CHAPTER I

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THE BOOK-HUNTER AT HOME.

_Of this edition 500 copies have been printed, and 50 upon fine paper._

[Illustration: THE BOOK-HUNTER AT HOME (JAN SIX, BY REMBRANDT)]

THE BOOK-HUNTER AT HOME

BY P. B. M. ALLAN

THE SECOND EDITION, REVISED

[Illustration]

LONDON

PHILIP ALLAN & CO.

QUALITY COURT, CHANCERY LANE

_First Edition_--1920

_Second Edition_--1922

PRINTED BY WHITEHEAD BROTHERS, WOLVERHAMPTON.

THE EPISTLE DEDICATORY

TO THE HONOURABLE AND VERTUOUS LADY MISTRESS E. K. A.

MADAM,

It would be churlish indeed were I to send this book into the

world without some acknowledgment of the share which you have had

in its making. Indeed, I feel that you are chiefly responsible

for it: without your encouragement, your active help, your

patience with me at all times (at which I marvel constantly), it

would never have arrived at completion. Truly it is your name,

not mine, that should appear upon the title-page; for although

mine may have been the hand that penned the words, certain it is

that yours was the mind that guided my pen throughout. It is to

your sympathy, your judgment, your excellent taste, that I am

indebted for every good thing that I have penned; and where I

have put down aught that is trite or insipid, it is due to my

own natural obstinacy in refusing, or carelessness in neglecting,

to defer the matter to your better judgment. Thus it is only

right that whatever praise may be bestowed upon this book should

be accorded to you; my shoulders alone must bear the censure of

the discerning reader.

I am, Madam, your very dutiful,

and loving husband,

THE AUTHOR.

PREFACE

In placing this second edition before his fellow book-lovers, the

author would like to take the opportunity of thanking the

numerous correspondents who have written to him from all parts of

the world. In truth book-collecting establishes a bond between

its devotees that is effected by no other pursuit.

The first edition was put forth only after much hesitation, and

with a good deal of fear and trembling: that a second edition

would ever be required was unthinkable. But since the book has so

obviously been the means of bringing pleasure to so many, the

author feels that it is his duty to bring this second edition 'up

to date,' to make it as perfect as his poor skill allows.

Accordingly the volume has been revised throughout, a number of

additions have been made, both to the text and in the matter of

footnotes, and the prices of books have been amended according to

present conditions. Three illustrations have been added.

QUALITY COURT,

July, 1921.

CONTENTS

CHAP PAGE

I. ADVENTURES AMONG BOOKS 1

II. THE LIBRARY 31

III. BOOKS WHICH FORM THE LIBRARY 58

IV. CHIVALRY AND ROMANCE 84

V. THE CARE OF BOOKS 106

VI. THE CARE OF BOOKS (_Continued_) 126

VII. BOOKS OF THE COLLECTOR 160

VIII. A PLEA FOR SPECIALISM 194

IX. A PLEA FOR SPECIALISM (_Continued_) 230

INDEX 267

ILLUSTRATIONS

THE BOOK-HUNTER AT HOME _frontispiece_

THE PERON page 96

THE HALL OF THE KNIGHTS " 104

THE HOME-MADE LIBRARY " 128

[Illustration]

CHAPTER I

ADVENTURES AMONG BOOKS

'Thou shalt make castels thanne in Spayne.'

CHAUCER.

IT is a sad truth that bargains are met with more frequently in our youth

than in our age. The sophist may argue that age begets philosophy, and

that philosophy contemns all worldly things; yet certain it is that the

book-hunter, one of the most philosophical of beings, remains on the

look-out for bargains to the very end of his career. Nevertheless, it is

a fact that in youth alone do we make those great bargains which lay the

foundations of our careers as book-hunters.

It is this sad truth which fosters in most of us the belief that we live

in a decadent age, and that the days of our youth were infinitely more

seemly than those which we now endure. But it is we who have changed: the

bargains are still there, and may still be had at the cost of youthful

energy and enthusiasm.

'Ah, but you can't get the bargains nowadays that you could when I was a

young man,' says the elderly bookseller, with a knowing shake of his

head. Can't you! Then mankind must have changed strangely since the

period of this sage's youth. Bargains, and rich ones too, in everything

that is bought and sold, are made every day and will continue to be made

so long as human nature endures, bargains in books no less among them.

The rich finds of which the aged bookseller dreams are bargains only in

the light of present-day prices. As a matter of fact, the great majority

of them were not really bargains at all. He may bitterly lament having

parted with a copy of the first edition of the 'Compleat Angler,' in the

'sixties for twenty guineas, but he overlooks the fact that that was then

its market value. Had he asked a thousand pounds for it, his sanity would

certainly have been open to question. 'Why, when I was a boy,' he says,

'you could buy first editions of Shelley, Keats, or Scott for pence.'

Precisely: which was their current value; by no stretch of the

imagination can they be considered bargains. His business is, and has

always been, to buy and sell; not to hoard books on the chance that they

will become valuable 'some day.' Neither can it be urged that 'people'

(by which he means collectors) 'did not know so much about books fifty

years ago.' Collectors know, and have ever known, all that they need for

the acquisition of their particular _desiderata_. If they were ignorant

of the prices which volumes common in their day would realise at some

future period, why, so were the dealers and every one else concerned!

Judging by analogy, we have every reason to believe that many volumes

which we come across almost daily on the bookstalls, marked, perhaps, a

few pence, will be fought for one day across the auction-room table.

The chief reason why the elderly bookseller no longer comes across these

advantageous purchases is that he has passed the age (though he does not

know it) at which bargains are to be had. But bargains are not

encountered, they are made. It is the youthful vigour and enthusiasm of

the young collector, prompting him into the byways and alleys of

book-land, that bring bargains to his shelves.

So, if you are young and enthusiastic, and not to be deterred by a series

of wild-goose chases, happy indeed will be your lot. For over the

post-prandial pipe you will be able to hand such and such a treasure to

your admiring fellow-spirit, saying: 'This I picked up for _n_-pence in

Camden Town; this one cost me _x_-shillings at Poynder's in Reading:

Iredale of Torquay let me have this for a florin; I found this on the

floor in a corner of Commin's shop at Bournemouth; this was on David's

stall at Cambridge, and I nearly lost it to the fat don of King's'; and

so on and so on.

Bargains, forsooth! Our book-hunter was once outbid at Sotheby's for a

scarce volume which he found, a week later, on a barrow in Clerkenwell

for fourpence! The same year he picked up for ten shillings, in London,

an early sixteenth-century folio, rubricated and with illuminated

initials. It was as fresh as when it issued from the press, and in the

original oak and pig-skin binding. He failed to trace the work in any of

the bibliographies, nor could the British Museum help him to locate

another copy. David's stall at Cambridge once yielded to him a scarce

Defoe tract for sixpence. But this being, as Master Pepys said, 'an idle

rogueish book,' he sold it to a bookseller for two pounds, 'that it might

not stand in the list of books, nor among them, to disgrace them, if it

should be found.' A copy has recently fetched twenty guineas.

