There are no machine lines--no lines filed out in iron or cut by the

lathe to the draughtsman's design, drawn with straight-edge and ruler on

paper. The thing has been put together bit by bit: how many thousand,

thousand clods must have been turned in the furrows before the idea

arose, and the curve to be given to this or that part grew upon the mind

as the branch grows on the tree! There is not a sharp edge or sharp

corner in it; it is all bevelled and smoothed and fluted as if it had

been patiently carved with a knife, so that, touch it where you will, it

handles pleasantly.

In these curved lines and smoothness, in this perfect adaptability of

means to end, there is the spirit of art showing itself, not with colour

or crayon, but working in tangible material substance. The makers of

this plough--not the designer--the various makers, who gradually put it

together, had many things to consider. The fields where it had to work

were, for the most part, on a slope, often thickly strewn with stones

which jar and fracture iron.

The soil was thin, scarce enough on the upper part to turn a furrow,

deepening to nine inches or so at the bottom. So quickly does the rain

sink in, and so quickly does it dry, that the teams work in almost every

weather, while those in the vale are enforced to idleness. Drain furrows

were not needed, nor was it desirable that the ground should be thrown

up in "lands," rising in the centre. Oxen were the draught animals,

patient enough, but certainly not nimble. The share had to be set for

various depths of soil.

All these are met by the wheel plough, and in addition it fulfils the

indefinite and indefinable condition of handiness. A machine may be

apparently perfect, a boat may seem on paper, and examined on

principles, the precise build, and yet when the one is set to work and

the other floated they may fail. But the wheel plough, having grown up,

as it were, out of the soil, fulfils the condition of handiness.

This handiness, in fact, embraces a number of minor conditions which can

scarcely be reduced to writing, but which constantly occur in practice,

and by which the component parts of the plough were doubtless

unconsciously suggested to the makers. Each has its proper name. The

framework, on wheels in front--the distinctive characteristic of the

plough--is called collectively "tacks," and the shafts of the plough

rest on it loosely, so that they swing or work almost independently,

not unlike a field-gun limbered up.

The pillars of the framework have numerous holes, so that the plough can

be raised or lowered, that the share may dig deep or shallow. Then there

is the "cock-pin," the "road-bat" (a crooked piece of wood), the

"sherve-wright" (so pronounced)--shelvewright (?)--the "rist," and

spindle, besides, of course, the usual coulter and share. When the oxen

arrive at the top of the field, and the first furrow is completed, they

stop, well knowing their duty, while the ploughman moves the iron rist,

and the spindle which keeps it in position, to the other side, and moves

the road-bat so as to push the coulter aside. These operations are done

in a minute, and correspond in some degree to turning the rudder of a

ship. The object is that the plough, which has been turning the earth

one way, shall now (as it is reversed to go downhill) continue to turn

it that way. If the change were not effected when the plough was swung

round, the furrow would be made opposite. Next he leans heavily on the

handles, still standing on the same spot; this lifts the plough, so that

it turns easily as if on a pivot.

Then the oxen "jack round"--that is, walk round--so as to face downhill,

the framework in front turning like the fore-wheels of a carriage. So

soon as they face downhill and the plough is turned, they commence work

and make the second furrow side by side with the first. The same

operation is repeated at the bottom, and thus the plough travels

straight up and down, always turning the furrow the same way, instead

of, as in the valleys, making a short circuit at each end, and throwing

the earth in opposite directions. The result is a perfectly level field,

which, though not designed for it, must suit the reaping-machine better

than the drain furrows and raised "lands" of the valley system.

It is somewhat curious that the steam plough, the most remarkable

application of machinery to agriculture, in this respect resembles the

village-made wheel plough. The plough drawn by steam power in like

manner turns the second furrow side by side into the first, always

throwing the earth the same way, and leaving the ground level. This is

one of its defects on heavy, wet land, as it does not drain the surface.

