CHAPTER XXVI

JASMINE'S LETTER

"Ian, oh, Ian, what strange and dreadful things you have written to

me!" Jasmine's letter ran--the letter which she told him she had

written on that morning when all was lost. "Do you realize what you

have said, and, saying it, have you thought of all it means to me? You

have tried to think of what is best, I know, but have you thought of

me? When I read your letter first, a flood of fire seemed to run

through my veins; then I became as though I had been dipped in ether,

and all the winds of an arctic sea were blowing over me.

"To go with you now, far away from the world in which we live and in

which you work, to begin life again, as you say--how sweet and terrible

and glad it would be! But I know, oh, I know myself and I know you! I

am like one who has lived forever. I am not good, and I am not foolish,

I am only mad; and the madness in me urges me to that visionary world

where you and I could live and work and wander, and be content with all

that would be given us--joy, seeing, understanding, revealing, doing.

"But Ian, it is only a visionary world, that world of which you speak.

It does not exist. The overmastering love, the desire for you that is

in me, makes for me the picture as it is in your mind; but down beneath

all, the woman in me, the everlasting woman, is sure there is no such

world.

"Listen, dear child--I call you that, for though I am only twenty-five

I seem as aged as the Sphinx, and, like the Sphinx that begets mockery,

so my soul, which seems to have looked out over unnumbered centuries,

mocks at this world which you would make for you and me. Listen, Ian.

It is not a real world, and I should not--and that is the pitiful,

miserable part of it--I should not make you happy, if I were in that

world with you. To my dire regret I know it. Suddenly you have roused

in me what I can honestly say I have never felt before--strange,

reckless, hungry feelings. I am like some young dweller of the jungle

which, cut off from its kind tries, with a passion that eats and eats

and eats away his very flesh to get back to its kind, to his mate, to

that other wild child of nature which waits for the one appeasement of

primeval desire.

"Ian, I must tell you the whole truth about myself as I understand it.

I am a hopeless, painful contradiction; I have always been so. I have

always wanted to be good, but something has always driven me where the

flowers have a poisonous sweetness, where the heart grows bad. I want

to cry to you, Ian, to help me to be good; and yet something drives me

on to want to share with you the fruit which turns to dust and ashes in

the long end. And behind all that again, some tiny little grain of

honour in me says that I must not ask you to help me; says that I ought

never to look into your eyes again, never touch your hand, nor see you

any more; and from the little grain of honour comes the solemn whisper,

'Do not ruin him; do not spoil his life.'

"Your letter has torn my heart, so that it can never again be as it was

before, and because there is some big, noble thing in you, some little,

not ignoble thing is born in me. Ian, you could never know the

anguished desire I have to be with you always, but, if I keep sane at

all, I will not go--no, I will not go with you, unless the madness

carries me away. It would kill you. I know, because I have lived so

many thousands of years. My spirit and my body might be satisfied, the

glory in having you all my own would be so great; but there would be no

joy for you. To men like you, work is as the breath of life. You must

always be fighting for something, always climbing higher, because you

see some big thing to do which is so far above you.

"Yes, men like you get their chance sooner or later, because you work,

and are ready to take the gifts of Fate when they appear and before

they pass. You will be always for climbing, if some woman does not drag

you back. That woman may be a wife, or it may be a loving and living

ghost of a wife like me. Ian, I could not bear to see what would come

at last--the disappointment in your face the look of hope gone from

your eyes; your struggle to climb, and the struggle of no avail.

Sisyphus had never such a task as you would have on the hill of life,

if I left all behind here and went with you. You would try to hide it;

but I would see you growing older hourly before my eyes. You would

smile--I wonder if you know what sort of wonderful, alluring thing your

smile is, Ian?--and that smile would drive me to kill myself, and so

hurt you still more. And so it is always an everlasting circle of

penalty and pain when you take the laws of life you get in the

mountains in your hands and break them in pieces on the rocks in the

valleys, and make new individual laws out of harmony with the general

necessity.