Doubtless every bibliophile is perpetually on the look-out for treasures,

and it is essential that he learn, early in his career, to make up his

mind at once concerning an out-of-the-way book. He who hesitates is lost,

and this is doubly true of the book-collector. More than once in his

early days of collecting has our book-hunter hesitated and finally left a

book, only to dash back--perhaps a few hours later, perhaps next day--and

find it gone.

Once upon a time a spotlessly clean little square octavo volume of

Terence, printed in italics, caught his eye upon a bookstall. One

shilling was its ransom, but it was not the price that deterred him so

much as the fact that every available nook and corner of his sanctum was

already filled to overflowing with books. 'A nice clean copy of an

early-printed book,' he mused. But early-printed books were not in his

line--then; had they been in those early days of book-hunting, his

library would have been slow indeed of growth. So he passed on and left

it.

All that evening the memory of the little square volume would keep

recurring most absurdly. He didn't want it, it was not in his line, he

would never read it, and so on and so on. But over his pipe that evening

the colophon '. . . . _studio & impensis Philippi de Giunta florentini

. . ., 1505_,' came back to his memory; he must have been mad not to have

bought it at that price, and such a fine copy too. And so to bed, sorely

harassed in his bibliophilic mind.

Next morning he awoke sane and conscious of his folly. An early visit to

the bookstall followed, but the little volume had gone; and it was not

comforting to learn that it had been sold shortly after our bookman saw

it, to a man who 'knew a lot about that kind of books.' Let us hope that

the purchaser treasures the little square volume, printed in italics, as

much as our friend would.

What poignant memories they are, these memories of rare books which we

have found and failed to secure! Two prominent instances of our bookman's

folly stand out with bitter clearness, ever fresh in his memory as a

reminder of the criminal stupidity of procrastination. One was an

exceedingly scarce work by Lawrence Humphrey, entitled 'Optimates sive De

Nobilitate eiusque Antiqua Origine,' printed in small octavo at Basle in

1560, which he once saw in a catalogue for five shillings. He sent for it

three days after the receipt of the catalogue, and of course it had gone.

The other was an unknown, or at least undescribed, edition of Osorio's

'De Gloria et Nobilitate,' printed at Barcelona in the early part of the

sixteenth century. He lost this in the same manner, at two shillings!

Perhaps, however, you too have been guilty of these lapses, reader?

_Semel insanivimus omnes._ Experience is better than advice, and for his

part our book-hunter will not be caught napping again. The following

incident will show you, moreover, that it is not always safe to order

books from a catalogue even by return of post.

For many years he had searched in vain for that rarest of all English

heraldry books (though not properly English, for it is in the Latin

tongue), the 'De Studio Militari, Libri Quatuor' of Master Nicholas

Upton. It was edited by Sir Edward Bysshe, and printed in folio at London

in 1654. The numerous booksellers in London and the country from whom he

sought it had never seen it; indeed, most of them were unaware of its

existence, though it is well known to all heralds.

At length, coming home late one night, our book-hunter found on his table

a catalogue from a bookseller who seems to garner more out-of-the-way

books than any of his fellows. His catalogues are issued very frequently,

for he has a large and quick sale, pricing most of his wares at less than

five shillings. Moreover, the fact that the books described therein are

thrown together without any attempt at classification, even alphabetical,

serves but to add a zest to the repast. But our book-hunter was tired,

and his evil star was in the ascendant, for he went to bed leaving the

catalogue unopened.

Reading it over a late breakfast next morning, upon the last page he came

across the following entry:--

Uptoni (Nich.) De Studio Militari. Johan de Bado Aureo, Tractatus

de Armis. Henrici Spelmanni Aspilogia. Folio, calf. _Scarce._ 8s.

6d.

Scarce, indeed! In less than five minutes he was driving hot-haste to the

shop.

Of course it was sold: sold by _telegram dispatched the night before_. He

was allowed to see it, even to handle it, and he frankly confesses that

murderous thoughts rose within him as he held it in his hands. . . . The

bookseller was an old man . . . the shop was very dark . . . just a push,

and perhaps one firm application _super caput_ of a large-paper copy of

Camden's 'Britannia' which lay handy upon the table. . . . But I am glad

to say that our bookman's better nature prevailed, and sorrowfully he

returned the volume to the dealer's hands. Did he know the customer, and

if so would he try to buy it back? Certainly he would. A week later came

a letter saying that the customer was also a collector of these things,

but that he was willing to part with it 'at a price.' Unfortunately his

price was not our book-hunter's, and he failed to secure the

treasure--then.

Now comes the more pleasant sequel. About a year later, coming home in

the small hours from a dance, our bookman found a catalogue from this

same bookseller on his table. Although tired out, his previous bitter

experience had taught him a lesson; so pulling up a chair before the

remains of the fire he proceeded to skim through the catalogue. He had

reached the last page, and was already beginning to nod, when suddenly

his weariness vanished in a flash: he was wide awake and on his feet in

an instant, for his eyes had met the same entry that had thrilled him a

year ago. This time it was described as 'very scarce,' and the price was

considerably enhanced; but he had his coat on and was in the street

almost immediately.

The nearest telegraph office likely to be open at such an hour was a mile

away, and it was a miserable night, snowing and blowing; but no weather

would have deterred him. So the telegram was safely dispatched, and he

returned to bed, pinning a notice on the bedroom door to the effect that

he was to be called, without fail, at seven o'clock.

That night he was obsessed by Uptons of all shapes and sizes. Some he

beheld with agony, cut down by the ruthless binder to duodecimo size;

others there were no larger than Pickering's Diamond Classics; some (on

his chest) were of a size which I can only describe as 'Atlas,' or,

perhaps more appropriately, 'Elephant Folio,' large-paper copies with

hideous margins.

Next morning our bookman was at the shop betimes. Yes! his wire had

arrived; Upton was his at last! Should the dealer send it for him by

carrier? Carrier, forsooth! As well entrust the Koh-i-noor to a messenger

boy. Of course it was the same copy that our friend had missed

previously, the owner having sold his books _en bloc_ in the meantime.

Why Upton is so scarce it is hard to say; perhaps very few copies were

printed, or perhaps a fire at the printer's destroyed most of them.

