
the third time the door opened, and he went in.
It immediately closed behind him; and he proceeded through a long
passage, where the air was soft and agreeably warm like a May
evening, as is all the air of Elfland. The light was a sort of
twilight or gloaming; but there were neither windows nor candles, and
he knew not whence it came, if it was not from the walls and roof,
which were rough, and arched like a grotto, and composed of a clear
transparent rock, incrusted with _sheeps-silver_ and spar, and various
bright stones. At last he came to two wide and lofty folding-doors,
which stood a-jar. He opened them, and entered a large and spacious
hall, whose richness and brilliance no tongue can tell. It seemed to
extend the whole length and height of the hill. The superb Gothic
pillars by which the roof was supported, were so large and so lofty,
(said my seannachy,) that the pillars of the Chanry Kirk,[D] or of
Pluscardin Abbey, are no more to be compared to them, than the Knock
of Alves is to be compared to Balrinnes or Ben-a-chi. They were of
gold and silver, and were fretted like the west window of the Chanry
Kirk, with wreaths of flowers composed of diamonds and precious stones
of all manner of beautiful colors. The key-stones of the arches above,
instead of coats of arms and other devices, were ornamented with
clusters of diamonds in the same manner. And from the middle of the
roof, where the principal arches met, was hung by a gold chain, an
immense lamp of one hollowed pearl, perfectly transparent, in the
midst of which was suspended a large carbuncle, that by the power of
magic continually turned round, and shed over all the hall a clear and
mild light like the setting sun; but the hall was so large, and these
dazzling objects so far removed, that their blended radiance cast no
more than a pleasing lustre, and excited no more than agreeable
sensations in the eyes of Child Rowland.
[D] The cathedral of Elgin naturally enough furnished similes to a
man who had never in his life been twenty miles distant from it.
The furniture of the hall was suitable to its architecture; and at the
farther end, under a splendid canopy, seated on a gorgeous sofa of
velvet, silk, and gold, and "kembing her yellow hair wi' a silver
kemb,"
"There was his sister burd Ellen; 25
She stood up him before."
Says,
"'God rue on thee, poor luckless fode!
What has thou to do here?
"'And hear ye this, my youngest brither,
Why badena ye at hame? 30
Had ye a hundur and thousand lives,
Ye canna brook ane o' them.
"'And sit thou down; and wae, O wae
That ever thou was born;
For come the King o' Elfland in, 35
Thy leccam is forlorn!'"
A long conversation then takes place; Child Rowland tells her the news
[of merry Carlisle,] and of his own expedition; and concludes with the
observation, that, after this long and fatiguing journey to the castle
of the king of Elfland, he is _very hungry_.
Burd Ellen looked wistfully and mournfully at him, and shook her head,
but said nothing. Acting under the influence of a magic which she
could not resist, she arose, and brought him a golden bowl full of
bread and milk, which she presented to him with the same timid,
tender, and anxious expression of solicitude.
Remembering the instructions of the Warluck Merlin, "Burd Ellen," said
Child Rowland, "I will neither taste nor touch till I have set thee
free!" Immediately the folding-doors burst open with tremendous
violence, and in came the king of Elfland,
"With '_fi_, _fi_, _fo_, and _fum_!
I smell the blood of a Christian man!
Be he dead, be he living, wi' my brand
I'll clash his harns frae his harn-pan!'" 40
"Strike, then, Bogle of Hell, if thou darest!" exclaimed the undaunted
Child Rowland, starting up, and drawing the good claymore,
[Excalibar,] that never struck in vain.
A furious combat ensued, and the king of Elfland was felled to the
ground; but Child Rowland spared him on condition that he should
restore to him his two brothers, who lay in a trance in a corner of
the hall, and his sister, the fair burd Ellen. The king of Elfland
then produced a small crystal phial, containing a bright red liquor,
with which he anointed the lips, nostrils, eye-lids, ears, and
finger-ends of the two young men, who immediately awoke as from a
profound sleep, during which their souls had quitted their bodies, and
they had seen, &c., &c., &c. So they all four returned in triumph to
[merry Carlisle.]
Such was the rude outline of the romance of Child Rowland, as it was
told to me when I was about seven or eight years old, by a country
tailor then at work in my father's house. He was an ignorant and dull
good sort of honest man, who seemed never to have questioned the truth
of what he related. Where the _et caeteras_ are put down, many curious
particulars have been omitted, because I was afraid of being deceived
by my memory, and substituting one thing for another. It is right also
to admonish the reader, that the Warluck Merlin, Child Rowland, and
Burd Ellen, were the only _names_ introduced in _his_ recitation; and
that the others, inclosed within brackets, are assumed upon the
authority of the locality given to the story by the mention of
_Merlin_. In every other respect I have been as faithful as possible.
ROSMER HAFMAND,
OR,
THE MER-MAN ROSMER.
The ballad of _Rosmer_ is found in Danish, Swedish, Faroish, and
Norse. All the questions bearing upon its origin, and the relations of
the various _forms_ in which the story exists, are amply discussed by
Grundtvig, vol. ii. p. 72. Three versions of the Danish ballad are
given by Vedel, all of which Jamieson has translated. The following is
No. 31 in Abrahamson.
There dwalls a lady in Danmarck,
Lady Hillers lyle men her ca';
And she's gar'd bigg a new castell,
That shines o'er Danmarck a'.
Her dochter was stown awa frae her; 5
She sought for her wide-whare;
But the mair she sought, and the less she fand,--
That wirks her sorrow and care.
And she's gar'd bigg a new ship,
Wi' vanes o' flaming goud, 10
Wi' mony a knight and mariner,
Sae stark in need bestow'd.
She's followed her sons down to the strand,
That chaste and noble fre;
And wull and waif for eight lang years 15
They sail'd upon the sea.
And eight years wull and waif they sail'd,
O' months that seem'd sae lang;
Syne they sail'd afore a high castell,
And to the land can gang. 20
And the young lady Svane lyle,
In the bower that was the best,
Says, "Wharfrae cam thir frem swains,
Wi' us this night to guest?"
Then up and spak her youngest brither, 25
Sae wisely ay spak he;
"We are a widow's three poor sons,
Lang wilder'd on the sea.
"In Danmarck were we born and bred,
Lady Hillers lyle was our mither; 30
Our sister frae us was stown awa,
We findna whare or whither."
"In Danmarck were ye born and bred?
Was Lady Hillers your mither?
I can nae langer heal frae thee, 35
Thou art my youngest brither.
"And hear ye this, my youngest brither:
Why bade na ye at hame?
Had ye a hunder and thousand lives,
Ye canna brook ane o' them." 40
She's set him in the weiest nook
She in the house can meet;
She's bidden him for the high God's sake
Nouther to laugh ne greet.
Rosmer hame frae Zealand came, 45
And he took on to bann:
"I smell fu' weel, by my right hand,
That here is a Christian man."
"There flew a bird out o'er the house,
Wi' a man's bane in his mouth; 50
He coost it in, and I cast it out,
As fast as e'er I couth."
But wilyly she can Rosmer win;
And clapping him tenderly,
"It's here is come my sister-son;-- 55
Gin I lose him, I'll die.
"It's here is come, my sister-son,
Frae baith our fathers' land;
And I ha'e pledged him faith and troth,
That ye will not him bann." 60
"And is he come, thy sister-son,
Frae thy father's land to thee?
Then I will swear my highest aith,
He's dree nae skaith frae me."
'Twas then the high king Rosmer, 65
He ca'd on younkers twae:
"Ye bid proud Svane lyle's sister-son
To the chalmer afore me gae."
It was Svane lyle's sister-son,
Whan afore Rosmer he wan, 70
His heart it quook, and his body shook,
Sae fley'd, he scarce dow stand.
Sae Rosmer took her sister-son,
Set him upon his knee;
He clappit him sae luifsomely, 75
He turned baith blue and blae.
And up and spak she, Svane lyle;
"Sir Rosmer, ye're nae to learn
That your ten fingers arena sma,
To clap sae little a bairn." 80
There was he till, the fifthen year,
He green'd for hame and land:
"Help me now, sister Svane lyle,
To be set on the white sand."
It was proud Lady Svane lyle, 85
Afore Rosmer can stand:
"This younker sae lang in the sea has been,
He greens for hame and land."
"Gin the younker sae lang in the sea has been,
And greens for hame and land, 90
Then I'll gie him a kist wi' goud,
Sae fitting till his hand."
"And will ye gi'e him a kist wi' goud,
Sae fitting till his hand?
Then hear ye, my noble heartis dear, 95
Ye bear them baith to land."
Then wrought proud Lady Svane lyle
What Rosmer little wist;
For she's tane out the goud sae red,
And laid hersel i' the kist. 100
He's ta'en the man upon his back;
The kist in his mouth took he;
And he has gane the lang way up
Frae the bottom o' the sea.
"Now I ha'e borne thee to the land; 105
Thou seest baith sun and moon;
Namena Lady Svane for thy highest God,
I beg thee as a boon."
Rosmer sprang i' the saut sea out,
And jawp'd it up i' the sky; 110
But whan he cam till the castell in,
Nae Svane lyle could he spy.
Whan he came till the castell in,
His dearest awa was gane;
Like wood he sprang the castell about, 115
On the rock o' the black flintstane.
Glad they were in proud Hillers lyle's house,
Wi' welcome joy and glee;
Hame to their friends her bairns were come,
That had lang been in the sea. 120
TAM-A-LINE, THE ELFIN KNIGHT. (See page 114.)
From _Scottish Traditionary Versions of Ancient Ballads_, Percy
Society, xvii. p. 11.
Take warnin', a' ye ladyes fair,
That wear gowd on your hair;
Come never unto Charter-woods,
For Tam-a-line he's there.
Even about that knicht's middle 5
O' siller bells are nine;
Nae ane comes to Charter-woods,
And a may returns agen.
Ladye Margaret sits in her bouir door,
Sewing at her silken seam; 10
And she lang'd to gang to Charter woods,
To pou the roses green.
She hadna pou'd a rose, a rose,
Nor braken a branch but ane,
Till by it came him true Tam-a-line, 15
Says, "Layde, lat alane.
"O why pou ye the rose, the rose?
Or why brake ye the tree?
Or why come ye to Charter-woods,
Without leave ask'd of me?" 20
"I will pou the rose, the rose,
And I will brake the tree;
Charter-woods are a' my ain,
I'll ask nae leave o' thee."
He's taen her by the milk-white hand, 25
And by the grass-green sleeve;
And laid her low on gude green wood,
At her he spier'd nae leave.
When he had got his will o' her,
His will as he had ta'en, 30
He's ta'en her by the middle sma',
Set her to feet again.
She turn'd her richt and round about,
To spier her true love's name,
But naething heard she, nor naething saw, 35
As a' the woods grew dim.
Seven days she tarried there,
Saw neither sun nor muin;
At length, by a sma' glimmerin' licht,
Came thro' the wood her lane. 40
When she came to her father's court,
Was fine as ony queen;
But when eight months were past and gane,
Got on the gown o' green.
Then out it speaks an eldren knicht, 45
As he stood at the yett;
"Our king's dochter, she gaes wi' bairn,
And we'll get a' the wyte."
"O haud your tongue, ye eldren man,
And bring me not to shame; 50
Although that I do gang wi' bairn,
Yese naeways get the blame.
