CHAPTER X.

THE HUMORS OF ELECTION.

When the villa closed the Senator was hopelessly enmeshed in the golden

net which had been so skilfully and genially woven by Anne during the

summer. He believed himself to be the coming man, all his natural

shrewdness and rich experience going for naught before the witchery of

his sister's imagination. In her mind the climax of the drama was a

Dillon at the top of the heap in the City Hall. Alas, the very first

orders of the chief to his secretary swept away the fine-spun dreams of

the Dillons, as the broom brushes into obscure dirt the wondrous cobweb.

The Hon. John Sullivan spoke in short sentences, used each man according

to that man's nature, stood above and ahead of his cleverest

lieutenants, had few prejudices, and these noble, and was truly a hero

on the battle-ground of social forces, where no artillery roars, no

uniforms glare, and no trumpets sound for the poets. The time having

come for action he gave Arthur his orders on the supposition that he

understood the political situation, which he did in some degree, but not

seriously. The Endicotts looked upon elections as the concern of the

rabble, and this Endicott thought it perhaps an occasion for uproarious

fun. His orders partly sobered him.

"Go to your uncle," said Sullivan, "and tell him he's not in the race. I

don't know where he got that bee in his bonnet. Then arrange with

Everard to call on Livingstone. Do what you can to straighten the Mayor

out. He ought to be the candidate."

This dealing with men inspired him. Hitherto he had been playing with

children in the garden of life; now he stood with the fighters in the

terrible arena. And his first task was to extinguish the roseate dreams

of Anne and her gladiator, to destroy that exquisite fabric woven of

moonlit seas, enchanting dinners, and Parisian millinery. Never! Let

the chief commit that sacrilege! He would not say the word whose

utterance might wound the hearts that loved him. The Senator and Anne

should have a clear field. High time for the very respectable citizens

of the metropolis to secure a novelty for mayor, to get a taste of Roman

liberty, when a distinguished member of the arena could wear the purple

if he had the mind.

Birmingham forced him to change his attitude. The man of money was both

good-hearted and large-minded, and had departed from the ways of

commerce to seek distinction in politics. Stolid, without enthusiasm or

dash, he could be stubbornly great in defence of principle. Success and

a few millions had not changed his early theories of life. Pride in his

race, delight in his religion, devotion to his party, increased in him

as he rose to honor and fame. Arthur Dillon felt still more the

seriousness of the position when this man came to ask his aid in

securing the nomination.

"There never was a time in the history of the city," said Birmingham,

"when a Catholic had such a chance to become mayor as now. Protestants

would not have him, if he were a saint. But prejudice has abated, and

confidence in us has increased since the war. Sullivan can have the

position if he wants it. So can many others. All of them can afford to

wait, while I cannot. I am not a politician, only a candidate. At any

moment, by the merest accident, I may become one of the impossibles. I

am anxious, therefore, to secure the nomination this year. I would like

to get your influence. Where the balance is often turned by the weight

of a hair one cannot be too alert."

"Do you think I have influence?" said Arthur humbly.

"You are the secretary," Birmingham answered, surprised.

"I shall have to use it in behalf of my uncle then."

"And if your uncle should not run?"

"I should be happy to give you my support."

Birmingham looked as blank as one before whom a door opens unexpectedly.

"You understand," continued Arthur, "that I have been absent too long to

grasp the situation clearly. I think my uncle aspires...."

"A very worthy man," murmured Birmingham.

"You seem to think he has not much of a chance...."

"I know something of Sullivan's mind," Birmingham ventured, "and you

know it still better. The exploits of the Senator in his youth--really

it would be well for him not to expose himself to public ridicule...."

"I had not thought of that," said Arthur, when the other paused

delicately. "You are quite right. He should not expose himself. As no

other has done me the honor to ask my help, I am free to help you."

"You are more than kind. This nomination means election, and election

means the opening of a fine career for me. Beyond lie the governorship,

the senate, and perhaps higher things. To us these high offices have

been closed as firmly as if they were in Sweden. I want the honor of

breaking down the barriers."

"It is time. I hope you will get the honor," said Arthur gravely. He

felt sadly about the Senator, and the shining ambition of his mother.

How could he shatter their dreams? Yet in very pity the task had to be

done, and when next he heard them vaporing on the glory of the future,

he said casually:

"I know what your enemies will say if you come into contrast with

Livingstone."

"I've heard it often enough," answered the Senator gayly. "If I'd

listened to them I'd be still in the ring."