Certain it is that the premises of James Allestry and Roger Norton, who

published the book, were both burnt in the great fire twelve years after

its publication. Besides the two copies in the British Museum, there are

examples of it in several of the ancient libraries throughout the

kingdom; but it is very rarely indeed to be met with in the London

salerooms.[1] Dallaway mentions two copies as being, in 1793, in the

library of Lord Carlisle at Naworth; and probably there are examples in

some of the libraries of our older nobility. There would seem to be

copies, also, in France; for several writers upon chivalry, such as La

Roque and Sainte Marie, make mention of it. The writer bought a portion

of it, some forty-eight pages, a few years ago for four shillings. But

take heart, brother bibliophile; it is quite possible that you may

unearth a copy some day--if indeed the book be in your line--long buried

in the dust of some old country bookshop.

Upton died in 1457, and his work was so popular that numerous copies of

the manuscript were made. The treatise on coat-armour, or 'cootarmuris,'

as it is quaintly spelt, which comprises the third part of the 'Book of

Saint Albans' (first printed in 1486), is, for the greater part, a

literal translation of the second half of the fourth book of the 'De

Studio Militari' as printed by Bysshe. Ames, in his 'Typographical

Antiquities,' asserts that Upton's work was reprinted from the St.

Albans book in folio, 1496, 'with the King's Arms and Caxton's mark

printed in red ink.' But he gives no authority for his assertion, and it

seems doubtful whether such a volume ever existed. At all events there

does not appear to be any trace of such a book beyond this mention, and

Herbert, editing Ames, omitted the whole passage. Hain,[2] probably

copying Ames, calls this supposititious work 'De Re Heraldica,' and

states that it was printed at Westminster in 1496 'Anglice.' So much for

worthy Master Nicholas, Canon of Salisbury and protege of the 'good duke

Humfrey.'

There is a curious phenomenon of not infrequent occurrence among

book-collectors, and that is the enforced acquisition of certain volumes

solely by means of the passive persuasion of their presence. In other

words, it is possible to bully the bibliophile into purchasing a book

merely by obtruding it continually before his gaze, till at length its

very presence becomes a source of annoyance to him. To escape from this

incubus he purchases the volume.

In nine cases out of ten, books so acquired never attain the same status

as their fellow-volumes. They are invariably assigned either to the

lowest or topmost shelves of the library, and are, in fact, pariahs.

Their owner did not really want them, and he can never quite forgive

their presence on his shelves. Generally their stay in any one home is

not a long one, for they are weeded out at the first opportunity, and

find no permanent rest until they come finally to that ultimate goal of

books, the paper mills. I confess that in my early days of

collecting this phenomenon was of not infrequent occurrence, being

associated, probably, with the indecision of youth. And in this

connection a bookseller once told me an interesting story.

A certain young man of the working class, on his way to work every day,

used to pass a bookstall situated in a narrow alley. Every day he glanced

at the books, and as custom was scanty he would notice what books were

sold and with what works the bookseller filled the empty places on the

shelves. In this way all of the books which the young man had first

noticed gradually disappeared, with one exception. This was a volume

bound in calf, containing some rather curious poems, and no one seemed to

want it. At length, after some weeks, the young man could stand it no

longer. He approached the bookseller, and for sixpence the volume became

his.

The verses seemed to him rather poor, though one entitled 'Hans Carvel'

amused him rather. The title-page bore the date 1707, and he wondered who

was the 'E. Curll at the Peacock without Temple-Bar,' for whom the work

was printed. Some time afterwards he read in the newspaper that a certain

book had been sold for a large sum because of a misprint in it. This set

him wondering . . . 'at the Peacock _without_ Temple-Bar . . .'

Temple-Bar without a peacock he could imagine: surely this was a

misprint! Perhaps the book was valuable, and others had not 'spotted' the

error!

And now he bethought him of an acquaintance who kept a bookshop in the

West End of the town, a man who knew a lot about old books. He would take

it to him and ask his advice. So, one Saturday afternoon he carried his

'treasure' to the shop in question. Inside, an elderly man was examining

a calf-bound volume.

'. . . the first authentic edition, seventeen hundred and nine,' he was

saying.

The young man glanced at the volume under discussion, and as a page was

turned he caught sight of the heading 'Hans Carvel.' Good gracious; this

volume was the same as his! Just then the elderly man looked up, and the

young fellow handed his volume to the bookseller, saying: 'Here's another

one, same as that, but mine's got something wrong on the front page.'

The bookseller opened the newcomer's volume, looked at the title-page,

and handed it without a word to his customer, who took it with a look of

surprise.

'Something wrong?' said he, 'why, bless me, what's this--1707--that

rascal Curll's edition--where did you get this?'

The young man told him, adding that he gave sixpence for it.

'Sixpence, did you?' said the connoisseur; 'well, I'll give you six

guineas for it': which he did, there and then.

It was a copy of the rare 'pirated' collection of his poems, published

without Matt Prior's knowledge, some two years before the first authentic

edition appeared. Some years later, when the elderly collector died, this

volume came to the saleroom with the rest of his books. It realised forty

pounds! So much for the ugly duckling.

What an absorbing topic is that of 'lost books'! There is a fascination

about the subject that every bibliophile must have experienced. 'Hope

springs eternal in the human breast,' and it is impossible to read of

books long lost without making a mental note of their titles in the hope

that some day we may come across them. Perhaps it is these memories,

pigeon-holed in our mind, that add a zest to anticipation whenever we go

book-hunting on our travels. But alas! the reward for the bibliophile's

hope in this direction is rare as the blossoming of the aloe.

It is curious to think of the thousands of books that have completely

disappeared. Nowadays the Act which assures the preservation in our

greater libraries of every book published in this country will doubtless

prevent the disappearance of a good many English books of lesser

importance, such as school books and other works that are quickly

superseded. But before the passing of this Act there was nothing to

prevent an unpopular or useless work from becoming extinct, and vast

numbers must have disappeared in this country alone. There are many

books, however, important books even, and books which we know to have

been immensely popular in their day, of which so much as a glimpse has

been denied us. The 1606 octavo of 'The Passionate Pilgrim,' the first

issue of John Barclay's satirical romance 'Euphormionis Lusinini

Satyricon,' published at London in 1603, the 'Famous Historie of the

Vertuous and Godly Woman Judith,' London, 1565 (of which a title-page has

been preserved), what would not every book-collector give for copies of

these?

Then there are such early-printed works as Caxton's translation of the

Metamorphoses of Ovid, probably published by him about 1480, 'The Life of

St. Margaret' (known by three leaves preserved in the Bodleian), the

'goste of guido' or Ghost of Guy, and the Epitaph of the King of

Scotland, all printed by Pynson, as well as that mysterious volume

ycleped 'The Nigramansir,' said to be by John Skelton the poet-laureate

who lived under five kings and died in 1529. Many of Skelton's works,

perhaps even the majority of his writings, are known to us by title and

hearsay alone; but who shall say that his 'Speculum Principis,' or 'the

Commedy Achademios callyd by name,' which he himself mentions, are lost

beyond all hope of recovery? 'The Nigramansir' was actually seen by

Thomas Warton, the poet-laureate, in the 'fifties of the eighteenth

century, and is described by him in some detail. His account is so

interesting that it deserves quoting.