But upon the slopes of the Downs no drains or raised "lands" are needed,

and the wheel plough answers perfectly.

So perfectly, indeed, does it answer that no iron plough has yet been

invented that can beat it, and while the valleys and plains are now

almost wholly worked with factory-made ploughs, the South Downs are

cultivated with the ploughs made in the villages by the wheelwrights. A

wheelwright is generally regularly employed by two or three farms, which

keep him in constant work. There is not, perhaps, another home-made

implement of old English agriculture left in use; certainly, none at

once so curious and interesting, and, when drawn by oxen, so thoroughly

characteristic.

Under the September sun, flowers may still be found in sheltered places,

as at the side of furze, on the highest of the Downs. Wild thyme

continues to bloom--the shepherd's thyme--wild mignonette, blue

scabious, white dropwort, yellow bedstraw, and the large purple blooms

of greater knapweed. Here and there a blue field gentian is still in

flower; "eggs and bacon" grow beside the waggon tracks. Grasshoppers hop

among the short dry grass; bees and humble-bees are buzzing about, and

there are places quite bright with yellow hawkweeds.

The furze is everywhere full of finches, troops of them; and there are

many more swallows than were flying here a month since. No doubt they

are on their way southwards, and stay, as it were, on the edge of the

sea while yet the sun shines. As the evening falls the sheep come slowly

home to the fold. When the flock is penned some stand panting, and the

whole body at each pant moves to and fro lengthways; some press against

the flakes till the wood creaks; some paw the dry and crumbling ground

(arable), making a hollow in which to lie down.

Rooks are fond of the places where sheep have been folded, and perhaps

that is one of the causes why they so continually visit certain spots in

particular fields to the neglect of the rest.

THE BREEZE ON BEACHY HEAD

The waves coming round the promontory before the west wind still give

the idea of a flowing stream, as they did in Homer's days. Here beneath

the cliff, standing where beach and sand meet, it is still; the wind

passes six hundred feet overhead. But yonder, every larger wave rolling

before the breeze breaks over the rocks; a white line of spray rushes

along them, gleaming in the sunshine; for a moment the dark rock-wall

disappears, till the spray sinks.

The sea seems higher than the spot where I stand, its surface on a

higher level--raised like a green mound--as if it could burst in and

occupy the space up to the foot of the cliff in a moment. It will not do

so, I know; but there is an infinite possibility about the sea; it may

do what it is not recorded to have done. It is not to be ordered, it may

overleap the bounds human observation has fixed for it. It has a potency

unfathomable. There is still something in it not quite grasped and

understood--something still to be discovered--a mystery.

So the white spray rushes along the low broken wall of rocks, the sun

gleams on the flying fragments of the wave, again it sinks and the

rhythmic motion holds the mind, as an invisible force holds back the

tide. A faith of expectancy, a sense that something may drift up from

the unknown, a large belief in the unseen resources of the endless space

out yonder, soothes the mind with dreamy hope.

The little rules and little experiences, all the petty ways of narrow

life, are shut off behind by the ponderous and impassable cliff; as if

we had dwelt in the dim light of a cave, but coming out at last to look

at the sun, a great stone had fallen and closed the entrance, so that

there was no return to the shadow. The impassable precipice shuts off

our former selves of yesterday, forcing us to look out over the sea

only, or up to the deeper heaven.

These breadths draw out the soul; we feel that we have wider thoughts

than we knew; the soul has been living, as it were, in a nutshell, all

unaware of its own power, and now suddenly finds freedom in the sun and

the sky. Straight, as if sawn down from turf to beach, the cliff shuts

off the human world, for the sea knows no time and no era; you cannot

tell what century it is from the face of the sea. A Roman trireme

suddenly rounding the white edge-line of chalk, borne on wind and oar

from the Isle of Wight towards the gray castle at Pevensey (already old

in olden days), would not seem strange. What wonder could surprise us

coming from the wonderful sea?

The little rills winding through the sand have made an islet of a

detached rock by the beach; limpets cover it, adhering like rivet-heads.

