IV

_Verse 3._—The Persians describe the dimple in the chin of their

mistress as a dangerous well filled with her lover’s tears, into which,

when he approaches her mouth, he may fall and be drowned.

_Verse 6._—“Oh rose, tearing thy robe in two”: that is, bursting into

flower beneath the warm breath of the wind that blows from where thou

art.

V

_Stanza 1._—When the conqueror Timur entered Shiraz it is related that

he summoned Hafiz before him and said: “Of all my empire, Bokhara and

Samarkand are the fairest jewels; how comes it that in thy song thou

hast declared that thou would’st exchange them against the black mole on

the cheek of thy mistress?” Hafiz replied: “It is because of such

generosity that I am now as poor as thou seest.” The Emperor was not to

be outdone in repartee: he sent the poet away a richer man by some

hundreds of gold pieces.

“C’est du Molière renversé,” says Darmsteter of these lines, and

quotes:—

“Si le roi m’avait donné

Paris sa grande ville,

Et qu’il me fallût quitter

L’amour de ma mie,

Je dirais au roi Henri:

Reprenez votre Paris,

J’aime mieux ma mie, ô gué,

J’aime mieux ma mie!”

In the garden of Mosalla, Hafiz lies buried; the stream Ruknabad flows

near at hand.

_Stanza 2._—The Luli or gipsies, as they were contemptuously called,

were a people of the tribe of Keredj, of Indian origin, who inhabited

the country between Shiraz and Isfahan. Their young men and maidens were

famous for their beauty and musical accomplishments, and furnished

minstrels and dancing girls to the wealthy inhabitants of Shiraz. Sir

Henry Layard met with a similar tribe near Baghdad. “They bear,” he

says, “a very bad reputation on the score of morality, and according to

general report lead very dissolute lives. The dancing boys and girls who

frequent Baghdad, and are notoriously of evil fame, come principally

from this district. Whilst we were resting at the caravanserai a party

of them came to perform their indecent dances before us, as they were in

the habit of doing on the arrival of travellers.”—_Early Adventures._

In Turkestan there was formerly an institution called the Feast of

Plunder. When the pay-day of the soldiers came round, dishes of rice and

great quantities of cooked food were prepared and set out on the ground.

The soldiers then rode up, armed as if for battle, and carried off the

food with mimic violence. Thus they made reparation to their conscience

for accepting a pay lawfully earned, and reminded themselves that rapine

was their true profession.

_Stanza 3._—Joseph is the Oriental type of perfect beauty. The story of

his relations with Zuleikha, Potiphar’s wife, is one of the famous love

stories of the East; Jami made it the theme of a long metaphysical poem.

The part played by Zuleikha in Persian tales is far more creditable than

that which is assigned to her either in the Bible or the Koran.

Every translator of Hafiz has tried his hand upon this song, which is

one of the most famous in the Divan. It is only right to inform the

reader that the original is of great beauty.

The whole poem has received a mystical interpretation which seems to me

to add but little to its value or to its intelligibility; but in case

any one should wish to gather the higher wisdom from it, I may mention

that the mole, powder, and paint, of which a beautiful face does not

stand in need, represent the ink, colour, dots, and lines of the Koran;

and this is the explanation given to the couplet concerning Joseph and

Zuleikha by a thorough-going Western mystic: “By reason of that beauty

daily increasing that Joseph (the absolute existence, the real beloved,

God) had, I (the first day) knew that love for him would bring Zuleikha

(us, things possible) forth from the screen of chastity (the pure

existence of God).” The learned translator seems to have felt that his

version presented some difficulties, and he adds for the use of his

weaker brethren the following comment: “In the world of non-existence

and possibility, when I beheld the splendour of true beauty with

different qualities, I knew for certain that Love would take us out of

the ambush.” This makes everything clear.

Poems from the Divan of Hafiz · 第 50 / 80 题