'I cannot quit Skelton,' he writes, 'without restoring to the public

notice a play, or MORALITY, written by him, not recited in any catalogue

of his works, or annals of English typography; and, I believe, at present

totally unknown to the antiquarians in this sort of literature. It is,

_The_ NIGRAMANSIR, _a morall_ ENTERLUDE _and a pithie written by Maister_

SKELTON _laureate and plaid before the king and other estatys at

Woodstock on Palme Sunday._ It was printed by Wynkin de Worde in a thin

quarto, in the year 1504.'

Against this Warton makes the following note: 'My lamented friend Mr.

William Collins . . . . shewed me this piece at Chichester, not many

months before his death (Collins died in 1759), and he pointed it out as

a very rare and valuable curiosity. He intended to write the History of

the Restoration of Learning under Leo the Tenth, and with a view to that

design had collected many scarce books. Some few of these fell into my

hands at his death. The rest, among which, I suppose, was this Interlude,

were dispersed.'

Warton then goes on to describe the book in detail, and this

circumstance, together with the fact that he quotes one of the stage

directions ('_enter Balsebub with a Berde_') seems to point to the fact

that he actually had the volume in his hands. It concerned the trial of

Simony and Avarice, with the Devil as Judge. 'The characters are a

Necromancer or Conjurer, the Devil, a Notary Public, Simonie, and

Philargyria or Avarice. . . . There is no sort of propriety in calling

this play the Necromancer: for the only business and use of this

character is to open the subject in a long prologue.'[3] Unfortunately

there is no other mention of this interesting work, and of recent years

its very existence has been doubted.

'It was at Chichester,' wrote Hazlitt, 'that the poet Collins brought

together a certain number of early books, some of the first rarity; his

name is found, too, in the sale catalogues of the last century as a buyer

of such; and the strange and regrettable fact is that two or three items

which Thomas Warton actually saw in his hands, and of which there are no

known duplicates, have not so far been recovered.' Mr. Gordon Duff, in

his 'English Provincial Printers,' mentions seventeen books described by

Herbert at the end of the eighteenth century, of which no copies are now

known to exist. Another rare volume is known to have existed about the

same time. A copy, the only one known, of 'The Fabulous Tales of Esope

the Phrygian' by Robert Henryson, published at London in 1577, was

formerly in the library of Syon College; for it is included in Reading's

catalogue of that college library, compiled in 1724. But its whereabouts

is now unknown. Fortunately in this case a later edition has survived.

Another mysterious volume is the treatise concerning Elizabeth Barton,

the Maid of Kent, who was burnt at Tyburn in 1534. Cranmer, describing

her story to a friend, writes: 'and a boke (was) written of all the hole

storie thereof, and putt into prynte, which euer syns that tyme hath byn

comonly sold and goone abrod amongs all people.' From the confession of

John Skot, the printer of this work, at the trial, it seems that seven

hundred copies were printed; but no copy is now known to exist.

Other works there are as yet unseen by bibliographer, such as Markham's

'Thyrsis and Daphne,' a poem printed in 1593, and the 1609 and 1612

quartos of Ben Jonson's 'Epicoene or the Silent Woman.' This last was

seen by William Gifford a century ago, but neither is now known to exist.

Or is a copy extant of Horace's 'Art of Poetry' english'd by Jonson and

published so late as 1640. Alas! the list of works by 'rare Ben Jonson'

now lost to us, it is feared, for ever, is quite a lengthy one. Who has

seen the original issue of 'Gude and Godlie Ballatis,' printed at

Edinburgh in 1546? Of this book it has been said that, after the Bible,

it did more for the spread of Reformation doctrines in Scotland than any

other volume; so presumably a fairly large edition was printed.

That the editions of some of these early-printed books, now with us no

more, were of considerable size may be judged from contemporary evidence

of their widespread popularity. Speaking of the 'Morte d'Arthur,' Mr. E.

G. Duff remarks: 'Of the popularity of the book we have striking

evidence. Of Caxton's edition two copies are known, of which one is

imperfect.[4] The second edition, printed by Wynkin de Worde in 1498, is

known from one copy only, which is imperfect; while the third edition,

also printed by de Worde is, again, only known from one imperfect copy.

It may well be, considering these facts, that there were other

intervening editions which have entirely disappeared.'

Of the thirteen early editions of Shakespeare's 'Venus and Adonis' only

twenty-two copies have so far been traced. Yet if each of these editions

comprised only 250 copies, the tale of survivors is not large out of a

total of 3,250. 'Printers and publishers . . . strained their resources

to satisfy the demands of eager purchasers,' remarks Sir Sidney Lee; so

presumably the estimate of 250 per edition is a conservative one.

Where are these volumes now? It is difficult to believe they have been

utterly destroyed, leaf by leaf, so that no vestige of them any longer

exists. Surely they will turn up at an auction sale some day, for they

may well be safely ensconced, at this very moment, on the shelves of some

neglected country library. Mr. Duff himself records the discovery

recently of a copy of Caxton's 'Speculum,' 'amongst some rubbish in the

offices of a solicitor at Birkenhead.'

What a vast number of books there is, also, of which only one copy is

known to exist. Of the early editions of Shakespeare's plays alone, more

than a dozen are known by solitary examples. Of such books Hazlitt

remarks that he 'has met in the course of a lengthened career with

treasures which would make a small library, and has beheld no

duplicates.' Probably many of these _incognita_ and _rarissima_ perished

in the great fire of London; others again met their fate solely through

their own popularity, being 'thumbed' to pieces. In 1494 Pynson thought

well enough to reprint Caxton's 'Book of Good Manners'; but of this once

popular book one copy only--that which was formerly in the Amherst

Library--now survives.

Then there is that ancient romance of European popularity 'The four Sons

of Aymon.' One of the great cycle of Charlemagne romances, such was its

popularity that by the end of the thirteenth century it had penetrated

even to Iceland. Many and various were the editions that issued from the

early presses. Caxton printed it about 1489, but of this thick quarto

impression one imperfect copy only has survived. A second edition, as we

learn from the colophon of the third edition, was 'imprinted at London by

Wynken de Worde, the viii daye of Maye, and the year of our lorde

M.CCCCC. iiii'; but a solitary leaf, discovered in the binding of an

ancient book, is the sole representative of an edition that ran probably

into several hundreds.

In the case of some at least of these early books there is another reason

for their disappearance and scarcity. Stephen Vaughan, the indefatigable

agent of Mr. Secretary Cromwell, writing to his master from Antwerp,

mentions that he is 'muche desirous t'atteyne the knowlage of the Frenche

tonge,' but that he is unable to obtain a copy of the only primer which

he knows to exist. This volume, called 'L'Esclarcissement de la Langue

Francoyse,' was 'compose par Maistre Jehan Palsgraue, Angloys, natyf de

Londres et gradue de Paris,' and was printed by Pynson, though it was

finished and published by Hawkins in 1530.

