Having no desire to traverse again a bad road, we took an early

train, which brought us back to Catania at eight o'clock. Our first

visit there was to the "divine artificer," who found eight punctures

impartially distributed over my two tires. We thus learned to know the

cactus in a new light. Hereafter we avoided even a dry piece of it

lying in the road as cavalry would avoid caltrops. We took advantage

of the necessary delay to visit the most interesting monument of Greek

Catania, the theatre, covered by lava, on which rest the houses of the

modern city. Enough underground excavation has been done to enable one

to realize the appearance of the place when Alcibiades here harangued

the Catanians to bring them over to the Athenian alliance, and had

such drastic force lent to his lisping oratory by a body of Athenian

hoplites, who, coming from their camp outside the city, broke down

a weak spot in the wall and entered the city before he got to his

peroration.

Again it was about noon when we mounted with intention to ride to

Lentini, somewhat over a third of the way to Syracuse, across a level

plain, and then take a train across the hill-country to within ten

miles of Syracuse, there to resume our ride. For an hour or more we

were passing through the famous "Campi Læstrygonii," which Cicero calls

"_uberrima pars Siciliæ_," now known as the plain of Catania, the most

extensive plain in Sicily. Then we crossed the Symæthos, and soon

began a gentle climb, with the sun almost in the zenith. Now and then

a turn in the road, or if not that, a look over the shoulder, gave us

a fine view of Ætna, which kept increasing in majesty as we receded

from it. I was thankful that we had not climbed it. That would have in

some measure vulgarized it. A geologist might do it in the line of his

profession. But one who wishes to keep the Ætna of Æschylus and Pindar

may do better to gaze with awe from the hill of Syracuse, as _they_

did, upon this Greek Sinai. I do not want to overpower a mountain like

that. I want it to overpower me. One may doubt whether Coleridge would

or could have written his hymn to Mont Blanc if he had "conquered" it,

as tourists express it.

Just as the train for Syracuse was coming in we reached Lentini

station, and this time the sea that "washes away all human ills" was

not available. We here made a resolve to do our work in the future

when the sun was nearer the horizon. There was nothing of interest

for us to investigate in the city of Gorgias, the sophist and orator,

whose silver tongue, combined with a bold and transparent trick of the

Segestans, duped the Athenians, who thought themselves the wisest of

men, into the Sicilian expedition. We were accordingly glad to speed

along to Priolo, a station between the ruins of Megara and the flat

peninsula, Thapsos. Just beyond the latter, having ridden long enough

to get up steam, we washed away our ills for that day with the hill of

Syracuse looking down upon us, and then as renewed men passed, when the

sun was approaching the horizon, over that historic hill, and looked

down on the historic harbor and on little Ortygia, large enough to hold

the modern city as it held the first Corinthian colony. What a tide of

associations rush over one at this sight! In a sense we were at our

goal. Had we closed our journey with that nightfall we should at least

have read our Thucydides for the future with different eyes.

In an exaltation of spirit we came to the Casa Politi, almost at

the point of Ortygia, looking out upon the sea, where we found a

German host and hostess. After our strenuous and partially successful

wrestling with Italian, which had generally ended by our falling back

on the member who had taken Italian at Harvard to straighten out for us

the tangled web of the dialogue, how welcome it was when we asked the

question, "_Haben Sie vielleicht gutes Bier?_" to get straight from the

shoulder the honest answer, "_Jawohl, gewiss_," and the more tangible

answer of three foaming mugs from a cool cellar. We had lived in the

spirit a good deal that day, enjoying the beauty of Taormina, Ætna,

and Syracuse, and holding converse with Alcibiades and Gorgias and

Thucydides. Now we hobnobbed with Gambrinus, and enjoyed "the warmest

welcome in an inn."

I have never had more full and exhilarating days than those four

days in Syracuse, days full of revelation, recollection, reverie,

or, to put it more prosaically, days devoted to study in history and

topography. The ruins of Syracuse are not to the casual observer very

imposing. One might almost say of them, "_periere etiamque ruinæ_."

