FOOTNOTES:

[1] Compare the fine rhetorical passage in Max. Tyr., _Dissert._, xxiv.

8, ed. Didot, 1842.

[2] i. 135.

[3] Numerous localities, however, claimed this distinction. See Ath.,

xiii. 601. Chalkis in Euboea, as well as Crete, could show the sacred

spot where the mystical assumption of Ganymede was reported to have

happened.

[4] _Laws_, i. 636. Cp. _Timæus_, quoted by Ath., p. 602. Servius, _ad

Aen._ x, 325, says that boy-love spread from Crete to Sparta, and thence

through Hellas, and Strabo mentions its prevalence among the Cretans (x.

483). Plato (Rep. v. 452) speaks of the Cretans as introducing naked

athletic sports.

[5] _Laws_, viii. 863.

[6] See Ath., xiii. 602. Plutarch, in the Life of Pelopidas (Clough,

vol. ii. p. 219), argues against this view.

[7] See Rosenbaum, _Lustseuche im Alterthume_, p. 118.

[8] Max. Tyr., _Dissert._, ix.

[9] See Sismondi, vol. ii. p. 324, Symonds, _Renaissance in Italy_, _Age

of the Despots_, p. 435; Tardieu, _Attentats aux Moeurs_, _Les Ordures

de Paris_; Sir R. Burton's _Terminal Essay_ to the "Arabian Nights;"

Carlier, _Les Deux Prostitutions_, etc.

[10] I say almost, because something of the same sort appeared in Persia

at the time of Saadi.

[11] Plato, in the _Phædrus_, the _Symposium_, and the _Laws_, is

decisive on the mixed nature of paiderastia.

[12] Theocr., _Paidika_, probably an Æolic poem of much older date.

[13] _Phædrus_, p. 252, Jowett's translation.

[14] Page 178, Jowett.

[15] Clough, vol. ii. p. 218.

[16] Book vii. 4, 7.

[17] We may compare a passage from the _Symposium_ ascribed to Xenophon,

viii. 32.

[18] Page 182, Jowett.

[19] Plutarch, _Eroticus_, cap. xvii. p. 791, 40, Reiske.

[20] Lang's translation, p. 63.

[21] See Athenæus, xiii. 602, for the details.

[22] See Athenæus, xiii. 602, who reports an oracle in praise of these

lovers.

[23] Ar., _Pol._, ii. 9.

[24] See Theocr. _Aïtes_ and the _Scholia_.

[25] See Plutarch's _Eroticus_, 760, 42, where the story is reported on

the faith of Aristotle.

[26] _Pelopidas_, Clough's trans., vol. ii. 218.

[27] Cap. xvi. p. 760, 21.

[28] Cap. xxiii. p. 768, 53. Compare Max. Tyr., _Dissert._, xxiv. 1. See

too the chapter on Tyrannicide in Ar. Pol., viii. (v.) 10.

[29] Clough's trans., vol. v. p. 118.

[30] _Hellenics_, bk. ix. cap. xxvi.

[31] Suidas, under the heading _Paidika_, tells of two lovers who both

died in battle, fighting each to save the other.

[32] See, for example, _Æschines against Timarchus_, 59.

[33] Trans. by Sir G. C. Lewis, vol. ii. pp. 309-313.

[34] _Symp._ 182 A.

[35] i. 132.

[36] _De Rep._, iv. 4.

[37] I need hardly point out the parallel between this custom and the

marriage customs of half-civilised communities.

[38] The general opinion of the Greeks with regard to the best type of

Dorian love is well expressed by Maximus Tyrius, _Dissert._, xxvi. 8.

"It is esteemed a disgrace to a Cretan youth to have no lover. It is a

disgrace for a Cretan youth to tamper with the boy he loves. O custom,

beautifully blent of self-restraint and passion! The man of Sparta loves

the lad of Lacedæmon, but loves him only as one loves a fair statue; and

many love one, and one loves many."

[39] _Laws_, i. 636.

[40] _Pol._, ii. 7, 4.

[41] Lib. 13,602, E.

[42] It is not unimportant to note in this connection that paiderastia

of no ignoble type still prevails among the Albanian mountaineers.

[43] The foregoing attempt to reconstruct a possible environment for the

Dorian form of paiderastia is, of course, wholly imaginative. Yet it

receives certain support from what we know about the manners of the

Albanian mountaineers and the nomadic Tartar tribes. Aristotle remarks

upon the paiderastic customs of the Kelts, who in his times were

immigrant.

[44] See above, Section V.

[45] It appears from the reports of travellers that this form of passion

is not common among those African tribes who have not been corrupted by

Musselmans or Europeans.