"Were my love but an earthly man,
As he's an elfin knicht,
I wadna gie my ain true luve, 55
For a' that's in my sicht."
Then out it speaks her brither dear,
He meant to do her harm,
"There is an herb in Charter-woods
Will twine you an' the bairn." 60
She's taen her mantle her about,
Her coiffer by the band;
And she is on to Charter-woods,
As fast as she coud gang.
She hadna poud a rose, a rose, 65
Nor braken a branch but ane,
Till by it came him, Tam-a-Line,
Says, "Ladye, lat alane."
"O! why pou ye the pile, Margaret,
The pile o' the gravil green, 70
For to destroy the bonny bairn
That we got us between?
"O! why pou ye the pile, Margaret,
The pile o' the gravil gray,
For to destroy the bonny bairn 75
That we got in our play?
"For if it be a knave bairn,
He's heir o' a' my land;
But if it be a lass bairn,
In red gowd she shall gang." 80
"If my luve were an earthly man,
As he's an elfin grey,
I coud gang bound, luve, for your sake,
A twalmonth and a day."
"Indeed your luve's an earthly man, 85
The same as well as thee;
And lang I've haunted Charter-woods,
A' for your fair bodie."
"O! tell me, tell me, Tam-a-Line,
O! tell, an' tell me true; 90
Tell me this nicht, an' mak' nae lee,
What pedigree are you?"
"O! I hae been at gude church-door,
An' I've got christendom;
I'm the Earl o' Forbes' eldest son, 95
An' heir ower a' his land.
"When I was young, o' three years old,
Muckle was made o' me;
My stepmither put on my claithes,
An' ill, ill, sained she me. 100
"Ae fatal morning I gaed out,
Dreading nae injurie;
And thinking lang, fell soun asleep,
Beneath an apple tree.
"Then by it came the Elfin Queen, 105
And laid her hand on me;
And from that time since e'er I mind,
I've been in her companie.
"O Elfin it's a bonny place,
In it fain wad I dwell; 110
But aye at ilka seven years' end,
They pay a tiend to hell,
And I'm sae fou o' flesh an blude,
I'm sair fear'd for mysell."
"O tell me, tell me, Tam-a-Line, 115
O tell, an' tell me true;
Tell me this nicht, an' mak' nae lee,
What way I'll borrow you?"
"The morn is Hallowe'en nicht,
The Elfin court will ride, 120
Through England, and thro' a' Scotland,
And through the warld wide.
"O they begin at sky sett in,
Ride a' the evenin' tide;
And she that will her true love borrow, 125
At Miles-cross will him bide.
"Ye'll do ye down to Miles-cross,
Between twall hours and ane;
And full your hands o' holie water,
And cast your compass roun'. 130
"Then the first ane court that comes you till,
Is published king and queen;
The neist ane court that comes you till,
It is maidens mony ane.
"The neist ane court that comes you till, 135
Is footmen, grooms, and squires;
The neist ane court that comes you till,
Is knichts; and I'll be there.
"I Tam-a-Line, on milk-white steed,
A gowd star on my crown; 140
Because I was an earthly knicht,
Got that for a renown.
"And out at my steed's right nostril,
He'll breathe a fiery flame;
Ye'll loot you low, and sain yoursel, 145
And ye'll be busy then.
"Ye'll tak' my horse then by the head,
And lat the bridal fa';
The Queen o' Elfin she'll cry out,
'True Tam-a-Line's awa'.' 150
"Then I'll appear into your arms
Like the wolf that ne'er wad tame;
Ye'll haud me fast, lat me not gae,
Case we ne'er meet again.
"Then I'll appear into your arms 155
Like fire that burns sae bauld;
Ye'll haud me fast, lat me not gae,
I'll be as iron cauld.
"Then I'll appear into your arms
Like the adder an' the snake; 160
Ye'll haud me fast, lat me not gae,
I am your warld's maike.
"Then I'll appear into your arms
Like to the deer sae wild;
Ye'll haud me fast, lat me not gae, 165
And I'll father your child.
"And I'll appear into your arms
Like to a silken string;
Ye'll haud me fast, lat me not gae,
Till ye see the fair mornin'. 170
"And I'll appear into your arms
Like to a naked man;
Ye'll haud me fast, lat me not gae,
And wi' you I'll gae hame."
Then she has done her to Miles-cross, 175
Between twal hours an' ane;
And filled her hands o' holie water,
And kiest her compass roun'.
The first ane court that came her till,
Was published king and queen; 180
The niest ane court that came her till,
Was maidens mony ane.
The niest ane court that came her till,
Was footmen, grooms, and squires;
The niest ane court that came her till, 185
Was knichts; and he was there!
True Tam-a-Line, on milk-white steed,
A gowd star on his crown;
Because he was an earthly man,
Got that for a renown. 190
And out at the steed's right nostril,
He breath'd a fiery flame;
She loots her low, an' sains hersel,
And she was busy then.
She's taen the horse then by the head, 195
And loot the bridle fa';
The Queen o' Elfin she cried out,--
"True Tam-a-Line's awa'."
"Stay still, true Tam-a-Line," she says,
"Till I pay you your fee;" 200
"His father wants not lands nor rents,
He'll ask nae fee frae thee."
"Gin I had kent yestreen, yestreen,
What I ken weel the day,
I shou'd hae taen your fu' fause heart, 205
Gien you a heart o' clay."
Then he appeared into her arms
Like the wolf that ne'er wad tame;
She held him fast, lat him not gae,
Case they ne'er met again. 210
Then he appeared into her arms
Like the fire burning bauld;
She held him fast, lat him not gae,
He was as iron cauld.
And he appeared into her arms 215
Like the adder an' the snake;
She held him fast, lat him not gae,
He was her warld's maike.
And he appeared into her arms
Like to the deer sae wild; 220
She held him fast, lat him not gae,
He's father o' her child.
And he appeared into her arms
Like to a silken string;
She held him fast, lat him not gae, 225
Till she saw fair mornin'.
And he appeared into her arms
Like to a naked man;
She held him fast, lat him not gae,
And wi' her he's gane hame. 230
These news hae reach'd thro' a' Scotland,
And far ayont the Tay,
That ladye Margaret, our king's dochter,
That nicht had gain'd her prey.
She borrowed her love at mirk midnicht, 235
Bare her young son ere day;
And though ye'd search the warld wide,
Ye'll nae find sic a may.
TOM LINN. (See p. 114.)
This fragment was taken down from the recitation of an old woman.
Maidment's _New Book of Old Ballads_, p. 54.
O all you ladies young and gay,
Who are so sweet and fair,
Do not go into Chaster's wood,
For Tomlinn will be there.
* * * * *
Fair Margaret sat in her bonny bower, 5
Sewing her silken seam,
And wished to be in Chaster's wood,
Among the leaves so green.
She let the seam fall to her foot,
The needle to her toe, 10
And she has gone to Chaster's wood,
As fast as she could go.
When she began to pull the flowers;
She pull'd both red and green;
Then by did come, and by did go, 15
Said, "Fair maid, let abene!
"O why pluck you the flowers, lady,
Or why climb you the tree?
Or why come ye to Chaster's wood,
Without the leave of me?" 20
"O I will pull the flowers," she said,
"Or I will break the tree;
For Chaster's wood it is my own,
I'll ask no leave at thee."
He took her by the milk-white hand, 25
And by the grass-green sleeve;
And laid her down upon the flowers,
At her he ask'd no leave.
The lady blush'd and sourly frown'd,
And she did think great shame; 30
Says, "If you are a gentleman,
You will tell me your name."
"First they call me Jack," he said,
"And then they call'd me John;
But since I liv'd in the Fairy court, 35
Tomlinn has always been my name.
"So do not pluck that flower, lady,
That has these pimples gray;
They would destroy the bonny babe
That we've gotten in our play." 40
"O tell to me, Tomlinn," she said,
"And tell it to me soon;
Was you ever at a good church door,
Or got you christendom?"
"O I have been at good church door, 45
And oft her yetts within;
I was the Laird of Foulis's son,
The heir of all his land.
"But it fell once upon a day,
As hunting I did ride, 50
As I rode east and west yon hill,
Then woe did me betide.
"O drowsy, drowsy as I was,
Dead sleep upon me fell;
The Queen of Fairies she was there, 55
And took me to hersel.
"The morn at even is Hallowe'en,
Our Fairy court will ride,
Through England and through Scotland both,
Through all the world wide; 60
And if that ye would me borrow,
At Rides Cross ye may bide.
"You may go into the Miles Moss,
Between twelve hours and one;
Take holy water in your hand, 65
And cast a compass round.
"The first court that comes along,
You'll let them all pass by;
The next court that comes along,
Salute them reverently. 70
"The next court that comes along,
Is clad in robes of green;
And it's the head court of them all,
For in it rides the Queen.
"And I upon a milk-white steed, 75
With a gold star in my crown;
Because I am an earthly man,
I'm next the Queen in renown.
"Then seize upon me with a spring,
Then to the ground I'll fa'; 80
And then you'll hear a rueful cry,
That Tomlinn is awa'.
"Then I'll grow in your arms two,
Like to a savage wild;
But hold me fast, let me not go, 85
I'm father of your child.
"I'll grow into your arms two
Like an adder, or a snake;
But hold me fast, let me not go,
I'll be your earthly maik. 90
"I'll grow into your arms two
Like ice on frozen lake;
But hold me fast, let me not go,
Or from your goupen break.
"I'll grow into your arms two, 95
Like iron in strong fire;
But hold me fast, let me not go,
Then you'll have your desire."
And its next night into Miles Moss,
Fair Margaret has gone; 100
When lo she stands beside Rides Cross,
Between twelve hours and one.
There's holy water in her hand,
She casts a compass round;
And presently a Fairy band 105
Comes riding o'er the mound.
* * * * *
This seems to be the most appropriate connection for a short fragment
from Maidment's _North Countrie Garland_, (p. 21.) It was taken down
from the recitation of a lady who had heard it sung in her childhood.
BURD ELLEN AND YOUNG TAMLANE.
Burd Ellen sits in the bower windowe,
_With a double laddy double, and for the double dow_,
Twisting the red silk and the blue,
_With the double rose and the May-hay_.
And whiles she twisted, and whiles she twan, 5
_With a double_, &c.
And whiles the tears fell down amang,
_With the double_, &c.
Till once there by cam young Tamlane,
_With a double_, &c. 10
"Come light, oh light, and rock your young son!"
_With the double_, &c.
"If you winna rock him, you may let him rair,
_With a double_, &c.
For I hae rockit my share and mair." 15
_With the double_, &c.
* * * * *
Young Tamlane to the seas he's gane,
_With a double laddy double, and for the double dow,_
And a' women's curse in his company's gane,
_With the double rose and the May-hay_. 20
ALS Y YOD ON AY MOUNDAY. (See p. 126.)
In the manuscript from which these verses are taken, they form the
preface to a long strain of incomprehensible prophecies of the same
description as those which are appended to _Thomas of Ersyldoune_.
Whether the two portions belong together, or not, (and it will be seen
that they are ill enough joined,) the first alone requires to be cited
here for the purpose of comparison with the _Wee Wee Man_. The whole
piece has been twice printed, first by Finlay, in his _Scottish
Ballads_, (ii. 163,) and afterwards, by a person who was not aware
that he had been anticipated, in the _Retrospective Review_, Second
Series, vol. ii. p. 326. Both texts are in places nearly
unintelligible, and are evidently full of errors, part of which we
must ascribe to the incompetency of the editors. Finlay's is here
adopted as on the whole the best, but it has received a few
corrections from the other, and one or two conjectural emendations.