In the stillness here, under the roof of the wind so high above, the

sound of the sand draining itself is audible. From the cliff blocks of

chalk have fallen, leaving hollows as when a knot drops from a beam.

They lie crushed together at the base, and on the point of this jagged

ridge a wheatear perches.

There are ledges three hundred feet above, and from these now and then a

jackdaw glides out and returns again to his place, where, when still and

with folded wings, he is but a speck of black. A spire of chalk still

higher stands out from the wall, but the rains have got behind it and

will cut the crevice deeper and deeper into its foundation. Water, too,

has carried the soil from under the turf at the summit over the verge,

forming brown streaks.

Upon the beach lies a piece of timber, part of a wreck; the wood is torn

and the fibres rent where it was battered against the dull edge of the

rocks. The heat of the sun burns, thrown back by the dazzling chalk; the

river of ocean flows ceaselessly, casting the spray over the stones; the

unchanged sky is blue.

Let us go back and mount the steps at the Gap, and rest on the sward

there. I feel that I want the presence of grass. The sky is a softer

blue, and the sun genial now the eye and the mind alike are

relieved--the one of the strain of too great solitude (not the solitude

of the woods), the other of too brilliant and hard a contrast of

colours. Touch but the grass and the harmony returns; it is repose after

exaltation.

A vessel comes round the promontory; it is not a trireme of old Rome,

nor the "fair and stately galley" Count Arnaldus hailed with its seamen

singing the mystery of the sea. It is but a brig in ballast, high out of

the water, black of hull and dingy of sail: still it is a ship, and

there is always an interest about a ship. She is so near, running along

but just outside the reef, that the deck is visible. Up rises her stern

as the billows come fast and roll under; then her bow lifts, and

immediately she rolls, and, loosely swaying with the sea, drives along.

The slope of the billow now behind her is white with the bubbles of her

passage, rising, too, from her rudder. Steering athwart with a widening

angle from the land, she is laid to clear the distant point of

Dungeness. Next, a steamer glides forth, unseen till she passed the

cliff; and thus each vessel that comes from the westward has the charm

of the unexpected. Eastward there is many a sail working slowly into the

wind, and as they approach, talking in the language of flags with the

watch on the summit of the Head.

Once now and then the great _Orient_ pauses on her outward route to

Australia, slowing her engines: the immense length of her hull contains

every adjunct of modern life; science, skill, and civilisation are

there. She starts, and is lost sight of round the cliff, gone straight

away for the very ends of the world. The incident is forgotten, when one

morning, as you turn over the newspaper, there is the _Orient_ announced

to start again. It is like a tale of enchantment; it seems but yesterday

that the Head hid her from view; you have scarcely moved, attending to

the daily routine of life, and scarce recognise that time has passed at

all. In so few hours has the earth been encompassed.

The sea-gulls as they settle on the surface ride high out of the water,

like the mediaeval caravals, with their sterns almost as tall as the

masts. Their unconcerned flight, with crooked wings unbent, as if it

were no matter to them whether they flew or floated, in its peculiar

jerking motion somewhat reminds one of the lapwing--the heron has it,

too, a little--as if aquatic or water-side birds had a common and

distinct action of the wing.

Sometimes a porpoise comes along, but just beyond the reef; looking down

on him from the verge of the cliff, his course can be watched. His dark

body, wet and oily, appears on the surface for two seconds; and then,

throwing up his tail like the fluke of an anchor, down he goes. Now look

forward, along the waves, some fifty yards or so, and he will come up,

the sunshine gleaming on the water as it runs off his back, to again

dive, and reappear after a similar interval. Even when the eye can no

longer distinguish the form, the spot where he rises is visible, from

the slight change in the surface.

