bare decent living. Mr. Bailey, the rights of property rest on just this
fact in human nature: A man will work better for himself than he will for
somebody else. And you can't get him to work unless he is guaranteed the
fruits of his labor. Capital is brain, and Labor is muscle, but the brain
has as much to do with the creation of wealth as muscle: more, for it can
invent machines and do without muscle, while muscle cannot do without
brain. You can't alter human nature, Mr. Bailey. If you had a Commune,
every man would be for himself there as he is here: the weak would have
less protection than even now, for all the restraints of morality, which
are bound up inseparably with rights of property, would have been thrown
aside. Marx and Lasallis and Bradlaugh, clever as they are, can't prevent
the survival of the fittest. You knock your head against a stone wall, Mr.
Bailey, when you fight society. You have been knocking it all your life,
and now you are angry because your head is hurt. If you had never tried to
strip other men of their earnings because you fancied you ought to have
more, as skilful a blacksmith as you would have saved money and been a
capitalist himself. Supposing you give it up? Our firm will give you a
chance to make ploughshares and earn twenty dollars a week if you will
only promise not to strike us in return the first chance you get."
The workingman had listened with a curling lip. "Do you mean that for an
offer?" he said in a smothered voice.
"I mean it for an offer, certainly."
"Oh, William!" cried his wife, turning appealing eyes up to his face.
He grew suddenly white, and brought his clenched hand heavily down on the
table. The dishes rattled with the jar, and the baby, scared at the noise,
began to scream. "Then," said Bailey, "you may just understand that a man
ain't always a sneak if he _is_ poor; and you can be glad you ain't a man
that's tempting me to turn traitor."
"I am sure my friend didn't mean to hurt your feelings," Mrs. Greymer
explained quickly, giving the countess that expressive side-glance which
much more plainly than words says, "Now you _have_ done it!" Mrs. Bailey
was walking up and down soothing the baby: the little boy looked on
open-eyed.
"I am sorry if I have said anything which has seemed like an insult," said
the countess: "I certainly didn't intend one. Perhaps after you have
thought it all over you will feel differently. You know where to find me.
Good-evening."
She held out her hand, which Bailey did not seem to see, smiled on the
little boy and went out, leaving Mrs. Greymer behind.
A little girl with pretty brown curls and deep-blue eyes was making
sand-caves on the shore. The countess spoke to her in passing, and left
her staring at her two hands, which were full of silver coin. At the
bridge the countess paused to wait for her friend. She saw her come out,
attended by Mrs. Bailey: she saw Mrs. Bailey watch her, saw the little
girl give her mother the money, and then she saw the woman, still carrying
her baby in her arms, walk slowly down the river-bank to where a boat lay
keel uppermost like a great black arrowhead on the sand. Here she sat
down, and, clasping the child closer, hid her face in its white hair.
"And, upon my soul, I believe she is crying," said the spectator, who
stopped at the commandant's house and obtained the pass before she went
home.
On Monday, Mrs. Greymer proposed asking little Willie Bailey to spend a
week with them. The countess assented, merely saying, "You must take the
little skeleton to drive every day, and send the livery-bills to me."
"Then I shall drive over this afternoon if Freddy's sore throat is
better," said Mrs. Greymer.
But she did not go: Freddy's sore throat was worse instead of better, and
his sister had enough to do for some days fighting off diphtheria. So it
happened that it was a week before she was able to go to D----. She found
the Baileys' door swinging on its hinges, and a high-stepping hen of
inquisitive disposition investigating the front room: the Baileys had
gone.
"They went to Chicago four days ago," an amiable neighbor explained: "they
didn't say what fur. The little boy he cried 'cause he wanted to go on the
island fust. Guess _he_ ain't like to live long: he's a weak, pinin'
little chap."
Only once did Therese hear from Mrs. Bailey. The letter came a few days
after her useless drive to D----. It was dated Chicago, and expressed
simply but fervently her gratitude for all Mrs. Greymer's kindness.
Enclosed were three one-dollar bills, part payment, the writer said, "of
my debt to Mrs. von Arno, and I hope she won't think I meant to run away
from it because I can't just now send more." There was no allusion to her
present condition or her prospects for the future. Mrs. Greymer read the
letter aloud, then held out the bills to the countess.
She pushed them aside as if they stung her. "What does the woman think I
am made of?" she exclaimed. "Why, it's hideous, Therese! Write and tell
her I never meant her to pay me."
"I am afraid the letter won't reach her," said Mrs. Greymer.
Nor did it: in due course of time Therese received her own letter back
from the Dead-Letter Office. The words of interest and sympathy, the plans
and encouragement, sounded very oddly to her then, for, as far as they
were concerned, Martha Bailey's history was ended. It was in July the
countess had met them again. She was in Chicago. Otto was dead. He had
given back to his wife by his will the property which had come to him
through her: whether because of a late sense of justice or a dislike to
his heir, a distant cousin who wrote theological works and ate with his
knife, the countess never ventured to decide. The condition of part of
this property, which was in Chicago, had obliged her to go there. She
arrived on the evening of the fifteenth of July--a day Chicago people
remember because the great railroad strike of 1877 reached the city that
day.
The countess found the air full of wild rumors. Stories of shops closed by
armed men, of vast gatherings of Communists on the North Side, of robbery,
bloodshed and--to a Chicago ear most blood-curdling whisper of all--of a
contemplated second burning of the city, flew like prairie-fire through
the streets.
The countess's lawyer, whom she had visited very early on Thursday
morning, insisted on accompanying her from his office to her friend's
house on the North Side. On Halstead street their carriage suddenly
stopped. Putting her head out of the window, the countess perceived that
the coachman had drawn up close to the curbstone to avoid the onset of a
yelling mob of boys and men armed with every description of weapon, from
laths and brickbats to old muskets. The boys appeared to regard the whole
affair as merely a gigantic "spree," and shouted "Bread or Blood!" with
the heartiest enthusiasm; but the men marched closer, in silence and with
set faces. The gleaming black eyes, sharp features and tangled black hair
of half of them showed their Polish or Bohemian blood. The others were
Norwegians and Germans, with a sprinkling of Irish and Americans. Their
leader was a tall man whom the countess knew. He had turned to give an
order when she saw him. At that same instant a shabby woman ran swiftly
from a side street and tried to throw her arms about the man's neck. He
pushed her aside, and the crowd swept them both out of sight.
"I think I have seen a woman I know," said the countess composedly; "and
do you know, Mr. Wilder, that our horses have gone? Our Communist friends
prefer riding to walking, it seems." They were obliged to get out of the
carriage. The countess looked up and down the street, but saw no trace of
the woman. Apparently, she had followed the mob.
By this time some small boys, inspired by the occasion, had begun to show
their sympathy with oppressed labor by pelting the two well-dressed
strangers with potatoes and radishes, which they confiscated from a
bloated capitalist of a grocer on the corner. The shower was so thick that
Mr. Wilder was relieved when they reached the Halstead street
police-station, where they sought refuge. Here they passed a sufficiently
exciting hour. They could hear plainly the sharp crack of revolvers and
the yells and shouts of the angry mob blending in one indistinguishable
roar. Once a barefooted boy ran by, screaming that the police were driven
back and the Communists were coming. Then a troop of cavalry rode up the
street on a sharp trot, their bridles jingling and horses' hoofs
clattering. The roar grew louder, ebbed, swelled again, then broke into a
multitude of sounds--screams, shouts and the tumultuous rush of many feet.
A polite sergeant opened the door of the little room where the countess
was sitting to inform her the riot was over. They were just bringing in
some prisoners: he was very sorry, but one of them would have to come in
there. He was a prominent rioter whom they had captured trying to bring
off the body of his wife, who had been killed by a chance shot. It would
be only for a short time: the gentleman had gone for a carriage. He hoped
the lady wouldn't mind.
The lady, who had changed color slightly, said she should not mind. The
sergeant held the door back, and some men brought in something over which
had been flung an old blue-and-white shawl. They carried it on a shutter,
and the folds of a calico dress, torn and trampled, hung down over the
side.
Then came two policemen, pushing after the official manner a man covered
with dust and blood.
"Bailey!" exclaimed the countess. Their eyes met.
Bailey bent his head toward the table where the men had laid their burden.
"Lift that," he said hoarsely.
The countess lifted the shawl with a steady hand. There was an old white
straw bonnet flattened down over the forehead; a wisp of blue ribbon
string was blown across the face and over the red smear between the
eyebrow and the hair; the eyes stared wide and glassy. But it was the same
soft brown hair. The countess knew Martha Bailey.
"There was women and children on the sidewalk, but they fired right into
us," said Bailey. He spoke in a monotonous, dragging voice, as though
every word were an effort. "They killed her. I asked you to give me work
in your shop, and you wouldn't do it. Here's the end of it. Now you can go
home and say your prayers."
"I don't say prayers," answered the countess, "and you know I offered you
work. But don't let us reproach each other here. Where are your children?"
"Ain't you satisfied with what you have done already?" said Bailey. "Leave
me alone: you'd better."
"Gently now!" said one of the policemen.
"Whatever you may think of me," said the countess quietly, "you know Mrs.
Greymer was always your wife's friend. We only wanted to help her."
Bailey shook off the grasp of the policemen as though it had been a
feather: with one great stride he reached the countess and caught her
roughly by the wrist. "Look at _her_, will you?" he cried: "you and the
likes of you, with your smooth cant, have killed her! You crush us and
starve us till we turn, and then you shoot us down like dogs. Leave my
children alone."
"None of that, my man!" said the sergeant.
The two policemen would have pulled Bailey away, but the countess stopped
them. She had turned pale even to her lips, but she did not wince.
"Curse you!" groaned the Communist, flinging his arms above his head;
"curse a society which lets such things be! curse a religion--"
The policemen dragged him back. "You'd better go, I think, ma'am," said
the sergeant: "the man's half crazy with the sun and fighting and grief."
"You are right," said the countess. She stopped at the station-door to put
a bill in the policeman's hands: "You will find out about the children and
let me know, please."
Mr. Wilder, who had been standing in the doorway, an amazed witness of the
whole scene, led her out to the carriage. "He's a bad fellow, that
rioter," he said as they drove along.
The countess pulled her cuff over a black mark on her wrist. "No, he is
not half a bad fellow," she answered, "but for all that he has murdered
his wife."
Nor has she ever changed her opinion on that point; neither, so far as is
known, has William Bailey changed his.
OCTAVE THANET.
AT FRIENDS' MEETING.
Sunshine and shadow o'er unsculptured walls
Hang tremulous curtains, radiant and fair;
The breath of summer perfumes all the air;
Afar the wood-bird trills its tender calls.
More eloquent than chanted rituals,
Subtler than odors swinging censers bear,
Purer than hymn of praise or passionate prayer,
The silence, like a benediction, falls.
The still, slow moments softly slip along
The endless thread of thought: a holy throng
Of memories, long prisoned, find release.
The sacred sweetness of the hour has lent
These quiet faces, calm with deep content,
And one world-weary soul alike, the light of peace.
SUSAN M. SPALDING.
LETTERS FROM MAURITIUS.--I.
BY LADY BARKER.
EASTER SUNDAY, April 21, 1878.
"How's her head, Seccuni?"--"Nor'-nor'-east, quarter east, saar." Such had
been the question often asked, at my impatient prompting, of the placid
Lascar quartermaster during the past fortnight. And the answer generally
elicited a sigh from the good-natured captain of the Actæa, a sigh which I
reproduced with a good deal of added woe in its intonation and a slight
dash of feminine impatience. For this easterly bearing was all wrong for
us. "Anything from the south would do," but not a puff seemed inclined to
come our way from the south. Seventeen days ago we scraped over the bar at
the mouth of D'Urban harbor, spread our sails, and fled away before a fair
wind toward the north end of Madagascar, meaning to leave it on the
starboard bow and so fetch "L'Ile Maurice, ancienne Ile de France," as it
is still fondly styled. The fair wind had freshened to a gale a day or two
later, and bowled us along before it, and we had made a rapid and
prosperous voyage so far. Sunny days and cold, clear, starry nights had
come and gone amid the intense and wonderful loveliness of these strange
seas. Not a sail had we passed, not a gull had been seen, scarcely a
porpoise. But now this radiant Easter Sunday morning finds us almost
becalmed on the eastern side of Mauritius, with what air is stirring dead
ahead, but only coming in a cat's-paw now and then. Except for one's
natural impatience to drop anchor it would have been no penance to loiter
on such a day, and so make it a memory which would stand out for ever in
bold relief amid the monotony of life. "A study of color" indeed--a study
in wonderful harmonies of vivid blues and opalesque pinks, amethysts and
greens, indigoes and lakes, all the gem-like tints breaking up into
sparkling fragments every moment, to reset themselves the next instant in
a new and exquisite combination. The tiny island at once impresses me with
a respectful admiration. What nonsense is this the geography-books state,
and I have repeated, about Mauritius being the same size as the Isle of
Wight? Absurd! Here is a bold range of volcanic-looking mountains rising
up grand and clear against the beautiful background of a summer sky, on
whose slopes and in whose valleys, green down to the water's edge, lie
fertile stretches of cultivation. We are not near enough to see whether
the pale shimmer of the young vegetation is due to grass or waving
cane-tops. Bold ravines are cut sharply down the mountainous sides and
lighted up by the silvery glint of rushing water, and the breakers, for
all the mirror-like calm of the sea out here, a couple of miles from
shore, are beating the barrier rocks and dashing their snow aloft with a
dull thud which strikes on the ear in mesmeric rhythm. Yes, it is quite
the fairest scene one need wish to rest wave-worn and eager eyes upon, and
it is still more beautiful if you look over the vessel's side. The sea is
of a Mediterranean blue, and is literally alive with fish beneath, and
lovely sea-creatures floating upon, the sunlit water. It appears as if one
could see down to unknown depths through that clear sapphire medium,
breaking up here and there into pale blue reflections which are even more
enchanting than its intense tints. Fishes, apparently of gold and
rose-color or of a radiant blue barred and banded with silver, dart,
plunge and chase each other after the fragments of biscuit we throw
overboard. Films of crystal and ruby oar themselves gently along the upper
surface or float like folded sea-flowers on the motionless water. A flock
of tiny sea-mews, half the size of the fish, are screaming shrilly and
darting down on the shoal; but as for their catching them, the idea is
preposterous, for the fish are twice as big as the birds.