Als y yod on ay Mounday
Bytwene Wyltinden and Wall,
The ane after brade way,
Ay litel man y mette with alle,
The leste yat ever y, sathe to say, 5
Oither in bowr, oither in halle;
His robe was noither grene na gray,
Bot alle yt was of riche palle.
On me he cald, and bad me bide;
Well stille y stode ay litel space; 10
Fra Lanchestre the parke syde
Yeen he come, wel fair his pase.
He hailsed me with mikel pride;
Ic haved wel mykel ferly wat he was;
I saide,--"Wel mote the betyde, 15
That litel man with large face."
I beheld that litel man
Bi the strete als we gon gae;
His berd was syde ay large span,
And glided als the fether of pae; 20
His heved was wyte als ony swan,
His hegehen was gret and grai als so;
Brues lange, wel I the can
Merk it to fize inches and mae.
Armes scort, for sothe I saye, 25
Ay span seemed thaem to bee:
Handes brade vytouten nay,
And fingeres lange, he scheued me.
Ay stane he tok op thar it lay,
And castit forth that I moth see; 30
Ay merk-soot of large way
Bifore me strides he castit three.
Wel stille I stod als did the stane,
To loke him on thouth me nouth lang;
His robe was alle gold begane, 35
Wel craftelike[L36] maked, I understande;
Botones asurd, everlk ane,
Fra his elbouthe ontil his hande;
Erdelik[L39] man was he nane;
That in myn hert ich onderstande. 40
Til him I sayde ful sone on ane,
For forthirmar I wald him fraine,
"Gladli wald[L43] I wit thi name,
And I wist wat me mouthe gaine;
Thou ert so litel of fleshe and bane, 45
And so mikel of mith and mayne,
War vones thou, litel man, at hame?
Wit of thee I wald ful faine."
"Thoth I be litel and lith,
Am y noth wytouten wane; 50
Ferli frained thou wat hi hith,
That[L52] thou salt noth wit my name;
My wonige stede ful wel es dyght,[L53]
Nou sone thou salt se at hame."
Til him I sayde, "For Godes mith, 55
Let me forth myn erand gane."
"The thar noth of thin erand lette,
Thouth thou come ay stonde wit me,
Forther salt thou noth bi sette,
Bi miles twa noyther bi three." 60
Na linger durst I for him lette,
But forth y funded wyt that free;
Stintid vs brok no beck;
Ferlich me thouth hu so mouth bee.
He vent forth, als y you say, 65
In at ay yate, y vnderstande;
In til ay yate wvndouten nay;
It to se thouth me nouth[L68] lang.
The bankers on the binkes lay,
And fair lordes sett y fonde; 70
In ilka ay hirn y herd ay lay,
And leuedys soth meloude sange.
[Here there seems to be a break, and a new start
made, with a tale told not on a _Monday_, but on a
_Wednesday_.]
Lithe, bothe zonge and alde:
Of ay worde y will you saye,
Ay litel tale that me was tald
Erli on ay Wedenesdaye.
A mody barn, that was ful bald,
My friend that y frained aye,
Al my gesing he me tald,
And galid me als we went bi waye.
"Miri man, that es so wyth,
Of ay thing gif me answere:
For him that mensked man wyt mith,
Wat sal worth of this were?" &c.
Finlay, 36, crustlike.
39, Clidelik.
43, Glalli wild.
52, That, qy. Yat?; with.
53, dygh.
68, south.
THE ELPHIN KNIGHT. (See p. 128.)
"The following transcript is a literal copy from the original in the
Pepysian library, Cambridge." Motherwell's _Minstrelsy_, Appendix, p.
i.
"A Proper New Ballad, entituled, _The Wind hath blown my Plaid away,
or, A Discourse betwixt a young Maid and the Elphin-Knight_; To be
sung with its own pleasant New Tune."
The Elphin Knight site on yon hill,
_Ba, ba, ba, lilli ba,_
He blowes his horn both loud and shril,
_The wind hath blown my plaid awa_.
He blowes it East, he blowes it West, 5
_Ba, ba_, &c.
He blowes it where he lyketh best.
_The wind_, &c.
"I wish that horn were in my kist,
_Ba, ba_, &c. 10
Yea, and the knight in my armes two."
_The wind_, &c.
She had no sooner these words said,
_Ba, ba_, &c.
When that the knight came to her bed. 15
_The wind_, &c.
"Thou art over young a maid," quoth he,
_Ba, ba_, &c.
"Married with me thou il wouldst be."
_The wind_, &c. 20
"I have a sister younger than I,
_Ba, ba_, &c.
And she was married yesterday."
_The wind_, &c.
"Married with me if thou wouldst be, 25
_Ba, ba_, &c.
A courtesie thou must do to me.
_The wind_, &c.
"For thou must shape a sark to me,
_Ba, ba_, &c. 30
Without any cut or heme," quoth he.
_The wind_, &c.
"Thou must shape it needle- and sheerlesse,
_Ba, ba_, &c.
And also sue it needle-threedlesse." 35
_The wind_, &c.
"If that piece of courtesie I do to thee,
_Ba, ba_, &c.
Another thou must do to me.
_The wind_, &c. 40
"I have an aiker of good ley-land,
_Ba, ba_, &c.
Which lyeth low by yon sea-strand.
_The wind_, &c.
"For thou must cure it with thy horn, 45
_Ba, ba_, &c.
So thou must sow it with thy corn.
_The wind_, &c.
"And bigg a cart of stone and lyme,
_Ba, ba_, &c. 50
Robin Redbreast he must trail it hame.
_The wind_, &c.
"Thou must barn it in a mouse-holl,
_Ba, ba_, &c.
And thrash it into thy shoes' soll. 55
_The wind_, &c.
"And thou must winnow it in thy looff,
_Ba, ba_, &c.
And also seck it in thy glove.
_The wind_, &c. 60
"For thou must bring it over the sea,
_Ba, ba_, &c.
And thou must bring it dry home to me.
_The wind_, &c.
"When thou hast gotten thy turns well done, 65
_Ba, ba_, &c.
Then come to me and get thy sark then.
_The wind_, &c."
"I'l not quite my plaid for my life,
_Ba, ba_, &c. 70
It haps my seven bairns and my wife.
_The wind shall not blow my plaid awa._"
"My maidenhead I'l then keep still,
_Ba, ba_, &c.
Let the Elphin Knight do what he will. 75
_The wind's not blown my plaid awa._"
"_My plaid awa, my plaid awa,
And o'er the hill and far awa,
And far awa, to Norrowa,
My plaid shall not be blown awa._"
THE LAIDLEY WORM OF SPINDLESTON-HEUGH. See p. 137.
"A song above 500 years old, made by the old mountain-bard, Duncan
Frasier, living on Cheviot, A.D. 1270."
This ballad, first published in Hutchinson's _History of
Northumberland_, was the composition of Mr. Robert Lambe, vicar of
Norham. Several stanzas are, however, adopted from some ancient tale.
It has been often printed, and is now taken from Ritson's
_Northumberland Garland_.
The similar story of _The Worme of Lambton_, versified by the Rev. J.
Watson (compare _Ormekampen_ and the cognate legends, Grundtvig, i.
343, also vol. viii. p. 128, of this collection), may be seen in
Richardson's _Borderer's Table-Book_, viii. 129, or in Moore's
_Pictorial Book of Ancient Ballad Poetry_, page 784. With the tale of
the _Lambton Worm of Durham_ agrees in many particulars that of the
_Worm of Linton_ in Roxburghshire. (See Scott's introduction to
_Kempion_, and Sir C. Sharpe's _Bishopric Garland_, p. 21.) It is
highly probable that the mere coincidence of sound with _Linden-Worm_
caused this last place to be selected as the scene of such a story.
The king is gone from Bambrough Castle,
Long may the princess mourn;
Long may she stand on the castle wall,
Looking for his return.
She has knotted the keys upon a string, 5
And with her she has them ta'en,
She has cast them o'er her left shoulder,
And to the gate she is gane.
She tripped out, she tripped in,
She tript into the yard; 10
But it was more for the king's sake,
Than for the queen's regard.
It fell out on a day, the king
Brought the queen with him home;
And all the lords in our country 15
To welcome them did come.
"O welcome father!" the lady cries,
"Unto your halls and bowers;
And so are you, my step-mother,
For all that's here is yours." 20
A lord said, wondering while she spake,[L21]
"This princess of the North
Surpasses all of female kind
In beauty, and in worth."
The envious queen replied, "At least, 25
You might have excepted me;
In a few hours, I will her bring
Down to a low degree.
"I will her liken to a laidley worm,
That warps about the stone, 30
And not till Childy Wynd[L31] comes back,
Shall she again be won."
The princess stood at the bower door
Laughing, who could her blame?
But e'er the next day's sun went down, 35
A long worm she became.
For seven miles east, and seven miles west,
And seven miles north, and south,
No blade of grass or corn could grow,
So venomous was her mouth. 40
The milk of seven stately cows
(It was costly her to keep)
Was brought her daily, which she drank
Before she went to sleep.
At this day may be seen the cave 45
Which held her folded up,
And the stone trough, the very same
Out of which she did sup.
Word went east, and word went west,
And word is gone over the sea, 50
That a laidley worm in Spindleston-Heughs
Would ruin the North Country.
Word went east, and word went west,
And over the sea did go;
The Child of Wynd got wit of it, 55
Which filled his heart with woe.
He called straight his merry men all,
They thirty were and three:
"I wish I were at Spindleston,
This desperate worm to see. 60
"We have no time now here to waste,
Hence quickly let us sail:
My only sister Margaret,
Something, I fear, doth ail."
They built a ship without delay, 65
With masts of the rown tree,
With flutring sails of silk so fine,
And set her on the sea.
They went on board; the wind with speed,
Blew them along the deep; 70
At length they spied an huge square tower
On a rock high and steep.
The sea was smooth, the weather clear;
When they approached nigher,
King Ida's castle they well knew, 75
And the banks of Bambroughshire.
The queen look'd out at her bower window,
To see what she could see;
There she espied a gallant ship
Sailing upon the sea. 80
When she beheld the silken sails,
Full glancing in the sun,
To sink the ship she sent[L83] away
Her witch wives every one.
The spells were vain; the hags returned 85
To the queen in sorrowful mood,
Crying that witches have no power
Where there is rown-tree wood.
Her last effort, she sent a boat,
Which in the haven lay, 90
With armed men to board the ship,
But they were driven away.
The worm lept out, the worm lept down,
She plaited round the stone;
And ay as the ship came to the land 95
She banged it off again.
The Child then ran out of her reach
The ship on Budley-sand,
And jumping into the shallow sea,
Securely got to land. 100
And now he drew his berry-brown[L101] sword,
And laid it on her head;
And swore, if she did harm to him,
That he would strike her dead.
"O quit thy sword, and bend thy bow, 105
And give me kisses three;
For though I am a poisonous worm,
No hurt I'll do to thee.
"O quit thy sword, and bend thy bow,
And give me kisses three; 110
If I'm not won e'er the sun go down,
Won I shall never be."
