“Metal more attractive!” Lambert thought there could not be a more
offensive phrase in the English language than this, that had rung in his
ears ever since Charlotte had flung it at him when he parted from her on
his own avenue. He led the black mare straight to the dilapidated
loose-box at Tally Ho Lodge, in which she had before now waited so
often and so dismally, with nothing to do except nose about the broken
manger for a stray oat or two, or make spiteful faces through the rails
at her comrade, the chestnut, in the next stall. Lambert swung open the
stable door, and was confronted by the pricked ears and interested
countenance of a tall bay horse, whom he instantly recognised as being
one of the Bruff carriage horses, looking out of the loose-box. Mr.
Lambert’s irritation culminated at this point in appropriate profanity;
he felt that all these things were against him, and the thought that he
would go straight back to Rosemount made him stand still on the
doorstep. But the next moment he had a vision of himself and the two
horses turning in at the Rosemount gate, with the certain prospect of
being laughed at by Charlotte and condoled with by his wife, and without
so much as a sight of that maddening face that was every day thrusting
itself more and more between him and his peace. It would be a confession
of defeat at the hands of Christopher Dysart, which alone would be
intolerable; besides, there wasn’t a doubt but that, if Francie were
given her choice, she would rather go out riding with him than anything.
Buoyed up by this reflection, he put the chestnut into the stable, and
the mare into the cow-shed, and betook himself to the house. The hall
door was open, and stepping over the cats on the door-mat, he knocked
lightly at the drawing-room door, and walked in without waiting for an
answer. Christopher was sitting with his back to him, holding one end of
a folded piece of pink cambric, while Francie, standing up in front of
him, was cutting along the fold towards him, with a formidable pair of
scissors.
“Must I hold on to the end?” he was saying, as the scissors advanced in
leaps towards his fingers.
“I’ll kill you if you let go!” answered Francie, rather thickly, by
reason of a pin between her front teeth. “Goodness, Mr. Lambert! you
frightened the heels off me! I thought you were Louisa with the tea.”
“Good evening, Francie; good evening, Dysart,” said Lambert with solemn
frigidity.
Christopher reddened a little as he looked round. “I’m afraid I can’t
shake hands with you, Lambert,” he said with an unavoidably foolish
laugh, “I’m dressmaking.”
“So I see,” replied Mr. Lambert, with something as near a sneer as he
dared. He always felt it a special unkindness of Providence to have
placed this young man to reign over him, and the practical sentiment
that it is well not to quarrel with your bread and butter, had not
unfrequently held him back from a much-desired jibe. “I came, Francie,”
he went on with the same portentous politeness, “to see if you’d care to
come for a ride with me.”
“When? Now?” said Francie, without much enthusiasm.
“Oh, not unless you like,” he replied in a palpably offended tone.
“Well, how d’ye know I wouldn’t like? Keep quiet now, Mr. Dysart, I’ve
another one for you to hold!”
“I’m afraid I must be going--” began Christopher, looking helplessly at
the billows of pink cambric which surrounded him on the floor. Lambert’s
arrival had suddenly made the situation seem vulgar.
“Ah, can’t you sit still now?” said Francie, thrusting another length of
material into his hand, and beginning to cut swiftly towards him. “I
declare you’re very idle!”
Lambert stood silent while this went on, and then, with an angry look at
Francie, he said, “I understand, then, that you’re not coming out riding
to-day?”
“Do you?” asked Francie, pinning the seam together with marvellous
rapidity; “take care your understanding isn’t wrong! Have you the horse
down here?”
“Of course I have.”
“Well, I’ll tell you what we’ll do; we’ll have tea first, and then we’ll
ride back with Mr. Dysart; will that do you?”
“I wanted to ride in the opposite direction,” said Lambert; “I had some
business--”
“Oh, bother your old business!” interrupted Francie; “anyway, I hear her
bringing in the tea.”
“Oh, I hope you’ll ride home with me,” said Christopher; “I hate riding
by myself.”
“Much I pity you!” said Francie, flashing a side-long look at him as she
went over to the tea-table; “I suppose you’d be frightened!”