Still, we want to get on: we sadly want to beat another barque which
started a couple of hours after us from Natal, and we are barely drifting
a knot an hour. It is not in the least too hot. D'Urban was very sultry
when we left, but I have been shivering ever since in my holland gown,
thinking fondly and regretfully of serge skirts and a sealskin jacket down
in the hold. It may be safely taken as an axiom in travelling that you
seldom suffer from cold more than in what are supposed to be hot climates,
and the wary _voyageuse_ will never separate herself hopelessly from her
winter wraps, even when steering to tropical lands. In spite of all my
experience, I am often taken in on this point, and I should have perished
from cold during this voyage as we got farther south if it had not been
for the friendly presence of a rough Scotch plaid. Even the days were cold
on deck out of the sun, and the long nights--for darkness treads close on
the heels of sunset in the winter months of these latitudes--would have
indeed been nipping without warm wraps.
But no one thinks of wraps this balmy Easter Sunday. It is delicious as to
temperature, only we are in an ungrateful hurry, and the stars find us
scarcely a dozen miles from where they left us. I sit up to see myself
safe through the narrow passage between Flat Island and Round Island, and
fall asleep at last to the monotonous chant of so many "fathoms and no
bottom," for we take soundings every five minutes or so in this reefy
region. An apology for wind gets up at last, which takes us round the
north end of the island, and we creep up to the outer anchorage of Port
Louis, on its western shore, slowly but safely in that darkest hour before
dawn.
Bad news travels fast, they say, and some one actually took the trouble of
getting out of his bed and rowing out to us as soon as our anchor was down
to tell us, with apparently great satisfaction, that we had lost our race,
and that we should have to go into quarantine with the earliest dawn.
Having awakened all the sleepers with this soothing intelligence, and
called up a host of bitter feelings of rage and disappointment in the
heart of every one on board, this friendly voice bade us good-night, and
the owner rowed away into the gloom around, apparently at peace with
himself and all the world.
How can I set forth the indignation we all felt to be put in quarantine
because of a little insignificant epidemic of fever at D'Urban, in coming
to a place noted as a hotbed of every variety of fever? If it was measles,
or even chicken-pox, we declared we could have understood it. But _fever_!
This sentiment was found very comforting, and it was a great
disappointment to find how little convincing it appeared to the
authorities. However, the anticipation proved to have been much worse than
the reality, for as we were all perfectly well, and had been so ever since
leaving D'Urban, the quarantine laws became delightfully elastic, and in a
couple of days or so the yellow flag was hauled down, and a more gay and
cheerful bit of bunting proclaimed to our friends on shore that we were no
longer objects of fear and aversion.
In two minutes F---- is on board, and in two minutes more I am in a boat
alongside, being swiftly rowed to the flat shore of Port Louis through a
crowd of shipping, for the fine harbor of the little island seems to
attract to itself an enormous number of vessels. From Calcutta and China,
Ceylon and Madras, Pondicherry, London, Marseilles, the Cape, Callao and
Bordeaux, and from many a port besides, vessels of all varieties of rig
and tonnage come hither.
In the daytime, as I now see it for the first time, Port Louis is indeed a
crowded and busy place, and its low-pitched warehouses and
unpretending-looking buildings hold many and many thousand tons of
miscellaneous merchandise coming in or going out. But at sunset an exodus
of all the white and most of the creole inhabitants sets in, leaving the
dusty streets and dingy buildings to watchmen and coolies and dogs. It is
quite curious to notice, as I do directly, what a horror the English
residents have of sleeping even one single night in Port Louis; and this
dread certainly appears to be well founded if even half the stories one
hears be true. Some half dozen officials, whose duties oblige them to be
always close to the harbor, contrive, however, to live in the town, but
they nearly all give a melancholy report of the constant attacks of fever
they or their families suffer from.
Certainly, at the first glance, Port Louis is not a prepossessing place to
live, or try to live, in. I will say nothing of the shabby shops, the
dilapidated-looking dwellings, one passes in a rapid drive through the
streets, because I know how deceitful outside appearances are as to the
internal resources or comforts of a tropical town. Those dingy shops may
hold excellent though miscellaneous goods in their dark recesses, and
would be absolutely unbearable to either owner or customer if they were
lighted with staring plate-glass windows. Nor would it be possible to
array tempting articles in gallant order behind so hot and glaring a
screen, for no shade or canvas would prevent everything from bleaching
white in a few hours. As for the peeled walls of house and garden, no
stucco or paint can stand many weeks of tropical sun and showers.
Everything gets to look blistered or washed out directly after it has been
renovated, and great allowances must be made for these shortcomings so
patent to the eye of a fresh visitor. What I most regretted in Port Louis
was its low-lying, fever-haunted situation. It looks marked out as a
hotbed of disease, and the wonder to me is, not that it should now and for
ten years past have the character of being a nest for breeding fevers, but
that there ever should have been a time when illness was not rife in such
a locality. Sheltered from anything like a free circulation of air by
hills rising abruptly from the seashore, swampy by nature, crowded to
excess by thousands of emigrants from all parts of the coast added to its
own swarming population, it seems little short of marvellous that even by
day Europeans can contrive to exist there long enough to carry on the
enormous trade which comes and goes to and from its harbor. Yet they do
so, and on the whole manage very well by avoiding exposure to the sun and
taking care to sleep out of the town. This is rendered possible to all by
an admirable system of railways, which are under government control, and
will gradually form a perfect network over the island. The engineering
difficulties of these lines must have been great, and it is an appalling
sight to witness a train in motion. So hilly is the little island that if
the engine is approaching the chances are it looks as if it were about to
plunge wildly down on its head and turn a somersault into the station, or
else it seems to be gradually climbing up a steep gradient after the
fashion of a fly on the wall. But everything appears well managed, and the
dulness of the daily press is never enlivened by accounts of a railway
accident.
For two or three miles out of Port Louis the country is still flat and
marshy, and ugly to the last degree--not the ugliness of bareness and trim
neatness, but overgrown, dank and mournful, for all its teeming life. By
the roadside stand, here and there, what once were handsome and hospitable
mansions, but are now abodes of desolation and decay. The same sad story
may be told of each--how their owners, well-born descendants of old French
families, flourished there, amid their beautiful flowers, in health and
happiness for many a long day until the fatal "fever year" of 1867, when
half the families were carried off by swift death, and the survivors
wellnigh ruined by hurricanes and disasters of all sorts. Poor little
Mauritius has certainly passed through some very hard times, but she has
borne them bravely and pluckily, and is now reaping her reward in
returning prosperity. Sharp as has been the lesson, it is something for
her inhabitants to have learned to enforce better sanitary laws, and there
is little fear now but that their eyes have been opened to the importance
of health regulations.
One effect of the epidemic which desolated Port Louis has been the
creation of the prettiest imaginable suburbs or settlements within eight
or ten miles of the town. These districts have the quaintest French
names--Beau Bassin, Curépipe, Pamplemousse, Flacq, Moka, and so forth,
with the English name of "Racehill" standing out among them in cockney
simplicity. My particular suburb is the nearest and most convenient from
which F---- can compass his daily official duties, but I am not entitled
to boast of an elevation of more than eight hundred feet. Still, there is
an extraordinary difference in the temperature before we have climbed to
even half that height, and we turn out of a green lane bordered by thick
hedges of something exactly like English hawthorn into a wind-swept
clearing on the borders of a deep ravine where stands a bungalow-looking
dwelling rejoicing in the name of "The Oaks." It might much more
appropriately have been called "The Palms," for I can't see an oak
anywhere, whilst there are some lovely graceful trees with rustling giant
leaves on the lawn; but I cannot look beyond the wide veranda, where Zulu
Jack is waiting to welcome me with the old musical cry of "Jakasu-casa!"
and my little five-o'clock tea-table arranged, just as I used to have it
in Natal, on the shady side of the house. Yes, it is home at last, and
very homelike and comfortable it all looks after the tossing, changing
voyaging of the past two months, for I have come a long way round.
BEAU BASSIN, May 21st.
I feel as if I had lived here all my life, although it is really more
unlike the ordinary English colony than it is possible to imagine; and yet
(as the walrus said to the carpenter) this "is scarcely odd," because it
is not an English colony at all. It is thoroughly and entirely French, and
the very small part of the habits of the people which is not French is
Indian. The result of more than a century of civilization, and of the
teachings of many colonists, not counting the Portuguese discoverers early
in the sixteenth century, is a mixed but very comfortable code of manners
and customs. One has not here to struggle against the ignorance and
incapacity of native servants. The clever, quick Indian has learned the
polish and elegance of his French masters, and the first thing which
struck me was the pretty manners of the native--or, as they are called,
creole--inhabitants. Everybody has a "Bon soir!" or a "Salaam!" for us as
we pass them in our twilight walks, and the manners of the domestic
servants are full of attention and courtesy. Mauritius first belonged to
the Dutch (for the Portuguese did not attempt to colonize it), who seem to
have been bullied out of it by pirates and hurricanes, and who finally
gave it up as a thankless task about the year 1700. A few years later the
French, having a thriving colony next door at Bourbon, sent over a
man-of-war and "annexed," unopposed, the pretty little island. But there
were all sorts of difficulties to overcome in those early days, and it was
not even found possible--from mismanagement of course--to make the place
pay its own working expenses. Then came the war with England at the
beginning of this century; and that made things worse, for of course we
tried to get hold of it, and there were many sharp sea-fights off its
lovely shores, until, after a gallant defence, a landing was effected by
the English, who took possession of it somewhere about 1811. Still, it
does not seem to have been of much use to them, for the French inhabitants
naturally made difficulties and declined to take the oath of allegiance;
so that it was not until the great settling-day--or rather year--of 1814,
when Louis XVIII. "came to his own again" and definitively ceded Mauritius
to the British, that we began to set to work, aided by the inhabitants
with right good-will, to develop and make the most of its enormous natural
resources.
I really believe Mauritius stands alone in the whole world for variety of
scenery, of climate and of productions within the smallest imaginable
space. It might be a continent looked at through reversed opera-glasses
for the ambitious scale of its mountains, its ravines and its waterfalls.
When once you leave the plains behind--it is all on such a toy scale that
you do this in half an hour--you breathe mountain-air and look down deep
gorges and cross wide, rushing rivers. Of course the sea is part of every
view. If it is lost sight of for five minutes, there is nothing to do but
go on a few yards and turn a corner to see it again, stretching wide and
blue and beautiful out to the horizon. As for the length and breadth of
the island representing its area, the idea is wildly wrong. The acreage is
enormous in proportion to this same illusory length and breadth, which
very soon fades out of the newcomer's mind. One confusing effect of the
hilly nature of the ground is that one dwarfs the relative length of
distances, and gets to talk of five miles as a long way off. At first I
used to say--rather impertinently, I confess--"Surely nothing can be very
far away here!" but I have learned better already in this short month, and
recognize that even three miles constitute something of a drive. And the
chances are--nay, the certainty is--that three miles in any direction will
show you a greater variety of beautiful scenery than the same distance
over any other part of the habitable globe. The only expression I can find
to describe Mauritius to myself is one I used to hear my grandmother use
in speaking of a pretty girl who chanced to be rather _petite_. "She is a
pocket Venus," the old lady would say; and so I find myself calling L'Ile
Maurice a pocket Venus among islets.
