CHAPTER XXXI.

MODERN INK BACKGROUNDS (WOOD PAPER AND "SAFETY"

PAPER).

SOME GENERAL OBSERVATIONS ABOUT PAPER-MAKING

MATERIALS--PROBABILITIES AS TO THE FUTURE OF

THE PUBLIC RECORDS--ESTIMATION OF SUCH MATTERS

BY THE LATE POPE--INVENTION OF WOOD-PULP PAPER

--ITS LASTING QUALITIES--THE THREE KINDS OF SUCH

PAPER DEFINED--DISCUSSION OF THE SUBJECT OF

FUNGI IN PAPER BY GLYDE--SOME TESTS TO ASCERTAIN

THE MATERIAL OF WHICH PAPER IS COMPOSED--

TESTS AS TO SIZING AND THE DETERMINATION OF THE

DIRECTION OF THE GRAIN--ABSORBING POWERS OF

BLOTTING PAPER--TESTS FOR GROUND WOOD--NEW

MODE OF ANALYSTS--WHEN THE FIRST "SAFETY"

PAPER WAS INVENTED--THE MANY KINDS OF "SAFETY"

PAPER AND PROCESSES IN THEIR MANUFACTURE--

CHRONOLOGICAL REVIEW COVERING THIS SUBJECT--

SURVEY OF THE VARIOUS PROCESSES IN THE TREATMENT

AND USE OF "SAFETY" PAPER--ONLY THREE

CHEMICAL "SAFETY" PAPERS NOW ON THE MARKET--

WHY IT IS POSSIBLE TO RAISE SOME MONETARY

INSTRUMENTS.

PAPER manufacturers have tried all the pulp-making

substances. This statement to the unlearned must

seem curious, because in the very early times they

were content with a single material and that did not

even require to be first made into the form of pulp.

When the supply of papyrus failed, it was rags which

they substituted. By the simplest processes they

produced a paper with which our best cannot compare.

In some countries great care is exercised in

selecting the quality of paper for official use, in others

none at all.

What will be the state of our archives a few hundred

years hence, if they be not continually recopied?

Some of the printed paper rots even more quickly

than written.

The late Pope at one time invited many of the

savants, chemists and librarians of Europe, to meet

at Einsiedlen Abbey in Switzerland. He requested

that the subject of their discussions should be both

ink and paper. He volunteered the information,

already known to the initiated, that the records of

this generation in his custody and under his control

were fast disappearing and unless the writing materials

were much improved he estimated that they

would entirely disappear. It is stated that at this

meeting the Pope's representative submitted a number

of documents from the Vatican archives which

are scarcely decipherable though dated in the nineteenth

century. In a few of those of dates later than

1873 the paper was so tender that unless handled

with exceptional care, it would break in pieces like

scorched paper.

These conditions are in line with many of those

which prevail with few exceptions in every country,

town or hamlet.

A contributory cause as we know is a class of poor

and cheap inks now in almost universal use. The

other is the so-called "modern" or wood-pulp paper

in general vogue.

Reaumur, as already stated, back in 1719 suggested

from information gathered in examinations of wasps'

nests, that a paper might be manufactured from

wood. This idea does not appear to have been acted

upon until many years later, although in the interim

inventors were exhausting their ingenuity in the

selection of fibrous materials from which paper might

be manufactured.

The successful introduction of wood as a substitute

for or with rags in paper manufacture until about

1870 was of slow growth; since which time vast

quantities have been employed. In this country

alone millions of tons of raw material are being imported

to say nothing of home products.

Its value in the cause of progress of some arts

which contribute greatly to our comfort and civilization

cannot be overestimated, but nevertheless the

wood paper is bound to disintegrate and decay, and

the time not very far distant either. Hence, its use

for records of any kind is always to be condemned.

There are three classes of wood pulp; mechanical

wood, soda process, and the sulphite. The first or

mechanical wood is a German invention of 1844,

where the logs after being cut up into proper blocks,

were then ground against a moving millstone against

which they were pressed and with the aid of flowing

water reduced to a pulpy form. This pulp was

transported into suitable tanks and then pumped to

the "beaters."