But even these ruins have great interest for the archæologist. There

is, for example, an old temple near the northern end of Ortygia, for

the most part embedded in the buildings of the modern city, yet with

its east end cleared and showing several entire columns with a part

of the architrave upon them. And what a surprise here awaits one who

thinks of a Doric temple as built on a stereotyped plan! Instead of

the thirteen columns on the long sides which one is apt to look for

as going with a six-column front, here are eighteen or nineteen, it

is not yet quite certain which. The columns stand less than their

diameter apart, and the abaci are so broad that they nearly touch. So

small is the intercolumnar space that archæologists incline to the

belief that in this one Doric temple there were triglyphs only over

the columns, and not also between them as in all other known cases.

Everything about this temple stamps it as the oldest in Sicily. An

inscription on the top step, in very archaic letters, much worn and

difficult to read, contains the name of Apollo in the ancient form,

Ἀπέλονι. The inscription may, of course, be later than the temple; but

it is in itself old enough to warrant the supposition that the temple

was erected soon after the first Corinthian colonists established

themselves in the island. While the inscription makes it reasonably

certain that the temple belonged to Apollo, the god under whose guiding

hand all these Dorians went out into these western seas, tradition,

with strange perversity, has given it the name of "Temple of Diana."

But it is all in the family. Whether tradition has also erred in naming

the temple on the highest part of the island, into which the cathedral

has been so immured that the old temple columns protrude on each

side of the church, the "Temple of Minerva," is a question to which

archæologists have not yet returned a unanimous answer. Indications

point rather to Zeus. This temple owes its preservation, such as it

is, to this immuring of the cathedral in it. In fact, the temple is

nearly all present, although one might almost pass it by in the daytime

without seeing it. Another temple ruin on the edge of the plateau,

which begins about two miles south of the city, across the Anapos, one

might also easily overlook in a casual survey, because it consists only

of two columns without capitals, and a broad extent of the foundations

from which the accumulated earth has been only partially removed. This

was the famous temple of Olympian Zeus, built probably in the days of

Hiero I., soon after the Persian war, but on the site of a temple still

more venerable. One seeks a reason for the location of this holy place

at such a distance from the city. Holm, the German historian of Sicily,

argues with some plausibility that this was no mere suburb of Syracuse,

but the original Syracuse itself. In the first place, the list of the

citizens of Syracuse was kept here down at least to the time of the

Athenian invasion. In the second place, tradition, which, when rightly

consulted, tells so much, says that Archias, the founder of Syracuse,

had two daughters, Ortygia and Syracusa, which may point to two

co-ordinate settlements, Ortygia and Syracuse; the latter, which was on

this temple plateau, being subsequently merged in the former, but, as

sometimes happens in such cases, giving its name to the combined result.

Besides these temple ruins there are many more foundations that tell a

more or less interesting story. Then there are remains of the ancient

city that can never be ruined: for instance, the great stone quarries,

pits over a hundred feet deep and acres broad, in some of which the

Athenian prisoners were penned up to waste away under the gaze of the

pitiless captors; the Greek theatre, cut out of the solid rock; the

great altar of Hiero II., six hundred feet long and about half as

broad, also of solid rock. Then there is the mighty Hexapylon, which

closed the fortifications of Dionysius at the northwest at the point

where they challenged attack from the land side. With its sally-ports

and rock-hewn passages, some capacious enough to quarter regiments

of cavalary, showing holes cut in the projecting corners of rock,

through which the hitch-reins of the horses were wont to be passed,

and its great magazines, it stands a lasting memorial to the energy

of a tyrant. But while this fortress is practically indestructible, an

impregnable fortress is a dream incapable of realization. Marcellus and

his stout Romans came in through these fortifications, not entirely, it

is true, by their own might, but by the aid of traitors, against whom

no walls are proof.

One of the stone quarries, the Latomia del Paradiso, has an added

interest from its association with the tyrant who made himself hated

as well as feared, while Gelon was only feared without being hated.

