CHAPTER XXI

THE GARDENER

A week later, toward noon, as usual, the two American, muleteers, Smith

and Glenn, sauntered over from their corral to the White Doe Tavern where,

it being a meatless day, they ate largely of potato soup and of a tench,

smoking hot.

The tench had been caught that morning off the back doorstep, which was an

ancient and mossy slab of limestone let into the coping of the river wall.

Jean Courtray, the crippled inn-keeper, caught it. All that morning he had

sat there in the sun on the river wall, half dozing, opening his dim eyes

at intervals to gaze at his painted quill afloat among the water weeds of

the little river Lesse. At intervals, too, he turned his head with that

peculiar movement of the old, and peered at his daughter, Maryette, and

the Belgian gardener who were working among the potatoes in the garden.

And at last he had hooked his fish and the emaciated young Belgian dropped

his hoe and came over and released it from the hook where it lay flopping

and quivering and glittering among the wild grasses on the river bank. And

that was how Kid Glenn and Sticky Smith, American muleteers on duty at

Saint Lesse, came to lunch on freshly caught tench at the Inn of the White

Doe.

After luncheon, agreeably satiated, they rose from the table in the little

dining room and strolled out to the garden in the rear of the inn, their

Mexican spurs clanking. Maryette heard them; they tipped their caps to

her; she acknowledged their salute gravely and continued to cultivate her

garden with a hoe, the blond, consumptive Belgian trundling a rickety

cultivator at her heels.

"Look, Stick," drawled Glenn. "Maryette’s got her decoration on."

From where they lounged by the river wall they could see the cross of the

Legion pinned to the girl’s blouse.

Both muleteers had been present at the investment the day before, when a

general officer arrived from Paris and the entire garrison of Sainte Lesse

had been paraded--an impressive total of three dozen men--six gendarmes

and a brigadier; one remount sub-lieutenant and twenty troopers; a

veterinary, two white American muleteers, and five American negro hostlers

from Baton Rouge.

The girl had nearly died of shyness during the ceremony, had endured the

accolade with crimson cheeks, had stammered a whispered response to the

congratulations of neighbors who had gathered to see the little

bell-mistress of Sainte Lesse honoured by the country which she had served

in the belfry of Nivelle.

------------------

As she came past Smith and Glenn, trailing her hoe, the latter now

sufficiently proficient in French, said gaily:

"Have you heard from Jack again, Mamzelle Maryette?"

The girl blushed:

"I hear from Djack by every mail," she said, with all the transparent

honesty that characterized her.

Smith grinned:

"Just like that! Well, tell him from me to quit fooling away his time in a

hospital and come and get you or somebody is going to steal you."

The girl was very happy; she stood there in the September sunshine leaning

on her hoe and gazing half shyly, half humorously down the river where a

string of American mules was being watered.

Mellow Ethiopian laughter sounded from the distance as the Baton Rouge

negroes exchanged pleasantries in limited French with a couple of

gendarmes on the bank above them. And there, in the sunshine of the little

garden by the river, war and death seemed very far away. Only at intervals

the veering breeze brought to Sainte Lesse the immense vibration of the

cannonade; only at intervals the high sky-clatter of an airplane reminded

the village that the front was only a little north of Nivelle, and that

what had been Nivelle was not so very far away.

------------------

"If you were _my_ girl, Maryette," remarked Smith, "I’d die of worry in

that hospital."

"_You_ might have reason to, Monsieur," retorted the girl demurely. "But

you see it’s Djack who is convalescing, not you."

She had become accustomed to the ceaseless banter of Burley’s two

comrades--a banter entirely American, and which at first she was unable to

understand. But now all things American, including accent and odd,

perverted humour, had become very dear to her. The clink-clank of the

muleteer’s big spurs always set her heart beating; the sight of an

arriving convoy from the Channel port thrilled her, and to her the trample

of mules, the shouts of foreign negroes, the drawling, broken French

spoken by the white muleteers made heavenly real to her the dream which

love had so suddenly invaded, and into which, as suddenly, strode Death,

clutching at Love.

