WOODEN ARRANGEMENT, NO. 2.

THIS resulted from tampering with the discard. Though Mathews (_circa_

A.D. 1800) in two short sentences laid down the true and only principle

of discarding: “If weak in trumps, keep guard on your adversaries’

suits; if strong, throw away from them,” fifty years afterwards it was

discovered by the “little school” that “the old system of discarding

was just this—when not able to follow suit, let your first discard be

from your weakest suit.” Rough on poor Mathews! but the absent are

always wrong.

However, by a process of evolution, to the first step of which no

exception can be taken, we are next told—(_a_) “When you see from the

fall of the cards that there is no probability of bringing in your own

or your partner’s long suit discard originally from your best protected

suit.” “You must play a defensive game.”—_Cavendish._

Then, as the evolution proceeds, and we come to (_b_), we catch the

first glimpse of the woody fibre, “for the sake of a short and easily

remembered rule,” it is the fashion to say, “discard originally from

your strong suit when the adversaries lead trumps, but this aphorism

does not truly express the conditions.” (It does not indeed; far from

it! for the adversaries may lead trumps and the strength may turn out

on the other side; and why, under any circumstances, currency should

be given to an erroneous fashion is a question I have repeatedly asked

in vain), and here the pupils rush in, with that zeal which outruns

discretion, overpower the master and cut the Gordian Knot with (_c_)

_strongest_. Fourthly, I am informed whenever I take my walks abroad in

Whist circles, (_d_) that with trumps declared against me I must not

only discard from my strongest suit, but by that discard point out to

my partner—and I presume my adversaries—the suit I wish led, and we

are all on our backs on the wood pavement.

Is this a defensive game? Surely it is pedantry run mad! Why am I, in

these frightful circumstances, fighting for dear life, and breathing

with the greatest difficulty, to disclose my vital parts to a powerful

and remorseless enemy? Where am I to get a suit from that I wish led?

Why am I to be debarred from using my common sense—if I have any—and

holding on to everything in obedience to my old friend Mathews and

Cavendish on Whist, for both of whom I have the highest respect? If

by good luck I do hold a very strong suit, I used to be able to point

out that fact by discarding the head of it; now I am told “you must

not do that; it is not _the game_”—whatever the game may be; “it shows

the adversary too much;” so that I am in this absurd dilemma—if I

have a really strong suit, I am to keep it dark; if I have a suit in

which I hope to make a trick by remaining very quiet, I am to invite

my partner to put me under the harrow by making me third player. _O

tempora! O mores!_

Bad in itself, and ensnaring to others, this outrageous latter-day

discard is cowardly to a degree; for while it does no particular injury

to the player with a strong hand, it knocks down and jumps upon the

weak vessel.

What am I to do with a suit in which I hold absolutely nothing, say

the two, three, four and five? Did the doctrinaires never hear of such

a suit? One would imagine not. Am I to discard from king, queen and

another, or from knave to four, in order to keep four cards like that?

How about retaining every card of a powerful suit, regardless where

the trumps may be, knowing that unless it can be brought in somehow or

other, the game is gone? When I am compelled to discard from a weak

five suit, is that an order to my partner to lead in a singly or doubly

guarded king?

If these difficulties—and there are numbers of others—only occurred

to me, with my natural modesty, I should consider myself the victim

of some congenital defect; but this is not the case; far from it. The

confusion on this head alone is awful, and what do the authorities

teach us? I have already quoted Mathews and Cavendish on Whist; the

second edition of Clay does not mention the forced discard, but it is

mentioned in the last new and _improved_ edition with a vengeance:

here I learn to my horror and amazement that “the discard from the

_strongest_ suit * * * _is admirably explained and developed in the

‘Laws and Principles of Whist,’ by Cavendish_.”

Now this statement, which was made in 1881, is puzzling. I have already

pointed out that the “laws and principles of Whist” by Cavendish

neither explain nor develope anything of the kind, admirably or

otherwise, before and after that date, Cavendish in _The Field_ has

contradicted it in toto. His latest utterance, on which I can lay

my hand, is this. “The aphorism—discard from your strong suit to an

adverse trump lead is very imperfect”—as any aphorism, attempting to

lay down a fixed law for such an intricate subject, is bound to be—“and

misleading, and often gives rise to misunderstandings between partners

as to the true character of the discard. A player should carefully

consider the aspect of the game at the time the discard is made. With

no indication to guide him, he may assume his partner’s first discard

to be a protective one, if the adversaries have led, or called for

trumps; but if, notwithstanding an adverse lead, he can place the

command of trumps with his partner, or must so place it in order to

save the game, he should assume the reverse.” Here, though somewhat

verbose and obscure, he recognizes that the subject bristles all over

with difficulty.

Now let us return for a moment to the _improved_ Clay. “The discard

from the strongest rests upon, * * * and upon the very reasonable

argument, that the partner is directed to lead the suit indicated by

the discard.” That a protective discard is a direction to my partner

to make me third player in the suit may seem reasonable to the modern

doctrinaire, but it is not the view ordinarily taken of it; then having

produced his highly objectionable animal in _puris naturalibus_, the

Editor winds up by _thanking Cavendish for his imprimatur_.

This way madness lies! What Cavendish? how many Cavendishes are there?

there is certainly a Cavendish on Whist, and there is a Cavendish in

_The Field_; that makes two, on this point pretty much of one mind.

Is there a third, who appears for one brief moment, without father,

mother, or descent, mysterious as Melchizedek, just to contradict both

his namesakes, and then disappears for ever in the ewigkeit? This

conundrum is too much for me; I give it up, merely enquiring with an

ancient philosopher:—

Quousque tandem abutere patientiâ nostrâ?

The Decline and Fall of Whist: An Old Fashioned View of New Fangled Play · 第 13 / 23 题