The soda process wood and sulphite wood pulp are

both made by chemical processes. The first was

invented by Meliner in 1865. The preparation of

pulp by this process consists briefly in first cutting up

the logs into suitable sections and throwing them

into a chipping machine. The chips are then introduced

into tanks containing a strong solution of

caustic soda and boiled under pressure.

The sulphite process is substantially the same except

that the chips are thrown into what are called

digesters and fed with the chemicals which form an

acid sulphite. The real inventor of this latter process

is not known.

The chemicals employed in both of these processes

compel a separation of the resinous matters from the

cell tissues or cellulose. These products are then

treated in the manufacturing of paper with few variations,

the same as the ordinary rag pulp.

These now perfected processes are the results of long

and continuing experimentations made by many inventors.

The following paper was read before the London

Society of Arts by Mr. Alfred Glyde, in May, 1850,

and is equally applicable to some of the wood paper

of the present day:

"Owing to the imperfections formerly existing

in the microscope, little was known of the real nature

of the plants called fungi until within the last

few years, but since the improvements in that instrument

the subject of the development, growth,

and offices of the fungi has received much attention.

They compose, with the algae and lichens,

the class of thallogens (Lindley), the algae existing

in water, the other two in air only. A fungus

is a cellular flowerless plant, fructifying solely by

spores, by which it is propagated, and the methods

of attachment of which are singularly various and

beautiful. The fungi differs from the lichens and

algae in deriving their nourishment from the

substances on which they grow, instead of from the

media in which they live. They contain a larger

quantity of nitrogen in their constitution than vegetables

generally do, and the substance called 'fungine'

has a near resemblance to animal matter.

Their spores are inconceivably numerous and minute,

and are diffused very widely, developing

themselves wherever they find organic matter in a

fit state. The principal conditions required for

their growth are moisture, heat, and the presence

of oxygen and electricity. No decomposition or

development of fungi takes place in dry organic

matter, a fact illustrated by the high state of

preservation in which timber has been found after the

lapse of centuries, as well as by the condition of

mummy-cases, bandages, etc., kept dry in the hot

climate of Egypt. Decay will not take place in a

temperature below that of the freezing point of

water, nor without oxygen, by excluding which, is

contained in the air, meat and vegetables may be

kept fresh and sweet for many years.

"The action which takes place when moist vegetable

substances are exposed to oxygen is that of

slow combustion ('eremacausis'), the oxygen

uniting with the wood and liberating a volume of

carbonic acid equal to itself, and another portion

combining with the hydrogen of the wood to form

water. Decomposition takes place on contact with

a body already undergoing the same change, in the

same manner that yeast causes fermentation. Animal

matter enters into combination with oxygen in

precisely the same way as vegetable matter, but as,

in addition to carbon and hydrogen, it contains nitrogen,

the products of the eremacausis are more

numerous, being carbon and nitrate of ammonia,

carburetted and sulphuretted hydrogen, and water,

and these ammoniacal salts greatly favor the growth

of fungi. Now paper consists essentially of woody

fibre, having animal matter as size on its surface.

The first microscopic symptom of decay in paper is

irregularity of surface, with a slight change of color,

indicating the commencement of the process just

noticed, during which, in addition to carbonic acid,

certain organic acids are formed, as crenic and ulmic

acids, which, if the paper has been stained by

a coloring matter, will form spots of red on the

surface. The same process of decay goes on in

parchment as in paper, only with more rapidity,

from the presence of nitrogen in its composition.

When this decay has begun to take place, fungi are

produced, the most common species being

Penicilium glaucum. They insinuate themselves between

the fibre, causing a freer admission of air, and

consequently hasten the decay. The substances most

successfully used as preventives of decay are the

salts of mercury, copper, and zinc. Bichloride of

mercury (corrosive sublimate) is the material employed

in the kyanization of timber, the probable

mode of action being its combination with the albumen

of the wood, to form an insoluble compound

not susceptible of spontaneous decomposition, and

therefore incapable of exciting fermentation. The

antiseptic power of corrosive sublimate may be

easily tested by mixing a little of it with flour

paste, the decay of which, and the appearance of

fungi, are quite prevented by it. Next to corrosive

sublimate in antiseptic value stand the salts of

copper and zinc. For use in the preservation of

paper the sulphate of zinc is better than the chloride,

which is to a certain extent delinquescent."