[46] It may be plausibly argued that Æschylus drew the subject of his

_Myrmidones_ from some such non-Homeric epic. See below, Section XII.

[47] 182 A. Cp. _Laws_, i. 636.

[48] _Eroticus_, xvii. p. 761, 34.

[49] See Plutarch, _Pelopidas_, Clough, vol. ii. p. 219.

[50] Clough, as quoted above, p. 219.

[51] The connection of the royal family of Macedon by descent with the

Æacidæ, and the early settlement of the Dorians in Macedonia, are

noticeable.

[52] Cf. Athenæus, x. 435.

[53] Hadrian in Rome, at a later period, revived the Greek tradition

with even more of caricature. His military ardour, patronage of art, and

love for Antinous seem to hang together.

[54] _Dissert._, xxvi. 8.

[55] See Athen., xiii., 609, F. The prize was armour and the wreath of

myrtle.

[56] _Symp._ 182, B. In the _Laws_, however, he mentions the Barbarians

as corrupting Greek morality in this respect. We have here a further

proof that it was the noble type of love which the Barbarians

discouraged. For _Malakia_ they had no dislike.

[57] Bergk., _Poetæ Lyrica Græci_, vol. ii. p. 490, line 87 of Theognis.

[58] _Ibid._, line 1,353.

[59] _Ibid._, line 1,369.

[60] _Ibid._, lines 1,259-1,270.

[61] _Ibid._, line 1,267.

[62] _Ibid._, lines 237-254. Translated by me in _Vagabunduli Libellus_,

p. 167.

[63] Bergk., _Poetæ Lyrici Græci_, vol. ii. line 1,239.

[64] _Ibid._, line 1,304.

[65] _Ibid._, line 1,327.

[66] _Ibid._, line 1,253.

[67] _Ibid._, line 1,335.

[68] _Eroticus_, cap. v. p. 751, 21. See Bergk., vol. ii. p. 430.

[69] See Cic., _Tusc._, iv. 33

[70] Bergk., vol. iii. p. 1,013.

[71] _Ibid._, p. 1,045.

[72] _Ibid._, pp. 1,109, 1,023; fr. 24, 26.

[73] _Ibid._, p. 1,023; fr. 48.

[74] Maximus Tyrius, _Dissert._, xxvi., says that Smerdies was a

Thracian, given, for his great beauty, by his Greek captors to

Polycrates.

[75] See what Agathon says in the _Thesmophoriazuse_ of Aristophanes.

[76] xv. 695.

[77] Bergk., vol. iii. p. 1,293.

[78] _Ibid._, vol. i. p. 327.

[79] Athen., xiii. 601 A.

[80] See the fragments of the _Myrmidones_ in the _Poetæ Scenici Græci_,

My interpretation of them is, of course, conjectural.

[81] Lucian, _Amores_; Plutarch, _Eroticus_; Athenæus, xiii. 602 E.

[82] Possibly Æschylus drew his fable from a non-Homeric source, but if

so, it is curious that Plato should only refer to Homer.

[83] _Symph._, 180 A. Xenophon, _Symph._, 8, 31, points out that in

Homer Achilles avenged the death of Patroclus, not as his lover, but as

his comrade in arms.

[84] Cf. Eurid., _Hippol._, l. 525; Plato, _Phoedr._, p. 255; Max. Tyr.,

_Dissert._, xxv. 2.

[85] See _Poetæ Scenici_, _Fragments of Sophocles_.

[86] _Eroticus_; p. 790 E.

[87] Ath., p. 602 E.

[88] _Tusc._, iv. 33.

[89] See Athenæus, xiii. pp. 604, 605, for two very outspoken stories

about Sophocles at Chios and apparently at Athens. In 582, e, he

mentions one of the boys beloved by Sophocles, a certain Demophon.

[90] Plato, _Parm._, 127 A.

[91] Pausanias, v. 11, and see Meier, p. 159, note 93.

[92] This, by the way, is a strong argument against the theory that the

_Iliad_ was a post-Herodotean poem. A poem in the age of Pisistratus or

Pericles would not have omitted paiderastia from his view of life, and

could not have told the myth of Ganymede as Homer tells it. It is

doubtful whether he could have preserved the pure outlines of the story

of Patroclus.

[93] Page 182, Jowett's trans. Mr. Jowett censures this speech as

sophistic and confused in view. It is precisely on this account that it

is valuable. The confusion indicates the obscure conscience of the

Athenians. The sophistry is the result of a half-acknowledged false

position.

[94] Page 181, Jowett's trans.

[95] See the curious passages in Plato, _Symp._, p. 192; Plutarch,

_Erot._, p. 751; and Lucian, _Amores_, c. 38.