Then a suspicion overcame him, and he cried out bitterly:

"Do you say the same, Artie?"

"Rot. There isn't another like you in the whole world, uncle. If my vote

could do it you'd go into the White House to-morrow. If you're in

earnest in this business of the nomination, then I'm with you to the

last ditch. Now when you become mayor of the first city in the

land"--Oh, the smile which flashed on the faces of Anne and the Senator

at this phrase!--"you become also the target of every journal in the

country, of every comic paper, of every cartoonist. All your little

faults, your blunders, past and present, are magnified. They sing of you

in the music-halls. Oh, there would be no end to it! Ridicule is worse

than abuse. It would hurt your friends more than you. You could not

escape it, and no one could answer it. Is the prize worth the pain?"

Then he looked out of the window to escape seeing the pain in his

mother's face, and the bitterness in the Senator's. He did not

illustrate his contention with examples, for with these the Senator and

his friends were familiar. A light arose on the poor man's horizon.

Looking timidly at Anne, after a moment's pause, he said:

"I never thought of all that. You've put me on the right track, Artie. I

thank you."

"What can I do," he whispered to Anne, "since it's plain he wants me to

give in--no, to avoid the comic papers?"

"Whatever he wishes must be done," she replied with a gesture of

despair.

"The boy is a wonder," thought the Senator. "He has us all under that

little California thumb."

"I was a fool to think of the nomination," he said aloud as Arthur

turned from the window. "Of course there'd be no end to the ridicule.

Didn't the chap on Harper's, when I was elected for the Senate, rig me

out as a gladiator, without a stitch on me, actually, Artie, not a

stitch--most indecent thing--and show old Cicero in the same picture

looking at me like John Everard, with a sneer, and singing to himself: a

senator! No, I couldn't stand it. I give up. I've got as high as my kind

can go. But there's one thing, if I can't be mayor myself, I can say

who's goin' to be."

"Then make it Birmingham, uncle," Arthur suggested. "I would like to see

him in that place next to you."

"And Birmingham it is, unless"--he looked at Anne limp with

disappointment--"unless I take it into my head to name you for the

place."

She gave a little cry of joy and sat up straight.

"Now God bless you for that word, Senator. It'll be a Dillon anyway."

"In that case I make Birmingham second choice," Arthur said seriously,

accepting the hint as a happy ending to a rather painful scene.

The second part of the Chief's order proved more entertaining. To visit

the Mayor and sound him on the question of his own renomination appeared

to Arthur amusing rather than important; because of his own rawness for

such a mission, and also because of their relationship. Livingstone was

his kinsman. Of course John Everard gave the embassy character, but his

reputation reflected on its usefulness. Nature had not yet provided a

key to the character of Louis' father. Arthur endured him because Louis

loved him, quoted him admiringly, and seemed to understand him most of

the time; but he could not understand an Irishman who maintained, as a

principle of history, the inferiority of his race to the English, traced

its miseries to its silly pride, opposed all schemes of progress until

his principle was accepted, and placed the salvation of his people in

that moment when they should have admitted the inferiority imposed by

nature, and laid aside their wretched conceit. This perverse nature had

a sociable, even humorous side, and in a sardonic way loved its own.

"I have often wondered," Arthur said, when they were discussing the

details of the mission to Livingstone, "how your tough fiber ever

generated beings so tender and beautiful as Mona, and Louis, and the

Trumps. And now I'm wondering why Sullivan associates you and me in this

business. Is it his plan to sink the Mayor deeper in his own mud?"

"Whatever his plan I'd like to know what he means in sending with me to

the noblest official in the city and the land, for that matter, the

notorious orator of a cheap banquet."

"I think it means that Quincy must apologize to the Irish, or nominate

himself," said Arthur slowly.

A lively emotion touched him when he first entered the room where the

Mayor sat stately and gracious. In him the Endicott features were

emphatic and beautiful. Tall, ruddy, perfectly dressed, with white hair

and moustache shining like silver, and dark blue eyes full of fire, the

aristocrat breathed from him like a perfume. His greeting both for

Everard and Dillon had a graciousness tinged with contempt; a contempt

never yet perceived by Everard, but perceived and promptly answered on

Arthur's part with equal scorn.

"Mr. Dillon comes from Sullivan," said Everard, "to ask you, as a

condition of renomination, that you take back your remarks on the Irish

last winter. You did them good. They are so soaked in flattery, the

flattery of budding orators, that your talk wakes them to the truth."

"I take nothing back," said the Mayor in a calm, sweet voice to which

feeling gave an edge.

