II

Last night it was very late and I grew tired, so I broke off my

letter. Perhaps I was really afraid of seeing that mouse again. Those

minute superstitions are curious things. I noticed, when I looked at

the enumeration of these pages to-night, I began to write upon the

thirteenth sheet--and that gives me a vague dissatisfaction. I read,

by-the-bye, a paragraph in a newspaper: it dealt with half-mad authors.

One of these, the writer said, was Zola; he was stated to be half mad

because he added together the numbers on the backs of cabs passing him

in the street. Personally, I do that again and again--and I know very

well that I do it in order to dull my mind. It is a sort of narcotic.

Johnson, we know, touched his street-posts in a certain order: that,

too, was to escape from miserable thoughts. And we all know how, as

children, we have obeyed mysterious promptings to step upon the lines

between the paving-stones in the street.... But the children have

their futures: it is well that they should propitiate the mysterious

Omnipotent One. In their day, too, Johnson and Zola had their futures.

It was well that Johnson should “touch” against the evil chance; that

Zola should rest his mind against new problems. In me it is mere

imbecility. For I have no future.

Do you find it difficult to believe that? You know the Burdens, of

course. But I think you do not know that, for the last nine years,

I have administered the Burden estates all by myself. The original

trustees were old Lady Burden and I; but nine years ago Lady Burden

gave me a power of attorney and since then I have acted alone. It was

just before then that I had bought the houses in Gordon Square--the one

I live in, the one you live in, and the seven others. Well, rightly

speaking, those houses have been bought with Burden money, and all my

pictures, all my prints, all my books, my furniture, my reputation as

a connoisseur, my governorship of the two charities--all the me that

people envy--have been bought with the Burden money. I assure you that

at times I have found it a pleasurable excitement.... You see, I have

wanted you sometimes so terribly--so terribly that the juggling with

the Burden accounts has been as engrossing a narcotic as to Zola was

the adding up of the numbers upon the backs of cabs. Mere ordinary work

would never have held my thoughts.

Under old Burden’s will young Edward Burden comes of age when he

reaches the age of twenty-five or when he marries with my consent.

Well, he will reach the age of twenty-five and he will marry on April

5. On that day the solicitors of his future wife will make their

scrutiny of my accounts. It is regarded, you understand, as a mere

formality. But it amuses me to think of the faces of Coke and Coke

when they come to certain figures! It was an outlaw of some sort, was

it not, who danced and sang beneath the gallows? I wonder, now, what

sort of traitor, outlaw, or stealthy politician I should have made in

the Middle Ages. It is certain that, save for this one particular of

property, I should be in very truth illustrious. No doubt the state

shall come at last in which there shall no more be any property. I was

born before my time.

For it is certain that I am illustrious save in that one respect.

To-day young Edward Burden came here to the office to introduce me

to his _fiancée_. You observe that I have robbed her. The Burden

property is really crippled. They came, this bright young couple, to

get a cheque from me with which to purchase a motor-car. They are to

try several cars in the next three weeks. On the day before the wedding

they are to choose one that will suit them best--and on the wedding-day

in the evening they are to start for Italy. They will be coming towards

you.... Then no doubt, too, a telegram will reach them, to say that

in all probability motor-cars will be things not for them for several

years to come. What a crumbling of their lives!

It was odd how I felt towards _her_. You know his pompous, high

forehead, the shine all over him, the grave, weighty manner. He held

his hat--a wonderful shiny, “good” hat--before his mouth, for all

the world as if he had been in church. He made, even, a speech in

introducing Miss Averies to me. You see, in a sense, he was in a

temple. My office enshrined a deity, a divinity: the law, property,

the rights of man as maintained by an august constitution. I am for

him such a wonderfully “safe” man. My dear one, you cannot imagine how

I feel towards him: a little like a deity, a little like an avenging

Providence. I imagine that the real Deity must feel towards some of His

worshippers much as I feel towards this phœnix of the divines.

The Deity is after all the supreme Artist--and the supreme quality of

Art is surprise.

Imagine then the feeling of the Deity towards some of those who most

confidently enter His temple. Just imagine His attitude towards

those who deal in the obvious platitudes that “honesty is the best

policy,” or “genius the capacity for taking pains.” So for days the

world appears to them. Then suddenly: honesty no longer pays; the

creature, amassing with his infinite pains, data for his Great Work,

is discovered to have produced a work of an Infinite Dulness. That is

the all-suffering Deity manifesting Himself to His worshippers. For

assuredly a day comes when two added to two no longer results in four.

That day will come on April 5 for Edward Burden.

After all he has done nothing to make two and two become four. He has

not even checked his accounts: well: for some years now I have been

doing as much as that. But with his _fiancée_ it is different. She is

a fair, slight girl with eyes that dilate under all sorts of emotion.

In my office she appears not a confident worshipper but a rather

frightened fawn led before an Anthropomorphic Deity. And, strangely

enough, though young Burden who trusts me inspires me with a sardonic

dislike, I felt myself saying to this poor little thing that faced me:

“Why: I have wronged you!” And I regretted it.

She, you see, has after all given something towards a right to enjoy

the Burden estates and the Burden wealth; she has given her fragile

beauty, her amiability, her worship, no doubt, of the intolerable

Edward. And all this payment in the proper coin: so she has in a sense

a right....

Good-night, dear one, I think you have it in your power--you _might_

have it in your power--to atone to this little creature. To-morrow I

will tell you why and how.

The nature of a crime · 第 7 / 17 题