An inner recess of the quarry is called the "Ear of Dionysius," and

tradition says that at the inner end of this recess either he or his

creatures sat and listened to the murmurs that the people uttered

against him, and that these murmurs were requited with swift and fatal

punishment. Certain it is that a whisper in this cave produces a

wonderful resonance, and a pistol-shot is like the roar of a cannon;

but that people who had anything to say against the butcher should come

up within ear-shot of him to utter it is not very likely. Historians

are not quite sure that the connection of Dionysius with this recess is

altogether mythical, but that he shaped it with the fell purpose above

mentioned is not to be thought of, as the whole quarry is older than

his time, and was probably, with the Latomia dei Cappuccini, a prison

for the Athenians.

[Illustration: STONE QUARRY AT SYRACUSE CALLED LATOMIA DEI CAPPUCCINI]

No object is more frequently mentioned in connection with Syracuse than

Arethusa, the nymph changed into a fountain when pursued across the

sea by the river Alpheius. The water of this fountain, much praised in

antiquity, has in recent times become brackish by the letting in of

salt water through earthquakes. But what it has lost in real excellence

it has gained in stylish appearance. For the sake of its ancient

renown, washerwomen have recently been excluded from it, a fine wall

put about it, and papyrus plants added to make it look picturesque.

Enveloped in a more natural beauty lies the rival fountain, Kyane,

the source of the southern branch of the Anapos some distance south

of the Olympieum. The nymph Kyane was turned into a fountain by Pluto

because she told Demeter of the rape of Persephone. We gave half a day

to Kyane, and had ourselves pushed up a stream lined with reeds and

papyrus, the latter a reminder of Saracen occupation, to this spring,

from which the stream comes forth with a rush. It is difficult to

decide which is more beautiful, the clear, deep, broad spring or the

stream through which one approaches it. The whole journey is like an

excursion into fairy-land, the outside world being shut out by the

reeds and papyrus.

But if the monuments of Syracuse are on the whole comparatively

unimpressive, what a history is crowded into the less than three

centuries between Gelon, the second founder of the city, in that he

made it great, and Marcellus. This history is far from being a mere

record of slaughter, and sieges, and sack of cities. The time of Hiero

I. is memorable for the appearance at Syracuse, in familiar if not

always friendly converse, of Pindar, Simonides, Bacchylides, Æschylus,

Epicharmos and Xenophanes. One must not think of the poetry of this

Hieronian circle as exotic because most of the poets were transplanted:

to the Greek poets any place in the Greek world where they were

appreciated and cared for was home. Anacreon sang as well and as

naturally at Samos and Athens as at his native Teos; Simonides's muse

was apparently equally happy in Athens, Thessaly, and Sicily; and even

the Theban eagle suffered no relaxation of his wings at the Syracusan

court; nay, he appears to have made his loftiest flights there. Over

one-third of his epinicion odes are for Sicilian victors. Of the Titan

Æschylus alone of that company one may suspect that, although he did

not always get on well at home, yet the sojourn so far from Eleusis and

Marathon found him homesick and heartsick. It is only rarely in the

world's history that such a lot of stars gather around a court. It is a

good deal that Syracuse was again visited by the muses in the time of

Hiero II., when Theocritus took up his abode there.

The afternoon before we left Syracuse we got a reminder that its

greatness did not all pass away with the Roman occupation. The enormous

catacombs from Christian times speak of new and better days. But what

stirs one more is one particular spot in the crypt of St. Marcian, a

church partly made out of a temple of Bacchus. Here, in front of an

old altar, a block of stone is pointed out as the stone on which St.

Paul stood when he preached at Syracuse. One gets impatiently sceptical

about traces of the saints in Italy; but why not accept the report

that in his three days' stay at Syracuse, recorded in the Acts of the

Apostles, St. Paul preached here? What is more fitting than that, by

the very altar of the god of revelry, the great apostle should speak

as he spoke at Athens? At any rate, I add this spot to Appii Forum and

Tres Tabernæ as a place where I trod in the footsteps of a man beside

whom Gelon, Pyrrhus, and Hannibal were pygmies.