"Isn't it strange, Ian, that I who can do wrong so easily still know so

well and value so well what is right? It is my mother in me and my

grandfather in me, both of them fighting for possession. Let me empty

out my heart before you, because I know--I do not know why, but I do

know, as I write--that some dark cloud lowers, gathers round us, in

which we shall be lost, shall miss the touch of hand and never see each

other's face again. I know it, oh so surely! I did not really love you

years ago, before I married Rudyard; I did not love you when I married

him; I did not love him, I could not really love any one. My heart was

broken up in a thousand pieces to give away in little bits to all who

came. But I cared for you more than I cared for any one else--so much

more; because you were so able and powerful, and were meant to do such

big things; and I had just enough intelligence to want to understand

you; to feel what you were thinking, to grasp its meaning, however

dimly. Yet I have no real intellect. I am only quick and rather

clever--sharp, as Jigger would say, and with some cunning, too. I have

made so many people believe that I am brilliant. When I think and talk

and write, I only give out in a new light what others like you have

taught me; give out a loaf where you gave me a crumb; blow a drop of

water into a bushel of bubbles. No, I did not love you, in the big way,

in those old days, and maybe it is not love I feel for you now; but it

is a great and wonderful thing, so different from the feeling I once

had. It is very powerful, and it is also very cruel, because it

smothers me in one moment, and in the next it makes me want to fly to

you, heedless of consequences.

"And what might those consequences be, Ian, and shall I let you face

them? The real world, your world, England, Europe, would have no more

use for all your skill and knowledge and power, because there would be

a woman in the way. People who would want to be your helpers, and to

follow you, would turn away when they saw you coming; or else they

would say the superficial things which are worse than blows in the face

to a man who wants to feel that men look to him to help solve the

problems perplexing the world. While it may not be love I feel for you,

whatever it is, it makes me a little just and unselfish now. I will

not--unless a spring-time madness drives me to it to-day--I will not go

with you.

"As for the other solution you offer, deceiving the world as to your

purposes, to go far away upon some wild mission, and to die!

"Ah, no, you must not cheat the world so; you must not cheat yourself

so! And how cruel it would be to me! Whatever I deserve--and in leaving

you to marry Rudyard I deserved heavy punishment--still I do not

deserve the torture which would follow me to the last day of my life

if, because of me, you sacrificed that which is not yours alone, but

which belongs to all the world. I loathe myself when I think of the old

wrong that I did you; but no leper woman could look upon herself with

such horror as I should upon myself, if, for the new wrong I have done

you, you were to take your own life.

"These are so many words, and perhaps they will not read to you as

real. That is perhaps because I am only shallow at the best; am only,

as you once called me, 'a little burst of eloquence.' But even I can

suffer, and I believe that even I can love. You say you cannot go on as

things are; that I must go with you or you must die; and yet you do not

wish me to go with you. You have said that, too. But do you not wonder

what would become of me, if either of these alternatives is followed? A

little while ago I could deceive Rudyard, and put myself in pretty

clothes with a smile, and enjoy my breakfast with him and look in his

face boldly, and enjoy the clothes, and the world and the gay things

that are in it, perhaps because I had no real moral sense. Isn't it

strange that out of the thing which the world would condemn as most

immoral, as the very degradation of the heart and soul and body, there

should spring up a new sense that is moral--perhaps the first true

glimmering of it? Oh, dear love of my life, comrade of my soul,

something has come to me which I never had before, and for that,

whatever comes, my lifelong gratitude must be yours! What I now feel

could never have come except through fire and tears, as you yourself

say, and I know so well that the fire is at my feet, and the tears--I

wept them all last night, when I too wanted to die.

"You are coming at eleven to-day, Ian--at eleven. It is now eight. I

will try and send this letter to reach you before you leave your rooms.

If not, I will give it to you when you come--at eleven. Why did you not

say noon--noon--twelve of the clock? The end and the beginning! Why did

you not say noon, Ian? The light is at its zenith at noon, at twelve;

and the world is dark at twelve--at midnight. Twelve at noon; twelve at

night; the light and the dark--which will it be for us, Ian? Night or

noon? I wonder, oh, I wonder if, when I see you I shall have the

strength to say, 'Yes, go, and come again no more.' Or whether, in

spite of everything, I shall wildly say, 'Let us go away together.'

Such is the kind of woman that I am. And you--dear lover, tell me truly

what kind of man are you?

"Your JASMINE."

He read the letter slowly, and he stopped again and again as though to

steady himself. His face became strained and white, and once he poured

brandy and drank it off as though it were water. When he had finished

the letter he went heavily over to the fire and dropped it in. He

watched it burn, until only the flimsy carbon was left.

"If I had not gone till noon," he said aloud, in a nerveless voice--"if

I had not gone till noon ... Fellowes--did she--or was it Byng?"

He was so occupied with his thoughts that he was not at first conscious

that some one was knocking.

"Come in," he called out at last.

The door opened and Rudyard Byng entered.

"I am going to South Africa, Stafford," he said, heavily. "I hear that

you are going, too; and I have come to see whether we cannot go out

together."

The Judgment House · 第 13 / 17 章