Palsgrave, the author, seems to have been determined that his book should

not fall into the hands of other teachers of French (he was 'scolemaster'

to the Princess Mary, sister of Henry VIII., in 1513, at a stipend of L6

13s. 4d.); and although Vaughan writes that he 'made not a letle labour

to Mr. Palsgrave to have one of his books,' yet 'in no wise he wolde

graunt for no price.' So Vaughan entreats Thomas Cromwell to obtain a

copy for him, 'not doubtyng but though he unkyndly denyd me one, he will

not denye youe one.'

Apparently Palsgrave had entered into some kind of arrangement with the

printer, for Vaughan writes that he 'hathe willed Pynson to sell none of

them to any other person than to suche as he shall comaunde to have them,

lest his proffit by teching the Frenche tonge myght be mynished by the

sale of the same to suche persons as, besids hym, wern disposed to studye

the sayd tongue.'

From this premise it is easy to understand why 'L'Esclarcissement' is

such a rare book. Very few copies indeed are known to exist. Yet one

cannot help wondering what became of the copies that had not been

disposed of at the author's death. Possibly a very small number was

printed, and perhaps 'Johan Haukyns,' faithful to his pact, destroyed

those on hand. That the book was in high esteem may be gathered from the

fact that, in spite of his rebuff, Vaughan says: 'If I had one, I wolde

no less exteme it then a Jewell.' The letter ends with a delightful burst

of ingenuousness. 'Syr, I remember Mr. Palsgrave gave youe one of his

books, which if it please you to geve me I wer muche bounde to youe.'

Whether he obtained a copy in the end history does not relate; but if our

book-hunter is ever so fortunate as to come across one, like Vaughan he

will certainly 'no less exteme it then a Jewell.'

Very many, indeed the vast majority, of the popular jest-books which

appeared in such numbers during Queen Elizabeth's reign are now lost to

us. Some are known by later quotation of their titles, others by later

editions, such as 'The Life of Long Meg of Westminster,' 'A Lytle and

Bryefe Treatyse called the Defence of Women,'[5] etc. But these were

small volumes of few pages, and were doubtless considered as little

worthy of preservation as is the modern 'penny dreadful.' 'But, when we

consider how very many of these early books have come down to our time

only in single copies or even fragments out of an edition of some

hundreds, it is only natural to suppose that a great number must have

utterly disappeared.'[6]

It is not for want of enterprise that so many of these books have not so

far been recovered. The smaller and more remote towns, even villages, of

these islands and the Continent have been, and are being, ransacked by

dealers as well as collectors. The number of works hitherto undescribed

that has been brought to light during the last sixty years must be

considerable; and one still hears every now and then of some rich trover

that has been unearthed. In 1887 a small octavo manuscript volume, in a

worn brown binding, was offered at the end of a sale at Sotheby's. It had

stood, for how long no man knows, on the shelf of a small parish library

in Suffolk; and it was offered for sale 'presumably as being unreadable

to country folk, and capable of being turned into hard cash wherewith a

few works of fiction might be purchased.' Acquired by the Bodleian

Library for L6, it proved, by perhaps one of the most romantic chains of

evidence ever attached to a book,[7] to be the favourite devotional

volume and constant companion of Saint Margaret, Queen of Scotland, who

died in 1093. It was not until 1905 that the original quarto edition

(1594) of Shakespeare's 'Titus Andronicus' was known to exist, when a

copy was discovered and sold for L2000.

Books travel far afield. At the dissolution of the monasteries the rich

libraries that many of them possessed were scattered far and wide. One of

these religious houses was famed for its rich store of books; and that

the report was not exaggerated we know from its ancient library

catalogue, still extant. In this case some of the books were taken by the

inmates with them into exile in Flanders; and when the small community

migrated thence to Portugal, the precious tomes were carried reverently

with them. A fire at their convent in 1651 destroyed a large number of

the volumes, and when some of the nuns returned to England in 1809 they

brought the remaining books with them. Some were sold, but three cases of

these ancient books were sent back to the nuns who stayed behind in

Portugal, and of these cases two were lost in transit.

London, however, has always been the centre of book production in this

country, and it is there that any existing copies of these forgotten

books are most likely to re-appear. Was not a priceless manuscript, a

Household Book of the Black Prince, discovered only a few years ago in

the office of a city lawyer? Once, in the course of his rambles by the

bookstalls of the Farringdon Road,[8] our book-hunter caught a glimpse of

an old box almost covered by books and prints on one of the stalls. Being

unearthed, it proved to be a veritable gem of a trunk, about two feet by

one, and nine inches deep. It had a convex lid, and was covered with

shaggy horsehide, bound with heavily studded leather. The proprietor

stated that he had found it in a cellar, full of old books, most of which

had already been sold (his listener promptly pictured Caxtons among

them); and he was amused to think that any one could be so foolish as to

offer him two shillings for such a dirty old box. However, it was carried

home in triumph, regardless of the great interest shown by

fellow-travellers in the train. A year or two ago the same vender

produced a similar trunk, rather larger, which was full of ancient deeds

relating to property in Clerkenwell. These he sold for a shilling or two

shillings apiece, according to size and seals. The box was larger than

our bookman wanted, but apparently it soon found a purchaser.

Surely such instances must be common in this great city, and many a trunk

must yet linger in cellars and attics in the old parts of the town. Not

many years ago our book-hunter chanced to visit an ancient house at the

end of a small court off Fleet Street. Inside, it seemed to be entirely

lined with oak planking, and it was occupied, or at least that part into

which he penetrated was, by a printer in a small way of business. The

staircase was magnificent, of massive coal-black oak; and when our

book-hunter remarked upon it, the printer informed him he had discovered

that the house had once been the town residence of a famous bishop of

Tudor times.[9] How the occupant discovered this fact our bookman does

not remember; possibly the house is well known to antiquaries, and the

occupier may have read about it or have been told by the previous tenant.

But it is also within the bounds of possibility that he unearthed some

deed or papers relating to the premises. It is strange, too, that one of

the few letters of this bishop which have been preserved refers to books.

'Ye promised unto me, long agone,' he writes to Secretary Cromwell, 'the

Triumphes of Petrarche in the Ytalion tonge. I hartely pray you at this

tyme by this beyrer, . . . to sende me the said Boke with some other at

your deuotion; and especially, if it please you, the boke called

Cortigiano in Ytalion.'[10]

There must be many such houses still extant in London, and who knows what

there may be in their long-disused attics? Hidden away in the darkness

beneath their tiles, between joists and under the eaves, it is possible

that books till now unknown to us, by sight at least, may still exist. Or

who has explored the lumber accumulated in many a disused cellar within a

quarter of a mile of the Mansion House? The very existence of the trunks

which we have mentioned proves that such things do still linger in the

nooks and crannies of this great city.