"Then you do not desire the nomination of Tammany Hall?" Arthur said

with a placid drawl, which usually exasperated Everard and other people.

"But I do," the Mayor answered quickly, comprehending on the instant the

quality of this antagonist, feeling his own insolence in the tone. "I

merely decline the conditions."

"Then you must nominate yourself, for the Irish won't vote for you,"

cried Everard.

"The leaders would like to give you the nomination, Mr. Livingstone. You

may have it, if you can find the means to placate offended voters for

your behavior and your utterances on St. Patrick's Day."

"Go down on your knees at once, Mayor," sneered Everard.

"I hope Your Honor does not pay too much attention to the opinions of

this gentleman," said Arthur with a gesture for his companion. "He's a

Crusoe in politics. There's no one else on his island. You have a

history, sir, which is often told in the Irish colony here. I have heard

it often since my return home----"

"This is the gentleman who spoke of your policy at the Donnybrook

banquet," Everard interrupted.

Livingstone made a sign for silence, and took a closer look at Arthur.

"The Irish do not like you, they have no faith in you as a fair man,

they say that you are always planning against them, that you are

responsible for the deviltries practised upon them through gospel

missions, soup kitchens, kidnapping industries, and political intrigues.

Whether these things be true, it seems to me that a candidate ought to

go far out of his way to destroy such fancies."

"A very good word, fancies! Are you going to make your famous speech

over again?" said Everard with the ready sneer.

"Can you deny that what I have spoken is the truth?"

"It is not necessary that he should," Livingstone answered quietly. "I

am not interested in what some people say of me. Tell Mr. Sullivan I am

ready to accept the nomination, but that I never retract, never desert

a position."

This young man nettled and irritated the Mayor. His insolence, the

insolence of his own class, was so subtly and politely expressed, that

no fault could be found; and, though his inexperience was evident, he

handled a ready blade and made no secret of his disdain. Arthur did not

know to what point of the compass the short conversation had carried

them, but he took a boy's foolish delight in teasing the irritated men.

"It all comes to this: you must nominate yourself," said Everard.

"And divide the party?"

"I am not sure it would divide the party," Livingstone condescended to

say, for he was amused at the simple horror of Dillon. "It might unite

it under different circumstances."

"That's the remark of a statesman. And it would rid us, Arthur Dillon,

of Sullivan and his kind, who should be running a gin-mill in Hester

street."

"If he didn't have a finer experience in politics, and a bigger brain

for managing men than any three in the city," retorted Arthur icily. "He

is too wise to bring the prejudices of race and creed into city

politics. If Your Honor runs on an independent ticket, the Irish will

vote against you to a man. One would think that far-seeing men,

interested in the city and careful of the future, would hesitate to make

dangerous rivalries of this sort. Is there not enough bigotry now?"

"Not that I know," said the Mayor with a pretence of indifference. "We

are all eager to keep the races in good humor, but at the same time to

prevent the ascendancy of a particular race, except the native. It is

the Irish to-day. It will be the Germans to-morrow. Once checked

thoroughly, there will be no trouble in the future."

The interview ended with these words. By that time Arthur had gone

beyond his political depth, and was glad to make his adieu to the great

man. He retained one honest conclusion from the interview.

"Birmingham can thank this pig-headed gentleman," said he to Everard,

"for making him mayor of New York."

John snorted his contempt of the statement and its abettors. The report

of Arthur disquieted the Chief and his counselors, who assembled to hear

and discuss it.

"It's regrettable," was Sullivan's opinion. "Livingstone makes a fine

figure in a campaign. He has an attractive name. His independence is

popular, and does no harm. He hasn't the interests of the party at heart

though. The question now is, can we persuade the Irish to overlook his

peculiarities about the green and St. Patrick's Day?"

"A more pertinent question," Vandervelt said after a respectful silence,

"would be as to the next available man. I favor Birmingham."

"And I," echoed the Senator.

Arthur listened to the amicable discussion that followed with thoughts

not for the candidate, but for the three men who thus determined the

history of the city for the next two years. The triumvirs! Cloudy scenes

of half-forgotten history rose before him, strange names uttered

themselves. Mark Antony and young Octavius and weak Lepidus! He felt

suddenly the seriousness of life, and wonder at the ways of men; for he

had never stood so near the little gods that harness society to their

policies, never till now had he seen with his own eyes how the world is

steered. The upshot of endless talk and trickery was the nomination of

Birmingham, and the placing of an independent ticket in the field with

the Mayor at its head.