He quitted his sword, and bent his bow,
He gave her kisses three;
She crept into a hole a worm, 115
But out stept a lady.
No clothing had this lady fine,
To keep her from the cold;
He took his mantle from him about,
And round her did it fold. 120
He has taken his mantle from him about,
And in it he wrapt her in,
And they are up to Bambrough castle,
As fast as they can win.
His absence, and her serpent shape, 125
The king had long deplored;
He now rejoyced to see them both
Again to him restored.
The queen they wanted, whom they found
All pale, and sore afraid, 130
Because she knew her power must yield
To Childy Wynd's, who said,
"Woe be to thee, thou wicked witch;
An ill death mayest thou dee;
As thou my sister hast lik'ned, 135
So lik'ned shalt thou be.
"I will turn you into a toad,
That on the ground doth wend;
And won, won shalt thou never be,
Till this world hath an end." 140
Now on the sand near Ida's tower,
She crawls a loathsome toad,
And venom spits on every maid
She meets upon her road.
The virgins all of Bambrough town 145
Will swear that they have seen
This spiteful toad, of monstrous size,
Whilst walking they have been.
All folks believe within the shire
This story to be true, 150
And they all run to Spindleston,
The cave and trough to view.
This fact now Duncan Frasier,
Of Cheviot, sings in rhime,
Lest Bambroughshire men should forget 155
Some part of it in time.
v. 21-28. Compare _Young Waters_, (iii. 90,) v. 21-28, and _Young
Beichan and Susie Pye_, (iv. 7,) v. 118-124.
v. 31. Childy Wynd is obviously a corruption of Child Owain.
83, went.
101, berry-broad.
LORD DINGWALL. (See p. 152.)
From Buchan's _Ancient Ballads and Songs of the North of Scotland_.
(i. 204.)
We were sisters, sisters seven,
_Bowing down, bowing down_;
The fairest women under heaven.
_And aye the birks a-bowing._
They kiest kevels them amang,
Wha wou'd to the grenewood gang. 5
The kevels they gied thro' the ha',
And on the youngest it did fa'.
Now she must to the grenewood gang,
To pu' the nuts in grenewood hang.
She hadna tarried an hour but ane,
Till she met wi' a highlan' groom. 10
He keeped her sae late and lang,
Till the evening set, and birds they sang.
He ga'e to her at their parting,
A chain o' gold, and gay gold ring:
And three locks o' his yellow hair: 15
Bade her keep them for evermair.
When six lang months were come and gane,
A courtier to this lady came.
Lord Dingwall courted this lady gay,
And so he set their wedding-day. 20
A little boy to the ha' was sent,
To bring her horse was his intent.
As she was riding the way along,
She began to make a heavy moan.
"What ails you, lady," the boy said, 25
"That ye seem sae dissatisfied?
"Are the bridle reins for you too strong?
Or the stirrups for you too long?"
"But, little boy, will ye tell me,
The fashions that are in your countrie?" 30
"The fashions in our ha' I'll tell,
And o' them a' I'll warn you well.
"When ye come in upon the floor,
His mither will meet you wi' a golden chair.
"But be ye maid, or be ye nane, 35
Unto the high seat make ye boun.
"Lord Dingwall aft has been beguil'd,
By girls whom young men hae defiled.
"He's cutted the paps frae their breast bane,
And sent them back to their ain hame." 40
When she came in upon the floor,
His mother met her wi' a golden chair.
But to the high seat she made her boun':
She knew that maiden she was nane.
When night was come, they went to bed, 45
And ower her breast his arm he laid.
He quickly jumped upon the floor,
And said, "I've got a vile rank whore."
Unto his mother he made his moan,
Says, "Mother dear, I am undone. 50
"Ye've aft tald, when I brought them hame,
Whether they were maid or nane.
"I thought I'd gotten a maiden bright,
I've gotten but a waefu' wight.
"I thought I'd gotten a maiden clear, 55
But gotten but a vile rank whore."
"When she came in upon the floor,
I met her wi' a golden chair.
"But to the high seat she made her boun',
Because a maiden she was nane." 60
"I wonder wha's tauld that gay ladie,
The fashion into our countrie."
"It is your little boy I blame,
Whom ye did send to bring her hame."
Then to the lady she did go, 65
And said, "O Lady, let me know
"Who has defiled your fair bodie?
Ye're the first that has beguiled me."
"O we were sisters, sisters seven,
The fairest women under heaven; 70
"And we kiest kevels us amang,
Wha wou'd to the grenewood gang;
"For to pu' the finest flowers,
To put around our summer bowers.
"I was the youngest o' them a', 75
The hardest fortune did me befa'.
"Unto the grenewood I did gang,
And pu'd the nuts as they down hang.
"I hadna stay'd an hour but ane,
Till I met wi' a highlan' groom. 80
"He keeped me sae late and lang,
Till the evening set, and birds they sang.
"He gae to me at our parting,
A chain of gold, and gay gold ring:
"And three locks o' his yellow hair: 85
Bade me keep them for evermair.
"Then for to show I make nae lie,
Look ye my trunk, and ye will see."
Unto the trunk then she did go,
To see if that were true or no. 90
And aye she sought, and aye she flang,
Till these four things came to her hand.
Then she did to her ain son go,
And said, "My son, ye'll let me know.
"Ye will tell to me this thing:-- 95
What did yo wi' my wedding-ring?"
"Mother dear, I'll tell nae lie:
I gave it to a gay ladie.
"I would gie a' my ha's and towers,
I had this bird within my bowers." 100
"Keep well, keep well, your lands and strands,
Ye hae that bird within your hands.
"Now, my son, to your bower ye'll go:
Comfort your ladie, she's full o' woe."
Now when nine months were come and gane, 105
The lady she brought hame a son.
It was written on his breast-bane,
Lord Dingwall was his father's name.
He's ta'en his young son in his arms,
And aye he prais'd his lovely charms. 110
And he has gi'em him kisses three,
And doubled them ower to his ladie.
HYNDE ETIN. (See p. 179.)
From Kinloch's _Ancient Scottish Ballads_, p. 228.
May Marg'ret stood in her bouer door,
Kaiming doun her yellow hair;
She spied some nuts growin in the wud,
And wish'd that she was there.
She has plaited her yellow locks 5
A little abune her bree;
And she has kilted her petticoats
A little below her knee;
And she's aff to Mulberry wud,
As fast as she could gae. 10
She had na pu'd a nut, a nut,
A nut but barely ane,
Till up started the Hynde Etin,
Says, "Lady! let thae alane."
"Mulberry wuds are a' my ain; 15
My father gied them me,
To sport and play when I thought lang;
And they sall na be tane by thee."
And ae she pu'd the tither berrie,
Na thinking o' the skaith; 20
And said, "To wrang ye, Hynde Etin,
I wad be unco laith."
But he has tane her by the yellow locks,
And tied her till a tree,
And said, "For slichting my commands, 25
An ill death shall ye dree."
He pu'd a tree out o' the wud,
The biggest that was there;
And he howkit a cave monie fathoms deep,
And put May Marg'ret there. 30
"Now rest ye there, ye saucie may;
My wuds are free for thee;
And gif I tak ye to mysell,
The better ye'll like me."
Na rest, na rest May Marg'ret took, 35
Sleep she got never nane;
Her back lay on the cauld, cauld floor,
Her head upon a stane.
"O tak me out," May Marg'ret cried,
"O tak me hame to thee; 40
And I sall be your bounden page
Until the day I dee."
He took her out o' the dungeon deep,
And awa wi' him she's gane;
But sad was the day an earl's dochter 45
Gaed hame wi' Hynde Etin.
* * * * *
It fell out ance upon a day,
Hynde Etin's to the hunting gane;
And he has tane wi' him his eldest son,
For to carry his game. 50
"O I wad ask you something, father,
An ye wadna angry be;"--
"Ask on, ask on, my eldest son,
Ask onie thing at me."
"My mother's cheeks are aft times weet, 55
Alas! they are seldom dry;"--
"Na wonder, na wonder, my eldest son,
Tho' she should brast and die.
"For your mother was an earl's dochter,
Of noble birth and fame; 60
And now she's wife o' Hynde Etin,
Wha ne'er got christendame.
"But we'll shoot the laverock in the lift,
The buntlin on the tree;
And ye'll tak them hame to your mother, 65
And see if she'll comforted be."
* * * * *
"I wad ask ye something, mother,
An' ye wadna angry be;"--
"Ask on, ask on, my eldest son,
Ask onie thing at me." 70
"Your cheeks they are aft times weet,
Alas! they're seldom dry;"--
"Na wonder, na wonder, my eldest son,
Tho' I should brast and die.
"For I was ance an earl's dochter, 75
Of noble birth and fame;
And now I am the wife of Hynde Etin,
Wha ne'er got christendame."
SIR OLUF AND THE ELF-KING'S DAUGHTER. (See p. 192.)
This is a translation by Jamieson (_Popular Ballads and Songs_, i.
219), of the Danish _Elveskud_ (Abrahamson, i. 237). Lewis has given a
version of the same in the _Tales of Wonder_, (No. 10.) The
corresponding Swedish ballad, _The Elf-Woman and Sir Olof_ (Afzelius,
iii. 165) is translated by Keightley, _Fairy Mythology_, p. 84. This
ballad occurs also in Norse, Faroish, and Icelandic.
Of the same class are _Elfer Hill_, (from the Danish, Jamieson, i.
225; from the Swedish, Keightley, 86; through the German, _Tales of
Wonder_, No. 6:) _Sir Olof in the Elve-Dance_, (Keightley, 82;
_Literature and Romance of Northern Europe_, by William and Mary
Howitt, i. 269:) _The Merman and Marstig's Daughter_, (from the
Danish, Jamieson, i. 210; _Tales of Wonder_, No. 11:) the Breton tale
of _Lord Nann and the Korrigan_, (Keightley, 433:) three Slavic
ballads referred to by Grundtvig, (_Elveskud_, ii. 111:) _Sir Peter of
Stauffenbergh and the Mermaid_, (from the German, Jamieson,
_Illustrations of Northern Antiquities_, 257,) and the well-known
_Fischer_ of Goethe.
Sir Oluf the hend has ridden sae wide,
All unto his bridal feast to bid.
And lightly the elves, sae feat and free,
They dance all under the greenwood tree!
And there danced four, and there danced five; 5
The Elf-King's daughter she reekit bilive.
Her hand to Sir Oluf sae fair and free:
"O welcome, Sir Oluf, come dance wi' me!
"O welcome, Sir Oluf! now lat thy love gae,
And tread wi' me in the dance sae gay." 10
"To dance wi' thee ne dare I, ne may;
The morn it is my bridal day."
"O come, Sir Oluf, and dance wi' me;
Twa buckskin boots I'll give to thee;
"Twa buckskin boots, that sit sae fair, 15
Wi' gilded spurs sae rich and rare.
"And hear ye, Sir Oluf! come dance wi' me;
And a silken sark I'll give to thee;
"A silken sark sae white and fine,
That my mother bleached in the moonshine." 20
"I darena, I maunna come dance wi' thee;
For the morn my bridal day maun be."
"O hear ye, Sir Oluf! come dance wi' me,
And a helmet o' goud I'll give to thee."
"A helmet o' goud I well may ha'e; 25
But dance wi' thee ne dare I, ne may."
