CHAPTER II.

THE NIGHT AT THE TAVERN.

The travelers of the wrecked train spent the night at the nearest

village, whither all went on foot before darkness came on. Monsignor

took possession of Horace, also of the affections of the tavern-keeper,

and of the best things which belonged to that yokel and his hostelry. It

was prosperity in the midst of disaster that he and Endicott should have

a room on the first floor, and find themselves comfortable in ten

minutes after their arrival. By the time they had enjoyed a refreshing

meal, and discussed the accident to the roots, Horace Endicott felt that

his soul was at ease with the Monsignor, who at no time had displayed

any other feeling than might arise from a long acquaintance with the

young man. One would have pronounced the two men, as they settled down

into the comfort of their room, two collegians who had traveled much

together.

"It was an excellent thing that I brought the holy oils along,"

Monsignor said, as if Endicott had no other interest in life than this

particular form of excellence. To a polite inquiry he explained the

history, nature, and use of the mysterious oils.

"I can understand how a ceremony of that kind would soothe the last

hours of Tim Hurley," said the pagan Endicott, "but I am curious, if you

will pardon me, to know if the holy oils would have a similar effect on

Monsignor O'Donnell."

"The same old supposition," chuckled the priest, "that there is one law

for the crowd, the mob, the diggers, and another for the illuminati.

Now, let me tell you, Mr. Endicott, that with all his faith Tim Hurley

could not have welcomed priest and oils more than I shall when I need

them. The anguish of death is very bitter, which you are too young to

know, and it is a blessed thing to have a sovereign ready for that

anguish in the Sacrament of Extreme Unction. The Holy Oils are the thing

which Macbeth desired when he demanded so bitterly of the physician.

Canst thou not minister to a mind diseased,

Pluck from the memory a rooted sorrow?

That is my conviction. So if you are near when I am going to judgment,

come in and see how emphatically I shall demand the holy oils, even

before a priest be willing to bring them."

"It seems strange," Horace commented, "very strange. I cannot get at

your point of view at all."

Then he went on to ask questions rapidly, and Monsignor had to explain

the meaning of his title, a hundred things connected with his

priesthood, and to answer many objections to his explanations; until the

night had worn on to bedtime, and the crowd of guests began to depart

from the verandahs. It was all so interesting to Horace. In the priest

and his conversation he had caught a glimpse of a new world both strange

and fascinating. Curious too was the profound indifference of men like

himself--college men--to its existence. It did not seem possible that

the Roman idea could grow into proportions under the bilious eyes of the

omniscient Saxon, and not a soul be aware of its growth! However,

Monsignor was a pleasant man, a true college lad, an interesting talker,

with music in his voice, and a sincere eye. He was not a

controversialist, but a critic, and he did not seem to mind when Horace

went off into a dream of Sonia, and asked questions far from the

subject.

Long afterwards Endicott recalled a peculiarity of this night, which

escaped his notice at the time: his sensitiveness to every detail of

their surroundings, to the colors of the room, to the shades of meaning

in the words of the Monsignor, to his tricks of speech and tone, quite

unusual in Horace's habit. Sonia complained that he never could tell her

anything clear or significant of places he had seen. The room which had

been secured from the landlord was the parlor of the tavern; long and

low, colonial in the very smell of the tapestry carpet, with doors and

mantel that made one think of John Adams and General Washington. The

walls had a certain terror in them, a kind of suspense, as when a jury

sits petrified while their foreman announces a verdict of death. A long

line of portraits in oil produced this impression. The faces of ancient

neighbors, of the Adams, the Endicotts, the Bradburys, severe Puritans,

for whom the name of priest meant a momentary stoppage of the heart,

looked coldly and precisely straight out from their frames on the

Monsignor. Horace fancied that they exchanged glances. What fun it would

have been to see the entire party move out from their frames, and put

the wearer of the Roman purple to shameful flight.

