CHAPTER IV.

THE DAGGERS.

ABELLINO, this Italian Hercules, all terrible as he appeared to be, was

not long a member of this society before his companions felt towards him

sentiments of the most unbounded esteem. All loved, all valued him, for

his extraordinary talents for a bravo’s trade, to which he seemed

peculiarly adapted, not only by his wonderful strength of body, but by

the readiness of his wit, and his never-failing presence of mind. Even

Cinthia was inclined to feel some little affection for him, but—he really

was too ugly.

Matteo, as Abellino was soon given to understand, was the captain of this

dangerous troop. He was one who carried villainy to the highest pitch of

refinement, incapable of fear, quick and crafty, and troubled with less

conscience than a French financier. The booty and price of blood, which

his associates brought in daily, were always delivered up to him: he gave

each man his share, and retained no larger portion for himself than was

allotted to the others. The catalogue of those whom he had despatched

into the other world was already too long for him to have repeated it:

many names had slipped his memory, but his greatest pleasure in his hour

of relaxation was to relate such of these murderous anecdotes as he still

remembered, in the benevolent intention of inspiring his hearers with a

desire to follow his example. His weapons were kept separate from the

rest, and occupied a whole apartment. Here were to be found daggers of a

thousand different fashions, _with_ guards and _without_ them; two,

three, and four-edged. Here were stored air-guns, pistols, and

blunderbusses; poisons of various kinds and operating in various ways;

garments fit for every possible disguise, whether to personate the monk,

the Jew, or the mendicant; the soldier, the sailor, or the gondolier.

One day he summoned Abellino to attend him in his armoury.

“Mark me,” said he, “thou wilt turn out a brave fellow, that I can see

already. It is now time that you should earn that bread for yourself

which hitherto you have owed to our bounty. Look! Here thou hast a

dagger of the finest steel; you must charge for its use by the inch. If

you plunge it only one inch deep into the bosom of his foe, your employer

must reward you with only one sequin: if two inches, with ten sequins; if

three, with twenty; if the whole dagger, you may then name your own

price. Here is next a glass poniard; whomsoever this pierces, that man’s

death is certain. As soon as the blow is given, you must break the

dagger in the wound. The flesh will close over the point which has been

broken off, and which will keep its quarters till the day of

resurrection! Lastly, observe this metallic dagger; its cavity conceals

a subtle poison, which, whenever you touch this spring, will immediately

infuse death into the veins of him whom the weapon’s point hath wounded.

Take these daggers. In giving them I present you with a capital capable

of bringing home to you most heavy and most precious interest.”

Abellino received the instruments of death, but his hand shook as it

grasped them.

“Possessed of such unfailing weapons, of what immense sums must your

robberies have made you master!”

“Scoundrel!” interrupted Matteo, frowning and offended, “amongst us

robbery is unknown. What? Dost take us for common plunderers, for mere

thieves, cut-purses, housebreakers, and villains of that low, miserable

stamp?”

“Perhaps what you wish me to take you for is something worse; for, to

speak openly, Matteo, villains of that stamp are contented within

plundering a purse or a casket, which can easily be filled again; but

that which we take from others is a jewel which a man never has but once,

and which stolen can never be replaced. Are we not, then, a thousand

times more atrocious plunderers?”

“By the house at Loretto, I think you have a mind to moralise, Abellino?”

“Hark ye, Matteo, only one question. At the Day of Judgment, which think

you will hold his head highest, the thief or the assassin?”

“Ha! ha! ha!”

“Think not that Abellino speaks thus from want of resolution. Speak but

the word, and I murder half the senators of Venice; but still—”

“Fool! know, the bravo must be above crediting the nurse’s antiquated

tales of vice and virtue. What is virtue? What is vice? Nothing but

such things as forms of government, custom, manners, and education have

made sacred: and that which men are able to make honourable at one time,

it is in their power to make dishonourable at another, whenever the

humour takes them; had not the senate forbidden us to give opinions

freely respecting the politics of Venice, there would have been nothing

wrong in giving such opinions; and were the senate to declare that it is

right to give such opinions, that which to-day is thought a crime would

be thought meritorious to-morrow. Then, prithee, let us have no more of

such doubts as these. We are men, as much as the Doge and his senators,

and have reasons as much as _they_ have to lay down the law of right and

wrong, and to alter the law of right and wrong, and to decree what shall

be vice, and what shall be virtue.”

Abellino laughed. Matteo proceeded with increased animation—

“Perhaps you will tell me that your trade is _dishonourable_! And what,

then, is the thing called _honour_! ’Tis a word, an empty sound, a mere

fantastic creature of the imagination! Ask, as you traverse some

frequented street, in what honour consists? The usurer will answer—’To

be honourable is to be rich, and he has most honour who can heap up the

greatest quantity of sequins.’ ’By no means,’ cries the voluptuary;

‘honour consists in being beloved by a very handsome woman, and finding

no virtue proof against your attacks.’ ‘How mistaken!’ interrupts the

general; ‘to conquer whole cities, to destroy whole armies, to ruin all

provinces, _that_ indeed brings _real_ honour.’ The man of learning

places his renown in the number of pages which he has either written or

read; the tinker, in the number of pots and kettles which he has made or

mended; the nun, in the number of _good_ things which she has done, or

_bad_ things which she has resisted; the coquette, in the list of her

admirers; the Republic, in the extent of her provinces; and thus, my

friend, every one thinks that honour consists in something different from

the rest. And why, then, should not the bravo think that honour consists

in reaching the perfection of his trade, and in guiding a dagger to the

heart of an enemy with unerring aim?”

“By my life, ’tis a pity, Matteo, that you should be a bravo; the schools

have lost an excellent teacher of philosophy.”

“Do you think so? Why, the fact is thus, Abellino. I was educated in a

monastery; my father was a dignified prelate in Lucca, and my mother a

nun of the Ursuline order, greatly respected for her chastity and

devotion. Now, Signor, it was thought fitting that I should apply

closely to my studies; my father, good man, would fain have made me a

light of the Church; but I soon found that I was better qualified for an

incendiary’s torch. I followed the bent of my genius, yet count I not my

studies thrown away, since they taught me more philosophy than to tremble

at phantoms created by my own imagination. Follow my example, friend,

and so farewell.”

The Bravo of Venice: A Romance · 第 4 / 10 章