“Quite so. Frightened and bored. That is what I feel like when I ride by
myself,” said Christopher, trying to eliminate from his manner the
constraint that Lambert’s arrival had imparted to it, “and my horse is
just as bored; I feel apologetic all the time and wishing I could do
something to amuse him that wouldn’t be dangerous. Do come; I’m sure
he’d like it.”
“Oh, how anxious you are about him!” said Francie, cutting bread and
butter with a dexterous hand from the loaf that Louisa had placed on the
table in frank confession of incapacity. “I don’t know what I’ll do till
I’ve had my tea. Here now, here’s yours poured out for both of you; I
suppose you’d like me to come and hand it to you!” with a propitiatory
look at Lambert.
Thus adjured, the two men seated themselves at the table, on which
Francie had prepared their tea and bread and butter with a propriety
that reminded Christopher of his nursery days. It was a very agreeable
feeling, he thought; and as he docilely drank his tea and laughed at
Francie for the amount of sugar that she put into hers, the idealising
process to which he was unconsciously subjecting her advanced a stage.
He was beginning to lose sight of her vulgarity, even to wonder at
himself for ever having applied that crudely inappropriate word to her.
She had some reflected vulgarities of course, thought the usually
hypercritical Mr. Christopher Dysart, and her literary progress along
the lines he had laid down for her was slow; but, lately, since his
missionary resolve to let the light of culture illuminate her darkness,
he had found out subtle depths of sweetness and sympathy that were, in
their responsiveness, equivalent to intellect.
When Francie went up a few minutes later to put on her habit,
Christopher did not seem disposed to continue the small talk in which
his proficiency had been more surprising than pleasing to Mr. Lambert.
He strolled over to the window, and looked meditatively out at Mrs.
Bruff and a great-grandchild or two embowered in a tangle of
nasturtiums, and putting his hands in his pockets began to whistle
_sotto voce_. Lambert looked him up and down, from his long thin legs to
his small head, on which the light brown hair grew rather long, with a
wave in it that was to Lambert the height of effeminacy. He began to
drum with his fingers on the table to show that he too was quite
undisturbed and at his ease.
“By the bye, Dysart,” he observed presently, “have you heard anything of
Hawkins since he left?”
Christopher turned round. “No, I don’t know anything about him except
that he’s gone to Hythe.”
“Gone to _hide_, d’ye say?” Lambert laughed noisily in support of his
own joke.
“No, Hythe.”
“It seems to me its more likely it’s a case of hide,” Lambert went on
with a wink; he paused, fiddled with his teaspoon, and smiled at his own
hand as he did so. “P’raps he thought it was time for him to get out of
this.”
“Really?” said Christopher, with a lack of interest that was quite
genuine.
Lambert’s pulse bounded with the sudden desire to wake this supercilious
young hound up for once, by telling him a few things that would surprise
him.
“Well, you see it’s a pretty strong order for a fellow to carry on as
Hawkins did, when he happens to be engaged.”
The fact of Mr. Hawkins’ engagement had, it need scarcely be said, made
its way through every highway and byway of Lismoyle; inscrutable as to
its starting-point, impossible of verification, but all the more
fascinating for its mystery. Lambert had no wish to claim its
authorship; he had lived among gentlemen long enough to be aware that
the second-hand confidences of a servant could not creditably be quoted
by him. What he did not know, however, was whether the story had reached
Bruff, or been believed there, and it was extremely provoking to him now
that instead of being able to observe its effect on Christopher, whose
back was to the light, his discoveries should be limited to the fact
that his own face had become very red as he spoke.
“I suppose he knows his own affairs best,” said Christopher, after a
silence that might have meant anything, or nothing.
“Well,” leaning back and putting his hands in his pockets, “I don’t
pretend to be strait-laced, but d--n it, you know, I think Hawkins went
a bit too far.”
“I don’t think I have heard who it is that he is engaged to,” said
Christopher, who seemed remarkably unaffected by Mr. Hawkins’
misdemeanours.