This is the beginning of the cool season, which lasts till November; and
really the climate just now is very delightful. A little too windy,
perhaps, for my individual taste, but that is owing to the rather exposed
situation of my house. The trade winds sweep in from the south-east, and
very nearly blow me and my possessions out of the drawing-room. Still, it
would be the height of ingratitude to quarrel with such a healthy,
refreshing gale, and I try to avoid the remorse which I am assured will
overtake me in the hot season if I grumble now. Of course it is hot in the
sun, but ladies need seldom or never expose themselves to it. The
gentlemen are armed, when they go out, with white umbrellas, and keep as
much as possible out of the fierce heat. At night it is quite cold, and
one or even two blankets are indispensable; yet this is by no means one of
the coolest situations in the island, though it bears an excellent
character for healthiness. Of course I can only tell you this time of what
lies immediately around me, for I have hardly strayed five miles from my
own door since I arrived. There is always so much to do in settling one's
self in a new home. This time, I am bound to say, the difficulties have
been reduced to a minimum, not only from the prompt kindness and
helpfulness of my charming neighbors, but because I found excellent
servants ready to my hand, instead of needing to go through the laborious
process of training them. The cooks are very good--better indeed than the
food material, which is not always of the best quality. The beef is
imported from Madagascar, and is thin and queerly butchered, but presents
itself at table in a sufficiently attractive form: so do the long-legged
fowls of the island. But the object of distrust is always the mutton,
which is more often goat, and consequently tough and rank: when it is only
kid one can manage it, but the older animal is beyond me. Vegetables and
fruit are abundant and delicious, and I have tasted very nice fish, though
they do not seem plentiful. Nor is the actual cost of living great for
what is technically called "bazaar"--_i.e.,_ home-grown--articles of daily
food. Indeed, such things are cheap, and a few rupees go a long way in
"bazaar." The moment you come to _articles de luxe_ from England or
France, then, indeed, you must reckon in dollars, or even piastres, for it
sounds too overwhelming in rupees. Wine is the exception which proves the
rule in this case, and every one drinks an excellent, wholesome light
claret which is absurdly and delightfully cheap, and which comes straight
from Bordeaux. Ribbons, clothes, boots and gloves, all things of that
sort, are also expensive, but not unreasonably so when the enormous cost
of carriage is taken into account. Everything comes by the only direct
line of communication with England, in the "Messageries Maritimes," which
is a swift but costly mode of transmission. Still, all actual necessaries
are cheap and plentiful in spite of the teeming population one sees
everywhere.
In our daily evening walk we cut off a corner through the bazaar, and it
is most amusing to see and hear the representatives of all the countries
of the East laughing, jangling and chatting in their own tongues, and
apparently all at once. Besides Indians from each presidency, there are
crowds of Chinese, Cingalese, Malabars, Malagask, superadded to the creole
population. They seem orderly enough, though perhaps the police reports
could tell a different tale. If only the daylight would last longer in
these latitudes, where exercise is only possible after sundown! However
early we set forth, the end of the walk is sure to be accomplished
stumblingly in profound darkness. Happily, there are no snakes or
poisonous reptiles of any sort, nor have I yet seen anything more
personally objectionable than a mosquito. I rather owe a grudge, though,
to a little insect called the mason-fly, which has a perfect passion for
running up mud huts (compared to its larger edifices on the walls and
ceiling) on my blotting-books and between the leaves of my pet volumes.
The white ants are the worst insect foe we have, and the stories I hear of
their performances would do credit to the Arabian Nights. I have already
learned to consider as pets the little soft brown lizards which emerge
from behind the picture-frames at night as soon as ever the lamps are lit.
They come out to catch the flies on the ceiling, and stalk their prey in
the cleverest and stealthiest fashion. Occasionally, however, they quarrel
with each other, and have terrific combats over head, with the invariable
result of a wriggling inch of tail dropping down on one's book or paper.
This cool weather is of course the time when one is freest from insect
visitors, and I have not yet seen any butterflies. A stray grasshopper,
with green wings folded exactly like a large leaf, or an inquisitive
mantis, blunders on to my writing-table occasionally, but not often enough
to be anything but welcome. As my sitting-room may be said, speaking
architecturally, to consist merely of a floor and ceiling, there is no
reason why all the insects in the island should not come in at any one of
its seven open doors (I have no windows) if they choose.
The houses are very pretty, however, in spite of their being all doorway.
The polished floors--unhappily, mine are painted _red_, which is a great
sorrow to me--the large rooms, with nice furniture and a wealth of
flowers, give a look of great comfort and elegance to the interior. The
wide, low verandas are shaded on the sunny side by screens or blinds of
ratan painted green, and from the ceiling dangle baskets, large baskets,
filled with every imaginable variety of fern. I never saw anything like
the beauty of the foliage. The _leaves_ of the plants would give color and
variety enough without the flowers, and they too are in profusion. Every
house stands in its own grounds, and I think I may say that every house
has a beautiful shrubbery and garden attached to it. Of course, with all
this warm rain constantly falling, the pruning-knife is as much needed as
the spade, but the natives make excellent and clever gardeners, and every
place is well and neatly kept. Mine is the only overgrown and yet empty
garden I have seen, but, all the same, I have more flowers in my
drawing-room than any one else, for all my neighbors take compassion on me
and send me baskets full of the loveliest roses every morning. Then it is
only necessary to send old Bonhomme, the gardener, a little way down the
steep side of the ravine to pick as much maiden-hair or other delicate
ferns as would stock the market at Covent Garden for a week.
If it were not for everybody being in such a terror about their health,
this lonely little island would be a very charming place. But ever since
_the_ fever a feeling of sanitary distrust seems to have sprung up among
the inhabitants, which strikes a newcomer very vividly. The European
inhabitants _look_ very well, and the ladies and children are far more
blooming--though I acknowledge it is a delicate bloom--than any one I saw
in Natal. Still, you can detect that the question of health is uppermost
in the public mind. If a house is spoken of, its only recommendation need
be that it is healthy. There is very little society at night, because
night air is considered dangerous: even the chief attraction of
lawn-tennis, the universal game here, is that "it is so healthy." And to
see the way the gentlemen wrap up after it in coats which seem to have
been made for arctic wear! Of course they are quite right to be careful,
and it is a comfort to know that with proper care and the precautions
taught by experience there is no reason why, under the blessing of God, a
European should not enjoy as good health in Mauritius as in other places
with a better reputation. There are nearly always cases of fever in Port
Louis, and three or four deaths a day from it; but then the native white
and creole population is very large, and the proportion is not so
alarming.
One of the things which I think are not generally understood is, how
completely the whole place is French. It is not in the least like any
colony which I have ever seen. It is a comfortable settlement, where
families have intermarried and taken root in the soil, regarding it with
quite as fond and fervent an affection as we bear to our own country.
Instead of the apologies for, and abuse of, a colony (woe to you if _you_
find fault, however!) with which your old colonist greets a new arrival, I
find here a strong patriotic sentiment of pride and love, which is
certainly well merited. When you take into consideration the tiny
dimensions of the island, its distance from all the centres of
civilization, its isolation, the great calamities which have befallen it
from hurricane, drought and pestilence, and the way it has overlived them
all, there is every justification for the pride and glory of its
inhabitants in their fair and fertile islet. Never were such good roads: I
don't know how they are managed or who keeps them in order, except that I
believe everything in the whole place is done by government. Certainly,
government ought to be patted on the back if those neat, wide, well-kept
roads are its handiwork. But, as I was saying, it is a surprise to most
English comers to find how thoroughly French the whole place is, and you
perceive the change first and chiefly in the graceful and courteous
manners of the people of all grades and classes. Instead of the delightful
British stare and avoidance of strangers, every one, from the highest
official to the poorest peasant, has a word or bow of greeting for the
passer-by; and especially is this genial civility to be admired and
noticed at the railway-stations and in the carriages. You never hear
English spoken except among a few officials, and a knowledge of French is
the first necessity of life here. Unhappily, there is a patois in use
among the creoles and other natives which is very confusing. It is made up
of a strange jumble of Eastern languages, grafted on a debased kind of
French, and gabbled with the rapidity of lightning and a great deal of
gesticulation. At a ball you hear far more French than English spoken, and
at a concert I attended lately not a single song was in English. Even in
the Protestant churches there is a special service held in French every
Sunday, as well as another in Tamil, besides the English services; so a
clergyman in Mauritius needs to be a good linguist. The polished floors,
well _frotté_ every morning, and the rather set-out style of the rooms,
all make a house look French. The business of the law-courts and the
newspapers are also in French, with only here and there a column of
English. The notifications of distances, the weights and measures, the
"avis aux voyageurs," the finger-posts, wayside bills, signs on
shop-fronts, are all in French. When by any chance the owner of a shop
breaks out into an English notification of his wares--and it is generally
a Chinaman or Parsee who is fired by this noble ambition--the result is as
difficult to decipher as if it were a cuneiform inscription.
The greatest difference, as it is the one which most affects my individual
comfort, which I have yet found out between Mauritius and an ordinary
English colony is the poverty of the book-shops. Your true creole is not a
reading character, though, on the other hand, he has a great and natural
taste for music. I miss the one or even two excellent book shops where one
could get, at quite reasonable prices too, most of the new and readable
books which I have always found in the chief town of every English colony.
At Cape Town, Christchurch, New Zealand, Maritzburg, D'Urban, there are
far better booksellers than in most English country towns. Here it appears
to me as if the love of literature were confined to the few English
officials, who devour each other's half dozen volumes with an appetite
which speaks terribly of a state of chronic mental famine. I keep hoping
that I shall always be as busy as I am now, and so have very little time
for reading, for if it is ever otherwise I too shall experience the
universal starvation.
BEAU BASSIN, June 20th.
It has never been my lot hitherto, even in all my various wanderings, to
stand of a clear starlight night and see the dear old Plough shining in
the northern sky whilst the Southern Cross rode high in the eastern
heaven. But I can see them both now; and the last thing I always do before
going to bed is to go out and look first straight before me, where the
Plough hangs luminous and low over the sea, and then stroll toward the
right-hand or eastern side of the veranda and gaze up at the beautiful
Cross through the rustling, tall tree-tops. It is much too cold now to sit
out in the wide veranda and either watch the stars or try to catch a
glimpse of the monkeys peeping up over the edge of the ravine in the
moonlight, thereby awakening poor rheumatic old Boxer's futile rage by
their gambols. My favorite theory is that one is never so cold as in a
tropical country, and I have had great encouragement in that idea lately.
We are always regretting that no fireplace has been included in the
internal arrangements of this house, and when we go out to dinner part of
the pleasure of the evening consists in getting well roasted in front of a
coal-fire in the drawing-room. I am assured that a few months hence I
shall utterly deny this said theory, and refuse to believe the fireplaces
I see occasionally could ever be used except as receptacles for pots of
ferns and large-leaved plants. At present, however, it is, as I say,
delightfully, bracingly cold in the morning and evening, and almost too
cold for comfort at night unless indeed you are well provided with
blankets. We take long walks of three or four miles of an evening,
starting when the sun sinks low enough for the luxuriant hedges by the
roadside to afford us occasional shelter, and returning either in the
starlight dusk or in the crisper air of a moonlight evening. In every
direction the walk is sure to be a pretty one, whether we have the hill of
the Corps-de-Garde before us, with its distinctly-marked profile of a
French soldier of the days of the Empire lying with crossed hands, the
head and feet cutting the sky-line sharp and clear, or the bolder outlines
of blue Mount Ory or cloud-capped Pieter Both. Our path always lies
through a splendid tangle of vegetation, where the pruning-knife seems the
only gardening tool needed, and where the deepening twilight brings out
many a heavy perfume from some hidden flower. Above us bends a vault of
lapis-lazuli, with globes of light hanging in it, and around us is a
heavenly, soft and balmy air. Whenever I say to a resident how delicious I
find it all, he or she is sure to answer dolefully, "Wait till the hot
weather!" But my idea is, that if there _is_ this terrible time in front
of us, it is surely all the more reason why we should enjoy immensely the
agreeable present. That there is some very different weather to be battled
with is apparent by the extraordinary shutters one sees to all the houses.
Imagine doors built as if to stand a siege, strengthened by heavy
cross-pieces of wood close together, and, instead of bolt or lock, kept in
their places by solid iron bars as thick as my wrist. Every door and
window in the length and breadth of the island is furnished with these
_contre-vents_, or hurricane-shutters, and they tell their own tale. So do
the huge stones, or rather rocks, with which the roofs of the humbler
houses and verandas are weighted. My expression of face must have been
something amusing when I remarked triumphantly the other day to one of my
acquaintances, who had just observed that my house stood in a very exposed
situation, "But it has been built a great many years, and must have stood
the great hurricanes of 1848 and 1868." "Ah!" replied Cassandra
cheerfully; "there was not much left of it, I fancy, after the '48
hurricane, and I _know_ that the veranda was blown right _over_ the house
in the gale of '68." Was not that a cheerful tale to hear of one's house?
