_Lover._ Thou dost resuscitate dead sounds,--

Hark! how my voice revives, resounds!

_Echo._ Zounds!

_Lover._ I'll question thee before I go,--

Come, answer me more apropos!

_Echo._ Poh! poh!

_Lover._ Tell me, fair nymph, if e'er you saw

So sweet a girl as Phoebe Shaw.

_Echo._ Pshaw!

_Lover._ Say, what will turn that frisking coney

Into the toils of matrimony?

_Echo._ Money!

_Lover._ Has Phoebe not a heavenly brow?

Is not her bosom white as snow?

_Echo._ Ass! No!

_Lover._ Her eyes! was ever such a pair?

Are the stars brighter than they are?

_Echo._ They are!

_Lover._ Echo, thou liest, but can't deceive me.

_Echo._ Leave me!

_Lover._ But come, thou saucy, pert romancer,

Who is as fair as Phoebe? Answer!

_Echo._ Ann, sir.

ANONYMOUS.

ECHO.

I asked of Echo, t' other day,

(Whose words are few and often funny,)

What to a novice she could say

Of courtship, love, and matrimony.

Quoth Echo, plainly,--"Matter-o'-money!"

Whom should I marry?--should it be

A dashing damsel, gay and pert,

A pattern of inconstancy;

Or selfish, mercenary flirt?

Quoth Echo, sharply,--"Nary flirt!"

What if, aweary of the strife

That long has lured the dear deceiver,

She promise to amend her life,

And sin no more; can I believe her?

Quoth Echo, very promptly,--"Leave her!"

But if some maiden with a heart

On me should venture to bestow it,

Pray, should I act the wiser part

To take the treasure or forego it?

Quoth Echo, with decision,--"Go it!"

But what if, seemingly afraid

To bind her fate in Hymen's fetter,

She vow she means to die a maid,

In answer to my loving letter?

Quoth Echo, rather coolly,--"Let her!"

What if, in spite of her disdain,

I find my heart intwined about

With Cupid's dear delicious chain

So closely that I can't get out?

Quoth Echo, laughingly,--"Get out!"

But if some maid with beauty blest,

As pure and fair as Heaven can make her,

Will share my labor and my rest

Till envious Death shall overtake her?

Quoth Echo (_sotto voce_),--"Take her!"

JOHN GODFREY SAXE.

"NOTHING TO WEAR."

Miss Flora Mcflimsey, of Madison Square,

Has made three separate journeys to Paris,

And her father assures me, each time she was there,

That she and her friend Mrs. Harris

(Not the lady whose name is so famous in history,

But plain Mrs. H., without romance or mystery)

Spent six consecutive weeks without stopping

In one continuous round of shopping,--

Shopping alone, and shopping together,

At all hours of the day, and in all sorts of weather,

For all manner of things that a woman can put

On the crown of her head or the sole of her foot,

Or wrap round her shoulders, or fit round her waist,

Or that can be sewed on, or pinned on, or laced,

Or tied on with a string, or stitched on with a bow,

In front or behind, above or below;

For bonnets, mantillas, capes, collars, and shawls;

Dresses for breakfasts and dinners and balls;

Dresses to sit in and stand in and walk in;

Dresses to dance in and flirt in and talk in;

Dresses in which to do nothing at all;

Dresses for Winter, Spring, Summer, and Fall;

All of them different in color and shape,

Silk, muslin, and lace, velvet, satin, and crape,

Brocade, and broadcloth, and other material,

Quite as expensive and much more ethereal;

In short, for all things that could ever be thought of,

Or milliner, _modiste_, or tradesman be bought of,

From ten-thousand-francs robe to twenty-sous frills;

In all quarters of Paris, and to every store,

While McFlimsey in vain stormed, scolded, and swore,

They footed the streets, and he footed the bills!