“Oh, to a Yorkshire girl, a Miss--what’s this her name is?--Coppard.
Pots of money, but mighty plain about the head, I believe. He kept it
pretty dark, didn’t he?”
“Apparently it got out, for all that.”
Lambert thought he detected a tinge of ridicule in the voice, whether of
him or of Hawkins he did not know; it gave just the necessary spur to
that desire to open Christopher’s eyes for him a bit.
“Oh, yes, it got out,” he said, putting his elbow on the table, and
balancing his teaspoon on his forefinger, “but I think there are very
few that know for certain it’s a fact,--fortunately for our friend.”
“Why fortunately? I shouldn’t think it made much difference to anyone.”
“Well, as a rule, girls don’t care to flirt with an engaged man.”
“No, I suppose not,” said Christopher, yawning with a frankness that was
a singular episode in his demeanour towards his agent.
Lambert felt his temper rising every instant. He was a man whose
jealousy took the form of reviling the object of his affections, if, by
so doing, he could detach his rivals.
“Well, Francie Fitzpatrick knows it for one; but perhaps she’s not one
of the girls who object to flirting with an engaged man.”
Lambert got up and walked to the window; he felt that he could no longer
endure seeing nothing of Christopher except a lank silhouette with an
offensive repose of attitude. He propped his back against one of the
shutters, and obviously waited for a comment.
“I should think it was an inexpensive amusement,” said Christopher, in
his most impersonal and academic manner, “but likely to pall.”
“Pall! Deuce a bit of it!” Lambert put a toothpick in his mouth, and
began to chew it, to convey the effect of ease. “I can tell you I’ve
known that girl since she was the length of my stick, and I never saw
her that she wasn’t up to some game or other; and she wasn’t over
particular about engagements or anything else!”
Christopher slightly shifted his position, but did not speak, and
Lambert went on:
“I’m very fond of the girl, and she’s a good-hearted little thing; but,
by Jove! I was sorry to see the way she went on with that fellow
Hawkins. Here he was, morning, noon, and night, walking with her, and
steam-launching, and spooning, and setting all the old women in the
place prating. I spoke to her about it, and much thanks I got, though
there was a time she was ready enough to mind what I said to her.”
During this recital Mr. Lambert’s voice had been deficient in the accent
of gentlemanlike self importance that in calmer moments he was careful
to impart to it, and the raw Limerick brogue was on top as he said,
“Yes, by George! I remember the time when she wasn’t above fancying your
humble servant!”
He had almost forgotten his original idea; his own position, long
brooded over, rose up out of all proportion, and confused his mental
perspective, till Christopher Dysart’s opinions were lost sight of. He
was recalled to himself by a startling expression on the face of his
confidant, an expression of almost unconcealed disgust, that checked
effectively any further outpourings. Christopher did not look at him
again, but turned from the window, and, taking up Miss Mullen’s
photograph-book, proceeded to a minute inspection of its contents.
Neither he nor Lambert quite knew what would happen next, each in his
own way being angry enough for any emergency, and both felt an extreme
relief when Francie’s abrupt entrance closed the situation.
“Well, I wasn’t long now, was I?” she said breathlessly; “but what’ll I
do? I can’t find my gloves!” She swept out of the corner of the sofa a
cat that had been slumbering unseen behind a cushion. “Here they are!
and full of fleas, I’ll be bound, after Clementina sleeping on them! Oh,
goodness! Are both of you too angry to speak to me? I didn’t think I was
so long. Come on out to the yard; you can’t say I’m keeping you now.”
She whirled out of the room, and by the time Lambert and Christopher got
into the yard, she had somehow dragged the black mare out of the
cow-shed and was clambering on to her back with the aid of a
wheel-barrow.