"Now for the fun," said Grahame. "It's going to be a big fight. If you

want to see the working out of principles keep close to me while the

fight is on, and I'll explain things."

The explanation was intricate and long. What did not matter he forgot,

but the picturesque things, which touched his own life afterwards very

closely, he kept in mind. Trotting about with the journalist they

encountered one day a cleric of distinguished appearance.

"Take a good look at him. He's the man that steers Livingstone."

"I thought it was John Everard."

"John doesn't even steer himself," said Grahame savagely. "But take a

view of the bishop."

Arthur saw a face whose fine features were shaded by melancholy, tinged

with jaundice, gloomy in expression; the mouth drooped at the corners,

and the eyes were heavy; one could hardly picture that face lighted by

humor or fancy.

"We refuse to discuss certain things in political circles here," Grahame

continued. "One of them is the muddle made of politics every little

while by dragging in religion. The bishop, Bishop Bradford is his name,

never loses a chance to make a mud pie. The independent ticket is his

pie this year. He secured Livingstone to bake it, for he's no baker

himself. He believes in God, but still more does he believe that the

Catholics of this city should be kept in the backyard of society. If

they eat his pie, their only ambition will be to live in an American

backyard. No word of this ever finds its way into the journals, but it

is the secret element in New York politics."

"I thought everything got into the newspapers," Arthur complained.

"Blamed if I can get hold of the thing."

"You're right, everything goes into the sewers, but not in a formal way.

What's the reason for the independent ticket? Printed: revolt against a

domineering boss. Private: to shake the Irish in politics. Do you see?

Now, here is a campaign going on. It began last week. It ends in

November. But the other campaign has neither beginning nor end. I'll

give you object-lessons. There's where the fun comes in."

The first object-lesson brought Arthur to the gospel-hall managed by a

gentleman whom he had not seen or thought of since the pleasant

celebration of St. Patrick's day. Rev. Mr. McMeeter, evangelist of the

expansive countenance, was warming up his gathering of sinners that

night with a twofold theme: hell for sinners, and the same, embroidered

intensely, for Rome.

"He handles it as Laocoon did the serpents," whispered Grahame.

In a very clerical costume, on a small platform, the earnest man

writhed, twisted, and sweated, with every muscle in strain, his face

working in convulsions, his lungs beating heaven with sound. He outdid

the Trojan hero in the leaps across the platform, the sinuous gestures,

the rendings of the enemy; until that moment when he drew the bars of

hell for the unrepentant, and flung Rome into the abyss. This effective

performance, inartistic and almost grotesque, never fell to the level of

the ridiculous, for native power was strong in the man. The peroration

raised Livingstone to the skies, chained Sullivan in the lowest depths

of the Inferno, and introduced as a terrible example a brand just

rescued from the burning.

"Study her, observe her," said Grahame. "These brands have had curious

burnings."

She spoke with ease, a little woman in widow's weeds, coquettishly

displaying silken brown hair under the ruching of a demure bonnet.

Taking her own account--"Which some reporter wrote for her no doubt,"

Grahame commented--she had been a sinner, a slave of Rome, a castaway

bound hand and foot to degrading superstition, until rescued by the

noblest of men and led by spirit into the great work of rescuing others

from the grinding slavery of the Church of Rome. Very tenderly she

appealed to the audience to help her. The prayers of the saints were

about to be answered. God had raised up a leader who would strike the

shackles off the limbs of the children. The leader, of course, was Mayor

Livingstone.

"You see how the spirit works," said Grahame.

Then came an interruption. The Brand introduced a girl of twelve as an

illustration of her work of rescue among the dreadful hirelings of Rome.

A feeble and ragged woman in the audience rose and cried out that the

child was her lost Ellen. The little girl made a leap from the platform

but was caught dexterously by the Brand and flung behind the scenes. A

stout woman shook her fist in the Brand's face and called her out of her

name; and also gave the evangelist a slap in the stomach which taught

him a new kind of convulsion. His aids fell upon the stout woman, the

tough men of the audience fell upon the aids, the mother of Ellen began

shrieking, and some respectable people ran to the door to call the

police. A single policeman entered cooly, and laid about him with his

stick so as to hit the evangelists with frequency. For a few minutes all

things turned to dust, confusion, and bad language. The policeman

restored order, dismissed Ellen with her mother, calmed the stout woman,

and cautioned the host. The Brand had watched the scene calmly and

probably enjoyed it. When Arthur left with Grahame Mr. McMeeter had just

begun an address which described the policeman as a satellite, a

janizary, and a pretorian of Rome.