Just now the weather is wet and windy as well as cold, and the constant
and capricious heavy showers reduce the lawn-tennis players to despair.
If any one asked me what was the serious occupation of my life here, I
should answer without hesitation, "Airing my clothes." And it would be
absolutely true. No one who has not seen it can imagine the damp and
mildew which cover everything if it be shut up for even a few days.
Ammonia in the box or drawer keeps the gloves from being spotted like the
pard, but nothing seems to avail with the other articles of clothing.
Linen feels quite wet if it is left unused in the _almirah_, or chest of
drawers, for a week. Silk dresses break out into a measle-like rash of
yellow spots. Cotton or muslin gowns become livid and take unto themselves
a horrible charnel-house odor. Shoes and books are speedily covered a
quarter of an inch deep by a mould which you can easily imagine would
begin to grow ferns and long grasses in another week or so.
Hats, caps, cloth clothes, all share the same damp fate, whilst, as for
the poor books, their condition is enough to make one weep, and that in
spite of my constant attention and repeated dabbings with spirits of wine.
And this is not the dampest part of the island by any means. Do not
suppose, however, that damp is the only enemy to one's toilette here. I
found a snail the other day in my wardrobe which had been journeying
slowly but effectively across some favorite silken skirts. Cockroaches
prefer tulle and net, and eat their way recklessly and rapidly through
choicest lace, besides nibbling every cloth-bound book in the island. On
the other hand, the rats confine their attentions chiefly to the boots and
shoes of the resident, and are at all events good friends to the makers
and sellers of those necessary articles. So, you see, garments are likely
to be a source of more trouble than pleasure to their possessor if he or
she is at all inclined to be always _tiré à quatre épingles_.
Except these objectionable creatures, there is not much animal life astir
around me in the belle isle. It is too cold still for the butterflies, and
I do not observe much variety among the birds. There are flocks of minas
always twittering about my lawn--glossy birds very like starlings in their
shape and impudent ways, only with more white in the plumage and with
brilliant orange-colored circles round their eyes. There are plenty of
paroquets, I am told, and cardinal birds, but I have not yet seen them. A
sort of hybrid canary whistles and chirps in the early mornings, and I
hear the shrill wild note of a merle every now and then. Of winged game
there are but few varieties--partridges, quails, guinea-fowl and pigeons
making up the list--but, on the other hand, poultry seems to swarm
everywhere. I never saw such long-necked and long-legged cocks and hens in
my life as I see here; but these feathered giraffes appear to thrive
remarkably well, and scratch and cackle around every Malabar hut. I have
not seen a sheep or a goat since I arrived, nor a cow or bullock grazing.
The milch cows are all stall-fed. The bullocks go straight from shipboard
to the butcher, and the horses are never turned out. This is partly
because there is no pasturage, the land being used entirely for sugar-cane
or else left in small patches of jungle. As might be expected from such a
volcanic-looking island, the surface of the ground is extremely stony, but
the sugar-cane loves the light soil, and I am told that it thrives best
where the stones are just turned aside and a furrow left for the
cane-plant. After a year or so the furrow is changed by the rocks being
rolled back again into their original places, and the space they occupied
is then available for young plants. The wild hares are terrible enemies to
the first shoots of the cane, and we pass picturesque _gardiens_ armed
with amazing _fusils_ and clad in every variety of picturesque rag,
keeping a sort of boundary-guard at the edges of the sprouting
cane-fields. There are a great many dogs to be seen about, and they are
also regarded as gardiens; for the swarming miscellaneous Eastern
population does not bear the best reputation in the world for honesty, and
the police seem to have their hands full. All that I know about the use of
the dogs as auxiliaries is that they yelp and bark hideously all night at
each other, for every one seems to resent as a personal insult any
nocturnal visit from a neighbor's dog.
The horses are better than I expected. When one hears that every
four-footed beast has to be imported, one naturally expects dear and
indifferent horses, but I am agreeably surprised in this respect. We have
horses from the Cape, from Natal, and even from Australia, and they do not
appear to cost more here than they would in their respective countries. I
may add that there is also no difficulty whatever in providing yourself
with an excellent carriage of any kind you prefer, and it is far better to
choose one here than to import one. I mention this because a carriage or
conveyance of some sort is the necessary of necessaries here--as
indispensable as a pair of boots would be in England. I scarcely ever see
any one on horseback: people never seem to ride, to my great regret. I am
assured that it will be much too hot to do so in the summer evenings, and
that the hardness of the roads prevents riding from being an agreeable
mode of exercise. Every village can furnish sundry _carrioles_ for hire,
queer-looking little conveyances, like a minute section of a tilt-cart
mounted on two crazy wheels and drawn by a rat of a pony. Ponies are a
great institution here, and are really more suitable for ordinary work
than horses. They are imported in large numbers from Pegu and other parts
of Birmah, and also from Java, Timur and different places in the Malay
Archipelago. They stand about twelve or fourteen hands high, and are the
strongest, healthiest, pluckiest little beauties imaginable, full of fire
and go. Occasionally I meet a carriage drawn by a handsome pair of mules,
and they are much used in the numerous carts and for farm-work, especially
on the sugar estates. They are chiefly brought from South America and from
the Persian Gulf, and have many admirers, but I cannot say I like them as
a substitute either for horses or for the gay little ponies. This is such
an exceedingly sociable place that I have frequent opportunities of
looking at the nice horses of my visitors, and most of the equipages would
do credit to any establishment. The favorite style of carriage in use here
is very like a victoria, only there is a curious custom of _always_
keeping the hood up. It looks so strange to my eyes to see the hood, which
projects unusually far as a screen against either sun or rain, kept
habitually up, even during the brief and balmy twilight, when one fancies
it would be so much more agreeable to drive swiftly through the soft air
without any screening _soufflet_. Of course it would be quite necessary to
keep it up in the daytime, or even late at night against the heavy dew,
but this does not begin to fall until it is too dark to remain out
driving.
I must say I like Mauritius extremely. It is so _comfortable_ to live in a
place with good servants and commodious houses, and the society is
particularly refined and agreeable, owing chiefly to the mixture of a
strong French element in its otherwise humdrum ingredients. I have never
seen such a wealth of lovely hair or such beautiful eyes and teeth as I
observe in the girls in every ball-room here; and when you add exceedingly
charming--alas! that I must say foreign--manners and a great deal of
musical talent, you can easily imagine that the style of the society is a
good deal above that to be found in most colonies.
What weigh upon me most sadly in the Mauritius are the solitude and the
intense loneliness of the little island. We are very gay and pleasant
among ourselves, but I often feel as if I were in a dream as far as the
rest of the world is concerned, or as if we were all living in another
planet. Only once in a month does the least whisper reach us from the
great outer world beyond our girdling reef of breaking foam: only once in
four long weeks can any tidings come to us from those we love and are
parted from--any news of the progress of events, any thrilling incidents
of daily history; and it is strange how diluted the sense of interest
becomes by passing through so long an interval of days and weeks. The
force of everything is weakened, its strength broken. Can you fancy the
position of a ship at sea, not voyaging toward any port or harbor, but
moored in the midst of a vast, desolate ocean? Once in a weary while of
thirty days another ship passes and throws some mailbags on board, and
whilst we stretch out clamorous hands and cry for fuller tidings, for more
news, the vessel has passed out of our reach, and we are absolutely alone
once more. It is the strangest sensation, and I do not think one can ever
get reconciled to it. True, there is a great deal of talk just now about a
connecting cable which is some day to join us by electric wires to the
centres of civilization; but no telegraphic message can ever make up for
letters, and it will always be too costly for private use except on great
emergencies. Strange to say, the mercantile community, which is a very
influential one here, objects strongly to proposals of either telegraphic
or increased postal communication. They have no doubt good reasons for
their opinion, but I think if their pretty little children were on the
other side of the world, instead of close at hand, they would agree with
me that it is very hard to wait for four weeks between the mails.
AN ADVENTURE IN CYPRUS
"So this is Cyprus?" cries my English companion, Mr. James P----, turning
his glass with a critical air upon the glorious panorama that lies
outspread before us in all the splendor of the June sunrise. "Well, upon
my word, it's not so bad, after all!"
Such a landscape, however, merits far higher praise than this thoroughly
English commendation. To the right surge up against the bright morning
sky, wave beyond wave, an endless succession of green sunny slopes which
might pass for the "Delectable Mountains" of Bunyan. To the left cluster
the vineyards which have supplied for nineteen centuries the far-famed
"wine of Cyprus." In front extends a wide sweep of smooth white sand,
ending on one side in a bold rocky ridge, and on the other in the tall
white houses and straggling streets and painted church-towers and gilded
cupolas of the quaint old town of Larnaka, which, outlined against a
shadowy background of purple hills, appears to us as just it did to Coeur
de Lion and his warriors when they landed here seven hundred years ago on
their way to the fatal crusade from which so few of them were to
return.[A] And all around, a fit frame for such a picture, extend the blue
sparkling sea and the warm, dreamy, voluptuous summer sky.
"Wasn't it here that Fortunatus used to live?" says P----. "I wish I could
find his purse lying about somewhere: it would come in very handy just
now."
"You forget that its virtue ended with his life," answer I; "and,
moreover, the illustrious man didn't live here, but at Famagosta, farther
along the coast, where, I dare say, the first Greek you meet will show
you 'ze house of Signor Fortunato,' and the original purse to boot, all
for the small charge of one piastre."
Our landing is beset by the usual mob of yelling vagabonds, eager to
lighten our pockets by means of worthless native "curiosities," "antiques"
manufactured a month before, or vociferous offers to show us "all ze fine
sight of ze town, ver' sheap." Just as we have succeeded in fighting our
way through the hurly-burly a venerable old Smyrniote with a long white
beard, in whom we recognize one of our fellow-passengers on the steamer,
accosts us with a low bow: "Want see ze old shursh, genteelmen? All ze
Signori Inglesi go see zat. You wish, I take you zere one minute."
"All right!" shouts P---- with characteristic impetuosity: "I'm bound to
see all I can in the time. Drive on, old boy: I'm your man."
Away we go, accordingly, along the deep, narrow, tunnel-like streets,
flanked on either side by tall blank houses such as meet one at every turn
in Cairo or Djeddah or Jerusalem, between whose projecting fronts the
sunny sky appears like a narrow strip of bright blue ribbon far away
overhead, while all below is veiled in a rich summer twilight of purple
shadow, like that which fills the interior of some vast cathedral. But
ever and anon a sudden break in the ranked masses of building gives us a
momentary glimpse of the broad shining sea and dazzling sunlight, which
falls upon many a group that a painter would love to copy--tall, gaunt
Armenians, whose high black caps and long dark robes make their pale,
hollow faces look doubly spectral; low-browed, sallow, bearded Russians;
brawny English sailors, looking down with a grand, indulgent contempt upon
those unhappy beings whom an inscrutable Providence has doomed to be
"foreigners;" stolid Turks, tramping onward in silent defiance of the
fierce looks cast at them from every side; sinewy Dalmatians, with
close-cropped black hair; dapper Frenchmen, with well-trimmed moustaches,
casting annihilating glances at the few ladies who happen to be abroad;
and barefooted Greeks, with little baskets of fruit or fish perched on
their heads--ragged, wild-eyed and brigand-like as the lazzaroni who rose
from the pavement of Naples at the call of Masaniello.
"Awful rascals some of these fellows look, eh?" remarks P---- in a stage
whisper.
"Yes, their faces are certainly no letter of recommendation. There is some
truth, undoubtedly, in the _last_ clause of the old proverb: 'Greek wines
steal all heads, Greek women steal all hearts, and Greek men steal
everything.'"
But at this moment our attention is drawn to a crowd a little way ahead,
the centre of attraction being apparently a good-looking young Greek from
the Morea, whose jaunty little crimson cap with its hanging tassel sets
off very tastefully his dark, handsome face and the glossy black curls
which surround it. He is leaning against the pillar of a gateway in an
attitude of unstudied grace that would charm an Italian painter, and
singing, to the accompaniment of his little three-stringed guitar, a
lively Greek song, of which we only come up in time to catch the last
verse:
Look in mine eyes, lady fair:
There your own image you'll see.
Open my heart and look there:
_There_ too your image will be.
The coppers that chink into the singer's extended hat show how fully his
efforts are appreciated; but at this moment P----, with the free-and-easy
command of a true John Bull, elbows his way through the throng, and calls
out: "Holloa, Johnny! we only got the fag-end of that song. Tip us
another, and here's five piastres for you" (about twenty-five cents).
The musician seems to understand him, and with a slight preliminary
flourish on his instrument pours forth, in a voice as clear and rippling
as the carol of a bird, a song which may be thus translated:
Men fret, men toil, men pinch and pare,
Make life itself a scramble,
While I, without a grief or care,
Where'er it lists me ramble.
'Neath cloudless sun or clouded moon,
By market-cross or ferry,
I chant my lay, I play my tune.
And all who hear are merry.