"And winna thou dance, Sir Oluf, wi' me?
Then sickness and pain shall follow thee!"
She's smitten Sir Oluf--it strak to his heart;
He never before had kent sic a smart; 30
Then lifted him up on his ambler red;
"And now, Sir Oluf, ride hame to thy bride."
And whan he came till the castell yett,
His mither she stood and leant thereat.
"O hear ye, Sir Oluf, my ain dear son, 35
Whareto is your lire sae blae and wan?"
"O well may my lire be wan and blae,
For I ha'e been in the elf-womens' play."
"O hear ye, Sir Oluf, my son, my pride,
And what shall I say to thy young bride?" 40
"Ye'll say, that I've ridden but into the wood,
To prieve gin my horse and hounds are good."
Ear on the morn, whan night was gane,
The bride she cam wi' the bridal train.
They skinked the mead, and they skinked the wine: 45
"O whare is Sir Oluf, bridegroom mine?"
"Sir Oluf has ridden but into the wood,
To prieve gin his horse and hounds are good."
And she took up the scarlet red,
And there lay Sir Oluf, and he was dead! 50
Ear on the morn, whan it was day,
Three likes were ta'en frae the castle away;
Sir Oluf the leal, and his bride sae fair,
And his mither, that died wi' sorrow and care.
And lightly the elves sae feat and free, 55
They dance all under the greenwood tree!
FRAGMENT OF THE DAEMON LOVER. (See p. 201.)
(Motherwell's _Minstrelsy_, p. 92.)
"I have seven ships upon the sea,
Laden with the finest gold,
And mariners to wait us upon;--
All these you may behold.
"And I have shoes for my love's feet, 5
Beaten of the purest gold,
And lined wi' the velvet soft,
To keep my love's feet from the cold.
"O how do you love the ship," he said,
"Or how do you love the sea? 10
And how do you love the bold mariners
That wait upon thee and me?"
"O I do love the ship," she said,
"And I do love the sea;
But woe be to the dim mariners, 15
That nowhere I can see."
They had not sailed a mile awa',
Never a mile but one,
When she began to weep and mourn,
And to think on her little wee son. 20
"O hold your tongue, my dear," he said,
"And let all your weeping abee,
For I'll soon show to you how the lilies grow
On the banks of Italy."
They had not sailed a mile awa', 25
Never a mile but two,
Until she espied his cloven foot,
From his gay robes sticking thro'.
They had not sailed a mile awa',
Never a mile but three, 30
When dark, dark, grew his eerie looks,
And raging grew the sea.
They had not sailed a mile awa',
Never a mile but four,
When the little wee ship ran round about, 35
And never was seen more!
CONSTANTINE AND ARETE. See p. 217.
We are indebted for the following recension of _Constantine and Arete_
to Mr. Sophocles of Harvard College. It is constructed from Fauriel's
text, combined with a copy in Zambelios's [Grk: Aismata Demotika], and
with a version taken down from the recitation of a Cretan woman. The
translation is by the skilful hand of Professor Felton.
We may notice by the way that several versions of this piece are given
by Tommaseo, in his _Canti Popolari Toscani_, etc. iii. 341.
[Grk:
Manna me tous ennia sou huious kai me te mia sou kore,
Ten kore te monakribe ten polyagapemene,
Ten eiches dodeka chronon k' helios den sou ten eide,
'S ta skoteina ten elouges, 's t' aphenga ten eplekes,
'S t' astre kai 's ton augerino to' ephkeianes ta sgoura tes. 5
He geitonia den exere pos eiches thygatera,
Kai proxenia sou pherane apo te Babylone.
Hoi okto aderphoi den theloune, kai ho Kostantinos thelei;
"Dos tene, manna, dos tene ten 'Arete 's ta xena,
Na 'cho k' ego paregoria 's te strata pou diabaino." 10
"Phrenimos eisai, Kostante, m' aschem' apilogethes;
An tyche pikra ge chara, poios tha mou tene phere?"
To theo tes banei engyte kai tous hagious martyrous,
An tyche pikra ge chara na pae na tes ten phere;
Kai san ten epantrepsane ten Arete 's ta xena, 15
Erchetai chronos disephtos kai hoi ennia pethanan.
Emeine he manna monache san kalamia 's ton kampo.
'S ta ochto mnemata dernetai, 's ta ochto myrologaei,
'S tou Kostantinou to thaphtio anespa ta mallia tes;
"Sekou, Kostantinake mou, ten Arete mou thelo; 20
To theo mou 'bales engyte kai tous hagious martyrous,
An tyche pikra ge chara na pas na mou ten pheres."
Kai mesa 's ta mesanychta ap' to kibouri bgainei.
Kanei to sygnepho alogo, kai t' astro salibari,
Kai to phengari syntrophia kai paei na tene phere. 25
Briskei ten kai chtenizountai oxou 's to phengaraki.
Apomakria ten chairetaei kai apomakria tes legei.
"Gia ela, Aretoula mou, kyrana mas se thelei."
"Alimono, aderphaki mou, kai ti 'ne tout' he hora!
An en' chara 's to spiti mas, na balo ta chrysa mou, 30
Kai an pikra, aderphaki mou, na 'rtho hos kathos eimai."
"Mede pikra mede chara; ela hos kathos eisai."
'S te strata pou diabainane, 's te strata pou pagainan,
Akoun poulia kai kiladoun, akoun poulia kai lene;
"Gia des kopela omorphe na serne apethamenos!" 35
"Akouses, Kostantake mou, ti lene ta poulakia?"
"Poulakia 'ne kai as kiladoun, poulakia 'ne kai as lene."
Kai parakei pou pagainan kai alla poulia tous legan;
"Ti blepoume ta thlibera ta paraponemena?
Na perpatoun hoi zontanoi me tous apethamenous?" 40
"Akouses, Kostantake mou, ti lene ta poulakia?"
"Poulakia 'ne kai as kiladoun, poulakia 'ne kai as lene."
"Phoboumai s' aderphaki mou, kai libanies myrizeis."
"Echtes bradys epegame kato 's ton Haigianne,
K' ethymiase mas ho papas me to poly libani." 45
Kai parempros pou pegane, kai alla poulia tous lene;
"O the megalodyname, megalo thama kaneis!
Tetoia panorea lygere na serne apethamenos!"
T' akouse pale he Arete k' erragis' he kardia tes;
"Akouses, Kostantake mou, ti lene ta poulakia? 50
Pes mou pou 'n' ta mallakia sou, to pegouro moustaki?"
"Megale arrostia m' heureke, m' errexe tou thanatou."
Briskoun to spiti kleidoto kleidomantalomeno,
Kai ta spitoparathyra pou 'tan arachniasmena;
"Anoixe, manna m', anoixe, kai na ten Arete sou." 55
"An esai Charos, diabaine, kai alla paidia den echo;
He dolea Aretoula mou leipei makria 's ta xena."
"Anoixe, manna m', anoixe, k' ego' mai ho Kostantes sou.
To thio sou 'bala engyte kai tous agious martyrous,
An tyche pikra ge chara na pao na sou ten phero." 60
Kai hoste na 'bge 's ten porta tes, ebgeke he psyche tes.]
CONSTANTINE AND ARETE.
O mother, thou with thy nine sons, and with one only daughter,
Thine only daughter, well beloved, the dearest of thy children,
For twelve years thou didst keep the maid, the sun did not behold her,
Whom in the darkness thou didst bathe, in secret braid her tresses,
And by the starlight and the dawn, didst wind her curling ringlets,
Nor knew the neighborhood that thou didst have so fair a daughter,--
When came to thee from Babylon a woer's soft entreaty:
Eight of the brothers yielded not, but Constantine consented.
"O mother give thine Arete, bestow her on the stranger,
That I may have her solace dear when far away I wander."
"Though thou art wise, my Constantine, thou hast unwisely spoken:
Be woe my lot or be it joy, who will restore my daughter?"
He calls to witness God above, he calls the holy martyrs,
Be woe her lot, or be it joy, he would restore her daughter:
And when they wedded Arete, in that far distant country,
Then comes the year of sorrowing, and all the nine did perish.
All lonely was the mother left, like a reed alone in the meadow;
O'er the eight graves she beats her breast, o'er eight is heard her
wailing,
And at the tomb of Constantine, she rends her hair in anguish.
"Arise, my Constantine, arise, for Arete I languish:
On God to witness thou didst call, didst call the holy martyrs,
Be woe my lot or be it joy, thou wouldst restore my daughter."
And forth at midnight hour he fares, the silent tomb deserting,
He makes the cloud his flying steed, he makes the star his bridle,
And by the silver moon convoyed, to bring her home he journeys:
And finds her combing down her locks, abroad by silvery moonlight,
And greets the maiden from afar, and from afar bespeaks her.
"Arise, my Aretula dear, for thee our mother longeth."
"Alas! my brother, what is this? what wouldst at such an hour?
If joy betide our distant home, I wear my golden raiment,
If woe betide, dear brother mine, I go as now I'm standing."
"Think not of joy, think not of woe--return as here thou standest."
And while they journey on the way, all on the way returning,
They hear the Birds, and what they sing, and what the Birds are
saying.
"Ho! see the maiden all so fair, a Ghost it is that bears her."
"Didst hear the Birds, my Constantine, didst list to what they're
saying?"
"Yes: they are Birds, and let them sing, they're Birds, and let
them chatter:"
And yonder, as they journey on, still other Birds salute them.
"What do we see, unhappy ones, ah! woe is fallen on us;--
Lo! there the living sweep along, and with the dead they travel."
"Didst hear, my brother Constantine, what yonder Birds are saying?"
"Yes! Birds are they, and let them sing, they're Birds, and let them
chatter."
"I fear for thee, my Brother dear, for thou dost breathe of
incense."
"Last evening late we visited the church of Saint Johannes,
And there the priest perfumed me o'er with clouds of fragrant
incense."
And onward as they hold their way, still other Birds bespeak them:
"O God, how wondrous is thy power, what miracles thou workest!
A maid so gracious and so fair, a Ghost it is that bears her:"
'Twas heard again by Arete, and now her heart was breaking;
"Didst hearken, brother Constantine, to what the Birds are saying?
Say where are now thy waving locks, thy strong thick beard,
where is it?"
"A sickness sore has me befallen, and brought me near to dying."
They find the house all locked and barred, they find it barred and
bolted,
And all the windows of the house with cobwebs covered over.
"Unlock, O mother mine, unlock, thine Arete thou seest."
"If thou art Charon, get thee gone--I have no other children:
My hapless Arete afar, in stranger lands is dwelling."
"Unlock, O mother mine, unlock, thy Constantine entreats thee.
I called to witness God above, I called the holy martyrs,
Were woe thy lot, or were it joy, I would restore thy daughter."
And when unto the door she came, her soul from her departed.
THE HAWTHORN TREE.
Ritson's _Ancient Songs_, ii. 44.
_A Mery Ballet of the Hathorne Tre_, from a MS. in the Cotton Library,
Vespasian, A. xxv. The MS. has "G. Peele" appended to it, but in a
hand more modern than the ballad. Mr. Dyce, with very good reason,
"doubts" whether Peele is the author of the ballad, but has printed
it, Peele's _Works_, ii. 256. It is given also by Evans, i. 342, and
partly in Chappell's _Popular Music_, i. 64.