There are numerous paper tests which include the

matter of sizing, direction of the grain, absorbing

powers, character of ingredients, etc. A few of them

are cited.

SIZING.--The everyday tests as to hardness of

sizing answer every ordinary purpose: Moisten with

the tongue, and if the paper is slack-sized you can

detect it often by the instant drawing or absorption

of the moisture. Watch the spot moistened, and the

longer it remains wet the better the paper is sized.

Look through the spot dampened--the poorer the

sizing the more transparent is the paper where it is

wet. If thoroughly sized no difference will be apparent

between the spot dampened and the balance

of the sheet. When there is a question as to whether

a paper is tub or engine sized, it can be usually decided

by wetting the forefinger and thumb and pressing

the sheet between them. If tub-sized, the glue

which is applied to the surface will perceptibly cling

to the fingers.

TO TEST THE INK RESISTING QUALITY OF PAPER.--

Draw a heavy ink line across the sheet. If the paper

is poorly sized, a feathery edge will appear, caused

by spreading of the ink. Slack-sized paper will be

penetrated by the ink, which will plainly appear on

the reverse side of the sheet.

TO DETERMINE THE DIRECTION OF THE GRAIN.--

An easy but sure test to determine the direction of

the grain in a sheet of paper, which will be found

useful and worth remembering, is as follows:

For instance, the size of sheet is 17x22 inches.

Cut out a circular piece as nearly round as the eye

can judge; before entirely detaching from the sheet,

mark on the circle the 17-inch way and the 22-inch

way; then float the cut out piece on water for a few

seconds; then place on the palm of the hand, taking

care not to let the edges stick to the hand, and the

paper will curl until it forms a cone; the grain of the

paper runs the opposite way from which the paper

curls.

ABSORBING POWERS OF BLOTTING PAPER.--Comparative

tests as to absorbing powers of blotting

can be made between sheets of same weight per

ream by allowing the pointed corner of a sheet to

touch the surface of a drop of ink. Repeat with each

sheet to be tested, and compare the height in each to

which the ink has been absorbed. A well-made

blotting paper should have little or no free fibre dust

to fill with ink and smear the paper.

TEST FOR GROUND WOOD.--Make a streak across

the paper with a solution of aniline sulphate or with

concentrated nitric acid; the first will turn ground

wood yellow, the second will turn it brown. I give

aniline sulphate the preference, as nitric acid acts

upon unbleached sulphite, if present in the paper, the

same as it acts upon ground wood, viz., turning it

brown.

Phloroglucin gives a rose-red stain on paper containing

(sulphite) wood pulp, after the specimen has been

previously treated with a weak solution of hydrochloric

acid.

About the end of the eighteenth century it became

necessary to make special papers denominated "safety

paper." Their manufacture has continued until the

present day although much limited, largely because

of the employment of mechanical devices which seek

to safety monetary instruments. Such safety papers

are of several kinds.

1. Paper made with distinguishing marks to indicate

proprietorship, as with the Bank of England

water mark, to imitate which is a felony. Or the

paper of the United States currency, which has silk

fibers united with the pulp, the imitation of which is

a felony.

2. Paper made with layers or materials which are

disturbed by erasure or chemical discharge of written

or printed contents, so as to prevent fraudulent

tampering.

3. Paper made of peculiar materials or color, to

prevent copying by photographic means.

A number of processes may be cited:

One kind is made of a pulp tinged with a stain

easily affected by chlorine, acids, or alkalis, and is

made into sheets as usual.

Water marks made by wires twined among the

meshes of the wire cloth on which the paper is

made.

Threads embodied in the web of the paper.

Colored threads systematically arranged were formerly

used in England for post-office envelopes and exchequer

bills.

Silken fibers mixed with the pulp or dusted upon

it in process of formation, as used in the United

States currency.

Tigere, 1817, treated the pulp of the paper, previous

to sizing, with a solution of prussiate of potash.