II

On the journey from Syracuse to Girgenti by rail through the heart of

Sicily the most interesting point is Castrogiovanni, the ancient Enna,

called the navel of Sicily, a height from which one sees mountains

diverging in every direction, a real _Knotenpunkt_. The railroad

affords a view of Enna only from some distance as it plunges into a

long tunnel under the ridge joining this height to another almost as

high, on which stands Calascibetta. The surroundings of the old Sikel

town, Enna, which, being early colonized by Syracuse, became a lasting

monument of Greek domination over the Sikel, were probably much more

beautiful in ancient times. On these rather bare heights there was once

such luxuriant growth of woods and flowers that hunting-dogs lost the

scent of the game. In this flower-garden the Sicilian legend placed the

rape of Persephone.

As the train approached Girgenti it passed through the great sulphur

region of the world. Here thousands of boys, many of them under ten

years of age, carry the sulphur up to the surface. These boys are bound

over by their parents to the overseers of the mines for the sum of two

hundred francs, more or less, which they are expected to work off. But

it takes years to do it, and many die before they succeed. The parents

spend the purchase money and the children live on in despair. Our

informant, a German-American, who had come over to study the sulphur

industry, and who was not a sentimentalist, said that the sight of

these boys going up and down the ladders with tears rolling down their

cheeks had made him join in their sighs and carry a heavy heart all the

way to Palermo.

The case of Girgenti is that of Syracuse reversed. Its history is not

so very important, but its ruins are impressive. Even at Himera, where

Theron and Akragas stood by Gelon and Syracuse, it was in a second

rôle. On that occasion, when the larger part of the Carthaginian

prisoners fell to Akragas, apparently because they strayed into

Akragantine territory after the battle, some of the citizens are

said to have got five hundred slaves apiece. From this time Akragas

gave itself up to the amassing of wealth. As a consequence it became

the least martial and most luxurious of Greek cities, showing, like

Corinth, that a Dorian city, when once given over to pleasure, could

outdo the Ionians in that direction. While Syracuse battled with

Athens, Akragas remained neutral. About the only form of strenuous

activity to which it arose was athletics; and even then a victory was

made an occasion for a display of wealth. When Exænetos won in the

stadion at Olympia, three hundred span of milk-white horses accompanied

him into the city.

The luxury of Akragas took on a peculiarly showy and almost gross type.

The men loaded themselves with gold ornaments. They erected tombs to

horses which had won Olympic victories and to other favorite animals. A

typical Akragantine was Gellias, who used to have slaves stand at his

door and invite every passing stranger to come in; and once, when five

hundred knights from Gela made a visit to Akragas in the winter, he

took them all in, entertained them, and gave each of them a new chiton

and himation. That the means of entertainment did not fail him is shown

by the statement that he had three hundred rock-hewn wine-barrels,

holding each a hundred amphoræ, and a big vat holding a thousand

amphoræ, out of which these were filled; and this was _private_

hospitality.

One could hardly expect moderation when such bountiful provision for

carousal was at hand. Athenæus tells a story showing how well the young

men lived up to their privileges. Some of these, drinking themselves

dizzy at a banquet, declared that the house rocked like a ship, and, as

if to avert impending shipwreck, began to lighten ship by pitching the

furniture out of the windows, to the danger, and then to the hilarious

delight, of the passers-by. But as a crowd and some disorder resulted,

the generals went to the house to investigate the matter. The young

bloods were equal to the emergency. They accosted the graybeards as

Tritons, thanked them for deliverance from the storm, and vowed to

sacrifice to them so soon as they had got over their sea-sickness and

fright. The old men, being carried away with the humor of the thing,

entered into the spirit of the joke, and that house was ever after

known as "the ship."

Such a joke might have been played in a good many other towns, but

the following bit of gossip, if not true, is _ben trovato_, and has a

peculiarly Akragantine flavor. It is related that at the fatal siege

of the city by the Carthaginians, when all was at stake, a law was

passed restricting the guards when at their posts to one under-mattress

and one over-mattress, one blanket, and two pillows. If these things

were done in a green tree, what was done in a dry? Empedocles, the

most eminent citizen of Akragas, said of his fellow-citizens that they

indulged in high living as if they were going to die to-morrow, but

built as if they were going to live forever. The first half of this

statement we have to judge by gossip, which, as it is very bulky and

all to the same point, may well make us believe that when there is so

much smoke there must be some fire. For the corroboration of the latter

half, go to Girgenti and _circumspice_.

