CHAPTER XIII

THE BLACK-HANDERS IN SESSION

"Upon entering the house, which was close by Cina's farmhouse, I saw a

table in a room on the ground floor and around this table were seated

the following bandits: Ignazio Lupo, Giuseppe Morello, Antonio Cecala,

Uncle Salvatore (Giuseppe Palermo), Uncle Vincent, Vincenzio Giglio,

Bernardo Perrone, Nicola Sylvester, besides a man from Brooklyn whom

the gang called Domenico and who was a baker, and five other men whose

names I did not know. Cina was not there, being occupied with his

family, where a birth was expected momentarily.

"As I stepped in no one motioned to recognize me nor was my greeting

returned. Mechanically I took a seat. After about ten minutes of

sinister silence and ill-boding glances, Cina broke the strain as he

came rushing in with Peppino, his brother, both of them laughing and

shouting like madmen.

"'A boy! A boy!' they yelled.

"Cina received the congratulations of the gang. Silence once more

haunted the room. Then Lupo turned to me abruptly and said:

"'Don Antonio, your work is worthless. It is a rotten job; so much so

that none of it could be sold. Cina and Cecala have risked their lives

in trying to sell it. However, they have sold some four thousand

dollars of the counterfeit money, taking in, all in all, about one

thousand dollars in genuine money. They have expended about two

hundred dollars on their trip to different cities distributing our

product. Therefore, there remains about eight hundred dollars, which

will be divided among the ones that have advanced the first money. If

you had turned out a good job we could have taken in more by selling

it all. As it is about seven or eight thousand dollars have been made

for the stove.

"'The Canadian money is worthless and must be burned. It cannot be put

on the market. But this is no fault of yours, in this instance. It is

the fault of the one who made the plates.

"'Now you watch how the money is divided. _If there is any left_, you

get it. These men present will not accept a penny of the remainder

until those who advanced the money have been settled with.'

"'As my work did not turn out well,' I replied to Lupo, 'give me only

enough to return to New York.'

"'No,' broke in Morello, decisively. 'We don't know yet whether you

may return to New York or whether you are to continue the work in

company with another man.'

"'You want money?' asked Lupo. 'Who will give it to you? I have spent

two hundred dollars and now will take that amount. There will then be

but six hundred dollars to be divided.'

"'Don't do things all your own way, Ignazio,' Morello warned in his

husky voice. 'Let us deliberate and argue this thing out. There are

eight hundred dollars. You have spent two hundred dollars. You get

seventy-five dollars now. I have spent fifty dollars and will take it

now, as I need it very much, as you know. Fifty dollars we will give

to Cina, twenty dollars to Don Antonio, ten to Uncle Salvatore and ten

more to Uncle Vincent, five to Giglio and five to Bernardo; what is

left is needed for the continuation of the work with the other

plates.'

"'And the man who made the plates, don't you want to give him

anything?' inquired Cecala.

"'Yes,' was the reply in chorus.

"'Well,' turning to me, 'take these twenty dollars,' said Morello,

'and return to the house. Await there the decision whether you are to

return to New York or not.'

"I accepted the money and tucked it into my pocket. Then I was driven

to the stone house in a carriage accompanied by Cina's brother

Peppino.

"During this session with the gang some of them got busy and started

to burn up the Canadian five-dollar notes, and a portion of the

two-dollar American notes. These were the notes returned as worthless

by the gang. While throwing the notes into the stove Uncle Salvatore

and Peppino exclaimed from time to time:

"'What a shame. They might all have been sold.'

"Once more at the stone house I explained to Caterina what had

happened. I told her that they had given me the twenty dollars and

that I was going to go to New York and not return; of course she was

to come along with me. But after thinking it over we resolved that our

appearance was so miserable that we had better remain a while longer.

There was also the ever-present danger that if we ran away from this

gang we would be murdered. We abandoned the idea, therefore, and

stayed at the stone house awaiting the orders of the gang.

"We were not kept waiting long. Next morning, Salvatore Cina came to

the house in a very happy mood. He told me that I could not return to

New York because the work was to be continued with other and better

plates for the two-dollar notes. The five-dollar notes were to be

continued, and we were to print until five million dollars had been

struck off the press. This amount, he said, would make us all rich.

Then the work was to cease. He told me that it had been decided to buy

a horse and carriage for the exclusive use of the stone house. I was

to go to New York and meet Cecala who would introduce me to the man

who was to direct the work from now on. I was to tell Cina the day I

intended going to New York.

"After arranging that Giglio and Bernardo were to remain with

Caterina, while I was in New York and Uncle Vincent went to Newburgh

on business, I said that I would be ready for my trip in two days.

Then Cina left me after he had warned me not to tell any of the

secrets of the place, explaining how hard it was for the police to

discover the plant. He declared I must be happy in the thought of

future wealth.

"On March 7, 1909, Cina returned to the stone house with a carriage,

bringing Giglio and Bernardo to keep Caterina company. He drove me to

the Highland station, and I got aboard the 11 A. M. train for New

York. Arriving at the Grand Central station I was met by Cecala, who

took me to a house at No. 5 Jones Street. Not finding the party he was

seeking there, he told me to go to my aunt's house and return to the

Jones Street address at eight o'clock that evening and ask for Don

Peppe.

"That same evening at the appointed hour I went to the Jones Street

house and inquired in a grocery store on the street floor for Don

Peppe. A woman indicated to me the door where I knocked. A bald-headed

man, about forty-five years old, with a nice light brown moustache

opened the door.

"Cecala was there seated in a chair. He introduced me to the man who

opened the door saying that he was Giuseppe Calichio, a lithograph

engraver, alias Don Peppe. Cecala turned to Calichio and said:

"'Don Peppe, we are in need of your work. This man (indicating me) is

a printer, but he is not capable of doing the work that we require.