She had beaten him off--she had--or God had--routed Death, driven him from

the dream. For it was a dream to her still, and she thought she could

never be able to comprehend the magic reality of it, even when at last her

man, "Djack," came back to prove the blessed miracle which held her in the

magic of its thrall.

------------------

"Who’s the guy with the wheelbarrow?" inquired Sticky Smith, rolling a

cigarette.

"Karl, his name is," she answered; "--a Belgian refugee."

"He looks like a Hun to me," remarked Glenn, bluntly.

"He has his papers," said the girl.

Glenn shrugged.

"With his little pink eyes of a pig and his whitish hair and

eyebrows--well, maybe they make ’em like that in Belgium."

"Papers," added Smith, "_can_ be swiped."

The girl shook her head:

"He’s an invalid student from Ypres. He looks quite ill, I think."

"He looks the lunger, all right. But Huns have it, too. What does he

do--wander about town at will?"

"He works for us, monsieur. Your suspicions are harsh. Karl is quite

harmless, poor boy."

"What does he do after hours?" demanded Sticky Smith, watching the

manœuvres of the sickly blond youth and the wheelbarrow.

"Monsieur Smith, if you knew how innocent is his pastime!" she exclaimed,

laughing. "He collects and studies moths and butterflies. Is there, if you

please, a mania more harmless in the world?... And now I must return to my

work, messieurs."

As the two muleteers strode clanking away toward the canal in the meadow,

the blond youth turned his head and looked after them out of eyes which

were naturally pale and small, and which, as he watched the two Americans,

seemed to grow paler and smaller yet.

That afternoon old Courtray, swathed in a shawl, sat on the mossy doorstep

and fished among the water weeds of the river. The sun was low; work in

the garden had ended.

Maryette had gone up into her belfry to play the sunset hymn on the noble

old carillon. Through the sunset sky the lovely bell-notes floated far and

wide, exquisitely chaste and aloof as the high-showering ecstasy of a

skylark.

As always the little village looked upward and listened, pausing in its

humble duties as long as their little bell-mistress remained in her tower.

After the hymn she played "Myn hart is vol verlangen" and "Het Lied der

Vlamingen," and ended with the delicate, bewitching little folk-song, "Myn

Vryer," by Hasselt.

Then in the red glow of the setting sun the girl laid aside her wooden

gloves, rose from the ancient keyboard, wound up the drum, and, her duty

done for the evening, came down out of the tower among the transparent

evening shadows of the tree-lined village street.

The sun hung over Nivelle hills, which had turned to amethyst. Sunbeams

laced the little river in a red net through which old Courtray’s quill

stemmed the ripples. He still clutched his fishing pole, but his eyes were

closed, his chin resting on his chest.

Maryette came silently into the garden and looked at her father--looked at

the blond Karl seated on the river wall beside the dozing angler. The

blond youth had a box on his knees into which he was intently peering.

The girl came to the river wall and seated herself at her father’s feet.

The Belgian refugee student had already risen to attention, his heels

together, but Maryette signed him to be seated again.

"What have you found now, Karl?" she inquired in a cautiously modulated

voice.

"Ah, mademoiselle, fancy! I haff by chance with my cultivator among your

potatoes already twenty pupæ of the magnificent moth, Sphinx Atropos,

upturned! See! Regard them, mademoiselle! What lucky chance! What fortune

for me, an entomologist, this wonderful sphinx moth to discover encased

within its chrysalis!"

The girl smiled at his enthusiasm:

"But, Karl, those funny, smooth brown things which resemble little

polished evergreen-cones are not rare in my garden. Often, when spading or

hoeing among the potato vines, I uncover them."

"Mademoiselle, the caterpillar which makes this chrysalis feeds by night

on the leaves of the potato, and, when ready to transform, burrows into

the earth to become a chrysalis or pupa, as we call it. That iss why

mademoiselle has often disinterred the pupæ of this largest and strangest

of our native sphinx-moths."