* * * * *

What a moment was that when, toward the end of the afternoon, after

toiling up from the station on the north side of Girgenti to the city

itself, which occupied the site of the acropolis of Akragas, we looked

down on the plateau sloping southward toward the sea, and dotted with

the famous ruins long known to us by photographs. About a mile below

us, in the direction of the ruins, was the Hôtel des Temples, which we

had been told in Syracuse was to close for the summer the day before.

But as "the Greeks got into Troy by trying," we thought we would try to

get into this hotel, and be near our goal. At the door a boy declared

that the house was closed; but at our request he said he would call the

padrone. In ten minutes there appeared in riding clothes, and leading a

horse, the most charming landlord of Sicily, with a bewitching smile

and the manners of a gentleman. He said that, although his house was

closed and his cook gone, he had not the heart to send us back up into

the city. We could have, he said, eight or nine beds apiece, and, as

he had a hunting comrade with him for the night, he could give us some

soup and meat.

More than satisfied to have established a base of operations, without

a delay of five minutes we were at the Concordia Temple, the most

perfectly preserved Greek temple, unless we except perhaps the Theseum.

Having an hour and a half of daylight, we used it in getting a first

view of nearly everything on the plateau, and then returned to what we

supposed was to be a frugal meal. But the dinner was an Akragantine

feast, the best of the whole journey, with the possible exception of

the next one at the same table. We wondered what sort of a dinner the

regular cook would have produced if this was done by a novice; and when

the padrone made apologies for his dinner, we searched his smiling face

for traces of sarcasm.

The next day we enjoyed in detail what we had already enjoyed in the

lump, that row of temples lined up along the southern edge of the

plateau which here ends in a rocky precipice. These temples when

new, with the city of half a million inhabitants behind it, and the

acropolis above it with still more temples, must have been a very

effective sight to one coming up from the sea five miles away.

[Illustration: SO-CALLED CONCORDIA TEMPLE AT GIRGENTI]

Although the material of the temples is a friable yellow sandstone,

quarried near by, we must not in reconstructing our picture think of

them as yellow temples. They doubtless had stucco and paint enough to

hide this core. The stone is so porous that it is not surprising to

find the columns on the south side--_i.e._, the side most exposed to

the sirocco--badly eaten away. The whole line dates from the fifth

century, and was doubtless planned and begun by Theron, who had armies

of slaves from Himera.

What Greek name the Concordia Temple had is unknown. Holm suspects

that it is the temple of Demeter, although the substructure under a

church farther up the hill has generally been assigned to her. It owes

its excellent preservation to the fact that in the Middle Ages it was

turned into a church of St. Gregory of the turnips, whoever he was,

when the cella walls were perforated with a series of arches on each

side, to let in the light.

The next best preserved is the temple of Hera Lacinia, in the most

commanding situation of all, having the precipice, which is here higher

and more abrupt, on its east front, as well as on its south side. It

is also considerably the highest of the line. Its present name is

surely wrong. It is quite likely to have been a temple of Poseidon,

a divinity held in honor at Akragas, a horse-rearing as well as a

maritime city. The temple of Herakles is more interesting than either

of these, although only one column stands upright; the rest lie as they

were thrown down by an earthquake, in such good order that it would be

easy to set them up again; and the result would be much more important

than Cavalari's so-called temple of Castor and Pollux, which, being a

corner of a temple put together out of two different temples, should be

properly called "Cavalari's folly." The temple of Herakles is rightly

named. It was identified as being at the sacred gate and near the

agora. It is much larger than the two temples already described, and

shows, like them, traces of a great conflagration which reddened the

yellow stone in places. Its ground plan is very clear but peculiar, and

so extremely interesting. Sicily is the place of all others to study

the construction of the Greek temple.

Vacation days in Greece · 第 10 / 13 段