Sir Win. Congreve, 1819, prepared a colored layer

of pulp in combination with white layers, also by

printing upon one sheet and covering it with an

outer layer, either plain or water-marked.

Glynn and Appel, 1821, mixed a copper salt in the

pulp and afterward added an alkali or alkaline salt to

produce a copious precipitate. The pulp was then

washed and made into paper and thereafter dipped in

a saponaceous compound.

Stevenson, 1837, incorporated into paper a metallic

base such as manganese, and a neutral compound like

prussiate of potash, to protect writing from being tampered

with.

Varnham, 1845, invented a paper consisting of a

white sheet or surface on one or both sides of a colored

sheet.

Stones, 1851. An iodide or bromide in connection

with ferrocyanide of potassium and starch combined

with the pulp.

Johnson, 1853, employed the rough and irregular

surface produced by the fracture of cast iron or other

brittle metal to form a water mark for paper by taking

an impression therefrom on soft metal, gutta-

percha, etc., and afterward transferring it to the wire

cloth on which the paper is made.

Scoutteten, 1853, treated paper with caoutchoue

dissolved in bisulphide of carbon, in order to render

it impermeable and to prevent erasures or chemical

action.

Ross, 1854, invented water-lining or printing the

denomination of the note in colors while the pulp was

yet soft.

Evans, 1854, commingled a lace or open-work fabric

in the pulp.

Courboulay, 1856, mixed the pulp and applied to

the paper salts of iodine or bromine.

Loubatieres, 1857, manufactured paper in layers,

any or all of which might be colored, or have impressions

or conspicuous marks for preventing forgery.

Herapath, 1858, saturated paper during or after its

manufacture with a solution of a ferrocyanide, a ferriccyanide,

or sulphocyanide of potassium, sodium, or

ammonium.

Seys and Brewer, 1858, applied aqueous solutions

of ferrocyanide of potassium or other salts, which

formed an indelible compound with the ferruginous

base of writing ink.

Sparre, 1859, utilized opaque matter, such as prussian

blue, white or red lead, insoluble in water and

stenciled on one layer of the paper web, forming a

regular pattern; this was then covered by a second

layer of paper.

Moss, 1859, invented a coloring matter prepared

from burned china or other clay, oxide of chromium

or sulphur, and combined it with the pulp.

Barclay, 1859, incorporated with the paper:

1. Soluble ferrocyanides, ferricyanides, and sulphocyanides

of various metals, by forming dibasic salts

with potassium, sodium, or ammonium, in conjunction

with vegetable, animal, or metallic coloring matters.

2. Salts of manganese, lead, or nickel not containing

ferrocyanogen.

3. Ferrocyanides, etc., of potassium, sodium, and

ammonium, in conjunction with insoluble salts of

manganese, lead, or nickel.

Hooper, 1860. Employed oxides of iron, either

alone or dissolved in an acid, and mixed with the

pulp.

Nissen, 1860. Treated paper with a preparation of

iron, together with ammonia, prussiate of potash and

chlorine, while in the pulp or being sized.

Middleton, 1860. Joined together one portion of a

bank note printed upon one sheet of thin paper and

the other part on another; the two were then cemented

together by india-rubber, gutta-percha, or other compound.

The interior printing could be seen through

its covering sheet, so that the whole device on the

note appeared on its face.

Olier, 1861. Employed several layers of paper of

various materials and colors; the middle one was

colored with a deleble dye, whose color was changed

by the application of chemicals to the outer layer.

Olier, 1863. Prepared a paper of three layers of

different thicknesses, the central one having an easily

removable color, and the external layers were charged

with silicate of magnesia or other salt.

Forster and Draper, 1864. Treating paper during

or after manufacture with artificial ultramarine and

Prussian blue or other metallic compound.

Hayward, 1864. Incorporated threads of fibrous

materials of different colors or characters into and

among the pulp.

Loewenberg, 1866. Introduced prussiate of potash

and oxalic acid or such other alkaline salts or acids

into the pulp, in order to indicate fraud in the removal

of cancellation stamps or written marks.

Casilear, 1868. Printed numbers on a fugitive

ground, tint or color in order to prevent alteration of

figures or numbers.