Riding has many charms, but none of its eulogists have properly dwelt on
the advantages it offers to the unconversational. To ride in silence is
the least marked form of unsociability, for something of the same
reason that talking on horseback is one of the pleasantest modes of
converse. The power of silence cuts both ways, and simplifies either
confidence or its reverse amazingly. It so happened, however, that had
Lambert had the inclination to make himself agreeable to his companions
he could not have done so. Christopher’s carriage-horse trotted with the
machine-like steadiness of its profession, and the black mare, roused to
emulation, flew along beside him, ignoring the feebly expressed desire
of her rider that she should moderate her pace. Christopher, indeed,
seldom knew or cared at what pace his horse was going, and was now by no
means sorry to find that the question of riding along with Lambert had
been settled for him. The rough, young chestnut was filled with a
vain-glory that scorned to trot, and after a great deal of brilliant
ramping and curveting he fell into a kind of heraldic action,
half-canter, half-walk, that left him more and more hopelessly in the
rear, and raised Lambert’s temper to boiling point.
“We’re going very fast, aren’t we?” panted Francie, trying to push down
her rebellious habit-skirt with her whip, as they sped along the flat
road between Lismoyle and Bruff. “I’m afraid Mr. Lambert can’t keep up.
That’s a dreadfully wild horse he’s riding.”
“Are we?” said Christopher vaguely. “Shall we pull up? Here, woa, you
brute!” He pulled the carriage-horse into a walk, and looked at Francie
with a laugh. “I’m beginning to hope you’re as bad a rider as I am,” he
said sympathetically. “Let me hold your reins, while you’re pinning up
that plait.”
“Oh, botheration take it! Is my hair down again? It always comes down if
I trot fast,” bewailed Francie, putting up her hands to her dishevelled
hair, that sparkled like gold in the sun.
“Do you know, the first time I ever saw you, your hair had come down out
riding,” said Christopher, looking at her as he held her rein, and not
giving a thought to the intimate appearance they presented to the third
member of the party; “if I were you I should start with it down my
back.”
“Ah, nonsense, Mr. Dysart; why would you have me make a Judy of myself
that way?”
“Because it’s the loveliest hair I’ve ever seen,” answered Christopher,
the words coming to his lips almost without his volition, and in their
utterance causing his heart to give one or two unexpected throbs.
“Oh!” There was as much astonishment as pleasure in the exclamation, and
she became as red as fire. She turned her head away, and looked back to
see where Lambert was.
She had heard from Hawkins only this morning, asking her for a piece of
the hair that Christopher had called lovely. She had cut off a little
curl from the place he had specified, near her temple, and had posted it
to him this very afternoon after Charlotte went out; but all the things
that Hawkins had said of her hair did not seem to her so wonderful as
that Mr. Dysart should pay her a compliment.
Lambert was quite silent after he joined them. In his heart he was
cursing everything and everyone, the chestnut, Christopher, Francie, and
most of all himself, for having said the things that he had said. All
the good he had done was to leave no doubt in Christopher’s mind that
Hawkins was out of the running, and as for telling him that Francie was
a flirt, an ass like that didn’t so much as know the meaning of the word
flirting. He knew now that he had made a fool of himself, and the
remembrance of that disgusted expression on Christopher’s face made his
better judgment return as burningly as the blood into veins numbed with
cold. At the cross-roads next before Bruff, he broke in upon the
exchange of experiences of the Dublin theatres that was going on very
enjoyably beside him.
“I’m afraid we must part company here, Dysart,” he said in as civil a
voice as he could muster; “I want to speak to a farmer who lives down
this way.”
Christopher made his farewells, and rode slowly down the hill towards
Bruff. It was a hill that had been cut down in the Famine, so that the
fields on either side rose high above its level, and the red poppies and
yellowing corn nodded into the sky over his head. The bay horse was
collecting himself for a final trot to the avenue gates, when he found
himself stopped, and, after a moment of hesitation on the part of his
rider, was sent up the hill again a good deal faster than he had come
down. Christopher pulled up again on the top of the hill. He was higher
now than the corn, and, looking across its multitudinous, rustling
surface, he saw the figure that some errant impulse had made him come
back to see. Francie’s head was turned towards Lambert, and she was
evidently talking to him. Christopher’s eyes followed the pair till they
were out of sight, and then he again turned his horse, and went home to
Bruff.