When summer's sun unclouded shines,
And mountain-shadows linger,
I watch them dance among the vines
As quicker moves my finger;
And so they sport till day is o'er,
And black-robed Night advances,
And where the maidens tripped before,
The lovely moonbeam dances.
When 'neath the rush of winter's rain
The dripping forests welter,
The shepherd opes his door amain,
And gives me food and shelter.
I touch my chords, I trill my lay,
The firelight glances o'er us,
And wind and rain, in stormy play,
Join in with lusty chorus.
'Mid rustling leaves, 'neath open sky,
I live like lark or swallow:
There's not a bird more free to fly
Than I am free to follow.
And when grim Death his bow shall bend,
My mortal course suspending,
Oh may my life, howe'er it end,
Have music in its ending!
Such music, supplemented by such a voice, strongly tempts us to remain and
hear more; but our impatient guide urges us onward, and in another minute
we stand before the dark, low-browed archway of the old church which we
have come to see.
The quaint architecture of the outside is strange and old-world enough,
but when we enter, the dim interior, haunted by weird shadows and ghostly
echoes, has quite an unearthly effect after the bustling life of the city.
As is usual in Greek and Russian churches, there are no seats of any kind,
the whole interior being one wide bare space, dimly lighted by the two
tall candles on the altar and a few little oil-lamps attached to the
pictures of saints adorning the walls. The decorations have that air of
tawdry finery which is the most displeasing feature of the Eastern
churches; but the four frescoes at the farther end (representing the
Adoration of the Magi, our Lord's Baptism, the Crucifixion, and the
Descent into Hell), rude as they are, have a grim power which takes hold
of our fancy at once. Dante himself might approve the last of the four, in
which the lurid atmosphere, the hideous contortions of the demons, and the
surging flight of the half-awakened dead, with their blank faces and stony
eyes, contrast magnificently with the grand calmness of the divine Figure
in the centre--a perfect realization of the noble words of Milton:
Some howled, some shrieked,
Some bent their fiery darts at thee, while Thou
Sat'st unappalled in calm and sinless peace.
The only occupant of the building is a tall, dignified-looking priest, who
at once takes upon himself the part of expositor; but he is suddenly
interrupted by the hurried entrance of a man who whispers something in his
ear. The priest instantly vanishes into the sacristy, and, reappearing
with something like a casket under his arm, goes hastily out, muttering as
he passes us some words which my comrade interprets as "Follow me."
We obey at once; but, in truth, it is no light matter to do so, for the
good father sets off at a pace which, considering the heat of the day and
the weight of his trailing robes, is simply astounding. Up one street,
down another, round a corner, along a narrow lane--on he rushes as if bent
upon rivalling that indefatigable giant who "walked round the world every
morning before breakfast to sharpen his appetite."
"By Jove!" mutters P----, mopping his streaming face for the twentieth
time, "what he's going to show us ought to be something special, by the
hurry he's in to get to it. Anyhow, it's a queer style of showing us the
way, to go pelting on like that, and leave us to take care of ourselves.
I'll just halloo to him to slacken speed a bit."
But just as he is about to do so the priest halts suddenly in front of a
high, blank wall of baked clay, in the midst of which a door opens and
swallows him as if by magic. We come tearing up a moment later, and are
about to enter at his heels when our way is unexpectedly barred by an ugly
old Greek with one eye and with a threadbare crimson cap pulled down over
his lean, sallow face, which looks very much like a half-decayed cucumber.
"What do you want?" he growls, eying us from head to foot with the air of
a bulldog about to bite.
We explain our errand, and are electrified with the information that we
have been on the point of intruding ourselves into a private house; that
the priest's business there is to pray over the master of it, who is
dangerously ill; and that, in short, we have been "hunting upon a false
scent" altogether. Having imparted this satisfactory information, Cerberus
shuts the door in our faces (which are sufficiently blank by this time),
and leaves us to think over the matter at our leisure.
"Confound the old mole!" growls P---- wrathfully: "if he didn't want us,
why on earth did he tell us to follow him, I should like to know?"
"Are you quite sure that he _did_ say so?" ask I. "What were the Greek
words that he used?"
"'Mê akolouthei,' or something like that."
"Which means, '_Don't_ follow,'" I retort, transfixing the abashed
offender with a look of piercing reproach. "If _that's_ all that's left of
your Greek, you'd better buy a lexicon and take a fresh start. However,
there's nobody to tell tales if _we_ don't, that's one comfort."
And so ends the first and last of our adventures in Cyprus.
DAVID KER.
NEIGHBORLY LOVE.
Eine Welt zwar bist du, O Rom; doch ohne die Liebe
Wäre die Welt nicht die Welt, wäre denn Rom auch nicht Rom.--GOETHE:
_Elegy I_.
"Maytide in Rome! The air 's a mist of gold,
In rainbow colors are the fountains springing,
The streets are like a garden to behold,
And in my heart a choir of birds are singing.
Haste to thy window, love: I wait for thee.
High o'er the narrow lane our glance may meet,
Our stretched hands all but clasp. Hither to me,
And make the glory of the hour complete.
"No sound, no sign! The bowed blinds are not stirred.
I dare not cry, lest from the common street
Some passing idler catch one sacred word
That's dedicate to her. How may I greet
My love to-day? how may I lure her near?
Ah! I will write my message on her wall
In living sunshine. She shall see and hear:
The silent fire of heaven shall sound my call."
He draws his casement: on the glittering glass
A captured sunbeam flashes sudden flame:
Between her blinds demure he makes it pass:
Its joyous radiance tells her whence it came.
She feels its presence like a fiery kiss;
Mantling her face leaps up the maiden's blood;
She flies to greet him. Oh immortal bliss!
For ever thus is old Rome's youth renewed.
EMMA LAZARUS.
OUR MONTHLY GOSSIP.
POE AND MRS. WHITMAN.
Burns's Highland Mary, Petrarch's Laura, and other real and imaginary
loves of the poets, have been immortalized in song, but we doubt whether
any of the numerous objects of poetical adoration were more worthy of
honor than Mrs. Sarah Helen Whitman, the friend and defender of Edgar A.
Poe. That he should have inspired so deep and lasting a love in the heart
of so true and pure a woman would alone prove that he was not the social
pariah his vindictive enemies have held up to the world's wonder and
detestation. The poet's love for Mrs. Whitman was the one gleam of hope
that cheered the last sad years of his life. His letters to her breathed
the most passionate devotion and the most enthusiastic admiration. One
eloquent extract from his love-letters to Mrs. Whitman will suffice. In
response to a passage in one of her letters in which she says, "How often
have I heard men, and even women, say of you, 'He has great intellectual
power, but no principle, no moral sense'!" he exclaims: "I love you too
truly ever to have offered you my hand, ever to have sought your love, had
I known my name to be so stained as your expressions imply. There is no
oath which seems to me so sacred as that sworn by the all-divine love I
bear you. By this love, then, and by the God who reigns in heaven, I swear
to you that my soul is incapable of dishonor. I can call to mind no act of
my life which would bring a blush to my cheek or to yours."
Carried away by the ardor and eloquent passion of her poet-lover, and full
of the sweetest human sympathy and the tenderest human charity for one so
gifted but so unfortunate, Mrs. Whitman, against the advice of her
relatives and friends, consented to a conditional engagement. It was in
relation to this engagement, and the cause of its being broken off, that
one of the most calumnious stories against Poe was told, and believed both
in America and in Europe, but especially in England. Why the engagement
was broken, and by whom, still remains buried in mystery, but that Poe was
guilty of any "outrage" at her house upon the eve of their intended
marriage was emphatically denied by Mrs. Whitman. She pronounced the whole
story a "calumny." In a letter before me she says: "I do not think it
possible to overstate the gentlemanly reticence and amenity of his
habitual manner. It was stamped through and through with the impress of
nobility and gentleness. I have seen him in many moods and phases in those
'lonesome, latter years' which were rapidly merging into the mournful
tragedy of death. I have seen him sullen and moody under a sense of insult
and imaginary wrong. I have _never_ seen in him the faintest indication of
savagery and rowdyism and brutality."
Some of the most tenderly passionate of Mrs. Whitman's verses were
inspired by her affection for Poe. She wrote six sonnets to his memory,
overflowing with the most exalted love and generous sympathy. The first of
these sonnets ends thus:
_Thou_ wert my destiny: thy song, thy fame,
The wild enchantments clustering round thy name,
Were my soul's heritage--its regal dower,
Its glory, and its kingdom, and its power.
When malice had exhausted itself in heaping obloquy upon the name of the
dead poet, it was the gentle hand of woman that first removed the odium
from his memory. It was Mrs. Whitman--who loved him and whom he
loved--that dared to penetrate the "mournful corridors" of that sad,
desolate heart, with its "halls of tragedy and chambers of retribution,"
and tell the true but melancholy story of the unhappy master of the Raven.
It was she who generously came forward as "one of the friends" of him who
was said to have no friends. She was his steady champion from first to
last. Whether it was some crackbrain scribbler who tried to prove Poe
"mad," some accomplished scholar who endeavored to disparage him in order
to magnify some other writer, or some silly woman who attempted to foist
herself into notice by relating "imaginary facts" concerning the poet's
hidden life, Mrs. Whitman was always ready to defend her dead friend.
One of the most touching incidents in Poe's early life was his affection
and fidelity to Mrs. Helen Stannard, who had completely won the sensitive
boy's heart by her kindness to him when he came to her house with her son,
a favorite school-friend. This lady died under circumstances of peculiar
sorrow, and her young admirer was in the habit of visiting her grave every
night. It was she--"the one idolatrous and purely ideal love" of his
passionate boyhood--who inspired those exquisite lines, "Helen, thy beauty
is to me." Mr. Richard Henry Stoddard, in his article on Poe published in
_Harper's Monthly_ for May, 1872, says, in allusion to Mrs. Stannard: "The
memory of this lady _is said_ to have suggested the most beautiful of his
minor poems, 'Helen,' though I am not aware _that Poe ever countenanced
the idea_." As Mrs. Whitman had distinctly stated in _Edgar Poe and his
Critics_ that Mrs. Stannard _had_ inspired the poem, she addressed a note
to Mr. Stoddard upon the subject, to which he sent the following reply:
"MY DEAR MRS. WHITMAN: So many months have elapsed since I wrote the paper
on Poe about which you write that I am unable to remember what I said in
it. I certainly had no intention to discredit any statement that you made
in _Edgar Poe and his Critics_, and if I have done so I am sorry for it,
and ask your forgiveness."
In one of Mrs. Whitman's letters, now lying before me, she says: "So much
has been written, and so much still continues to be written, about Poe by
persons who are either his avowed or secret enemies, that I joyfully
welcome every friendly or impartial word spoken in his behalf. His enemies
are uttering their venomous fabrications in every newspaper, and so few
voices can obtain a hearing in his defence. My own personal knowledge of
Mr. Poe was very brief, although it comprehended memorable incidents, and
was doubtless, as he kindly characterized it in one of his letters of the
period, 'the most earnest epoch of his life;' and such I devoutly and
emphatically believe it to have been. You ask me to furnish you with
extracts from his letters, literary or otherwise. There are imperative
reasons why these letters cannot and _ought_ not to be published at
present--not that there was a word or a thought in them discreditable to
Poe, though some of them were imprudent, doubtless, and liable to be
construed wrongly by his enemies. They are for the most part strictly
_personal_. The only extract from them of which I have authorized the
publication is a fac-simile of a paragraph inserted between the 68th and
69th pages of Mr. Ingram's memoir in Black's (Edinburgh) edition of the
complete works of Poe. The paragraph in the original letter (dated
November 24, 1848) consists of only eight lines: 'The agony which I have
so lately endured--an agony known only to my God and to myself--seems to
have passed my soul through fire, and purified it from all that is weak.
Henceforward I am strong: this those who love me shall see, as well as
those who have so relentlessly endeavored to ruin me. It needed only some
such trials as I have just undergone to make me what I was born to be by
making me conscious of my own strength.' This and a protest against the
charge of indifference to moral obligations so often urged against him,
which I permitted Mr. Gill to extract for publication from a long letter
filled with eloquent and proud remonstrance against the injustice of such
a charge, are the only passages of which I have authorized the
publication. Other letters have been published without my consent. I have
endeavored to reconcile myself to the unauthorized use of private letters
and papers, since the effect of their publication has been on the whole
regarded as favorable to Poe."