Jameson, 1870. Printed on paper, designs with

ferrocyanide of potassium and then soaked the paper

when dry in a solution of oxalic acid in alcohol.

Duthie, 1872. Made a ground work of writing ink

of different colors by any known means of pen ruling.

Syms, 1876. Produced graduated colored stains,

which were made to partially penetrate and spread in

the pulp web.

Van Nuys, 1878. Colored the Paper with a pigment

and then printed designs with a soluble sulphide.

Casilear, 1878. United two distinctive colored

papers, one a fugitive and the other a permanent

color.

Hendrichs, 1879. Dipped ordinary paper in an

aqueous solution of sulphate of copper and carbonate

of ammonia and then added alkaline solutions of

cochineal or equivalent coloring matter.

Nowlan, 1884. Backed the ordinary chemical paper

with a thin sheet of waterproof paper.

Menzies, 1884. Introduced iodide and iodate of

potassium or their equivalents into paper.

Clapp, 1884. Saturated paper with gallo-tanic acid,

but the ink used on this paper contained ferri-sesquichloride

or other similar preparation of iron.

Hill, 1885. Introduced into paper, ferrocyanide of

manganese and hydrated peroxide of iron.

Schreiber, 1885. Colored paper material with indigo

and with a subsequent treatment of chromates

soluble only in alcohol.

Schreiber, 1885. Treated finished paper with ferric-

oxide salts and with ferrocyanides insoluble in water

but soluble in acids.

Schlumberger, 1890. Impregnated white paper with

a resinated ferrous salt, a resin compound of plumbic

ferrocyanide, and a resin compound of ferrocyanide

of manganese in combination with a salt of molybdenum

and a resin compound of zinc sulphide.

Schlumberger, 1893. Dyed first the splash fibers

and mixed them with the paper pulp. Second. He also

treated portions of the surface with an alkali, so as to

form lines or characters thereon, then immersed the

same in a weak acid, in order to produce water-mark

lines.

Carvalho, 1894. 1. Charged the paper with bismuth

iodide and sodium iodide. 2. Charged the paper with

a bismuth salt and iodide of soda in combination with

primulin, congo red or other pigment. 3. Charged the

paper with a benzidine dye and an alkaline iodide.

1895. Applied a compound, sensitive to ink erasing

chemicals, AFTER the writing has been placed on the

paper.

Hoskins and Weis, 1895, a safety paper having

added thereto a soluble ferrocyanide and a per-salt of

iron insoluble in water but decomposable by a weak

acid in the presence of a soluble ferrocyanide, as and

for the purpose described. (2) A safety paper having

added thereto a ferrocyanide soluble in water, a

per-salt of iron insoluble in water but easily decomposed

by weak acids in the presence of a ferrocyanide

soluble in water, and a salt of manganese easily decomposed

by alkalis or bleaching agents, substantially

as described.

A review of the various processes for treatment of

paper in pulp or when finished, demonstrates that

time, money and study has been devoted to the

production of a REAL safety paper. Some compositions

and processes have in a measure been successful. It

is found, however, that the ingenuity of those evil-minded

persons, to the detection of whose efforts to

alter the writing in documents this class of invention

has more particularly been directed, finds a ready way

of removing in some cases the evidence which the

chemical reagent furnishes. This being true most of

them have become obsolete, having entirely failed to

accomplish the purposes for which they were invented.

There are but three so-called safety papers now on

the market, if we exclude those possessing printed designs

in fugitive colors.

It is a strange anomaly, nevertheless it is true, that

90 per cent or more of the "raised" checks, notes,

or other monetary instruments which were in their

original condition written on ordinary or so-called

safety paper, never could have been successfully "put

through" but for the gross and at times criminal negligence

of their writers by the failure to adopt precautions

of the very simplest kinds, and thereby

avoided placing temptation in the way of many who

under other circumstances would never have thought

of becoming forgers.

There is no safety paper, safety ink, or mechanical

appliance which will prevent the insertion of words or

figures before other words or figures if a blank space

be left where the forger can place them.

Forty Centuries of Ink Or, A chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink. · 第 31 / 32 章