The last trip, their goods shipped by the steamer Arago,

Formed, McFlimsey declares, the bulk of her cargo,

Not to mention a quantity kept from the rest,

Sufficient to fill the largest-sized chest,

Which did not appear on the ship's manifest,

But for which the ladies themselves manifested

Such particular interest, that they invested

Their own proper persons in layers and rows

Of muslins, embroideries, worked under-clothes,

Gloves, handkerchiefs, scarfs, and such trifles as those;

Then, wrapped in great shawls, like Circassian beauties,

Gave _good-bye_ to the ship, and _go-by_ to the duties.

Her relations at home all marvelled, no doubt,

Miss Flora had grown so enormously stout

For an actual belle and a possible bride;

But the miracle ceased when she turned inside out,

And the truth came to light, and the dry-goods beside,

Which, in spite of Collector and Custom-House sentry,

Had entered the port without any entry,

And yet, though scarce three months have passed since the day

This merchandise went, on twelve carts, up Broadway,

This same Miss McFlimsey, of Madison Square,

The last time we met was in utter despair,

Because she had nothing whatever to wear!

NOTHING TO WEAR! Now, as this is a true ditty,

I do not assert--this, you know, is between us--

That she's in a state of absolute nudity,

Like Powers' Greek Slave, or the Medici Venus;

But I do mean to say, I have heard her declare,

When, at the same moment, she had on a dress

Which cost five hundred dollars, and not a cent less,

And jewelry worth ten times more, I should guess,

That she had not a thing in the wide world to wear!

I should mention just here, that out of Miss Flora's

Two hundred and fifty or sixty adorers,

I had just been selected as he who should throw all

The rest in the shade, by the gracious bestowal

On myself after twenty or thirty rejections,

Of those fossil remains which she called her "affections,"

And that rather decayed, but well-known work of art,

Which Miss Flora persisted in styling her "heart."

So we were engaged. Our troth had been plighted,

Not by moonbeam or starbeam, by fountain or grove,

But in a front parlor, most brilliantly lighted,

Beneath the gas-fixtures we whispered our love,

Without any romance or raptures or sighs,

Without any tears in Miss Flora's blue eyes,

Or blushes, or transports, or such silly actions,

It was one of the quietest business transactions,

With a very small sprinkling of sentiment, if any,

And a very large diamond imported by Tiffany.

On her virginal lips while I printed a kiss,

She exclaimed, as a sort of parenthesis,

And by way of putting me quite at my ease,

"You know, I'm to polka as much as I please,

And flirt when I like,--now, stop, don't you speak,--

And you must not come here more than twice in the week,

Or talk to me either at party or ball,

But always be ready to come when I call;

So don't prose to me about duty and stuff,

If we don't break this off, there will be time enough

For that sort of thing; but the bargain must be

That, as long as I choose, I am perfectly free,

For this is a kind of engagement, you see,

Which is binding on you but not binding on me."

Well, having thus wooed Miss McFlimsey and gained her,

With the silks, crinolines, and hoops that contained her,

I had, as I thought, a contingent remainder

At least in the property, and the best right

To appear as its escort by day and by night;

And it being the week of the STUCKUPS' grand ball,--

Their cards had been out a fortnight or so,

And set all the Avenue on the tiptoe,--

I considered it only my duty to call,

And see if Miss Flora intended to go.

I found her,--as ladies are apt to be found,

When the time intervening between the first sound

Of the bell and the visitor's entry is shorter

Than usual,--I found; I won't say--I caught her,

Intent on the pier-glass, undoubtedly meaning

To see if perhaps it didn't need cleaning.

She turned as I entered,--"Why, Harry, you sinner,

I thought that you went to the Flashers' to dinner!"

"So I did," I replied; "but the dinner is swallowed

And digested, I trust, for 'tis now nine and more,

So being relieved from that duty, I followed

Inclination, which led me, you see, to your door;

And now will your ladyship so condescend

As just to inform me if you intend

Your beauty and graces and presence to lend

(All of which, when I own, I hope no one will borrow)

To the STUCKUPS, whose party, you know, is to-morrow?"