And I would not confine my surmise in this direction to London alone. Two

ancient libraries there are, one in the North Countrie, the other in the

West, that to my certain knowledge have never been explored by modern

bibliographer. The latter is spurned and neglected, the books are deep in

dust and even mildew; the former is also neglected, but at least the

house is inhabited. The owner, an old, old woman, will never permit of

any volume being disturbed. It is said that her father collected the

books many years ago, and that she still guards them jealously for him.

Perhaps one day a copy of the 'Nigramansir' will emerge from its long

sleep in some such house as these. Indeed, it is not so much a matter of

surprise that such books should have disappeared, as that they should

have remained hidden for so long. In 1909 an ancient volume was

accidentally discovered in an old manor-house in the North of England,

where it had lain undisturbed for generations. It proved to consist of no

less than five of Caxton's publications bound up together. Moreover, it

was in the original binding, and was bound, probably, by one of Caxton's

workmen, whose initials it bore. On being put up for sale at Sotheby's,

it changed hands at L2,600.

The account which Gairdner gives in the Introduction to his last edition

of the Paston letters, of the loss and rediscovery of those historic

documents, is also a striking example of the manner in which books may

lie hidden for years. For nearly a century the originals of Sir John

Fenn's compilation were utterly lost. 'Even Mr. Serjeant Frere who edited

the fifth volume . . . declared that he had not been able to find the

originals of that volume any more than those of the others. Strange to

say, however, the originals of that volume were in his house all the

time. . . .' Gairdner then applied to the owner of Roydon Hall for the

remainder of the manuscripts, but received answer 'that he did not see

how such MSS. should have found their way to Roydon.' Yet there they were

discovered (with many others) eight years later! Even then the

whereabouts of the letters forming Fenn's first and second volumes, which

he had presented in 1787 to King George III., was still unknown. 'The

late Prince Consort . . . caused a careful search to be made for them,

but it proved quite ineffectual.' No wonder, for in 1889 they came to

light in a Suffolk manor-house!

It is difficult to portray in words the sensations of the book-collector

when engaged in searching some ancient building or library--especially if

he be upon a 'hot scent.' The thrills that he experiences as he handles

some rich volume that has lain hid for years, the delicious excitement

that pervades him while exploring some huge charter chest or ancient

oaken press, these are feelings not to be described in words. 'It was

discovered in the library at such and such a place,' we read, and we

barely stop to picture the scene of its finding or to imagine the

sensations of its finder. The very finding at Syon by 'Master Richard

Sutton, Esq.,' of the manuscript containing the 'revelacions' of St.

Katherin of Siena, from which de Worde printed his edition, conjures up a

whole romance in itself; yet in his eulogy of the work Wynkyn dismisses

the matter briefly, merely stating that it was found 'in a corner by

itself.' 'We were shipwrecked,' says the mariner, relating his

adventures; and in those three words what a world of incident and

sensations is comprised!

Our book-hunter confesses frankly to having had much good luck in book

collecting. Some years ago he made up his mind to start collecting

Elzeviers, more with the intention of gathering a representative

collection of books printed by that great family of printers than with

any idea of specialising in them. Probably he was urged thereto by

reading that wholly delightful book 'The Library' by Andrew Lang, wherein

the author discourses so pleasantly on these rare pygmies of the book

world. 'The Pastissier Francois,' we read, 'has lately fetched L600 at a

sale'; and the 'Caesar' of 1635 seemed nearly as rare, provided it were a

copy of that impression wherein the 149th page is misprinted '153.' A

little later our bookman was dipping, for the _n_-th time, into that

bibliophile's bible 'The Book Hunter,' by John Hill Burton, whose opinion

of the Caesar seemed even higher, for he devotes nearly half a page to

the little volume which Brunet describes as 'une des plus jolies et plus

rares de la collection des Elsevier.'

That decided our friend. He would collect Elzeviers. Moreover, he would

continue to collect them until he had acquired both the 'Pastissier

Francois' and the 1635 'Caesar.' Such was the confidence of youth! So he

sallied forth straight away, determined to ransack the nooks and corners

of certain shops of his acquaintance.

He didn't find the 'Pastissier Francois' that afternoon, but he found the

1635 'Caesar' in Charing Cross Road for _two shillings_. Moreover, it had

the requisite misprint and certain other distinctions which proclaim it

to be of the rare impression, and it is no less than 126 millimetres in

height! He has not yet come across the Pastissier, but doubtless he will

find a copy one day, provided his luck holds good.

The little 'Pastissier' is a far more interesting volume than the

'Caesar.' The latter is a dainty book, beautifully printed upon fine

paper, with folding maps and plans of castramentation. The 'Pastissier,'

on the other hand, is a disappointing little book in appearance, for it

is but indifferently printed upon poor paper. It cannot even claim the

merit of originality, being merely a pirated reprint of a volume that

appeared in Paris some two years previously.[11] But it is very, very

rare, and it has been celebrated by many distinguished pens.

'"Monsieur," said I, "pray forgive me if my question seems impertinent,

but are you extremely fond of eggs?"'

Such were the words with which Alexandre Dumas first addressed Charles

Nodier, the famous dramatist and bibliophile, whom he found sitting next

to him at the Theatre Porte-Saint-Martin. Dumas' curiosity as to the

little volume that was engrossing his neighbour's attention more than

the play was at length allayed, and it was a view of the title-page that

prompted his unusual question. Looking over his neighbour's shoulder, he

read, opposite the engraved frontispiece, as follows:--

[Illustration: LE PASTISSIER FRANCOIS

Ou est enseigne la maniere de

faire toute sorte de Pastisserie,

tres-utile a toute sorte

de personnes.

_ENSEMBLE_

_Le moyen d'aprester toutes sortes d'oeufs_

_pour les jours maigres & autres,_

_en plus de soixante facons._

_A AMSTERDAM_

Chez Louys & Daniel Elzevier

_A M DC LV._]

But Nodier was far from being the gourmet that Dumas supposed him to be.

He was merely a bookhunter devouring a rare 'find'; and the little book,

he explained to Dumas, was one of those tiny volumes published in the

seventeenth century by the house of the Elzeviers at Leyden and

Amsterdam; and of all the many productions of that press, this was the

most sought for by collectors.

Elzeviers, however, are no longer fashionable, in this country at least.

The Caesar might possibly bring five pounds if it came to the notice of an

Elzevier specialist, but I doubt it.[12] Only the Pastissier has retained

its exalted price, probably on account of its notoriety. A copy, in

modern calf binding, sold recently (1917) at Sotheby's for so much as

L130; but Lord Vernon's copy, choicely bound by Cape, realised only L70

at the Sudbury sale in June 1918. However, it was a poor copy and much

cut down.