"I'll bet they don't let you sleep to-night," he said to the priest, who

laughed at the conceit.

A cricket came out on the window-sill, chirped at Horace's elbow, and

fled at the sound of near voices. Through the thick foliage of the

chestnut trees outside he could see stars at times that made him think

of Sonia's eyes. The wind shook the branches gently, and made little

moans and whispers in the corners, as if the ghosts of the portraits

were discussing the sacrilege of the Monsignor's presence. Horace

thought at the time his nerves were strung tight by the incidents of the

day, and his interest deeply stirred by the conversation of the priest;

since hitherto he had always thought of wind as a thing that blew

disagreeably except at sea, noisy insects as public nuisances to be

caught and slain, and family portraits the last praiseworthy attempt of

ancestors to disturb the sleep of their remote heirs. When he had

somewhat tired of asking his companion questions, it occurred to him

that the Monsignor had asked none in return, and might waive his right

to this privilege of good-fellowship. He mentioned the matter.

"Thank you," said Monsignor, "but I know all about you. See now if I

give you a good account of your life and descent."

He was promenading the room before the picture-jury frowning on him. He

looked at them a moment solemnly.

"Indeed I know what I would have to expect from you," he said to the

portraits, "if you were to sit upon my case to-night. Your descendant

here is more merciful."

They laughed together.

"Well," to Horace, "you asked me many questions, because you know

nothing about me or mine, although we have been on the soil this half

century. The statesmen of your blood disdain me. This scorn is in the

air of New England, and is part of your marrow. Here is an example of

it. Once on a vacation I spent a few weeks in the house of a Puritan

lady, who learned of my faith and blood only a week before my leaving.

She had been very kind, and when I bade her good-by I assured her that I

would remember her in my prayers. 'You needn't mind,' she replied, 'my

own prayers are much better than any you can say.' This temper explains

why you have to ask questions about me, and I have none to ask

concerning you."

Horace had to admit the contention.

"Life began for you near the river that turned the wheel of the old

sawmill. Ah, that river! It was the beginning of history, of time, of

life! It came from the beyond and it went over the rim of the wonderful

horizon, singing and laughing like a child. How often you dreamed of

following it to its end, where you were certain a glory, felt only in

your dreams, filled the land. The fishes only could do that, for they

had no feet to be tired by walking. Your first mystery was that wheel

which the water turned: a monstrous thing, a giant, ugly and deadly,

whose first movement sent you off in terror. How could it be that the

gentle, smiling, yielding water, which took any shape from a baby hand,

had power to speed that giant! The time came when you bathed in the

stream, mastered it, in spite of the terror which it gave you one day

when it swallowed the life of a comrade. Do you remember this?"

Monsignor held up his hand with two fingers stretched out beyond the

others, and gave a gentle war-whoop. Horace laughed.

"I suppose every boy in the country invited his chums to a swim that

way," he said.

"Just so. The sign language was universal. The old school on the village

green succeeded the river and the mill in your history. Miss Primby

taught it, dear old soul, gentler than a mother even, and you laughed at

her curls, and her funny ways, which hid from child's eyes a noble

heart. It was she who bound up your black eye after the battle with

Bouncer, the bully, whose face and reputation you wrecked in the same

hour for his oppression of the most helpless boy in school. That feat

made you the leader of the secret society which met at awful hours in

the deserted shanty just below the sawmill. What a creep went up and

down your spine as in the chill of the evening the boys came stealing

out of the undergrowth one by one, and greeted their chief with the

password, known by every parent in town. The stars looked down upon you

as they must have looked upon all the great conspirators of time since

the world began. You felt that the life of the government hung by a

thread, when such desperate characters took the risk of conspiring

against it. What a day was July the Fourth--what wretches were the

British--what a hero was General Washington! What land was like this

country of the West? Its form on the globe was a promontory while all

others lay very low on the plane."

"In that spirit you went to Harvard and ran full against some great

questions of life. The war was on, and your father was at the front.