Maryette leaned over and looked into the wooden box, where lay the

chrysalides.

"What kind of moth do they make?" she asked.

He blinked his small, pale eyes:

"The Death’s Head," he said, complacently.

The girl recoiled involuntarily:

"Oh!" she exclaimed under her breath, "--_that_ creature!"

For everywhere in France the great moth, with its strange and ominous

markings, is perfectly well known. To the superstitious it is a creature

of evil omen in its fulvous, black and lead-coloured livery of death. For

the broad, furry thorax bears a skull, and the big, mousy body the yellow

ribs of a skeleton.

Measuring often more than five inches across the expanded wings, its

formidable size alone might be sufficient to inspire alarm, but in

addition it possesses a horrid attribute unknown among other moths and

butterflies; it can utter a cry--a tiny shrill, shuddering complaint.

Small wonder, perhaps, that the peasant holds it in horror--this sleek,

furry, powerfully winged creature marked with skull and bones, which

whirrs through the night and comes thudding against the window, and

shrieks horridly when touched by a human hand.

"So _that_ is what turns into the Death’s Head moth," said the girl in a

low voice as though to herself. "I never knew it. I thought those things

were legless cock-chafers when I dug them out of potato hills. Karl, why

do you keep them?"

"Ah, mademoiselle! To study them. To breed from them the moth. The Death’s

Head is magnificent."

"God made it," admitted the girl with a faint shudder, "but I am afraid I

could not love it. When do they hatch out?"

"It is time now. It is not like others of the sphinx family. Incubation

requires but a few weeks. These are nearly ready to emerge, mademoiselle."

"Oh. And then what do they do?"

"They mate."

She was silent.

"The males seek the females," he said in his pedantic, monotonous voice.

"And so ardent are the lovers that although there be no female moth within

five, eight, perhaps ten miles, yet will her lover surely search through

the night for her and find her."

Maryette shuddered again in spite of herself. The thought of this creature

marked with the emblems of death and possessed of ardour, too, was

distasteful.

"Amour macabre--what an unpleasant thought, Karl. I do not care for your

Death’s Head and for the history of their amours."

She turned and gently laid her head on her father’s knees. The young man

regarded her with a pallid sneer.

Addressing her back, still holding his boxful of pupæ on his bony knees,

he said with the sneer quite audible in his voice:

"Your famous savant, Fabre, first inspired me to study the sex habits of

the Death’s Head."

She made no reply, her cheek resting on her father’s knees.

"It was because of his wonderful experiments with the Great Peacock moth

and with others of the genus that I have studied to acquaint myself

concerning the amours of the Death’s Head. _And I have discovered that he

will find the female even if she be miles and miles away._"

The man was grinning now in the dusk--grinning like a skull; but the

girl’s back was still turned and she merely found something in his voice

not quite agreeable.

"I think," she said in a low, quiet voice, "that I have now heard

sufficient about the Death’s Head moth."

"Ah--have I offended mademoiselle? I ask a thousand pardons----"

Old Courtray awoke in the dusk.

"My quill, Maryette," he muttered, "--see if it floats yet?"

The girl bent over the water and strained her eyes. Her father tested the

line with shaky hands. There was no fish on the hook.

"_Voyons!_ The _asticot_ also is gone. Some robber fish has been

nibbling!" exclaimed the girl cheerfully, reeling in the line. "Father,

one cannot fish and doze at the same time."

"Eternal vigilance is the price of success--in peace as well as in war,"

said Karl, the student, as he aided Maryette to raise her father from the

chair.

"Vigilance," repeated the girl. "Yes, always now in France. Because always

the enemy is listening." ... Her strong young arm around her father, she

traversed the garden slowly toward the house. A pleasant odour came from

the kitchen of the White Doe, where an old peasant woman was cooking.

Barbarians · 第 21 / 25 章