The fair Flora looked up with a pitiful air,

And answered quite promptly, "Why, Harry, _mon cher_,

I should like above all things to go with you there,

But really and truly--I've nothing to wear."

"Nothing to wear! go just as you are;

Wear the dress you have on, and you'll be by far,

I engage, the most bright and particular star

On the Stuckup horizon--" I stopped--for her eye,

Notwithstanding this delicate onset of flattery,

Opened on me at once a most terrible battery

Of scorn and amazement. She made no reply,

But gave a slight turn to the end of her nose--

That pure Grecian feature--as much as to say,

"How absurd that any sane man should suppose

That a lady would go to a ball in the clothes,

No matter how fine, that she wears every day!"

So I ventured again: "Wear your crimson brocade"

(Second turn-up of nose)--"That's too dark by a shade."

"Your blue silk"--"That's too heavy." "Your pink"--

"That's too light."

"Wear tulle over satin"--"I can't endure white."

"Your rose-colored, then, the best of the batch"--

"I haven't a thread of point-lace to match."

"Your brown _moire antique_"--"Yes, and look like a Quaker."

"The pearl-colored"--"I would, but that plaguey dressmaker

Has had it a week." "Then that exquisite lilac

In which you would melt the heart of a Shylock"

(Here the nose took again the same elevation)--

"I wouldn't wear that for the whole of creation."

"Why not? It's my fancy, there's nothing could strike it

As more _comme il faut_"--"Yes, but, dear me! that lean

Sophronia Stuckup has got one just like it,

And I won't appear dressed like a chit of sixteen."

"Then that splendid purple, that sweet Mazarine,

That superb _point d'aiguille_, that imperial green,

That zephyr-like tarlatan, that rich _grenadine_"--

"Not one of all which is fit to be seen,"

Said the lady, becoming excited and flushed.

"Then wear," I exclaimed, in a tone which quite crushed

Opposition, "that gorgeous _toilette_ which you sported

In Paris last spring, at the grand presentation,

When you quite turned the head of the head of the nation;

And by all the grand court were so very much courted."

The end of the nose was portentously tipped up,

And both the bright eyes shot forth indignation,

As she burst upon me with the fierce exclamation,

"I have worn it three times at the least calculation,

And that and most of my dresses are ripped up!"

Here I _ripped out_ something, perhaps rather rash,

Quite innocent, though; but, to use an expression

More striking than classic, it "settled my hash,"

And proved very soon the last act of our session.

"Fiddlesticks, is it, sir? I wonder the ceiling

Doesn't fall down and crush you--you men have no feeling;

You selfish, unnatural, illiberal creatures,

Who set yourselves up as patterns and preachers,

Your silly pretence--why, what a mere guess it is!

Pray, what do you know of a woman's necessities?

I have told you and showed you I've nothing to wear,

And it's perfectly plain you not only don't care,

But you do not believe me"--(here the nose went still higher)--

I suppose, if you dared, you would call me a liar.

Our engagement is ended, sir--yes, on the spot;

You're a brute, and a monster, and--I don't know what."

I mildly suggested the words--Hottentot,

Pickpocket, and cannibal, Tartar, and thief,

As gentle expletives which might give relief;

But this only proved as a spark to the powder,

And the storm I had raised came faster and louder;

It blew and it rained, thundered, lightened, and hailed

Interjections, verbs, pronouns, till language quite failed

To express the abusive, and then its arrears

Were brought up all at once by a torrent of tears,

And my last faint, despairing attempt at an obs-

Ervation was lost in a tempest of sobs.