[96] Quoted by Athen, xiii. 573 B.

[97] As Lycon chaperoned Autolycus at the feast of Callias.--_Xen.

Symp._ Boys incurred immediate suspicion if they went out alone to

parties. See a fragment from the _Sappho_ of Ephippus in Athen., xiii.

p. 572 C.

[98] Line 137. The joke here is that the father in Utopia suggests, of

his own accord, what in Athens he carefully guarded against.

[99] Page 222, Jowett's trans.

[100] _Clouds_, 948 and on. I have abridged the original, doing violence

to one of the most beautiful pieces of Greek poetry.

[101] Aristophanes returns to this point below, line 1,036, where he

says that youths chatter all day in the hot baths and leave the

wrestling-grounds empty.

[102] There was a good reason for shunning each. The Agora was the

meeting-place of idle gossips, the centre of chaff and scandal. The

shops were, as we shall see, the resort of bad characters and panders.

[103] Line 1,071, _et seq._

[104] Caps. 44, 45, 46. The quotation is only an abstract of the

original.

[105] Worn up to the age of about eighteen.

[106] Compare with the passages just quoted two epigrams from the _Mousa

Paidiké_ (Greek _Anthology_, sect. 12): No. 123, from a lover to a lad

who has conquered in a boxing-match; No. 192, where Straton says he

prefers the dust and oil of the wrestling-ground to the curls and

perfumes of a woman's room.

[107] Page 255 B.

[108] 1,025.

[109] _Charmides_, p. 153.

[110] _Lysis_, 206, This seems, however, to imply that on other

occasions they were separated.

[111] _Charmides_, p. 154, Jowett.

[112] Page 155, Jowett.

[113] Cap. i. 8.

[114] See cap. viii. 7. This is said before the boy, and in his hearing.

[115] Cap. iii. 12.

[116] Cap. iv. 10, _et seq._ The English is an abridgment.

[117] _Laws_, i. 636 C.

[118] Athen., xiii. 602 D.

[119] _Eroticus_.

[120] Line 60, ascribed to Theocritus, but not genuine.

[121] Athen., xiii. 609 D.

[122] _Mousa Paidiké_, 86.

[123] Compare the _Atys_ of Catullus: "Ego mulier, ego adolescens, ego

ephebus, ego puer, Ego gymnasi fui flos, ego eram decus olei."

[124] See the law on these points in _Æsch. adv. Timarchum_.

[125] Thus Aristophanes, quoted above.

[126] Aristoph., _Ach._, 144, and _Mousa Paidiké_, 130.

[127] See Sir William Hamilton's _Vases_.

[128] Lysias, according to Suidas, was the author of five erotic

epistles adressed to young men.

[129] See Aristoph., _Plutus_, 153-159; _Birds_, 704-707. Cp. _Mousa

Paidiké_, 44, 239, 237. The boys made extraordinary demands upon their

lovers' generosity. The curious tale told about Alcibiades points in

this direction. In Crete they did the like, but also set their lovers to

execute difficult tasks, as Eurystheus imposed the twelve labours on

Herakles.

[130] Page 29.

[131] _Mousa Paidiké_, 8: cp. a fragment of Crates, _Poetæ Comici_,

Didot, p. 83.

[132] _Comici Græci_, Didot, pp. 562, 31, 308.

[133] It is curious to compare the passage in the second _Philippic_

about the youth of Mark Antony with the story told by Plutarch about

Alcibiades, who left the custody of his guardians for the house of

Democrates.

[134] See both _Lysias against Simon_ and _Æschines against Timarchus_.

[135] _Peace_, line 11; compare the word _Pallakion_ in Plato, _Comici

Græci_, p. 261.

[136] Diog. Laert., ii. 105.

[137] Plato's _Phædo_, p. 89.

[138] _Orat. Attici_, vol. ii. p. 223.

[139] See Herodotus. Max. Tyr. tells the story (_Dissert._, xxiv, 1) in

detail. The boy's name was Actæon, wherefore he may be compared, he

says, to that other Actæon who was torn to death by his own dogs.

[140] 153.

[141] _Symp._, 217.

[142] _Phædr._, 256.

[143] Page 17. My quotations are made from Dobson's _Oratores Attici_,

vol. xii., and the references are to his pages.

[144] Page 30.

[145] Page 67.

[146] Page 67.

[147] Page 59.

[148] Page 75.

[149] Page 78.

[150] Æchines, p. 27, apologises to Misgolas, who was a man, he says, of

good breeding, for being obliged to expose his early connection with

Timarchus. Misgolas, however, is more than once mentioned by the comic

poets with contempt as a notorious rake.