Only your age, your father's orders, and your mother's need held you

back from the fight. You were your mother's son. It is written all over

you,--and me. And your father loved you doubly that you were his son and

owned her nature. He fell in battle, and she was slain by a crueller

foe, the grief that, seizing us, will not let us live even for those we

love. God rest the faithful dead, give peace to their souls, and

complete their love and their labors! My father and mother are living

yet--the sweetest of blessings at my time of life. You grieved as youth

grieves, but life had its compensations. You are a married man, and you

love as your parents loved, with the fire and tenderness of both. Happy

man! Fortunate woman!"

He stopped before the nearest portrait, and stared at it.

"Well, what do you think of my acquaintance with your history?" he

asked.

"Very clever, Monsignor," answered Horace impressed. "It is like

necromancy, though I see how the trick is done."

"Precisely. It is my own story. It is the story of thousands of boys

whom your set will not regard as American boys, unless when they are

looking for fighting material. Everything and anything that could carry

a gun in the recent war was American with a vengeance. The Boston

Coriolanus kissed such an one and swore that he must have come over in

the Mayflower. But enough--I am not holding a brief for anybody. The

description I have just given you of your life and mine is also----"

"One moment--pardon me," said Horace, "how did you know I was married?"

"And happy?" said Monsignor. "Well, that was easy. When we were talking

to-night at tea about the hanging of Howard Tims, what disgust in your

tone when you cried out, there should be no pity for the wretch that

kills his wife."

"And there should not."

"Of course. But I knew Tims. I met him for an hour, and I did not feel

like hanging him."

"You are a celibate."

"Therefore unprejudiced. But he was condemned by a jury of unmarried

men. A clever fellow he is, and yet he made some curious blunders in his

attempt to escape the other night. I would like to have helped him. I

have a theory of disappearing from the sight of men, which would help

the desperate much. This Tims was a lad of your own appearance,

disposition, history even. I had a feeling that he ought not to die.

What a pity we are too wise to yield always to our feelings."

"But about your theory, Monsignor?" said Horace. "A theory of

disappearing?"

"A few nights ago some friends of mine were discussing the possible

methods by which such a man as Tims might make his escape sure. You know

that the influences at his command were great, and tremendous efforts

were made to spare his family the disgrace of the gallows. The officers

of the law were quite determined that he should not escape. If he had

escaped, the pursuit would have been relentless and able. He would have

been caught. And as I maintained, simply because he would never think of

using his slight acquaintance with me. You smile at that. So did my

friends. I have been reading up the escapes of famous criminals--it is

quite a literature. I learned therein one thing: that they were all

caught again because they could not give up connection with their past:

with the people, the scenes, the habits to which they had been

accustomed. So they left a little path from their hiding-place to the

past, and the clever detectives always found it. Thinking over this

matter I discovered that there is an art of disappearing, a real art,

which many have used to advantage. The principle by which this art may

be formulated is simple: the person disappearing must cut himself off

from his past as completely as if he had been secretly drowned in

mid-ocean."

"They all seem to do that," said Horace, "and yet they are caught as

easily as rats with traps and cheese."

"I see you think this art means running away to Brazil in a wig and blue

spectacles, as they do in a play. Let me show some of the consequences a

poor devil takes upon himself who follows the art like an artist. He

must escape, not only from his pursuers--that's easy--but from his

friends--not so easy--and chiefly from himself--there's the rub. He who

flies from the relentless pursuit of the law must practically die. He

must change his country, never meet friend or relative again, get a new

language, a new trade, a new place in society; in fact a new past,

peopled with parents and relatives, a new habit of body and life, a new

appearance; the color of hair, eyes, skin must be changed; and he must

eat and drink, walk, sleep, think, and speak differently. He must become

another man almost as if he had changed his nature for another's."

"I understand," said Horace, interested; "but the theory is impossible.

No one could do that even if they desired."

