Foster beckoned Pete. "Then I'll go straight up; I know the number."

They went out and Lucy sat down, feeling disturbed but somewhat

comforted. It was plain that Foster shared her fears and knew more

than she did, but in another minute or two he would join his comrade,

and Lawrence would be safe when he was there.

In the meantime, Walters lighted a cigarette Lawrence gave him in his

room and sat down to examine the photographs. There were a number of

views of the mountains and a group of figures occupied the foreground

of several. A guest at the hotel with some talent for photography had

taken the pictures, and after a time Walters picked out two in which

Lucy and Lawrence appeared.

"I'll take these, if I'm not robbing you," he said and waited until

Lawrence put on a Tuxedo jacket, when he resumed: "Well, I suppose we

had better go down. Are you coming?"

He went out and as Lawrence crossed the floor to turn off the light,

called back: "I forgot the pictures; they're on the bureau. The

elevator's coming up and I'll keep it when it's here."

Lawrence told him to do so. The lift had stopped between the floors on

their ascent, and the electric light inside it had gone out, while the

boy said something about his not being able to run it much longer. The

photographs, however, were not on the bureau and Lawrence searched the

room before he found them on the bed. Then he turned off the light and

went into the passage, which was rather dark. The lamp at the shaft

was not burning, but he could see Walters beckoning at the gate.

"He wants to get down before the motor stops," the latter said.

Lawrence hurried along the passage, and when he reached the shaft

Walters put his hand on the folding ironwork.

"Come along; his light's out," he said to Lawrence, and added, as if to

somebody in the lift: "Start her off! I'll shut the gate."

Lawrence stepped forward and then clutched the ironwork as his advanced

foot went down into empty space. Instead of the floor of the lift,

there was a dark gap beneath him, and he knew he had come very near to

plunging down the shaft. He hung over it, with one foot on the edge

and his hand on an iron bar, and looked at the black hole with horror

as he braced himself for the effort to swing his body back. There was

some strain upon his right arm, because his right knee was bent and his

other leg dangled over the shaft. His hold on the ironwork had saved

him and he must use it to regain the passage.

Next moment a hand fastened on his wrist and he thought Walters had

come to his help. But the fellow was stupid; he ought to have seized

his shoulder. Then the sweat ran down his face as he guessed the

truth. Walters had not come to help; he meant to throw him down the

shaft.

He set his teeth and felt the veins on his forehead swell with the

effort he made. He was in horrible danger and must fight for his life.

Walters was trying to pull his hand off the bar, but he resolved that

if the fellow succeeded, he should go down the shaft with him. But

although his situation was desperate, he did not mean to fall.

Then Walters' fingers slipped away, and something jarred Lawrence's

knuckles as he got a firmer hold. The brute had struck him with a

pistol butt and the pain was sharp, but he did not let go. Though his

muscles were badly strained and his brain struggled with numbing

horror, he could think. Walters could have made him loose his grasp

had he used his knife, but the thing must look like an accident and

there must be no cut to show. The fellow had set a cunning trap for

him, but he might escape yet.

Then he thought he heard steps, but his hearing was dull, for there was

a sound like bells in his ears and the hand fastened on his wrist

again. He arched his back to ease the strain on his arm and wondered

vaguely how long he could hold on. Afterwards, he calculated that he

had hung over the shaft for about a minute.

Suddenly his antagonist's grasp slackened and his hand was loose.

There were running steps; somebody seized his arm and pulled him

strongly back. As he staggered across the passage he heard a heavy

blow. Walters, reeling past, struck the wall and leaned against it

with blood on his white face. He put his hand into his pocket, but a

man sprang forward and grappled with him.

They lurched away from the wall and fell down the stairs. Another man

ran down after them, and Lawrence, who felt very limp, followed

awkwardly. There were lights on the next landing and he saw the

struggling men strike the banisters and stop. One had his hand loose

and held a pistol; his tense, savage face was uppermost. The man who

had gone down after them stooped and struck him with his fist. The

struggle stopped, and Lawrence sat down on the steps and tried to pull

himself together. He knew now how his illness had weakened him.

Then Foster came up the stairs, very hot and breathless, with his

jacket torn, and stopping beside Lawrence, forced a smile.

"It's lucky I got here when I did," he said. "The brute yonder stopped

me coming yesterday."

Foster did not remember his reply, but he got up and went down to where

Walters lay unconscious. As he reached the spot the hotel manager and

a waiter arrived.

"What's the matter? Is he dead?" the manager asked.

"I don't know," said Foster coolly. "It will save the police some

trouble if he is."

"But I want to know what's happened,"

Foster indicated a pistol lying on the steps. "That's his; he tried to

use it. I'll tell you about the thing later. In the meantime, you can

take him to his room and telegraph for the police." He paused and

beckoned Pete. "Go with them and don't lose sight of him until I come.

He'll probably come round soon."

"Weel," said Pete dryly, "I'm thinking he'll no' be verra sensible for

a while yet, but I'll see he doesna' get away."

He and the waiter picked up Walters, and Foster turned to Lawrence.

"Now I'd better wash and straighten myself up. Perhaps you can lend me

a jacket."

Lawrence laughed, a rather strained laugh. "Certainly; come along.

You're a curious combination, partner. I've called you romantic, but

you're not a sentimentalist when you get into action."

Carmen's Messenger · 第 71 / 78 题