It was Mrs. Whitman who first attempted to trace Edgar Poe's descent from
the old Norman family of Le Poer, which emigrated to Ireland during the
reign of Henry II. of England. Lady Blessington, through her father,
Edmund Power, claimed the same illustrious descent. The Le Poers were
distinguished for being improvident, daring and reckless. The family
originally belonged to Italy, whence they passed to the north of France,
and went to England with William the Conqueror. In a letter dated January
3, 1877, Mrs. Whitman says: "For all that I said on the subject I _alone_
am responsible. A distant relative of mine, a descendant, like myself,
from Nicholas le Poer, had long ministered to my genealogical proclivities
by stories which from my childhood had vaguely haunted and charmed my
imagination. When I discovered certain facts of Poe's history of which he
had previously made little account, he seemed greatly impressed by my
theory of our relationship. Of course I endowed him with my traditional
heirlooms. John Savage, who wrote some fine papers on Poe, which I _think_
appeared in the _Democratic Review_, perhaps in 1858, said to a friend of
mine that the things most interesting and valuable to him in my little
book (_Poe and his Critics_) were its genealogical hints."
When M. Stephane Mallarmé, an enthusiastic admirer of Poe's, undertook to
translate his works into French, he addressed Mrs. Whitman a complimentary
letter, from which the following passages are translated: "Whatever is
done to honor the memory of a genius the most truly divine the world has
seen, ought it not first to obtain your sanction? Such of Poe's works as
our great Baudelaire left untranslated--that is to say, the poems and many
of the literary criticisms--I hope to make known to France. My first
attempt, 'Le Corbeau,' of which I send you a specimen, is intended to
attract attention to a future work now nearly completed. I trust that the
attempt will meet your approval, but no possible success of my future
design could cause you, madam, a satisfaction equal to the joy, vivid,
profound and absolute, caused by an extract from one of your letters in
which you expressed a wish to see a copy of my 'Corbeau.' Not only in
space--which is nothing--but in _time_, made up for each of us of the
hours we deem most memorable in the past, your wish seemed to come to me
from _so_ far, and to bring with it the most delicious return of long
cherished memories; for, fascinated with the works of Poe from my infancy,
it has been a long time that your name has been associated with his in my
earliest and most intimate sympathies. Receive, madam, this expression of
a gratitude such as your poetical soul may comprehend, for it is my inmost
heart that thanks you."
Mrs. Whitman translated Mallarmé's inscription intended for the Poe
monument in Baltimore. The last verse was thus rendered:
Through storied centuries thou shall proudly stand
In the Memorial City of his land,
A silent monitor, austere and gray,
To warn the clamorous brood of harpies from their prey.
E.L.D.
A LITTLE PERVERSITY IN WOMEN.
MRS. PHILIP MARKHAM. PHILIP MARKHAM.
MISS ETHEL ARNOLD. FRANK BEVERLY.
(The four have been dining together and discussing the people
they had met some hours before at a reception.)
_Philip Markham._ At all events, I call her a very beautiful woman.--Don't
you say so, Beverly? I am telling Miss Arnold that I considered Miss St.
John handsome.
_Mrs. Markham._ Oh, Philip, how can you say so?
_Beverly._ I admired her immensely.
_Mrs. M._ (with a shrug). Oh, I dare say. A round, soulless face, a large
waist--
_Philip._ You women have no eyes. She has cheeks (to quote Cherbuliez)
like those fruits one longs to bite into, a pair of fine eyes, well-cut
lips--(Breaks off and laughs).
_Mrs. M._ (severely). Pray go on.
_Philip._ Not while you regard me with that virtuous air of condemnation.
_Mrs. M._ I confess I saw nothing to admire in the girl except that she
looked healthy and strong.
_Miss Arnold._ Nor did I. Moreover, she had the fault of being badly
dressed.
_Beverly._ She was beautiful, then, not by reason of her dress, as most of
your sex are, but in spite of it. You women always underrate physical
beauty in each other.
_Mrs. M._ (pretending not to have heard Beverly's remark). Yes, Ethel,
very badly dressed, and her hair was atrociously arranged.
_Philip._ Oh, we did not look at her hair, we were so much attracted by
her face and figure.
_Mrs. M._ (piqued). Take my advice, Ethel, and never marry. While we were
engaged Philip never thought of seeing beauty in any girl except myself:
now he is in a state of enthusiasm bordering upon frenzy over every new
face he comes across.
_Beverly._ He knows, I suppose, that you do not mind it--that you are the
more flattered the more he admires the entire sex.
_Mrs. M._ Of course I do not _mind_ it: the only thing is--
_Philip._ Well, what is the only thing, Jenny?
_Beverly._ You remember, Cousin Jenny, I was talking the other day about
the perversity of your sex. You either cannot or will not understand your
husbands: they hide nothing, extenuate nothing, yet you fail to grasp the
idea of that side of their minds which is at once the best and the most
dangerous. If Philip did not regard all women with interest, and some with
particular interest, he could not have had it in his head to be half so
much in love with you as he is.
_Philip._ That is true, Frank--so true that we won't ask how you found it
out.
_Miss A._ You men always stand by each other so faithfully! Now, I have
observed these traits among my married friends: the husbands invariably
give a half sigh at the sight of a beautiful girl, implying, "Oh, if I
were not a married man!" while the wives, on meeting a man who attracts
admiration, as uniformly believe that, let him be ever so handsome, clever
or fascinating, he cannot compare with their own particular John.
_Mrs. M._ That is true, Ethel; and it shows how much more faithful women
are than men.
_Philip._ Now, Jenny, that is nonsense.
_Beverly._ Oh, I dare say there is a soupçon of truth in it. But I think I
could give wives a recipe for keeping their husbands' affections, which,
unpopular although it might be, would yet prove salutary.
_Miss A._ Give it by all means, Mr. Beverly. Anything so beneficial would
naturally be popular.
_Beverly._ Pardon me, no. Were I to suggest a pilgrimage, a fast, or
scourgings even, the fair sex would undertake the remedy at once, for they
like some éclat about their smallest doings. All I want them to do is to
correct their little spirit of self-will and cultivate good taste.
_Mrs. M._ Women _self-willed_! Most women have no will at all.
_Beverly._ I never saw a woman yet who had not a will; and I am the last
person to deny their right to it. What I suggest is that they suit it to
the requirements of their lives, not let it torment them by going all
astray, by delighting in its errors and persisting in its chimeras.
_Miss A._ I grant the first, that we have wills, but I do insist that we
have good taste.
_Beverly._ Now, then, we will consider this abstract question. I maintain
that, considering their interest in women and their natural zest in
pursuing them, men show more right up-and-down faithfulness and devotion
to their obligations than women do.
_Philip._ Hear! hear!
_Miss A._ Oh, if you start upon the hypothesis that man is a being
incapable of--
_Beverly._ Not at all. You must, however, grant at the outset that man is
the free agent in society--has always been since the beginning of
civilization. He has made all the laws, enjoying complete immunity to suit
the requirements of his wishes and needs, yet everybody knows that, in
spite of the clamor of the woman-suffragists, all the laws favor women.
The basis of every system of civilized society proves that men are
inclined to hold themselves strictly to their obligations toward your sex.
There is no culprit toward whom a jury of men are less lenient than one
who has manifested any light sense of his domestic duties. Is not that
true?
_Mrs. M._ I suppose it is. But it ought to be so, of course. It is
impossible for men to be good enough to their wives.
_Beverly._ Just so. But what I claim is, that while every man holds, at
least theoretically, to the very highest ideal of a man's duties in the
marriage relation, very few wives render their husbands' existences so
altogether happy that these obligations become not only the habit but the
joy of their lives.--Don't interrupt me, Jenny.--Not but what the lovely
creatures are willing--nay, anxious--to do so, but just at the point of
accomplishment their little failings of blindness and perversity come in.
They are determined to retain their husbands' complete allegiance, but
their devices and contrivances are mostly dull blunders. Considering what
a frail tie, based on illusion, binds the sexes, my wonder as a bachelor
is that men are, as a rule, as faithful to their wives as they seem to be.
_Philip._ We have been friends, Frank, for fifteen years, and I married
your first cousin, but notwithstanding all that Jenny will insist now that
I give up your acquaintance.
_Mrs. M._ No, Philip, I am not angry with Frank: I only feel sorry for
him.
_Miss A._ So do I. Yet I am curious to know, Jenny, what he means by
saying that wives' devices to keep their husbands' love are mostly dull
blunders.
_Beverly._ I am waiting for a chance to develop my views. I know plenty of
men who are absolutely loyal to their wives--faithful to the smallest
obligation of married life--yet who regard their marriage as the great
folly of their youth. Now, a woman's intuitions ought to be, it seems to
me, so clear and unerring that she should never permit her face and voice
to become unpleasant to her husband. And this effect generally comes from
the absurdity of her attempts to hold him to her side: they have ended by
repelling him. Now, if your sex would only remember that we are horribly
fastidious, and that it is necessary to behave with good taste--
_Mrs. M._ Oh! oh! Monster!
_Miss A._ Barbarian!
_Beverly._ I will give you an instance. In our trip up and down the
Saguenay last summer you both remember the bridal couple on board the
boat?
_Philip._ I remember the bride, a charming creature. The young fellow
could not compare with her in any qualities of cleverness or good looks.
_Beverly._ Perhaps not. At the same time, he was her superior in some nice
points. Pretty although the bride was, and enviable as we considered his
good-luck, one could not help wincing for him when this delicate, refined
little creature "showed off" before the crowd of indifferent passengers.
At table she put her face so close to his, and when they stood or sat
together on deck she hung about him in such a way, that, as I noticed over
and over, it brought the blood to his cheeks and made him ashamed to raise
his eyes. Depend upon it, that young man, in spite of his infatuation,
said within himself a hundred times on his wedding-journey, "Poor innocent
little darling! she has no idea of the attention she attracts to us."
_Mrs. M._ (eagerly). Yes, she did know all about it. She was so proud of
being newly married that if everyone with whom she came in contact would
not allude to her position she made a point of confiding the fact that she
was a bride of a week, and actually wore me out with pouring her raptures
into my ears.
_Miss A._ Jenny, you should not have told that. It will confirm Mr.
Beverly in his cynicism regarding her want of taste.
_Philip._ I remember the morning the young fellow and I walked into
Chicoutimi together that I said to him, "Lately married, I believe?" and
he only nodded stiffly and pointed out the falls in the distance.
_Beverly._ Now, it is a deliciously pretty blunder for a bride to proclaim
her good-luck, but it is a blunder nevertheless. For six months a man
forgives it: after that he has no fondness for being paraded as a part and
parcel of a woman's belongings. By that time he has probably found out
that she is not all gushing unconsciousness. Besides this adorable
innocence I observed something else in this pretty bride. Despite her
fresh raptures, she was capable of jealousy: if her husband left her for
an hour he found her a trifle sullen on his return.
_Miss A._ She had nobody else.
_Mrs. M._ She naturally wanted to feel that he was interested in nothing
besides her.
_Beverly._ But she should not have shown it. This is another perverse and
suicidal inconsistency on a woman's part: she should never exhibit these
small meannesses of pique, sullen tempers, jealousy, to her husband, since
they place her wholly at a disadvantage, making her less attractive than
the objects she wishes to detach him from.
_Mrs. M._ (a little embarrassed and looking toward her husband
deprecatingly, at which he laughs and shakes his head). Woman is a
creature of impulse. She does not study what it is most politic for her to
do: she gives herself utterly--she simply asks for everything in return.
_Beverly._ Does she give herself utterly? Does she not generally keep an
accurate debit-and-credit account of what is due to her? Then the moment
she feels her rights infringed upon, what is her usual course? She holds
it her prerogative to set out upon a course of conduct eminently qualified
to displease the very man whom it is her interest and her salvation to
please.
_Mrs. M._ But he should try as well to please her.
_Beverly._ That is begging the question. Besides, her requirements are
unreasonable. She holds too tight a rein: a man is never safe after he
feels that strain at the bit. Now even you, Jenny--whom I hold up as a
model of a wife--you will not let Philip express his admiration for a
pretty woman without--
_Mrs. M._ (eagerly). I delight in having him admire any one whom I
consider worthy of admiration. I do not like to see any man run away with
by an infatuation for mere outside beauty.
_Beverly._ Yet "mere outside beauty" is clearly the most important gift
Nature has bestowed upon women.
_Mrs. M._} Oh! oh! oh!
_Miss A._}
_Philip._ What is your recipe, Frank, for putting an end to disagreements
between husbands and wives?
_Beverly._ Wives are to give up studying their own requirements, and try
to understand their husbands.
_Miss A._ And what will the result be?
_Beverly._ All men, instead of remaining bachelors like myself, will
become infatuated with domestic life. No man could resist the prospect of
being constantly caressed, waited upon, admired, flattered. And once
married, a man's own home would become so fascinating a place to him that
he would never, except against his will, exchange it for his club or the
drawing-room of his neighbor's wife.
_Miss A._ And in return are husbands prepared to give up a nice sense of
their own requirements and study to understand their wives?
_Beverly._ Not at all: they are far too stupid to understand their wives:
there is something too fine and elusive about a woman's intellect and
heart to be attained by one of our sex. Besides, are things ever
equal--two souls ever just sufficiently like and unlike exactly to
understand each other? Let women perfect themselves in the art of giving
happiness, and the good action will command its own reward.