The true character of this piece would never be suspected by one
reading it in English. The same is true of the German, where the
ballad is very common, and much prettier than in English, e.g. _Das
Maedchen und die Hasel_, _Das Maedchen und der Sagebaum_, Erk's
_Liederhort_, No. 33, five copies; Hoffmann, _Schlesische
Volkslieder_, No. 100, three copies, etc. In Danish and Swedish we
find a circumstantial story: _Jomfruen i Linden_, Grundtvig, No. 66;
_Linden, Svenska Folkvisor_, No. 87. The tree is an enchanted damsel,
one of eleven children transformed by a step-mother into various less
troublesome things, and the spell can be removed only by a kiss from
the king's son. By the intervention of the maiden, this rite is
performed, and the beautiful linden is changed to as beautiful a young
woman, who of course becomes the prince's bride. A Wendish ballad
resembling the German is given by Haupt and Schmaler, and ballads akin
to the Danish, are found in Slovensk and Lithuanian (see Grundtvig).
It was a maide of my countre,
As she came by a hathorne-tre,
As full of flowers as might be seen,
'She' merveld to se the tree so grene.
At last she asked of this tre, 5
"Howe came this freshness unto the,
And every branche so faire and cleane?
I mervaile that you growe so grene."
The tre 'made' answere by and by:
"I have good causse to growe triumphantly; 10
The swetest dewe that ever be sene
Doth fall on me to kepe me grene."
"Yea," quoth the maid, "but where you growe,
You stande at hande for every blowe;
Of every man for to be seen; 15
I mervaile that you growe so grene."
"Though many one take flowers from me,
And manye a branche out of my tre,
I have suche store they wyll not be sene,
For more and more my 'twegges'[L20] growe grene." 20
"But howe and they chaunce to cut the downe,
And carry thie braunches into the towne?
Then will they never no more be sene
To growe againe so freshe and grene."
"Though that you do, yt ys no boote; 25
Althoughe they cut me to the roote,
Next yere againe I will be sene
To bude my branches freshe and grene.
"And you, faire maide, canne not do so;
For yf you let youre maid-hode goe, 30
Then will yt never no more be sene,
As I with my braunches can growe grene."
The maide wyth that beganne to blushe,
And turned her from the hathorne-bushe;
She though[t]e herselffe so faire and clene, 35
Her bewtie styll would ever growe grene.
Whan that she harde this marvelous dowbte,
She wandered styll then all aboute,
Suspecting still what she would wene,
Her maid-heade lost would never be seen. 40
Wyth many a sighe, she went her waye,
To se howe she made herselff so gay,
To walke, to se, and to be sene,
And so out-faced the hathorne grene.
Besides all that, yt put her in feare 45
To talke with companye anye where,
For feare to losse the thinge that shuld be sene
To growe as were the hathorne grene.
But after this never could I here
Of this faire mayden any where, 50
That ever she was in forest sene
To talke againe of the hathorne grene.
20. twedges.
ST. STEPHEN AND HEROD.
Ritson's _Ancient Songs_, i. 141, Sandys's _Christmas Carols_, p. 4:
from the Sloane MS., No. 2593 (temp. Hen. VI.)
This curious little ballad was sung as a carol for St. Stephen's Day.
Its counterpart is found in Danish (though not in an ancient form),
printed in Erik Pontoppidan's book on the relics of Heathenism and
Papistry in Denmark, 1736 (_Jesusbarnet, Stefan, og Herodes_
Grundtvig, No. 96). There is also a similar ballad in Faroish. Only a
slight trace of the story is now left in the Swedish _Staffans Visa_
(_Svenska F.V._, No. 99), which is sung as a carol on St. Stephen's
Day, as may very well have been the case with the Danish and Faroish
ballads too.
The miracle of the roasted cock occurs in many other legends. The
earliest mention of it is in Vincent of Beauvais's _Speculum
Historiale_, L. xxv. c. 64. It is commonly ascribed to St. James,
sometimes to the Virgin. (See the preface to the ballad in Grundtvig,
and to Southey's _Pilgrim to Compostella_.) We meet with it in another
English carol called _The Carnal[E] and the Crane_, printed in
Sandys's collection, p. 152, from a broadside copy, corrupt and almost
unintelligible in places. The stanzas which contain the miracle are
the following:
There was a star in the West land,
So bright it did appear
Into King Herod's chamber,
And where King Herod were.
The Wise Men soon espied it,
And told the king on high,
A princely babe was born that night
No king could e'er destroy.
"If this be true," King Herod said,
"As thou tellest unto me,
This roasted cock that lies in the dish
Shall crow full fences[F] three."
The cock soon freshly feather'd was,
By the work of God's own hand,
And then three fences crowed he,
In the dish where he did stand.
"Rise up, rise up, you merry men all,
See that you ready be;
All children under two years old
Now slain they all shall be."
[E] crow?
[F] rounds?
* * * * *
Seynt Stevene was a clerk in kyng Herowdes halle,
And servyd him of bred and cloth, as ever kyng befalle.[L2]
Stevyn out of kechon cam, wyth boris hed on honde;
He saw a sterr was fayr and bryght over Bedlem stonde.
He kyst[L5] adoun the bores hed, and went into the halle: 5
"I forsake the, kyng Herowdes, and thi werkes alle.
"I forsak the, kyng Herowdes, and thi werkes alle:
Ther is a chyld in Bedlem born is beter than we alle."
"Quhat eylyt[L9] the, Stevene? quhat is the befalle?
Lakkyt the eyther mete or drynk in kyng Herowdes halle?" 10
"Lakit me neyther mete ne drynk in kyng Herowdes halle:
Ther is a chyld in Bedlem born is beter than we alle."
"Quhat eylyt the, Stevyn? art thu wod, or thu gynnyst to brede?[L13]
Lakkyt the eythar gold or fe, or ony ryche wede?"[L14]
"Lakyt 'me' neyther gold ne fe, ne non ryche wede;[L15] 15
Ther is a chyld in Bedlem born xal[L16] helpen us at our nede."
"That is al so soth, Stevyn, al so soth, i-wys,[L17]
As this capon crowe xal that lyth her in myn dysh."
That word was not so sone seyd, that word in that halle,
The capon crew, CHRISTUS NATUS EST! among the lordes alle. 20
"Rysyt up, myn turmentowres, be to[L21] and al be on,
And ledyt Stevyn out of this town, and stonyt hym wyth ston."
Tokyn he[L23] Stevene, and stonyd hym in the way;
And therefor is his evyn on Crystes owyn day.
2. befalle, _befell_.
5. kyst, _cast_.
9. eylyt, _aileth_.
13. wod, _mad_: gynnyst to brede, _beginnest to entertain capricious
fancies_, like a woman, &c.
14. fe, _wages_: wede, _clothes_.
15. ne, _nor_.
16. xall, _shall_.
17. soth, _true_: i-wys, _for a certainty_.
21. be to, _by two_.
23. he, _they_.
GLOSSARY.
N.B. Figures placed after words denote the pages in which they occur.
a, _one_.
a', _all_.
abee, abene, _be_.
aboon, abune, _above_.
aby, _pay for_.
ae, _only, sole_.
ae, _aye, still_,
ahin, _behind_.
airn, _iron_.
ald, _old_.
all and some, _each and all_.
als, _as_.
als, _also_.
ance, anes, _once_.
appone, _upon_.
araye, _order_.
arblast-bow, _cross-bow_.
are, _before_.
arena, _are not_.
arighte, _laid hold of_.
armorie, 237, _band of armed men_.
asey, _assay_.
ask, _newt, a kind of lizard_.
askryede, _described_.
asurd, _azured, blue_.
at, 296, _of_.
atteynt, _seize_.
aught, _owed_.
avanse, _gain, succeed_.
avow, _vow_.
awa, _away_.
awenn, _own_.
ay, _a_.
ayont, _beyond_.
ba', _ball_.
backefysyke, 22.
bade, _prayed for_.
bade, _abode, staid_.
bairnly, _childlike_.
bald, _bold_.
bale, _blaze, fire_.
bale, _harme, ruin, sorrow_.
ban', _bound_.
bane, _bone_.
bankers, 276, _coverings for benches_.
bann, _curse_.
barn, _child, wight_.
beck, _stream_.
bedone, 8, _bedecked_.
begane, _bedecked_.
begynne the bord, _sit at the head of the table_.
ben, _in_.
ben, _prompt, ready_.
bent, _plain, field_, (from the coarse grass growing on open lands);
bentis, bents, _coarse grass_.
beryde, 98, _cried, made a noise_.
bese, _will_ or _shall be_.
best man, bride's, 85, _bridesman_, (corresponding to the best maid,
or bridesmaid).
bestedde, _circumstanced_.
bi, _be_.
bierly, 148, _proper, becoming, comfortable_.
bigg, _build_.
bilive, _quickly_.
Billy Blind, or Billy Blin, _a Brownie, or domestic fairy_.
binkes, _benches_.
bird, _lady_.
birk, _birch_.
birled, 211, _poured out drink_, or _drunk_.
blae, _livid_.
blee, _color, complexion_.
blewe, 99, _sounded a horn_.
blin, blyn, _stop, cease_.
bogle, _spectre, goblin_.
bone, _boon_.
boome, 287. Qy. goome, _man_?
bord, _table_.
borrow, _stand surety for, ransom, rescue_.
bouir, _chamber, dwelling_.
boun, _boon_.
boun, _ready_;
make ye boun, 289, boun, 187, _go straightway_.
bourdes, _jests_.
boure, bower, _chamber_.
bouted, _bolted_.
bown, _ready, ready to go_.
bowrd, _jest_.
brade, _broad_.
brae, _hill-side_.
brast, _burst_.
brayd, _started, turned_.
braw, _brave, fine_.
bree, _brow_.
brening, _burning_.
brent, _burnt_.
brether, 26, _brethren_.
bricht, _bright_.
brimes, _water_.
britled, 15, brittened, 106, _cut up, carved_.
brok, _brook_.
broom-cow, _bush of broom_.
brook, _enjoy, preserve_.
brues, _brows_.
brunt, _burnt_.
bryste, _burst_.
bue, 234, 235, _fair_?
bugyle, _horn_.
bunge, 239?
buntin, buntlin, _blackbird_; al. _wood-lark_.
burd, _maid, lady_.
burd-alane, _alone_.