Railway-trains, among other things, have killed Elzeviers. Nothing could

be more convenient for saddle-bag or knapsack, or the restricted luggage

which one could stow in the boot of a coach. But who makes a practice

nowadays of putting books into his suit-case or gladstone-bag?[13]

Besides, before the advent of railways, there was not the same facility

for distributing books, and one might travel many leagues and visit many

villages without coming to a place where there would be a bookshop. In

travelling nowadays one is continually in the presence of cheap books.

The fate of the little Pastissier was probably that of many popular

books. There must have been thousands of copies of it printed. Dumas, in

that delightful chapter of 'Mes Memoires' which we have just quoted,

makes Nodier say, 'Techener declares that there were five thousand five

hundred copies issued, and I maintain that there were more than ten

thousand printed'; and he goes on to declare that 'there are probably

only ten examples of it left in Europe.' Willems, however, in his

bibliography of the Elzeviers published in 1880, enumerates some thirty

copies, and states that the highest price yet paid for the Pastissier

was 10,000 francs. But that was for a quite exceptional copy. From 4,500

francs to 5,500 francs seems to have been the average value of the book

in Willems' time, and, enthusiast as he is, he hesitates not to describe

it as a 'bouquin insignifiant et mediocrement imprime.'

Its scarcity at the present day is, perhaps, not surprising; for, from

the very nature of its contents, its habitat must always have been the

kitchen rather than the library. How long would such a tiny volume, with

its 130 thin paper leaves, bear the rough and greasy handling of chefs

and 'pastissiers'? Book-shelves are rare in kitchens, and the little book

must have been continually moved from pillar to post. Besides, it is

unlikely that copies for kitchen use would be strongly bound in morocco.

The very printing and paper of the book sufficiently indicate the use to

which its producers at least expected it to be put. So the little 'French

pastrycook' gradually disappeared. Those for whose benefit it had been

written would soon learn its secrets by heart and confide them verbally

to their apprentices; and it would not be long ere the tattered and

greasy booklet found its way into the dustbin.

Of all the _rarae aves_ sought by book-collectors this little volume is

perhaps the most widely known. That copies may still exist in this

country is shown to be possible by the fact (recorded by Willems) that

one was sold at an auction in Belfast. Another was found at Brighton, and

occasionally one appears in the London salerooms, as we have shown. It

requires little imagination to picture merchants and travellers, whose

paths led through the Low Countries at that time, slipping copies into

their pockets or holsters for use in the household across the water. Many

a courtly exile during the Protectorate, glancing through the bookshops

of Amsterdam, must have chanced upon the little volume as a gift for wife

or daughter.

Numbers, also, must have found their way to France. Some years ago our

book-hunter happened to stay at an ancient hostel in Rouen. From the

outside the building was everything that could possibly be desired by

bibliophile or antiquary. It was situated in one of those quaint narrow

back streets that lead towards the Place Henri Quatre; and the courtyard

was so small as scarcely to allow a baker's cart to turn round in it.

Like many of the houses in this ancient town, its crookedness was such

that it seemed impossible for it to remain standing much longer.

Misgivings arose within him as he ascended the staircase, which seemed to

sway as he avoided the broken treads. But the sight of the bedroom he was

to occupy, furnished with such furniture and such a bed, all spotlessly

clean and polished, sent him into the seventh heaven of delight. Here he

could read and write undisturbed for as long as he chose to stay. Surely

pleasant surprises must be in store for one in every way in such

surroundings as these!

It was not long before he got one.

'Will Monsieur require anything to be cooked for him to-night?' inquired

the trim hostess.

It was rather late and our bookman was disinclined to seek a restaurant.

Besides, he was anxious to explore his lodging before it got too dark. An

omelette would be delicious, provided she could make one properly.

'Eggs, perhaps, and tea, with bread and butter'--could she turn the eggs

into an omelette?

'Why certainly,' with a merry laugh, 'of course--_I can prepare eggs in

more than sixty ways._'

To say that our book-hunter started would be to put it mildly. A certain

title-page instantly rose before his eyes. There was only one way in

which anybody could possibly learn to cook eggs in sixty different ways,

and that was by studying the 'Pastissier Francois.' Without the slightest

doubt the hostess possessed a copy, and he was at last to look upon the

tiny volume that he had sought for so long. But as she seemed so proud of

her achievement, could she be induced to part with the precious tome?

These and many other kindred thoughts passed rapidly through his mind as

he repeated slowly 'en plus de soixante facons?'

She laughed again. Ah yes, but she couldn't repeat them _d'abord_, she

would have to _refer to her book_.

He had difficulty in controlling his voice sufficiently to inquire what

her book was.

Oh, it was just a little book which her mother had given her, a little

book of _la cuisine_. Could he see it? Why certainly, but it could not

possibly interest monsieur, it was only a common little book, and dirty.

Ah, as usual it would be soiled, perhaps badly, for it was evidently

still in constant use; but so long as it were complete one might possibly

be able to clean it. What delightful thoughts and anticipations passed

through his mind as the hostess slowly descended the rickety stairs to

fetch her treasure! At last he had found it, and just in the very sort of

house and town where he had always expected to come across it. Well,

well, if you make up your mind to have a thing and search eagerly enough

for it, you are bound to obtain it in the long run.

Then another thought entered his mind: how much should he offer her for

it? Probably she would not part with it unless he named a sum which she

could not resist; yet if the sum were at all large she might suspect the

book's value and refuse. Ten francs, twenty-five, a hundred? While he was

deliberating this important point she was ascending the stairs. Should he

turn his back to her, shut his eyes, and tell her to place the volume on

the middle of the table, then suddenly turn about and gloat upon the

little treasure?

Before he could make up his mind she came in and he got his second

surprise that day. It was not as pleasant as the first, for in her hands

she held a thick octavo volume bound in shiny black leather. Heavens!

. . . a large-paper copy? . . . No, no, impossible. . . .

'Le voici, m'sieu.'

Our poor book-hunter's feelings almost overcame him, and he opened the

dirty manuscript volume mechanically, feebly muttering 'tres

interessant.' She watched him closely, and from that moment considered

him slightly mad. However, the book certainly did contain sixty-two

recipes for cooking eggs as well as receipts for making fancy pastry and

cakes. Whether it was copied out of the 'Pastissier' I know not; but

certain it is that the hostess had no knowledge of, nor had ever seen,

that volume.

There must be many book-treasures lying hid in all these ancient towns of

Northern France, towns also that lie far off the restless tourist's

track, small country towns in which the majority of the houses are

slipshod timbered relics of a bygone age. No striking or unusual feature

can they offer to the curious, and so for the most part they are

dismissed in brief by the guide book. Yet there is many an aged building

in Brittany where old books do still lie hid, as our bookman knows from

the library of a friend who lives in Finisterre. St. Brieuc, Guingamp,

Morlaix, Quimper, even Brest, all these must harbour long-forgotten

books.