Well, I felt for the lady, and felt for my hat, too,

Improvised on the crown of the latter a tattoo,

In lieu of expressing the feelings which lay

Quite too deep for words, as Wordsworth would say;

Then, without going through the form of a bow,

Found myself in the entry--I hardly knew how,--

On doorstep and sidewalk, past lamp-post and square,

At home and up-stairs, in my own easy-chair;

Poked my feet into slippers, my fire into blaze,

And said to myself, as I lit my cigar,

"Supposing a man had the wealth of the Czar

Of the Russias to boot, for the rest of his days,

On the whole, do you think he would have much to spare,

If he married a woman with nothing to wear?"

Since that night, taking pains that it should not be bruited

Abroad in society, I've instituted

A course of inquiry, extensive and thorough,

On this vital subject, and find, to my horror,

That the fair Flora's case is by no means surprising,

But that there exists the greatest distress

In our female community, solely arising

From this unsupplied destitution of dress,

Whose unfortunate victims are filling the air

With the pitiful wail of "Nothing to wear."

Researches in some of the "Upper Ten" districts

Reveal the most painful and startling statistics,

Of which let me mention only a few:

In one single house, on the Fifth Avenue,

Three young ladies were found, all below twenty-two,

Who have been three whole weeks without anything new

In the way of flounced silks, and thus left in the lurch

Are unable to go to ball, concert, or church.

In another large mansion, near the same place,

Was found a deplorable, heart-rending case

Of entire destitution of Brussels point-lace.

In a neighboring block there was found, in three calls,

Total want, long continued, of camel's-hair shawls;

And a suffering family, whose case exhibits

The most pressing need of real ermine tippets;

One deserving young lady almost unable

To survive for the want of a new Russian sable;

Still another, whose tortures have been most terrific

Ever since the sad loss of the steamer Pacific,

In which were engulfed, not friend or relation

(For whose fate she perhaps might have found consolation,

Or borne it, at least, with serene resignation),

But the choicest assortment of French sleeves and collars

Ever sent out from Paris, worth thousands of dollars,

And all as to style most _recherché_ and rare,

The want of which leaves her with nothing to wear,

And renders her life so drear and dyspeptic

That she's quite a recluse, and almost a sceptic;

For she touchingly says that this sort of grief

Cannot find in Religion the slightest relief,

And Philosophy has not a maxim to spare

For the victim of such overwhelming despair.

But the saddest by far of all these sad features

Is the cruelty practised upon the poor creatures

By husbands and fathers, real Bluebeards and Timons,

Who resist the most touching appeals made for diamonds

By their wives and their daughters, and leave them for days

Unsupplied with new jewelry, fans, or bouquets,

Even laugh at their miseries whenever they have a chance,

And deride their demands as useless extravagance.

One case of a bride was brought to my view,

Too sad for belief, but, alas! 't was too true,

Whose husband refused, as savage as Charon,

To permit her to take more than ten trunks to Sharon.

The consequence was, that when she got there,

At the end of three weeks she had nothing to wear,

And when she proposed to finish the season

At Newport, the monster refused out and out,

For his infamous conduct alleging no reason,

Except that the waters were good for his gout;

Such treatment as this was too shocking, of course,

And proceedings are now going on for divorce.

But why harrow the feelings by lifting the curtain

From these scenes of woe? Enough, it is certain

Has here been disclosed to stir up the pity

Of every benevolent heart in the city,

And spur up Humanity into a canter

To rush and relieve these sad cases instanter.

Won't somebody, moved by this touching description,

Come forward to-morrow and head a subscription?

Won't some kind philanthropist, seeing that aid is

So needed at once by these indigent ladies,

Take charge of the matter? Or won't Peter Cooper

The corner-stone lay of some new splendid super-

Structure, like that which to-day links his name

In the Union unending of Honor and Fame;

And found a new charity just for the care

Of these unhappy women with nothing to wear,

Which, in view of the cash which would daily be claimed,

The _Laying-out_ Hospital well might be named?

Won't Stewart, or some of our dry-goods importers,

Take a contract for clothing our wives and our daughters?

Or, to furnish the cash to supply these distresses,

And life's pathway strew with shawls, collars, and dresses,

For poor womankind, won't some venturesome lover

A new California somewhere discover?