Burlow-beanie, 241, _name of a fiend or spirit_.
burn, _brook_.
busk, _dress, make ready_.
but, 208, _and_;
but and, _and also_.
by and by, _straightway_.
bydeene, 13, _continuously, in numbers_.
byggis, _builds_.
bygone, _bedecked_.
byhouys, _behoves_.
byleve, 98, _remain_.
byrde, _lady_.
byre, _cow-house_.
byrnande, _burning_.
byteche, _commit_.
ca', _call_.
can, (sometimes gan,) _used as an auxiliary with an infinitive
mood, to express the past tense of a verb_.
carknet, _necklace_.
carline, _female of churl_, _old woman_.
carlist, 37, _churlish_.
carp, _talk_, _tell stories_.
cast, _planned_.
chalmer, _chamber_.
channerin', _fretting_.
chere, _countenance_.
chese, _choose_.
chess, _jess_, _strap_.
chewys, _choosest_.
chiel, _child_, _young man_.
christendame, christendoun, _christening_.
christentye, _christendom_.
claes, _clothes_.
clapping, _fondling_.
clear, clere, _fair_, _morally pure_.
cockward, _cuckold_.
coft, _bought_.
coiffer, 260, _coif_, _head-dress_, _cap?_
cold, _could, knew_; _used as an auxiliary with the infinitive
to express a past tense_; e.g. he cold fling, _he flung_.
coleyne, Collen, _Cologne steel_.
com'nye, 237, _communing_, _discourse_.
compass, _circle_,
compenabull, 21, _sociable_, _admitting to participation_.
coost, coosten, _cast_.
couth, _could_, _knew_, _understood_.
covent, _convent_.
cow-me-doo, 171, like curdoo, _name for a dove_, from its cooing.
craftelike, _craftily_.
crapote, 99. Qy. cramasee, _crimson?_
cropoure, _crupper_.
crowt, 12, _curl up_.
crystiante, _christendom_.
cure, 279, _till_.
dag-durk, _dagger_, _dirk_.
damasee, _damson_.
dang, _beat_, _struck_.
dasse, _dais_, _raised platform_.
daunton, _daunt_.
decay, _destruction_.
dee, _die_.
dee, _do_.
deid, _death_.
dele, dell, _part_.
delle, 101, _dally_.
dere, _harm_.
derne, _secret_.
des, dese, _dais_, _elevated platform_.
devyse, _direction_.
deynteous, _dainty_.
dight, 225, _placed_, _involved_.
dight (corn), _winnow_.
dinne, 12, _trouble_, _circumstance_.
distans, 23, _dissension_, _strife_.
done, _do_.
doo, _dove_.
doubt, dout, _fear_.
dought, _could_, _might_; 112, _may_, _am able_.
dow, _could_.
dowie, _mournful_, _doleful_.
dree, _suffer_.
drest, _arranged_.
drumlie, _troubled_, _gloomy_.
dryssynge, _dressing_.
dule, _sorrow_, _trouble_.
dullfull, _doleful_.
dyght, dygzht, _adorned_, _arrayed_, _dressed_.
ear, _soon_, _early_.
eerie, eiry, _fearful_, _producing superstitious dread_.
eghne, _eyes_.
eglis, _eagle's_.
elde, eldren, _old_.
Elfin, 262, _Elf-land_.
elritch, _elvish_.
endres-daye, 98, _past day_? _other day_? See Halliwell's _Dictionary_.
"Of my fortune, how it ferde,
This _endir_ day, as y forth ferde."
erdelik, 275, _earthly_. (Finlay, "clidelik.")
erlish, _elvish_.
esk, _newt_.
etin (Danish jette), _giant_.
even cloth, 113, _fine cloth_?
everlk, _every_.
everychon, _every one_.
faem, _foam_.
faine, _desire_.
faine, _glad_.
fairest, _forest_.
fand, _found_.
fare, _go_.
farer, _further_.
fawte, _want_.
fayrse, _fierce_.
feat, _neat_, _dexterous_, _nimble_.
fee, 100, _animals_, _deer_; 107, _rent_, _tribute_.
feed, _same as_ food, fud, _creature_, _man_, _woman_, or _child_.
feires, _companions_, _mates_.
fele, _many_.
fell, _hill_, _moor_.
ferli, 275, _fairly?_
ferlie, ferly, _wonder_.
ferlich, _wondrous_.
fernie, _covered with fern_.
fet, fette, _fetched_.
fethill, _fiddle_.
fforthi, _therefore_.
fifthen, _fifth_.
fil, _fell_.
first ane, _first_.
firth, (frith,) _wood_.
fize, 274, _five_.
flang, _flung_.
flaugh, _flew_.
flaw, 175, _lie_.
fleer, _floor_.
fley'd, _frightened_.
flone, _arrow_.
fode, _creature_, _child_.
fond, _try_, _make trial_.
fonde, _found_.
forbye, _aside_.
fordoo, _destroy_.
foremost man, 158, (like best man), _bridesman_.
forowttyn, _without_.
forteynd, _happened_.
forther, _further_.
forthi, _therefore_.
fowles, _birds_.
fraine, _question_.
free, 275, _lord_, 253, _lady_.
free, freely, _noble_, _lovely_.
frem, _strange_.
freyry, _fraternity_.
frowte, _fruit_.
fu', _full_.
fundyd, 275, _went_.
fytt, _canto_, _division of a song_.
gad, _bar_.
gae, _gave_.
gae, _go_, _going_.
gait, nae, _no way_, _no where_.
galid, 276, _sang?_
gangande, _going_.
gar, _make_, _cause_.
gare, 193, _strip_.
garthes, _girths_.
gate, 225, _way_.
gesing, 276, _guessing_; or, _desire_, A. Sax. gitsung?
getterne, _giitern_, _kind of harp_.
ghesting, _lodging_, _hospitable reception_.
gied, _went_.
gien, _given_.
gin, giue, _if_.
gleed, _a burning coal_.
glided, 274. Qy. _gilded?_
glint, _gleam_.
gon, _begun_, _performed_.
gon, _went_.
goud, _gold_.
goupen, _the hollow of the hand contracted to receive anything_.
gowan, _flower_.
gowd, _gold_.
gowden, _golden_.
gown of green, got on the, 259, _was with child_.
gravil, 260?
gree, _favor_, _prize_.
green'd, _longed_.
greet, _weep_.
grew, _gray_.
groom, _man_, _young man_.
gule, _red_.
gurlie, _stormy_, _surly_.
gyne, _device_.
ha', _hall_.
had, _hold_, _keep_.
hailsed, _saluted_.
halch, _salute_, _embrace_.
hallow, _hollow_.
Hallowe'en, 120, _the eve of All-Saints' day_, supposed to be
peculiarly favorable for intercourse with the invisible world, all
fairies, witches, and ghosts being then abroad.
hals, halse, _neck_;
halsed, _greeted_.
haly, _holy_.
hame, _home_.
hap, _cover_.
harde, _heard_.
harns, _brains_;
harn-pan, _skull_.
hate, _hat_.
hat, _hit_.
hand, _hold_.
haved, _had_.
heal, _conceal_.
heathennest, heathynesse, 234, _heathendom_.
hegehen, _eyes_.
hegh, _high_;
heghere, _higher_.
hem, _them_.
hende, _handsome_, _gentle_.
hent, _took_.
herbere, _arbor_, _orchard_.
herme, _harm_.
hethyn, 107, _hence_.
hett, _bid_.
heved, _head_.
hi, 275, _I_.
high-coll'd, _high-cut_.
hind, _gentle_.
hind, 180, _stripling_.
him lane, _alone_.
hingers, _hangings_.
hirn, _corner_.
hith, _hight, is called_.
hollen, _holly_.
hore, _hoar_, _hoary_.
hose, 238, _clasp_.
howkit, _dug_.
howm, _holm_; _level, low ground on the bank of a stream_.
hunt's-ha', _hunting-lodge_.
hye, in, _in haste_; 23, perhaps _aloud_.
hyghte, _bid_; _was called_.
hynde, _youth_, _stripling_, _swain_.
hy[z]e, in, 20, _in haste_, _of a sudden_.
ic, _I_.
iknow, _known_.
ilka, _each_.
ilke, _same_.
inow[z]e, _enough_.
intill, _into_, _upon_.
iralle, 99. Qu. rialle, _royal?_
jawes, 227, _dashes_;
jawp'd, 257, _dashed_, _spattered_.
jelly, _jolly_, _pleasant_.
jimp, _slender_, _neat_.
jolly, _pretty_, _gay_.
kaim, _comb_.
kane, _rent_.
karp, _talk_, _relate stories_.
kemb, _comb_.
ken, _know_.
keppit, _caught_, _kept_.
kevels, _lots_.
kiest, _cast_.
kilted, _tucked_.
kin', _kind of_.
kindly, 236, "_good old_"?
kirk, _church_.
kist, _chest_.
knave-bairn, _male child_.
knicht, _knight_.
laidley, _loathly_, _loathsome_.
laigh-coll'd, _low-cut_.
laith, _loath_.
lane, _alone_; joined with pronouns, as, my lane, his lane, her lane,
their lane, _myself alone_, &c.
lang, _to think_, originally, _to seem long_, then _to be weary_,
_feel ennui_.
lapande, _lapping_.
lappered, _coagulated_, _clotted_.
lat, latten, _let_.
lauchters, _locks_.
laverock, _lark_.
leal, _loyal_, _chaste_.
leccam, _body_.
lede, _lead_.
lee, _lie_.
leesome, _pleasant_, _sweet_.
lelfe, 22, _leave?_
lere, _lore_, _doctrine_; _learn_.
les, lesyng, _lying_, _lie_.
lesse and more, _smaller and greater_.
lett, lette, _hinder_, _hinderance_; _delay_;
withouten lette, _for a certainty_.
leuedys, _ladies_.
leuer, _liefer_, _rather_.
leu[z]e, _laughed_.
leven, 111, _lawn_.
levin, _lightning_.
ley-land, _lea-land_, _not ploughed_.
licht, _light_.
lichted, _lighted_.
lift, _air_.
likes, _dead bodies_.
lingcam, 148, _body_, =leccam?
linger, _longer_.
link, _walk briskly_; _arm in arm_.
lire, _face_, _countenance_.
lith, 275, _supple_, _limber_.
lithe, _listen_.
lodlye, _loathly_.
loffe, _love_.
loof, _hollow of the hand_.
loot, _bow_.
loot, _let_.
loun, _loon_.
louted, _bowed_.
lown, _lone_.
low[z]he, _laughed_, _smiled_.
luifsomely, _lovingly_.
luppen, _leapt_.
lygge, _lay_
lyggande, _lying_.
lyle, _little_.
lystnys, _listen_.
lyth, _member_, _limb_.
mae, _more_.
maen, _moan_.
maik, _mate_.
makane, _making_.
mane, _moan_.
mansworn, _perjured_.
marrow, _mate_.
maste, _most_, _greatest_.
maun, _must_.
maunna, _may not_.
mawys, mavis, _singing thrush_.
may, _maid_.
medill-erthe, _earth_, _the upper-world_.
mekill, _great_, _large_.
mell, _mallet_.
meloude, _melody_.
mensked, 276, _honored_.
menyde, _moaned_.
merks, _marks_.
merk-soot, 274, _mark-shot_, _distance between bow-marks_.--Finlay.
merrys, _marrest_.
mese, _mess_, _meal_.
micht, _might_.
middle-eard, the _upper world_, placed between the nether regions and
the sky.
minded, _remembered_.
minion, _fine_, _elegant_.
mirk, _dark_.
mith, _might_.
mode, _passion_, _energy_.
mody, _courageous_.
mold, mould, _earth_, _ground_.
montenans, _amount_.
more, _greater_.
most, _greatest_.
moth, _might_.
mother-naked, _naked as at one's birth_.
mouthe, _might_.
Mungo, St., _St. Kentigern_.
my lane, _alone_.
mykel, _much_.
na, _not_;
namena, _name not_, _&c._
nay, _denial_.
neist, _next_.
newfangle, 9, (_trifling_, _inconstant_), _light_, _loose_.
niest, _next_, _nearest_, _close_.
noth, nouth, _not_.
nouther, noyther, _neither_.
on, _in_.
on ane, _anon_.
one, _on_, _in_.
onie, _any_.
or, _ere_, _before_.
orfare, 99, _embroidery_.