_Miss A._ Do you comprehend, Jenny, what the full duty of woman is? For my
part, I think it is better to go on in the old way, since it is said that
"a mill, a clock and a woman always want mending." I think women have
their own little requirements.
_Mrs. M._ (who has left her seat and gone round to her husband, and is
cracking his almonds with an air of being anxious to conciliate him). The
fact is, Ethel, you unmarried women know nothing at all about it.
L.W.
ORGANIZATIONS FOR MUTUAL AID.
A French gentleman, M. Court, has lately published in _La Religion Laïque_
a series of articles upon this subject that have attracted much attention.
He proposes the establishment of a national fund for the support of the
aged and infirm, managed by eight members chosen annually, half by the
Chamber of Deputies, half by the Senate. The fund is to be raised by
legacies and donations; by a gift from the state of ten millions of
francs; by a percentage deducted by the state, the departments and the
communes from the pay of those who contract to furnish materials for
building, to do work, etc.; by a tax upon all who employ servants or other
laborers (one franc a month for each employé); and by a deduction from
collateral inheritances (_successions collatérals_). In time, about every
member of the community would be subjected directly or indirectly to
taxation for the support of the institution, and would have a right to its
benefits.
To the ordinary mind the plan appears wholly impracticable from its
magnitude, if for no other cause; but it is evidently presented in good
faith, and is further proof of the general growth of the sentiment that
capital owes a debt to the labor of the world which cannot be satisfied
with the mere payment of wages. Most of the "sick funds" or other
provisions for the care of disabled workmen in great industrial
establishments owe their origin to the initiative of the proprietor. M.
Godin, the founder of the _Familistère_, a palatial home for the families
of some five hundred men employed in his iron-works at Guise, was one of
the first to institute a fund for mutual assistance and medical service,
supported by means of a tax of twenty cents a month on the salary of each
workman. Foreseeing the troubles that would arise should he attempt to
manage this fund in the interest of his men, he wisely refused to have any
share in this work, and induced them to elect a board of managers from
their own number having entire responsibility in the matter. The board is
composed of eighteen members, each of whom receives from M. Godin an
indemnity of five francs a month for time lost in visiting the sick,
committee-work, etc.
"The assessment," writes M. Godin, "for the support of the fund to which
the workmen consented amounted to about one per cent. of their earnings.
The chief of the establishment at the same time contributed all the money
resulting from fines for spoiling work and for infractions of the rules of
the manufactory. Thanks to this combination, the three principal causes of
discord between patron and workman on the subject of relief-funds are
removed. First, mistrust and suspicion are avoided. The managers of the
treasury are of their own number, and therefore the workmen feel perfectly
free to hold them to strict account for every sou received or disbursed.
Second, as the fines for breaking the rules are devoted to the fund, the
workmen themselves are the sole gainers. This teaches them to respect the
rules, and they are little disposed to side with the refractory when they
oppose a fine. Third, fines for spoiling work cause no ill-will; indeed,
they are submitted to with a good grace. The fine benefits the fund; and,
moreover, as in the case of fines for breaking rules, the workman has
always a jury of his peers to appeal to: the board of managers is always
at hand to approve or disapprove of the fine."
The fund thus administered has proved a great blessing to those who have
claims upon it, and the members of the board have worked together over
twelve years in the most exemplary harmony; or, in M. Godin's words, it
has "parfaitement fonctionné sans conflits, sans contestations d'aucune
sorte, et de manière à donner d'excellentes résultats." The average yearly
receipts have been eighteen thousand nine hundred francs; average
disbursements, eighteen thousand seven hundred and ninety-four francs.
Possibly these facts and figures may be of service to some of our chiefs
of industry who are studying to improve the condition of their employés.
M.H.
NEW YORK AS AN ART-PATRON.
That cities, like individuals, have idiosyncrasies that may be defined and
estimated, and that may be depended upon to lead to the adoption of a
certain line of action by the community in view of a certain set of
circumstances, is a fact which is continually receiving fresh
illustrations. The attitude of New York toward Mr. Theodore Thomas is a
case in point. There is among the works of the Scottish poet Alexander
Wilson, better known as the "American Ornithologist," a ballad entitled
"Watty and Meg; or, The Wife Reformed." Its moral is for all to read.
Watty's measure of domestic felicity was but scant, and when the burden
laid upon him became greater than he could bear he determined to leave the
cause of his misery:
Owre the seas I march this morning,
Listed, tested, sworn an' a',
Forced by your confounded girning.
Farewell, Meg! for I'm awa'.
In view of losing her husband and victim, Meg repented and swore to mend
her ways, conceding even Watty's stipulation to keep the family purse:
Lastly, I'm to keep the siller:
This upon your saul you swear.
Mr. Thomas gave New York no such opportunity, and she is now lamenting him
as Tom Hood's "female Ranter" mourns "The Lost Heir," "for he's my darlin'
of darlin's." She wonders why he did not continue
Sitting as good as gold in the gutter, a-playing at making dirt-pies:
I wonder he left the court, where he was better off than all the other
young boys,
With two bricks, an old shoe, nine oyster-shells and a dead kitten by
way of toys.
And, in truth, Mr. Thomas got little more from the city he has for
twenty-five years clung to and taught. If he came back, is it not likely
he might meet with the Lost Heir's reception? In the Scotch ballad also we
are left in uncertainty as to the genuineness of Meg's tears and promised
reform; and in any case no one can blame Mr. Thomas for announcing his
intention only after it was beyond alteration.
It is not that New York cares for the money which would have kept him.
When did it refuse money when its sympathies were aroused? Look at its
magnificent charities, its help to Chicago, to famine-stricken China, and
the thousands that were daily poured into the hands of the sufferers from
yellow fever in the South. Religion is supported with the same munificent
liberality. But when literature, music or art are to be sustained, the
community becomes either flighty or apathetic. The best of New York's
monuments are the gifts either of societies formed upon the basis of a
common sentiment with which society at large has no active sympathy, or of
men of other nationalities. It has been broadly hinted that New York would
never have acquired the Cesnola collection of Cypriote pottery, gems and
statuary had it not found a competitor in England. The luxury of beating
the Britishers was too tempting to be declined, and led to a result which
might not have been reached had the question been nothing more than one of
art and art-education. Competition supplied the stimulus which should have
been furnished by a sense of the desirability of securing a collection so
rich and in every way, historically and artistically, so valuable. The New
York public, again, was never really interested in the Castellani
collection. It grudged the additional entrance-fee of twenty-five cents
levied by the trustees of the Metropolitan Museum. No leader arose to open
its eyes to the true value of a complete collection of majolica and
mediæval jewelry. The only known authority upon the subject of ceramics
proved to be a blind leader of the blind, and the only result of Mr.
Clarence Cook's interference was to leave the aforesaid gentleman in the
melancholy plight of a plucked crow. The collection was reshipped to
Europe while the feathers were still flying, and the public felt itself to
be a gainer to the extent of witnessing a piece of good sport. No sense of
loss spoiled its enjoyment of the fun.
When, some months ago, it was announced that a college of music was to be
founded, New York scarcely paused to examine the plans of the proposed
building. The scheme fell prone to the ground upon the day of its birth.
The few who were in earnest communicated none of their fire to the
community at large. Society looked upon Mr. Thomas in a precisely similar
manner. It complacently regarded him as the greatest conductor of the age,
and its complacency was fed by its having an imaginary proprietary
interest in him. But while the few who really understood him and the
themes he handled bowed to him as their Apollo, the many had no real
homage to pay either of heart or head. He educated the people, and the
people believed in him and in the dictum of judges more competent than
they. But he was always above them, the men of influence and wealth who in
all such matters represent and _are_ society. He led them to lofty
heights, but no sooner had they reached one than he was seen flying to
another loftier still and still more perilous. He worked, moreover, as
only a genius and an enthusiast could work. He began by winning his
auditors. He went down to their level, humored them, pleased them, and
then filled their ears with music that was ravishing even when only
partially intelligible. Insensibly they grew to like it, and although
defections were large and many refused to rise above the "popular"
standard, there is no doubt that he succeeded in elevating the taste of
the general public. Year by year he was bringing his audiences nearer to
himself, and year by year he was winning new converts from the love of the
meretricious and flashy to that of the noble and pure.
He alone derived no benefit from his labors. He had no adequate support,
no relief from the most sordid and worrying cares of life. He found
himself almost forced into competition that was degrading. Had he entered
into it he would have thrown down with his own hand the structure he had
spent his life in rearing. He was alternately warmed by the admiration and
love of a few and chilled by general apathy, and has chosen wisely in
going where he will at least be lifted above the necessity of struggling
for subsistence. New York has lost him, but had it known that Cincinnati
was trying to coax him away it would have let him go never.
It is singular that the matter of making New York attractive to the lovers
of art and music is never looked at by its wealthy citizens from the
commercial point of view. Art and music exert influences that can be
computed upon strict business principles, and the policy of neglecting
them is extremely short-sighted. Every addition to the attractions of a
city, and especially of a city essentially commercial, is an addition to
its prosperity. The prestige that would have accrued to New York, and the
wealth that would certainly have been attracted to it, had it adopted
Cincinnati's course of action, would unquestionably have far more than
compensated for the outlay attending the endowment of a college of music
and the engagement of Theodore Thomas. With this assumption the
idiosyncrasy of New York may be viewed in full. Like the prudent merchant
of moderate attainments and medium culture, it is not far-seeing when a
question arises not strictly in its line of business. Sympathetic,
outwardly decorous, keenly sensitive, full of pity for the suffering, New
York enters the field of art in a purely mercantile spirit. It has no
love, but only that peculiar kind of affection that is the outgrowth of
triumph over a rival. An individual parallel might be found in the case of
the old gentleman who haunted the auction-rooms and filled his house with
loads of vases, bronzes and the like. "It's not the things I care for," he
said, "but there isn't a millionaire in the city I haven't outbid in
getting them together."
J.J.
ONE OF THE SIDE ISSUES OF THE PARIS EXPOSITION.
Slowly, but not the less surely, does the succession of international
industrial expositions strengthen the sentiment of peace among the
nations. Those who were interested in observing how gradually our
civilization is becoming industrial can remember during the Centennial
Exposition several notable instances of this. The Exposition of Paris and
the recent arbitration at Berlin have both stimulated the thought of
Europe in this direction, and the following instances of the direction it
is taking will be of interest, especially as they are such as are not
likely to be noticed by the regular correspondents.
A pamphlet has been published at Foix, one of the provincial towns of
France, entitled, _Les Rondes de la Paix_. It was written by M. Adolphe de
Lajour, and its scope will appear from the following extract: "Why not
declare Constantinople and the Straits neutral? Why not declare
Constantinople the city for congresses of _unity_--the metropolis, the
Washington, of the United States of the two worlds? Why from the various
populations, differing in race, in manners, in religion and in language,
who inhabit the Balkan peninsula, should not a confederation of the United
States of the Danube be created on the model of Switzerland?"
In the Exposition itself a printed sheet has been distributed, entitled
"La Marseillaise de la Paix." It was printed by the associated compositors
in the office of M.A. Chaix, who has recently organized his establishment
so that a share in the profits is accorded to the workers. The first two
verses of this new version will suffice to show its character:
Allons, enfant de la patrie,
La jour de gloire est arrivé.
De la Paix, de la Paix chérie,
L'etendard brillant est levé! (_bis_)
Entendez-vous vers nos frontières,
Tous les peuples ouvrant leurs bras,
Crier à nos braves soldats:
Soyons unis, nous sommes frères!
Plus d'armes, citoyens, rompez vos bataillons!
Chantez,
Chantons!
Et que la Paix féconde nos sillons!
Pourquoi ces fusils, ces cartouches?
Pourquoi ces obus, ces canons?
Pourquoi ces cris, ces chants farouches,
Ces fiers défis aux nations? (_bis_)
Pour nous Français, oh! quelle gloire,
De montrer au monde dompté,
Que les droits de l'humanité
Sont plus sacrés que la victoire!
Plus d'armes, etc.
E.H.
LITERATURE OF THE DAY.
Superstition and Force: Essays on the Wager of Law, the Wager of Battle,
the Ordeal, Torture. By Henry C. Lea. Third Edition, revised.
Philadelphia: Henry C. Lea.
Many will be tempted to say that this, like the _Decline and Fall_, is one
of the uncriticisable books. Its facts are innumerable, its deductions
simple and inevitable, and its _chevaux-de-frise_ of references bristling
and dense enough to make the keenest, stoutest and best-equipped assailant
think twice before advancing. Nor is there anything controversial in it to
provoke an assault. The author is no polemic. Though he obviously feels
and thinks strongly, he succeeds in attaining impartiality. He even
represses comment until it serves for little more than a cement for his
data. What of argument there is shapes itself mostly from his collation.
The minute and recondite records he throws together, in as much sequence
as the chaotic state of European institutions and society in the Middle
Ages will allow, are left to their own eloquence. And eloquent they are.