O ladies, dear ladies, the next sunny day

Please trundle your hoops just out of Broadway,

From its whirl and its bustle, its fashion and pride,

And temples of Trade which tower on each side,

To the alleys and lanes, where Misfortune and Guilt

Their children have gathered, their city have built;

Where Hunger and Vice, like twin beasts of prey,

Have hunted their victims to gloom and despair;

Raise the rich, dainty dress, and the fine broidered skirt,

Pick your delicate way through the dampness and dirt,

Grope through the dark dens, climb the rickety stair

To the garret, where wretches, the young and the old,

Half starved and half naked, lie crouched from the cold.

See those skeleton limbs, those frost-bitten feet,

All bleeding and bruised by the stones of the street;

Hear the sharp cry of childhood, the deep groans that swell

From the poor dying creature who writhes on the floor;

Hear the curses that sound like the echoes of Hell,

As you sicken and shudder and fly from the door;

Then home to your wardrobes, and say, if you dare--

Spoiled children of Fashion--you've nothing to wear!

And O, if perchance there should be a sphere

Where all is made right which so puzzles us here,

Where the glare and the glitter and tinsel of Time

Fade and die in the light of that region sublime,

Where the soul, disenchanted of flesh and of sense,

Unscreened by its trappings and shows and pretence,

Must be clothed for the life and the service above,

With purity, truth, faith, meekness, and love;

O daughters of Earth! foolish virgins, beware!

Lest in that upper realm you have nothing to wear!

WILLIAM ALLEN BUTLER.

THE SEA.

She was rich and of high degree;

A poor and unknown artist he.

"Paint me," she said, "a view of the sea."

So he painted the sea as it looked the day

That Aphroditè arose from its spray;

And it broke, as she gazed on its face the while,

Into its countless-dimpled smile.

"What a poky, stupid picture!" said she:

"I don't believe he _can_ paint the sea!"

Then he painted a raging, tossing sea,

Storming, with fierce and sudden shock,

A towering, mighty fastness-rock;--

In its sides, above those leaping crests,

The thronging sea-birds built their nests.

"What a disagreeable daub!" said she:

"Why, it isn't anything like the sea!"

Then he painted a stretch of hot brown sand,

With a big hotel on either hand,

And a handsome pavilion for the band;--

Not a sign of water to be seen,

Except one faint little streak of green.

"What a perfectly exquisite picture!" said she:

"It's the very _image_ of the sea!"

EVA L. OGDEN.

THE PROUD MISS MACBRIDE.

A LEGEND OF GOTHAM.

O, terribly proud was Miss MacBride,

The very personification of pride,

As she minced along in fashion's tide,

Adown Broadway--on the proper side--

When the golden sun was setting;

There was pride in the head she carried so high,

Pride in her lip, and pride in her eye,

And a world of pride in the very sigh

That her stately bosom was fretting!

O, terribly proud was Miss MacBride,

Proud of her beauty, and proud of her pride,

And proud of fifty matters beside--

That wouldn't have borne dissection;

Proud of her wit, and proud of her walk,

Proud of her teeth, and proud of her talk,

Proud of "knowing cheese from chalk,"

On a very slight inspection!

Proud abroad, and proud at home,

Proud wherever she chanced to come--

When she was glad, and when she was glum;

Proud as the head of a Saracen

Over the door of a tippling-shop!--

Proud as a duchess, proud as a fop,

"Proud as a boy with a brand-new top,"

Proud beyond comparison!

It seems a singular thing to say,

But her very senses led her astray

Respecting all humility;

In sooth, her dull auricular drum

Could find in _humble_ only a "hum,"

And heard no sound of "gentle" come,

In talking about gentility.

What _lowly_ meant she didn't know,

For she always avoided "everything low,"

With care the most punctilious;

And, queerer still, the audible sound

Of "super-silly" she never had found

In the adjective supercilious!