"Tims would have desired it and accomplished it had I thought of

suggesting it to him. Here is what would have happened. He escapes from

the prison, which is easy enough, and comes straight to me. We never met

but once. Therefore not a man in the world would have thought of looking

for him at my house. A week later he is transferred to the house of Judy

Trainor, who has been expecting a sick son from California, a boy who

disappeared ten years previous and is probably dead. I arrange her

expectation, and the neighbors are invited to rejoice with her over the

finding of her son. He spends a month or two in the house recovering

from his illness, and when he appears in public he knows as much about

the past of Tommy Trainor as Tommy ever knew. He is welcomed by his old

friends. They recognize him from his resemblance to his father, old

Micky Trainor. He slips into his position comfortably, and in five years

the whole neighborhood would go to court and swear Tims into a lunatic

asylum if he ever tried to resume his own personality."

The two men set up a shout at this sound conclusion.

"After all, there are consequences as dark as the gallows," said Horace.

"For instance," said the priest with a wave of his hand, "sleeping under

the eyes of these painted ghosts."

"Poor Tim Hurley," said Horace, "little he thought he'd be a ghost

to-night."

"He's not to be regretted," replied the other, "except for the heart

that suffers by his absence. He is with God. Death is the one moment of

our career when we throw ourselves absolutely into the arms of God."

The two were getting ready to slip between the sheets of the pompous

colonial bed, when Horace began to laugh softly to himself. He kept up

the chuckling until they were lying side by side in the darkened room.

"I am sure, I have a share in that chuckle," said Monsignor.

"Shades of my ancestors," murmured Horace, "forgive this insult to your

pious memory--that I should occupy one bed with an idolatrous priest."

"They have got over all that. In eternity there is no bigotry. But what

a pity that two fine boys like us should be kept apart by that awful

spirit which prompts men to hate one another for the love of God, and to

lie like slaves for the pure love of truth."

"I am cured," said Horace, placing his hand on the Monsignor's arm. "I

shall never again overlook the human in a man. Let me thank you,

Monsignor, for this opening of my eyes. I shall never forget it. This

night has been Arabian in its enchantment. I don't like the idea of

to-morrow."

"No more do I. Life is tiresome in a way. For me it is an everlasting

job of beating the air with truth, because others beat it with lies. We

can't help but rejoice when the time comes to breathe the eternal airs,

where nothing but truth can live."

Horace sighed, and fell asleep thinking of Sonia rather than the

delights of eternity. The priest slept as soundly. No protest against

this charming and manly companionship stirred the silence of the room.

The ghosts of the portraits did not disturb the bold cricket of the

window-sill. He chirped proudly, pausing now and then to catch the

breathing of the sleepers, and to interpret their unconscious movings.

The trained and spiritual ear might have caught the faint sighs and

velvet footsteps of long-departed souls, or interpreted them out of the

sighing and whispering of the leaves outside the window, and the tread

of nervous mice in the fireplace. The dawn came and lighted up the faces

of the men, faces rising out of the heavy dark like a revelation of

another world; the veil of melancholy, which Sleep borrows from its

brother Death, resting on the head which Sonia loved, and deepening the

shadows on the serious countenance of the priest. They lay there like

brothers of the same womb, and one might fancy the great mother Eve

stealing in between the two lights of dawn and day to kiss and bless her

just-united children.

When they were parting after breakfast, Monsignor said gayly.

"If at any time you wish to disappear, command me."

"Thanks, but I would rather you had to do the act, that I might see you

carry out your theory. Where do you go now?"

"To tell Tim Hurley's mother he's dead, and thus break her heart," he

replied sadly, "and then to mend it by telling her how like a saint he

died."

"Add to that," said Horace, with a sudden rush of tears, which for his

life he could not explain, "the comfort of a sure support from me for

the rest of her life."

They clasped hands with feeling, and their eyes expressed the same

thought and resolution to meet again.

The Art of Disappearing · 第 2 / 39 章