"They're doing a very neat job for Livingstone," said Grahame. "Maybe

there are fifty such places about the town. Little Ellen was lucky to

see her mother again. Most of these stolen children are shipped off to

the west, and turned into very good Protestants, while their mothers

grieve to death."

"Livingstone ought to be above such work."

"He is. He has nothing in common with a kidnapper like McMeeter. He just

accepts what is thrown at him. McMeeter throws his support at him. Only

high-class methods attract a man like Livingstone. Sister Claire, the

Escaped Nun, is one of his methods. We'll go and see her too. She

lectures at Chickering Hall to-night ... comes on about half after

nine--tells all about her escape from a prison in a convent ... how she

was enslaved ... How sin thrives in convents ... and appeals for help

for other nuns not yet escaped ... with reference to the coming election

and the great deliverer, Livingstone ... makes a pile of money."

"You seem envious," Arthur hinted.

"Who wouldn't? I can't make a superfluous cent being virtuous, and

Sister Claire clears thousands by lying about her neighbors."

They took a seat among the reporters, in front of a decorous, severe,

even godly audience, who awaited the coming of the Escaped Nun with

religious interest. Amid a profound stillness, she came upon the stage

from a rear door, ushered in by an impressive clergyman; and walked

forward, a startling figure, to the speaker's place, where she stood

with the dignity and modesty of her profession, and a self-possession

all her own.

"Stunning," Grahame whispered. "Costume incorrect, but dramatic."

Her dress and veil were of pale yellow, some woolen stuff, the coif and

gamp were of white linen, and a red cross marked the entire front of her

dress, the arms of the cross resting on her bosom. Arthur stared. Her

face of a sickly pallor had deep circles under the eyes, but seemed

plump enough for her years. For a moment she stood quietly, with

drooping head and uplifted eyes, her hands clasped, a picture of beauty.

After a gasp and a pause the audience broke into warm applause long

continued. In a sweet and sonorous voice she made her speech, and told

her story. It sounded like the _Lady of the Lake_ at times. Grahame

yawned--he had heard it so often. Arthur gathered that she had somewhere

suffered the tortures of the Inquisition, that innocent girls were

enjoying the same experience in the convents of the country, that they

were deserted both of God and man, and that she alone had taken up their

cause. She was a devoted Catholic, and could never change her faith; if

she appealed to her audience, it was only to interest them in behalf of

her suffering sisters.

"That's the artistic touch," Grahame whispered again. "But it won't pay.

Her revelations must get more salaciousness after election."

Arthur hardly heard him. Where had he seen and heard this woman before?

Though he could not recall a feature of her face, form, dress, manner,

yet he had the puzzling sense of having met her long ago, that her

personality was not unfamiliar. Still her features baffled the sense. He

studied her in vain. When her lecture ended, with drooping head and

clasped hands, she modestly withdrew amid fervid acclamations.

Strange and bewildering were the currents of intrigue that made up a

campaign in the great city; not to mention the hidden forces whose

current no human could discern. Arthur went about exercising his talent

for oratory in behalf of Birmingham, and found consolation in the

sincere applause of humble men, and of boys subdued by the charm of his

manner. He learned that the true orator expresses not only his own

convictions and emotions, but also the unspoken thoughts, the mute

feelings, the cloudy convictions of the simple multitude. He is their

interpreter to themselves. The thought gave him reverence for that power

which had lain long dormant in him until sorrow waked its noble

harmonies. The ferment in the city astonished him. The very boys fought

in the vacant lots, and reveled in the strategy of crooked streets and

blind alleys. Kindly women, suddenly reminded that the Irish were a race

of slaves, banged their doors, and flirted their skirts in scorn.

Workmen lost their job here and there, mates fought at the workbench,

the bully found his excuse to beat the weak, all in the name of

Livingstone. The small business men, whose profits came from both sides,

did severe penance for their sins of sanded sugar and deficient weight.

The police found their nerves overstrained.

To him the entire drama of the campaign had the interest of an

impossible romance. It was a struggle between a poor people, cast out by

one nation, fighting for a footing on new soil, and a successful few,

who had forgotten the sufferings, the similar struggle of their fathers.

He rejoiced when Birmingham won. He had not a single regret for the

defeat of Livingstone, though it hurt him that a bad cause should have

found its leader in his kinsman.

The Art of Disappearing · 第 10 / 39 章