But there are other towns which no power on earth shall force our

book-hunter to disclose. One there is far off the beaten track, where the

houses, painted with bright colours, lean all askew, supporting each

other and sometimes almost toppling across the narrow winding streets. So

that, entering it, one seems to have stepped suddenly into some such

fairy town as exists in the pages of Grimm or Hans Andersen; and, half

ashamed, one peers curiously at the dwellers in this goblin town, as

though expecting to find that they have pointed ears and narrow elfin

feet. They never seem to move about, and, sitting at almost every

doorstep, watch one intently from weird nooks and crannies. Hurry and

bustle are here unknown, and though they will reply to you in the best of

French, yet to each other the townsfolk speak a strange and uncouth

tongue.

Once, rambling in the narrow alleys about the ancient church, our

book-hunter ventured through a gothic doorway along a broad passage that

was guarded by a huge and ancient iron grille and presently he found

himself in a small courtyard paved with moss-grown cobbles. About it was

a timbered gallery, roofed, once doubtless level, now gently and

gracefully undulating so that it seemed about to fall from off the wall

to which it was attached. But the walls had also subsided with the

gallery, so that the whole still showed a symmetry that was pleasing to

the eye. Above the gallery and across the front of the building had been

painted the legend HOTEL DU LION D'OR, and a dim weatherbeaten shield

above the doorway still bore the trace of a rampant lion. It seemed a

large building, judging by the number of its windows, far larger than its

present-day custom could possibly warrant.

The place was curiously still, for the noise of carts and footsteps could

never penetrate into that silent court, and it must have been many years

since chaise or horseman clattered across its now mossy _pave_. The

stillness was almost uncanny, forbidding, and our book-hunter hesitated

to cross the courtyard lest the sound of his footsteps should disturb the

slumber of the ancient building. Presently a rat squealed somewhere along

the gallery, and a voice called out sharply within. The spell was broken,

and entering the house he called for a 'petit verre' preparatory to

finding out something of the inn's history.

Yes, it was very old, and madame had been born in it; but now that she

was left alone with Jeanne it was very lonely, and there was little

custom. Did they have many travellers there? Oh no, not for a long time,

the house was not easy to find, and as the old customers died none came

to fill their places. But sometimes Messieurs So and So came in of an

evening and took a 'petit verre,' and then the neighbours were very

friendly, so it was not so bad.

So the hostess prattled on, only too pleased to impart the news of her

little world to a newcomer from the greater one, while all the time

fantastic visions rose before him. He pictured old hide-bound trunks

that had been left behind by travellers who had never returned, trunks

which, opened, would prove to contain priceless black-letter books:

boxes, stored in attics and cellars and in concealed presses, which would

contain ancient apparel with copies of the 'Pastissier' in the pockets:

small travelling bags, tendered by needy scholars in lieu of payment,

which he would find stuffed with rare Elzeviers: rusty iron-bound chests

enclosing missals, books of hours and antiphonals: in short to such

heights did his imagination soar that he resolved to sojourn there till

he had explored the old house from attic to cellar.

Then a rat squealed again, near at hand. Oh yes, they were everywhere,

ever since Monsieur Gautier rented the left wing of the house to store

grain in; and they were _so_ tame and _so_ large that Madame was obliged

to keep miou-miou in her bedroom every night.

That decided our book-hunter. Enthusiasm can be carried too far. Even the

possibilities of a rich trover would not compensate for having rats

running about one's bed at night. Moreover the vermin would surely have

gnawed, if not devoured, any copies of the 'Pastissier' that might have

been lying about, even if these were innocent of bacon-grease stains. And

so consoling himself, he took another 'petit verre' and departed, casting

more than one regretful glance backwards at the old Lion d'Or.

FOOTNOTES:

[1] Apparently there is only one copy of Upton's work in the United

States at present--that which was formerly in the Huth Library. It was

purchased at Sotheby's in July, 1920, by a well-known New York dealer,

Mr. G. D. Smith, for ten guineas, the writer of these lines being the

underbidder. Mr. Smith had sent "an unlimited commission" to secure it.

An announcement in _The Bookman's Journal_ (1920) asking for information

respecting other copies elicited but one response.

Since writing the above, the author has secured the splendid presentation

copy given by Upton's editor (Bysshe) to the great Parliamentary leader,

Sir Humphrey Mackworth, of Neath, in Glamorganshire. It had remained at

Glen Uske until the dispersal of the Mackworth Library in 1920.

[2] No. 16096. See page 164.

[3] Possibly the title was _Nigromanser_, from _niger_, black, and

_manser_, a bastard.

[4] The perfect copy was purchased by Mr. Pierpont Morgan at the sale of

the Hoe Library, in 1911, for L8,560. It formed originally one of the

twenty-two Caxtons which were dispersed in 1698 with the library of Dr.

Francis Bernard, Physician to King James the Second, when it realised two

and tenpence! It became the property of the great Robert Harley, Earl of

Oxford, and was acquired later by the Countess of Jersey for two and a

half guineas. Passing thus into the Osterley Park collection, it was

purchased, when that library was sold in 1885, by Bernard Quaritch for

L1,950, becoming the property, the same year, of Mrs. Abby E. Pope, of

Brooklyn, U.S.A.

[5] By Edward More of Hambledon, Bucks.

[6] Mr. E. G. Duff.

[7] For this romantic story see _Books in Manuscript_, by Mr. Falconer

Madan, 8vo, 1893, p. 107 _et seq._

[8] Book-collectors always speak of _The_ Farringdon Road; why, I know

not, but the definite article certainly gives it an old-world tang.

[9] Alas for romance! Truth compels me to add that as the Great Fire

swept across this very court, the existing house must date at earliest

from King Charles' reign. But the site and tradition as to its former

owner may well be true.

[10] _The Courtier_, by Baldassare Castiglione, was first printed at

Venice in 1528, folio. This letter was written by the fearless churchman,

then of Wolsey's household, on the great Cardinal's 'last lingering

journey north.' There is, perhaps, a certain significance in his wish to

study a volume which treats of the art of living in courts, and of

becoming useful and agreeable to princes, for he was shortly to transfer

his services to a royal master.

[11] At the sale of Baron Seilliere's books in 1887, a copy of this

prototype of the Elzevier volume, printed at Paris 'chez Jean Gaillard,'

1653, brought only L6, 10s. It was described as 'a beautiful copy, red

morocco, super extra, gilt edges, by Petit.' It is exceedingly rare,

but--it is not an Elzevier.

[12] A recent (1920) catalogue offers a copy for thirty-five shillings.

[13] I confess that I do, but then I am hopelessly out of date, or I

shouldn't be fond of Elzeviers.

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The Book-Hunter at Home · 第 1 / 9 章