You must go with him and continue this work. It is already started and

everything will go well. When we have printed two or three million

dollars' worth we will stop. We are in luck.'

"'Unless we are discovered by the police,' replied Calichio.

"'Have no such fear,' said Cecala. 'The place where the work is done

is very secure. No one would ever suspect that such a thing is going

there.'

"'Listen, Cecala,' said Calichio. 'If things happen as they did when I

did work for you before, then I refuse to go. I do not care to work

and risk my life and then get nothing for it.'

"'No, no,' said Cecala. 'You know that that work did not turn out at

all well.'

"'I know nothing other than that you caused me to sell my little

printing shop, and I am in terrible condition financially even now as

a result of it. If you want me to do the work you speak about in

company with brother Comito here, you must give me twenty dollars a

week and board. I have a family in Italy to look after, don't forget.

As long as you pay me what I want I am ready to work for you; but I

must be paid in advance. The first week that you fail to pay me in

advance I will cease to work and come home. And what is more, my dear

Cecala, I want good eating and must have wine every day; as you know

there is not a day that goes by without my drinking wine that I do not

get a headache. The wine gives me strength and health.'

"Cecala's answer to this was characteristic:

"'Don Peppe, I will do all that is possible to get you twenty dollars

a week, but I must first talk with the others, my friends, as you know

that I am not alone in this undertaking. As to the eating, you will

have all that you want and there will be wine. I will have a barrel of

it shipped to Highland, direct to Cina, who will see that you get some

when you want it.'

"'Who is this Cina?' asked Calichio, suspiciously.

"'He is my godfather, whom you will know when you are in Highland,'

said Cecala.

"'Perhaps he is that farmer whom I saw in Don Piddu's (Morello's)

house last year?'

"'Precisely,' said Cecala.

"He continued: 'I will bring the first twenty dollars to-morrow.

To-morrow night you will leave with Comito?'

"'All right. But first, I must see the plates and examine them to see

whether they are good. If I am to do this work, it must be done

perfectly. You know that I do not do things by halves. I must see

whether the plates need retouching. I will bring my tools. If I am

unable to use them for this work then we will buy some before leaving

the city.'

"'Have no doubt,' continued Cecala. 'I will come to-morrow morning and

show the plates to you, and you can take them with you.'

"'Come to-morrow about 10 A. M. with Comito, and not before ten,

because I expect a person on some _personal_ business and do not want

him to see you,' counselled Calichio.

"During all this talk I did not say a word. On my way with Cecala to

my aunt's house in Bleecker Street Cecala remarked:

"'Don Antonio, that man Calichio is the professor for the job. In

Italy he has printed for aristocratic families, who were in hard

luck. He printed for these aristocrats about three million dollars in

fifty, one-hundred, five-hundred and one-thousand lire notes. _This

money was worked off in this country on people who were going to Italy

on trips._ Don Peppe is capable of transferring to lithographic stones

the engraving on bank notes and then transfer the engraving from the

lithographic stones on to zinc plates, and in this way perfect the

plates that are necessary for our business.'

"'Is that how our plates were made?' I inquired.

"'No. Ours were made by photography and a lot of preparations are

necessary by that method. It is enough to say that I have spent over a

hundred dollars up-to-date for chemicals.'

"Suddenly Cecala turned on me a whispered: 'Don Antonio, what have you

told your aunt?'

"'Nothing--why?'

"'Did she ask where you are working?'

"'No. She knows that I am working in Philadelphia.'

"'Good! If she asks with whom you are working in Philadelphia say that

your employer is a priest, and his name is Bonaventure (----).'

"'Very well,' I replied. 'My aunt is not interested whether I am

working with a priest or with a monk. I have told her that I was

employed in a printing shop, nothing else.'

"'Good! You are an intelligent man, and that is why I and all my

friends like you Calabrians, because you are secretive and are never

corrupted. I knew a Calabrian who was arrested with counterfeit notes

on him, once, and the policemen made him all kinds of promises and

even punched him, in their effort to learn from him who had given him

the counterfeit money to exchange; but he never told a word. He never

squealed.'

"I made no reply; only shook Cecala's hand and went to my aunt's.

"The next morning, I forget whether it was the 9th or the 10th of

March, I went at the given hour to Calichio's house, where I found

Cecala examining the zinc plates for the two-dollar American notes, of

the check letter C, plate number 1110.

"Calichio carefully examined the plates with a magnifying glass. He

explained to us that the acids that were used for washing the plates

were too strong and had destroyed some fine lines and that it would be

necessary to retouch the plates and so raise the missing lines. He

would do it himself, Calichio said, if the proper tools were brought

to him. Cecala quickly answered that the tools would be bought

immediately and that we were to prepare to leave for Highland that

night. We then went to a hardware store on the Bowery, and Calichio

selected some chisels and other tools, for which Cecala paid. As soon

as we were out of the store Cecala gave Calichio his first twenty

dollars in advance. Turning to me, Cecala said:

"'Don Antonio, Don Peppe and I are going to buy some chemicals. You

can go away and be at Jones Street to-night at 10 P. M. ready to

leave. Buy what you need, because you will not return to New York

until the work is completed.'

"I went to a store and bought a pair of shoes for myself and a pair

for Caterina. I also bought some little delicacies of food for her.

"That night the three of us left on the 11 P. M. train for Highland.

Arriving there at 2 in the morning, we were met at the station by

Peppino Cina with a carriage. He told us that we must go directly to

the stone house and not stop at Cina's farm because a strange face

might arouse suspicion among the neighbors. We did not work that day.

We took a much-needed rest."

The Barrel Mystery · 第 13 / 27 章