[151] See _Pol._, ii. 7, 5; ii. 6, 5; ii. 9, 6.

[152] The advocates of paiderastia in Greece tried to refute the

argument from animals (_Laws_, p. 636 B; cp. _Daphnis and Chloe_, lib.

4, what Daphnis says to Gnathon) by the following considerations: Man is

not a lion or a bear. Social life among human beings is highly

artificial; forms of intimacy unknown to the natural state are therefore

to be regarded, like clothing, cooking of food, houses, machinery, &c.,

as the invention and privilege of rational beings. See Lucian, _Amores_,

33, 34, 35, 36, for a full exposition of this argument. See also _Mousa

Paidiké_, 245. The curious thing is that many animals are addicted to

all sorts of so-called unnatural vices.

[153] Maximus Tyrius, who, in the rhetorical analysis of love alluded to

before (p. 172), has closely followed Plato, insists upon the confusion

introduced by language. _Dissert._, xxiv. 3. Again, _Dissert._, xxvi. 4;

and compare _Dissert._, xxv. 4.

[154] This is the development of the argument in the _Phædrus_, where

Socrates, improvising an improvement on the speech of Lysias, compares

lovers to wolves and boys to lambs. See the passage in Max. Tyr., where

Socrates is compared to a shepherd, the Athenian lovers to butchers, and

the boys to lambs upon the mountains.

[155] This again is the development of the whole eloquent analysis of

love, as it attacks the uninitiated and unphilosophic nature, in the

_Phædrus_.

[156] Jowett's trans., p. 837.

[157] _Dissert._, xxv. 1. The same author pertinently remarks that,

though the teaching of Socrates on love might well have been considered

perilous, it, formed no part of the accusations of either Anytus or

Aristophanes. _Dissert._, xxiv., 5-7

[158] This is a remark of Diotima's. Maximus Tyrius (_Dissert._, xxvi.

8) gives it a very rational interpretation. Nowhere else, he says, but

in the human form, does the light of the divine beauty shine so clear.

This is the word of classic art, the word of the humanities, to use a

phrase of the Renaissance. It finds an echo in many beautiful sonnets of

Michelangelo.

[159] See Bergk., vol. ii. pp. 616-629, for a critique of the canon of

the highly paiderastic epigrams which bear Plato's name and for their

text.

[160] I select the _Vita Nuova_ as the most eminent example of mediæval

erotic mysticism.

[161] _Tusc._, iv. 33; _Decline and Fall_, cap. xliv. note 192.

[162] See Meier, cap. 15.

[163] Cap. 23.

[164] Cap. 54.

[165] Page 4.

[166] It is noticeable that in all ages men of learning have been

obnoxious to paiderastic passions. Dante says (_Inferno_, xv. 106):--

"In somma sappi, che tutti fur cherci,

E letterati grandi e di gran fama,

D'un medesmo poccato al mondo lerci."

Compare Ariosto, _Satire_, vii.

[167] _Dissert._, xxvi. 9.

[168] I am aware that the genuineness of the essay has been questioned.

[169] _Mousa Paidiké_, i.

[170] _Ibid._, 208.

[171] _Ibid._, 258, 2.

[172] _Ibid._, 70, 65, 69, 194, 220, 221, 67, 68, 78, and others.

[173] Perhaps ten are of this sort.

[174] 8, 125, for example.

[175] 132, 256, 221.

[176] 219.

[177] 7.

[178] 17. Compare 86.

[179] Ed. Kayser, pp. 343-366.

[180] It is worth comparing the letters of Philostratus with those of

Alciphron, a contemporary of Lucian. In the latter there is no hint of

paiderastia. The life of parasites, grisettes, lorettes, and young men

about town at Athens is set forth in imitation probably of the later

comedy. Athens is shown to have been a Paris _à la Murger_.

[181] See the introduction by Marcus Aurelius to his _Meditations_.

[182] See quotations in Rosenbaum, 119-140.

[183] See Athen., xii. 517, for an account of their grotesque

sensuality.

[184] The following passage may be extracted from a letter of

Winckelmann (see Pater's _Studies in the History of the Renaissance_, p.

162): "As it is confessedly the beauty of man which is to be conceived

under one general idea, so I have noticed that those who are observant

of beauty only in women, and are moved little or not at all by the

beauty of men, seldom have an impartial, vital, inborn instinct for

beauty in art. To such persons the beauty of Greek art will ever seem

wanting, because its supreme beauty is rather male than female." To this

I think we ought to add that, while it is true that "the supreme beauty

of Greek art is rather male than female," this is due not so much to any

passion of the Greeks for male beauty as to the fact that the male body

exhibits a higher organisation of the human form than the female.

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