The meaning of _meek_ she never knew,

But imagined the phrase had something to do

With "Moses," a peddling German Jew,

Who, like all hawkers, the country through,

Was "a person of no position;"

And it seemed to her exceedingly plain,

If the word was really known to pertain

To a vulgar German, it wasn't germane

To a lady of high condition!

Even her graces--not her grace--

For that was in the "vocative case"--

Chilled with the touch of her icy face,

Sat very stiffly upon her!

She never confessed a favor aloud,

Like one of the simple, common crowd--

But coldly smiled, and faintly bowed,

As who should say, "You do me proud,

And do yourself an honor!"

And yet the pride of Miss MacBride,

Although it had fifty hobbies to ride,

Had really no foundation;

But, like the fabrics that gossips devise--

Those single stories that often arise

And grow till they reach a four-story size--

Was merely a fancy creation!

Her birth, indeed, was uncommonly high--

For Miss MacBride first opened her eye

Through a skylight dim, on the light of the sky;

But pride is a curious passion--

And in talking about her wealth and worth,

She always forgot to mention her birth

To people of rank and fashion!

Of all the notable things on earth,

The queerest one is pride of birth

Among our "fierce democracie"!

A bridge across a hundred years,

Without a prop to save it from sneers,--

Not even a couple of rotten _peers_,--

A thing for laughter, fleers, and jeers,

Is American aristocracy!

English and Irish, French and Spanish,

German, Italian, Dutch and Danish,

Crossing their veins until they vanish

In one conglomeration!

So subtle a tangle of blood, indeed,

No Heraldry Harvey will ever succeed

In finding the circulation.

Depend upon it, my snobbish friend,

Your family thread you can't ascend,

Without good reason to apprehend

You may find it waxed, at the farther end,

By some plebeian vocation!

Or, worse than that, your boasted line

May end in a loop of _stronger_ twine,

That plagued some worthy relation!

But Miss MacBride had something beside

Her lofty birth to nourish her pride--

For rich was the old paternal MacBride,

According to public rumor;

And he lived "up town," in a splendid square,

And kept his daughter on dainty fare,

And gave her gems that were rich and rare,

And the finest rings and things to wear,

And feathers enough to plume her.

A thriving tailor begged her hand,

But she gave "the fellow" to understand,

By a violent manual action,

She perfectly scorned the best of his clan,

And reckoned the ninth of any man

An exceedingly vulgar fraction!

Another, whose sign was a golden boot,

Was mortified with a bootless suit,

In a way that was quite appalling;

For, though a regular _sutor_ by trade,

He wasn't a suitor to suit the maid,

Who cut him off with a saw--and bade

"The cobbler keep to his calling!"

A rich tobacconist comes and sues,

And, thinking the lady would scarce refuse

A man of his wealth, and liberal views,

Began, at once, with "If you _choose_--

And could you really love him--"

But the lady spoiled his speech in a huff,

With an answer rough and ready enough,

To let him know she was up to snuff,

And altogether above him!

A young attorney, of winning grace,

Was scarce allowed to "open his face,"

Ere Miss MacBride had closed his case

With true judicial celerity;

For the lawyer was poor, and "seedy" to boot,

And to say the lady discarded his suit,

Is merely a double verity!

The last of those who came to court,

Was a lively beau, of the dapper sort,

"Without any visible means of support,"

A crime by no means flagrant

In one who wears an elegant coat,

But the very point on which they vote

A ragged fellow "a vagrant!"

Now dapper Jim his courtship plied

(I wish the fact could be denied)

With an eye to the purse of the old MacBride,

And really "nothing shorter!"

For he said to himself, in his greedy lust,

"Whenever he dies--as die he must--

And yields to Heaven his vital trust,

He's very sure to 'come down with his dust,'

In behalf of his only daughter."

The World's Best Poetry, Volume 09: Of Tragedy: of Humour · 第 10 / 19 段