Little beyond the citation of them is needed to show the brutality of
chivalry, the selfish cruelty of sacerdotalism, and the wretchedness of
the masses enslaved by political and religious superstition, until Roman
law had a second time, after an interval of a thousand years, effected a
conquest of the Northern barbarians. The work does not confine itself,
historically, to that period nor to Europe, but what excursions are made
outside of that time and country are chiefly in the way of introduction
and conclusion. The moral defects which produce and perpetuate the follies
and abuses discussed by Mr. Lea are confined to no time or race. They are
inherent and abiding, and he takes care not to let us forget that the
struggle to subdue them cannot anywhere or at any time be safely relaxed.
We inherit, with their other possessions, the weaknesses and proclivities
of our ancestors, and we even find some of their specific acts of error
and injustice still imbedded in the institutions under which we live, and
more or less vividly reproduced in the routine of individual, corporate or
public existence. The compurgator slides into the witness and the juryman,
bringing with him the oath on the Bible and trial for perjury, and the
feed champion of the Church into the patron. The ordeal of battle is
fought out bloodlessly by lawyers, with often quite as little regard to
the merits of the case as could have been shown in the olden lists. Only
the baser physical ordeals, of fire, hot and cold water, etc., with
torture as a part of the regular machinery of justice, have died out,
evidencing the great rise in intelligence and independence of the bulk of
the people--the "lower orders" to whom these gross expedients were chiefly
applied. Other forms of legal outrage, however, less apparent and palpable
to the senses, have run deep into the nineteenth century, and are not yet
wholly abolished. Mr. Lea, by the way, does not, we observe, refer to the
trial of Bambridge in 1729 for torturing prisoners for debt "in violation
of the laws of England." Perhaps he threw it aside in the redundance of
other illustrative material. We must add, as proof of his impartiality,
the comparatively slight mention made of torture under the Inquisition--a
thing of which we have been told so much as to have fallen into a sort of
popular belief that the Holy Office had a monopoly of this particular
atrocity.
Man will always, in some guise or other, manifest his faith in and
dependence on miracles, and will never cease to implore the special
interposition of the Deity. It is so much simpler thus to make a daily
convenience of his Creator than to consult those dry abstractions, the
laws of Nature. Of this deep and tiresome _x_ and _y_ he has not time to
solve the equation, granting it to be, in its ultimate terms, soluble. Who
shall say in each instance whether the impulse to decline that method and
adopt the shorter be superstition or religion?
Whether looked on as a picture or a mirror, a work such as this has
lasting value. It enables us at any time to gauge the progress of
enlightenment, to ascertain what real gain has been made, what is
delusive, and what remains to be done that it is possible to do; for we
must not expect the record of human fatuity to be closed in our day.
The Witchery of Archery. By Maurice Thompson. New York: Charles Scribner's
Sons.
The author of this little volume certainly succeeds in proving the truth
of his title to the extent of convincing his readers that archery has its
witchery; and we gather from his words that he has made practical converts
and imparted to many some portion of his own devotion to the immemorial
implement he may be said to have, in this country and among its white
inhabitants, reinvented. Seated in our easy-chair, we follow him gayly and
untiringly into the depths of the woods, drink in the rich, cool, damp
air, and revel in the primeval silence that is only broken by the twang of
the bowstring or the call of its destined victim. We enjoy his marvellous
shots with some little infusion of envy, and his exemplary patience under
ill-success and repeated failure with perhaps more. We end, like his
"Cracker" friend, with respecting sincerely the "bow-and-arrers" we were
at first disposed to view with amused contempt; and we close the book with
an unqualified recognition of the value of the bow as a means of athletic
training--a healthful recreation for those who have difficulty in finding
such means.
This ancient weapon of war and the chase, which has won so many battles
and conquered so many kingdoms, has since the introduction of gunpowder
been too readily allowed to sink into a plaything for boys. They retain
something of a passion for it. Many can remember when they were wont to
select the choicest splits of heart-hickory from the wood-pile, lay them
aside to season, and then shape them, or have them shaped by stronger and
defter hands, into the four-foot bow, equivalent to the six-foot bow of
the man. The arrows were harder to get in any satisfactory quantity, for
they were rapidly shot away, and they were hard to properly point and
scientifically feather. The processes were altogether too abstruse to come
out well from homemade work in boyish hands. So the results were not
usually brilliant, being confined to the destruction of a few sparrows,
the breaking of some windows and the serious maltreatment of the family
cat. Such achievements did not commend themselves to parents, and archery
rested under a cloud from which it failed to emerge as the youthful
practitioners grew up. It retained its charm for them in books, however.
The visit of Peter Parley to Wampum was the most delightful part of that
historian's works; and Robin Hood and William Tell earned a yearning and
trustful admiration which refuses to yield to the criticisms employed in
reducing those characters to myths--triumphs of the "long-bow" in another
sense. And here we are reminded that Mr. Thompson's affection is lavished
wholly on the long-bow. The cross-bow, a weapon which largely superseded
it in the Middle Ages for war and sport, the English gentleman's
"birding-piece" before he took to the gun, he will not hear of. The
sportsman of tender years often prefers it. It is less troublesome in the
matter of ammunition. Any missile will answer for it, from a sixpenny nail
to a six-inch pewter-headed bolt--projectiles which travel two hundred
yards with force and precision. The draft on the muscular strength is of
course the same with either form of the bow, but the long-bow admits of
its being more easily graduated, and is therefore preferable for the
exercise-ground.
Mr. Thompson, we observe, seems to disregard the spiral arrangement of the
feather, and the rotary movement around the axis of flight imparted by it
to the arrow. He uses three strips of feather, which is better than two
flat ones for the purpose of keeping the missile steady, but still does
not prevent its swerving toward the end of its course, as more than one
vexatious incident of his hunting record shows. This usage may help to
account for the superiority of the old bowmen to the amateurs of to-day in
accuracy at long ranges. The best targets reported on the part of the
latter, such as "eleven shots in a nine-inch bull's-eye, out of thirteen,
at forty yards," and "ten successive shots in a sheet of paper eight
inches square at thirty yards," are poor by the side of the exploits of
the yeomen and foresters on the archery-grounds of yore. To split a
willow-wand at two hundred paces must have required something in the way
of practice and system more precise and absolute than the guesswork Mr.
Thompson concedes to be unavoidable to-day with the utmost care and
experience. It could not have been done with a missile liable, in the
calmest atmosphere, the moment it passed the point-blank, to unaccountable
aberrations, vertically and horizontally.
The China-Hunters' Club. By the Youngest Member. New York: Harper &
Brothers.
The literature of which this is a new specimen would have astonished the
reading public of ten years ago, as it probably will that of ten years
hence. Library shelves which knew it not at the former period are nearly
filled now, and fast becoming crowded. Shall we predict that at the future
date named their contents will be nearly invisible for dust? No. Much of
what is going through the press on the subject of pottery will have its
use as promoting the advancement and clearing up the history of fictile
art, and will therefore be preserved, while a larger portion will interest
only the few who delve into the records of human caprice and whim. Even
these will not particularly care to know or remember what factory-brand
was borne by the teapots and saucers of our grandmothers, and what
Staffordshire modeller or woodcutter was responsible for the usually
atrocious decorations of those utensils. They will smile but once over the
pleasant lunacy of a hunt, printed and illustrated, among New England
cottages for forgotten and more or less damaged crockery. The Youngest
Member herself--by that time promoted probably to the ranks of the matrons
whose treasures she delights to ransack--will be slow to recall and
understand her enthusiasm of to-day, and marvel at her ever having
detected charms in the homely things of clay she deems worthy of the
graver. We, her contemporaries, however, living in the midst of the
contagion to which she is a conspicuous victim, can follow her flying
footsteps in the chase after potsherds with some sympathy, lag though we
may far in the rear. We enjoy the lively style in which she depicts her
"finds," and the bright web of sentiment and story with which she weaves
them into unity. The receptacles of beer, tea, cider and shaving-soap that
figure in her woodcuts are old friends we are glad to see again, and none
the less so for the somewhat startling duty they are made to perform in
the illustration of æsthetic culture. We learn secrets about them we never
dreamed of before. We are told where they came from, have explained to us
the mystic meaning of their designs, and are pointed to the stamps on
their bottoms or some other out-of-the-way part of their anatomy
infallibly betraying their age, nativity and parentage. Every reader will
be treated to special revelations of this sort, some more, some less, some
one and some another. For our individual share we are favored with
enlightenment as to three of our private possessions. One of these is the
Dog Fo, a little white Chinese monstrosity. We have been familiar from
childhood with two of him, seated in unspeakable but complacent
hideousness at the opposite ends of the chimney-piece. No. 2 is a gallon
pitcher, sacred to the gingerbread of two generations, and ornamented with
a ship under full sail on one side and a coat-of-arms on the other, not
now remembered, the whole article having recently disappeared in some way
or direction unknown and untraceable unless by the most indefatigable of
ceramists. The third is a smaller pitcher in mottled unglazed clay,
antique in shape and ornamentation, except that a figure in the costume of
Queen Bess's time stands cheek-by-jowl with a group resembling that on the
Portland Vase. This anachronism caused us to be puzzled by the word
Herculaneum impressed on the bottom, not unworthy as the general beauty of
the work was of such a source. The mystery stands explained by the book
before us. Herculaneum was the name of a manufactory of earthenware near
Liverpool, in this case almost as misleading as the inscription of Julius
Cæsar on a dog-collar too hastily inferred to have been worn by a canine
pet of the great dictator.
The author concludes, "as a result of our hunting along the roads of New
England, that there is a great deal of money-value in old crockery which
lies idle in pantries, and that collectors who have money to spend do a
great deal of good in a small way by giving the money for the crockery.
And, strange as you may think it, it is very rare to find an owner of old
pottery in the country, whatever be the family associations, who would not
rather have the money."
_Books Received._
Plays for Private Acting. Translated from the French and Italian. By
Members of the Bellevue Dramatic Club of Newport. (Leisure-Hour Series.)
New York: Henry Holt & Co.
A Primer of German Literature. By Helen S. Conant.--A Year of American
Travel. By Jessie Benton Fremont.--Hints to Women on the Care of Property.
By Alfred Walker. (Harper's Half-Hour Series.) New York: Harper &
Brothers.
A Handbook of Politics for 1878: Being a Record of Important Political
Action, National and State, from July 15, 1876, to July 1, 1878. By Hon.
Edward McPherson, LL.D., of Gettysburg, Pa. Washington: Solomons &
Chapman.
Christine Brownlee's Ordeal. By Mary Patrick.--A Beautiful Woman. By Leon
Brook. (Nos. 7 and 8 of Franklin Square Library.) New York: Harper &
Brothers.
The Cossacks: A Tale of the Caucasus in 1852. By Count Leo Tolstoy.
Translated from the Russian by Eugene Schuyler. New York: Charles
Scribner's Sons.
D'ye Want a Shave? or, Yankee Shavings; or, A New Way to get a Wife: A
Three-Act Comedy. By William Bush. St. Louis. William Bush.
Colonel Dunwoddie, Millionaire. (No. 5 Harper's Library of American
Fiction.) New York: Harper & Brothers.
Play-Day Poems. Collected and edited by Rossiter Johnson. (Leisure-Hour
Series.) New York: Henry Holt & Co.
Maid Ellice: A Novel. By Theodore Gift. (Leisure-Hour Series.) New York:
Henry Holt & Co.
Chums: A Satirical Sketch. By Howard MacSherry. Jersey City: Charles S.
Clarke, Jr.
The Student's French Grammar. By Charles Heron Wall. New York: Harper &
Brothers.
The Ring of Amethyst. By Alice Wellington Rollins. New York: G.P. Putnam's
Sons.
The Crew of the "Sam Weller." By John Habberton. New York: G.P. Putnam's
Sons.
Saxe Holm's Stories. Second Series. New York: Charles Scribner's Sons.
Samuel Johnson. By Leslie Stephen. New York: Harper & Brothers.
_Music Received._
The Battle Prayer. By Himmel. Part-songs for Male Voices, No. 4. (Lotus
Club Collection.) Composed and arranged by A.H. Rosewig. Philadelphia: Wm.
H. Boner & Co.
Weep no More: Song. Words by Mrs. A.B. Benham; Music by Augustus V.
Benham, the great Child Pianist. Philadelphia: Wm. H. Boner & Co.
Who is Sylvia? Song for Soprano or Tenor. (English, German and Italian
Words.) By Franz Schubert. Philadelphia: Wm. H. Boner & Co.
Whoa, Emma! Written and Composed by John Read. Philadelphia: Wm. H. Boner
& Co.
FOOTNOTES:
[A] Lord Beaconsfield is not the first to appreciate the strategic value
of Cyprus. It was fully valued by the Venetians, as well as by the Knights
of St. John, who would fain have made _it_ their island-fortress instead
of Rhodes; while Napoleon singled it out as one of the principal points in
his projected anti-Turkish campaign in 1798.