Oryence, _Orient_.
oure, _over_.
over one, 23, _in a company_, _together?_ See Jamieson's _Scottish
Dictionary_, in v. ouer ane.
owre, _over_, _too_.
owreturn, _refrain_.
pae, _peacock_.
paines, _penance_.
pall, _rich cloth_.
palmer, _pilgrim_.
papeioyes, _popinjays_.
parde, _par dieu_.
pautit, _paw_, _beat with the foot_.
pay, 237, _pleasure_, _satisfaction_.
paye, 104, _content_.
payetrelle, 99, (otherwise, patrel, poitrail, pectorale, &c.)
_a steel plate for the protection of a horse's chest_.
payrelde, _apparelled_.
perde, _par dieu_.
perelle, _pearl_.
pile, 260, _down_, sometimes _tender leaves_.
plas, 19, _place_, _palace_.
ply[z]t, _plight_, _promise_.
poterner, 8, _pouch_, _purse_. _Rightly corrected by Percy from_
poterver. _See_ pautonniere, pontonaria, _and_ pantonarius, _in
Henschel's ed. of Ducange_.
pou, _pull_.
prest, _priest_.
prieve, _prove_.
prink'd, prinn'd, _adorned_, _drest up_, _made neat_.
pristly, _earnestly_.
propine, _gift_.
raches, _scenting hounds_.
radde, _quick_, _quickly_.
rair, _roar_.
rashing, _striking like a boar_.
rathely, _quickly_.
raught, _reached_.
rauine, _beasts of chase_, _prey_.
redd, 22, _explained_.
rede, _counsel_.
reekit, 299, _steamed_.
reele bone, 99, _an unknown material, of which saddles, especially, are
in the romances said to be made_; _called variously_, rewel-bone,
(_Cant. Tales_, 13, 807,) rowel-bone, reuylle-bone, _and_
(_Young Bekie_, vol. iv. 12) royal-bone.
reet, _root_.
reme, _kingdom_.
renninge, _running_.
repreve, _reprove_, _deride_.
rewe, _take pity_.
ridand, _riding_.
rived, 233, (_arrived_,) _travelled_.
rought, route, rowte, _rout_, _band_, _company_.
routh, _plenty_.
row, _roll_, _wrap_.
rown-tree, _mountain-ash_.
rudd, _complexion_.
rybybe, _kind of fiddle_.
ryn, _run_.
rysse, _rise_.
safe-guard, _a riding-skirt_.
saghe, _saw_.
saikless, _guiltless_.
sained, _crossed_, _consecrated_.
sall, _shall_.
same, 25, _some_, _each_.
sark, _shirt_.
sathe, _sooth_, _truth_.
saw, _saying_, _tale_.
sawtrye, _psaltery_.
scathe, _damage_.
schane, _shone_.
scho, _she_.
schone, _shoes_.
scort, _short_.
sculd, _should_.
seannachy, _genealogist, bard, or story-teller_.
seck, _sack_.
sekirlye, _truly_.
selle, _saddle_.
senne, _since_.
sere, _sore_.
seres, _sires_, _sirs_.
sey, 18, v. 29, _saw_.
share, 193, _slip_, _strip_.
shathmont, 126, [A. Sax. scaeftmund,] _a measure from the top of the
extended thumb to the utmost part of the palm, six inches_.
shee, 166, _shoe_.
sheede, _spill_.
sheeld-bones, _blade-bones_, _shoulder-blades_.
sheen, _bright_.
sheen, _shoes_.
sheep's-silver, _mica_.
shent, _injured_, _abused_; 48, _shamed_.
sheugh, _furrow_, _ditch_.
sic, _such_.
sichin', _sighing_.
sicken, _such_.
skaith, _harm_.
skaith, [qy. skail?] 136, _save_, _keep innocent of_.
skill, but a, 371, _only reasonable?_
skinked, _poured out_.
sky sett in, 262, for _sunset_ or _evening_.
skyll, _reason_, _manner_, _matter_.
slae, _sloe_.
slawe, _slain_.
slichting, _slighting_.
smert, _quickly_.
snell, _quick_, _keen_.
solace, solas, _recreation_, _sport_.
sooth, soth, _truth_;
sothely, _truly_.
soth, 276, _sweet_.
soun, _sound_.
speed, 11, _fare_.
spier, _ask_.
spylle, _destroy_.
stappin', 148, _stopping_.
stark, _strong_.
start, _started_.
stefly, _thickly_.
stered, _guided_.
stern light, 112, _light of stars_.
stiffe, 29, _strong_, _stout_.
stinted, _stopped_.
store, _big_, _strong_.
stown, _stolen_.
stowre, _strong_, _brave_.
straiked, _stroaked_.
strak, _struck_.
stratlins, 183, _straddlings?_
streek, _stretch_.
sture, 155, _big_, _strong_.
stythe, _stead_, _place_.
suire, _neck_.
suld, _should_.
swick, _blame_.
swilled, 242, _shook, as in rinsing_.
swoghyne, 103, _soughing_.
swylke, _such_.
syde, _long_.
syen, _since_.
syke, _rivulet_, _marshy bottom_.
sykerly, sykerlyke, _certainly_, _truly_.
syne, _then_.
syth, _times_.
sythen, _since_.
tabull dormounte, 19, _standing table_, _the fixed table at the end
of the hall_. (?)
tae, _toe_.
taiken, _token_.
tee, _to_.
teind, _tithe_.
tene, _grief_, _sorrow_, _loss_, _harm_.
tente, _attention_, _heed_;
takis gude tente, _give good attention to_.
tett, 109, _lock_ [_of hair._]
thae, _those_.
than, _then_
thar, _where_.
thar, 275, _it needs_.
then, _than_.
think lang, _to be weary_, _impatient_.
thir, _these_, _those_.
tho, _then_.
thoghte, _seemed_.
thoth, thouch, thouth, _though_.
thought lang, _seemed long_; _grew weary_, _felt ennui_.
thouth, 274, _seemed_.
throw, _short time_, _while_.
thrubchandler, 237?
tide, _time_.
till, _to_.
tirled at the pin, _trilled, or rattled, at the door-pin, or latch,
to obtain admission_.
tither, _the other_.
tod, _fox_.
toute, 22. See Chaucer.
touting, _tooting_.
travayle, _labor_.
traye, 104, _suffering_. [dree?]
tree, _wood_, _staff_.
trew, _trow_.
tryst, _appointment_, _assignation_.
twal, _twelve_.
twan, _twined_.
twine, _part_, _deprive of_.
tyde, _time_.
tyte, _promptly_, _quick_.
unco, _strangely_, _very_.
vanes, _flags_.
venerye, _hunting_.
vent, _went_.
verament, _truly_.
villanye, vilony, _disgrace_.
vntill, _unto_.
vones, (wones,) _dwellest_.
vytouten, _without_.
wa', _wall_.
wace, _wax_.
wad, _pledge_.
wad, 212, _waded_.
wadded, 9, _woad-colored_, _blue_.
wadna, _would not_.
wae, waefu', waesome, _sorrowful_, _sad_.
waif, _straying_.
wald, _would_.
walker, 10, _fuller_.
wall-wight men, 176, _picked_ (waled) _strong men_, _warriors_:
see vol. vi., p. 220, v. 15.
wan afore, 255, _came before_.
wane, _dwelling_.
war, _where_.
ware of, to be, _to perceive_.
warld's maike, 264, _companion for life_.
warluck, _a wizard_, _a man in league with the devil_.
warsled, _wrestled_, _struggled_.
warwolf, _werwolf_, _manwolf_.
wat, _wet_.
waught, _draught_.
wauking, _walking_.
waylawaye, _alas_.
wee, _little_.
weiest, 254, [Jamieson,] _saddest_, _darkest_.
weird, _fate_.
weird, _destine_.
wend, _weened_.
wer, were, _war_.
wern, _refuse_.
werre, _worse_.
werryed, _worried_.
wesch, _wash_.
wete, weten, _knowing_.
whareto, _wherefore_.
wharfrae, _whence_.
whereas, _where_.
wi, _with_.
wicht, _strong_, _nimble_,
wide, 199, _wade_.
widershins, _the contrary way_, _the way contrary to the course
of the sun_.
wide-whare, _widely_, _far and near_.
wierd, _fate_.
wight, _strong_, _active_, _nimble_.
wilder'd, _carried astray_.
win, _go to_, _attain_;
win up, _get up_.
win, _rescue_.
wind blows in your glove, 67?
winna, _will not_.
wistna, _knew not_.
wit, _know_, _knowledge_.
wittering, _information_.
witti, _intelligible_.
wodewale, _woodpecker_.
woe, _sad_.
won, _dwell_.
wonige, 275, [adj. qy. woning?] _dwelling_.
wood, _mad_.
worth, 276, _become_, _be the result_.
worthy, I were, 26, _it would become me_.
wow, _exclamation of astonishment or grief_.
wpe, _up_.
wrebbe, 98; _wrebbe and wrye_, _turn and twist_?
wrought, 240, for raught, _reached_.
wrucked up, 240, _thrown up_.
wrye, 98, _wrebbe and wrye_, _turn and twist_?
wud, _wood_.
wull, 253, _wandering in ignorance of one's course_, _lost in error_,
_bewildered_.
wylos, _willow_.
wyndouten, _without_.
wyne-berye, _grape_.
wysse, _wise_.
wyt, _with_.
wyte, 136, _blame_.
wyth, 276, _wight_, _agile_.
wytouten, _without_.
yard, _staff_.
yat, _that_.
yate, _gate_.
y-born, _born_.
y-doon, _done_.
ychon, _each one_.
yeen, 274, _against_, _towards_.
ye'se, _ye shall_, _will_.
yestreen, _yesterday_.
yett, _gate_
ylk, _each_.
yod, _went_.
yone, _yon_.
yyng, _young_.
zede, _went_.
zonge, _young_. &c.
[z]e, _ye_.
[z]ede, _went_.
[z]it, _yet_. &c.
* * * * *
Transcriber's Notes
Archaic, unusual and inconsistent spelling or punctuation has
generally been retained as in the original. Where changes have been made
to the text these are listed below:
page 47 (line 148) added missing close quotation mark:
Nor keepe me lingering here in paine."
page 221 (lines 73, 74) moved close quotation mark:
"Pray, sir, did you not send for me,
By such a messenger?" said she:
page 221 (line 80) deleted extraneous open quotation mark:
"Go in," said he, "and go to bed;
I'll see the horse well littered."
page 248: added missing open quotation mark ("Go on yet a little
farther," said the hen-wife, "till thou come to a round green hill ...")
page 250 (line 33) added missing single quotation mark:
"'And sit thou down; and wae, O wae
That ever thou was born;
page 259 (lines 47, 48) added missing open quotation mark:
"Our king's dochter, she gaes wi' bairn,
And we'll get a' the wyte."
page 263 (line 150) added missing closing single quotation mark:
The Queen o' Elfin she'll cry out,
'True Tam-a-Line's awa'.'
page 276 added missing closing quotation mark
For him that mensked man wyt mith,
Wat sal worth of this were?" &c.
page 288: the line numbering in Lord Dingwall is in error, but has been
retained as per the original.
page 295 (line 40) added missing open quotation mark:
"O tak me out," May Marg'ret cried,
"O tak me hame to thee;