The hill receding in hollows leaves a narrow plain between the foot of

the sward and the cliff; it is ploughed, and the teams come to the

footpath which follows the edge; and thus those who plough the sea and

those who plough the land look upon each other. The one sees the vessel

change her tack, the other notes the plough turning at the end of the

furrow. Bramble bushes project over the dangerous wall of chalk, and

grasses fill up the interstices, a hedge suspended in air; but be

careful not to reach too far for the blackberries.

The green sea is on the one hand, the yellow stubble on the other. The

porpoise dives along beneath, the sheep graze above. Green seaweed lines

the reef over which the white spray flies, blue lucerne dots the field.

The pebbles of the beach seen from the height mingle in a faint blue

tint, as if the distance ground them into coloured sand. Leaving the

footpath now, and crossing the stubble to "France," as the wide open

hollow in the down is called by the shepherds, it is no easy matter in

dry summer weather to climb the steep turf to the furze line above.

Dry grass is as slippery as if it were hair, and the sheep have fed it

too close for a grip of the hand. Under the furze (still far from the

summit) they have worn a path--a narrow ledge, cut by their cloven

feet--through the sward. It is time to rest; and already, looking back,

the sea has extended to an indefinite horizon. This climb of a few

hundred feet opens a view of so many miles more. But the ships lose

their individuality and human character; they are so far, so very far,

away, they do not take hold of the sympathies; they seem like

sketches--cunningly executed, but only sketches--on the immense canvas

of the ocean. There is something unreal about them.

On a calm day, when the surface is smooth as if the brimming ocean had

been straked--the rod passed across the top of the measure, thrusting

off the irregularities of wave; when the distant green from long

simmering under the sun becomes pale; when the sky, without cloud, but

with some slight haze in it, likewise loses its hue, and the two so

commingle in the pallor of heat that they cannot be separated--then the

still ships appear suspended in space. They are as much held from above

as upborne from beneath.

They are motionless, midway in space--whether it is sea or air is not to

be known. They neither float nor fly; they are suspended. There is no

force in the flat sail, the mast is lifeless, the hull without impetus.

For hours they linger, changeless as the constellations, still, silent,

motionless, phantom vessels on a void sea.

Another climb up from the sheep path, and it is not far then to the

terrible edge of that tremendous cliff which rises straighter than a

ship's side out of the sea, six hundred feet above the detached rock

below, where the limpets cling like rivet heads, and the sand rills run

around it. But it is not possible to look down to it--the glance of

necessity falls outwards, as a raindrop from the eaves is deflected by

the wind, because it _is_ the edge where the mould crumbles; the

rootlets of the grass are exposed; the chalk is about to break away in

flakes.

You cannot lean over as over a parapet, lest such a flake should detach

itself--lest a mere trifle should begin to fall, awakening a dread and

dormant inclination to slide and finally plunge like it. Stand back; the

sea there goes out and out, to the left and to the right, and how far is

it to the blue overhead? The eye must stay here a long period, and drink

in these distances, before it can adjust the measure, and know exactly

what it sees.

The vastness conceals itself, giving us no landmark or milestone. The

fleck of cloud yonder, does it part it in two, or is it but a third of

the way? The world is an immense cauldron, the ocean fills it, and we

are merely on the rim--this narrow land is but a ribbon to the

limitlessness yonder. The wind rushes out upon it with wild joy;

springing from the edge of the earth, it leaps out over the ocean. Let

us go back a few steps and recline on the warm dry turf.

It is pleasant to look back upon the green slope and the hollows and

narrow ridges, with sheep and stubble and some low hedges, and oxen, and

that old, old sloth--the plough--creeping in his path. The sun is bright

on the stubble and the corners of furze; there are bees humming yonder,

no doubt, and flowers, and hares crouching--the dew dried from around

them long since, and waiting for it to fall again; partridges, too,

corn-ricks, and the roof of a farmhouse by them. Lit with sunlight are

the fields, warm autumn garnering all that is dear to the heart of man,

blue heaven above--how sweet the wind comes from these!--the sweeter for

the knowledge of the profound abyss behind.

