LVI

At eight o’clock in the evening of the same day when Jimmy Dodson made

his nightly pilgrimage to the little room, he was greeted eagerly by

him who kept the chimney-side.

“Our little treatise is in worthy hands at the English Museum?” he

said. “But, good friend, I am so persuaded of it that I do not ask you

to answer.”

“I do answer all the same, old boy,” said Jimmy Dodson with a fervour

which was born of careful preparation. “I took it to the chief, the

head man, the curator or whatever they call him--you see, old boy, I

thought if I left it to an understrapper it might get mislaid.”

“It might, it might,” said the poet with a smile of approval. “This

little world of ours is so strange in its ways.”

“And what is more,” said Jimmy Dodson, “I told him what it was. I told

him it was absolutely the greatest poem in the world.”

“That was doubtless wise,” said the poet with his curious simplicity.

“Yet, what do you think, old boy?” said Jimmy Dodson with indignation.

“He as good as said he didn’t believe it. He as good as called me a

liar.”

“Ah,” said the poet, breathing deep. “And then--and then, in what

manner did you answer him?”

“Why, old boy,” said Jimmy Dodson proudly, “I did precisely what you

would have done yourself. I whipped the string off the parcel; I handed

him the first page of the manuscript, and I said, ‘There it is; now

look at it for yourself!’”

“Oh good, oh brave!” cried he who was sightless. “And--and----?”

As his lips shaped the question, the breath of the dying poet came in

great heavy gasps. The face of the unhappy Dodson was set like a piece

of marble, but there was a curious intensity burning in his eyes.

“And--and? Why, what do _you_ think, old boy?” said the faithful

emissary, and he paused dramatically.

“He was silent,” said the poet. “He did not speak.”

“No, old boy, that is just where you are wrong,” said Jimmy Dodson with

an air of triumph. “He spoke right enough. You see, that chap couldn’t

help himself. At first I felt sure he would go clean out of his mind.

‘My God,’ he said, ‘tell me who is the author of this?’ ‘No,’ said I,

‘the authorship is to remain a dead secret.’ ‘_You_ are not the author

at any rate,’ he said, ‘a common, vulgar little chap like you.’ ‘No,’ I

said, ‘and it is no use pretending that I am; but all the same I have

promised the author that I would keep his secret; and what is more I

am going to keep it.’ ‘I shall see the publishers,’ he said. ‘The world

has a right to know who is the author of this.’ ‘By all means see them

if you like,’ I said, ‘but you will be none the wiser. They don’t know

any more than you do.’ Well, after that the poor old fellow--highly

respectable, too--University man, and so on--behaved as though he was

fairly up the pole. He swore he would know the author; he swore he

wouldn’t let me go out of that room until I had told him your name. You

see, that chap was simply mad keen on poetry; he had edited Chaucer and

Keats and those chaps for the Oxbridge Press. But no, I stood firm;

and when I left him, he said, ‘Well, sir, even if you won’t tell me

the name of the author, I may tell you that this priceless manuscript

will be placed among those we have of Shakespeare and Milton, for’--and

these are his very words, Luney, old boy--‘for,’ said he, ‘this

brown-paper parcel is a national possession.’”

When Jimmy Dodson had concluded his account of this remarkable scene at

the English Museum, and he ventured to look at the blind poet through

the tears that rendered his own eyes so dim, he was overcome by horror.

The sightless eyes of the poet were closed; his head was thrown back

in the chair; his breathing could no longer be heard. The illusion

of death was so complete that for an instant Dodson felt that he had

entered its presence, and that by his own too-faithful hand he had

slain his friend.

However, almost immediately the poet uttered a sigh. He then raised

his head, and opened his sightless eyes again. “Courage, Achilles!” he

could be heard to mutter faintly.

An hour of silence passed ere the voice of the poet was heard again. He

then addressed his unhappy friend in the manner that became the true

prince.

“Jimmy,” he said, “the world will never know what it owes to one strong

and faithful soul.”

Yet again the dying poet held forth his hand, which yet again received

the homage of his unhappy friend.

William Jordan, Junior · 第 54 / 77 题