Here, reclining on the grass--the verge of the cliff rising a little,

shuts out the actual sea--the glance goes forth into the hollow

unsupported. It is sweeter towards the corn-ricks, and yet the mind will

not be satisfied, but ever turns to the unknown. The edge and the abyss

recall us; the boundless plain, for it appears solid as the waves are

levelled by distance, demands the gaze. But with use it becomes easier,

and the eye labours less. There is a promontory standing out from the

main wall, whence you can see the side of the cliff, getting a flank

view, as from a tower.

The jackdaws occasionally floating out from the ledge are as mere specks

from above, as they were from below. The reef running out from the

beach, though now covered by the tide, is visible as you look down on it

through the water; the seaweed, which lay matted and half dry on the

rocks, is now under the wave. Boats have come round, and are beached;

how helplessly little they seem beneath the cliff by the sea!

On returning homewards towards Eastbourne stay awhile by the tumulus on

the slope. There are others hidden among the furze; butterflies flutter

over them, and the bees hum round by day; by night the nighthawk passes,

coming up from the fields and even skirting the sheds and houses below.

The rains beat on them, and the storm drives the dead leaves over their

low green domes; the waves boom on the shore far down.

How many times has the morning star shone yonder in the East? All the

mystery of the sun and of the stars centres around these lowly mounds.

But the glory of these glorious Downs is the breeze. The air in the

valleys immediately beneath them is pure and pleasant; but the least

climb, even a hundred feet, puts you on a plane with the atmosphere

itself, uninterrupted by so much as the tree-tops. It is air without

admixture. If it comes from the south, the waves refine it; if inland,

the wheat and flowers and grass distil it. The great headland and the

whole rib of the promontory is wind-swept and washed with air; the

billows of the atmosphere roll over it.

The sun searches out every crevice amongst the grass, nor is there the

smallest fragment of surface which is not sweetened by air and light.

Underneath, the chalk itself is pure, and the turf thus washed by wind

and rain, sun-dried and dew-scented, is a couch prepared with thyme to

rest on. Discover some excuse to be up there always, to search for stray

mushrooms--they will be stray, for the crop is gathered extremely early

in the morning--or to make a list of flowers and grasses; to do

anything, and, if not, go always without any pretext. Lands of gold have

been found, and lands of spices and precious merchandise; but this is

the land of health.

There is the sea below to bathe in, the air of the sky up hither to

breathe, the sun to infuse the invisible magnetism of his beams. These

are the three potent medicines of nature, and they are medicines that by

degrees strengthen not only the body but the unquiet mind. It is not

necessary to always look out over the sea. By strolling along the slopes

of the ridge a little way inland there is another scene where hills roll

on after hills till the last and largest hides those that succeed behind

it.

Vast cloud-shadows darken one, and lift their veil from another; like

the sea, their tint varies with the hue of the sky over them. Deep

narrow valleys--lanes in the hills--draw the footsteps downwards into

their solitude, but there is always the delicious air, turn whither you

will, and there is always the grass, the touch of which refreshes.

Though not in sight, it is pleasant to know that the sea is close at

hand, and that you have only to mount to the ridge to view it. At sunset

the curves of the shore westward are filled with a luminous mist.

Or if it should be calm, and you should like to look at the massive

headland from the level of the sea, row out a mile from the beach.

Eastwards a bank of red vapour shuts in the sea, the wavelets--no larger

than those raised by the oar--on that side are purple as if wine had

been spilt upon them, but westwards the ripples shimmer with palest

gold.

The sun sinks behind the summit of the Downs, and slender streaks of

purple are drawn along above them. A shadow comes forth from the cliff;

a duskiness dwells on the water; something tempts the eye upwards, and

near the zenith there is a star.

Printed by BALLANTYNE, HANSON & CO.

Edinburgh & London

[Transcriber's note: The inconsistent hyphenation of the original has

been retained in this etext.]

Nature Near London · 第 14 / 14 段