What remains? A jacket. It may as well be a tweed one with h

THE GENTLE ART

OF TRAMPING

BOOKS BY STEPHEN GRAHAM

THE GENTLE ART OF

TRAMPING

THE DIVIDING LINE OF

EUROPE

IN QUEST OF EL DORADO

TRAMPING WITH A POET

IN THE ROCKIES

EUROPE-WHITHER BOUND?

THE CHALLENGE OF THE DEAD

CHILDREN OF THE SLAVES

A PRIVATE IN THE GUARDS

THE QUEST OF THE FACE

RUSSIA IN 1916

PRIEST OF THE IDEAL

THROUGH RUSSIAN CENTRAL

ASIA

THE WAY OF MARTHA

AND THE WAY OF MARY

RUSSIA AND THE WORLD

WITH POOR EMIGRANTS

TO AMERICA

WITH THE RUSSIAN PILGRIMS

TO JERUSALEM

CHANGING RUSSIA

A TRAMP’S SKETCHES

UNDISCOVERED RUSSIA

A VAGABOND IN THE

CAUCASUS

THE GENTLE ART

OF TRAMPING

BY

STEPHEN GRAHAM

[Illustration]

NEW YORK

D. APPLETON AND COMPANY

MCMXXVI

COPYRIGHT--1926--BY

D. APPLETON AND COMPANY

PRINTED IN THE UNITED STATES OF AMERICA

CONTENTS

CHAPTER HEADINGS BY R. H. HULL

CHAPTER PAGE

I WE SET OUT 1

II BOOTS 7

III THE KNAPSACK 15

IV CLOTHES 22

V CARRYING MONEY 32

VI THE COMPANION 38

VII WHITHER AWAY? 47

VIII THE ART OF IDLENESS 78

IX EMBLEMS OF TRAMPING 88

X THE FIRE 97

XI THE BED 103

XII THE DIP 114

XIII DRYING AFTER RAIN 121

XIV MARCHING SONGS 128

XV SCROUNGING 135

XVI SEEKING SHELTER 142

XVII THE OPEN 152

XVIII THE TRAMP AS COOK 160

XIX TOBACCO 173

XX BOOKS 179

XXI LONG HALTS 189

XXII FOREIGNERS 195

XXIII THE ARTIST’S NOTEBOOK 208

XXIV MAPS 233

XXV TRESPASSERS’ WALK 240

XXVI A ZIGZAG WALK 251

THE GENTLE ART

OF TRAMPING

[Illustration]

CHAPTER ONE

WE SET OUT

It is a gentle art; know how to tramp and you know how to live. Manners

makyth man, and tramping makyth manners. Know how to meet your fellow

wanderer, how to be passive to the beauty of Nature and how to be

active to its wildness and its rigor. Tramping brings one to reality.

If you would have a portrait of Man you must not depict him in high hat

and carrying in one hand a small shiny bag, nor would one draw him in

gnarled corduroys and with red handkerchief about his neck, nor with

lined brow on a high bench watching a hand that is pushing a pen,

nor with pick and shovel on the road. You cannot show him carrying a

rifle, you dare not put him in priest’s garb with conventional cross

on breast. You will not point to King or Bishop with crown or miter.

But most fittingly you will show a man with staff in hand and burden on

his shoulders, striving onward from light to darkness upon an upward

road, shading his eyes with his hand as he seeks his way. You will show

a figure something like that posthumous picture of Tolstoy, called

“Tolstoy pilgrimaging toward eternity.”

So when you put on your old clothes and take to the road, you make

at least a right gesture. You get into your right place in the world

in the right way. Even if your tramping expedition is a mere jest, a

jaunt, a spree, you are apt to feel the benefits of getting into a

right relation toward God, Nature, and your fellow man. You get into an

air that is refreshing and free. You liberate yourself from the tacit

assumption of your everyday life.

What a relief to escape from being voter, taxpayer, authority on old

brass, brother of man who is an authority on old brass, author of best

seller, uncle of author of best seller.

What a relief to cease being for a while a grade-three clerk, or

grade-two clerk who has reached his limit, to cease to be identified by

one’s salary or by one’s golf handicap. It is undoubtedly a delicious

moment when Miles the gardener seeing you coming along in tramping

rig omits to touch his hat as you pass. Of course it is part of the

gentle art not to be offended. It is no small part of the gentle art of

tramping to learn to accept the simple and humble rôle and not to crave

respect, honor, obeisance. It is a mistake to take to the wilderness

clad in new plus-fours, sports jacket, West-End tie, jeweled tie pin,

or in gaiters, or carrying a silver-topped cane. One should not carry

visiting cards, but try to forget the three-storied house remembering

Diogenes and his tub.

I suppose one should draw a distinction between professional tramping

and just tramping, especially as this whole book is to be called _The

Gentle Art of Tramping_. I am not writing of the American hobo, nor

of the British casual, nor of railroaders and beach combers or other

enemies of society--“won’t works” and parasites of the charitable.

While among these there are many very strange and interesting

exceptions, yet in general they are not highly estimable people, nor is

their way of life beautiful or worth imitation. They learn little on

their wanderings beyond how to cadge, how to steal, how to avoid dogs

and the police. They are not pilgrims but outlaws, and many would be

highway robbers had they the vitality and the pluck necessary to hold

up wayfarers. Most of them are but poor walkers, so that the word tramp

is often misapplied to them.

The tramp is a friend of society; he is a seeker, he pays his way if he

can. One includes in the category “tramp” all true Bohemians, pilgrims,

explorers afoot, walking tourists, and the like. Tramping is a way

of approach, to Nature, to your fellowman, to a nation, to a foreign

nation, to beauty, to life itself. And it is an art, because you do not

get into the spirit of it directly you leave your back door and make

for the distant hill. There is much to learn, there are illusions to be

overcome. There are prejudices and habits to be shaken off.

First of all there is the physical side: you need to study equipment,

care of health, how to sleep out of doors, what to eat, how to cook on

the camp fire. These things you teach yourself. For the rest Nature

becomes your teacher, and from her you will learn what is beautiful

and who you are and what is your special quest in life and whither you

should go. You relax in the presence of the great healer and teacher,

you turn your back on civilization and most of what you learned in

schools, museums, theaters, galleries. You live on manna vouchsafed to

you daily, miraculously. You stretch out arms for hidden gifts, you

yearn toward the moonbeams and the stars, you listen with new ears to

bird’s song and the murmurs of trees and streams. If ever you were

proud or quarrelsome or restless, the inflammation goes down, fanned by

the coolness of humility and simplicity. From day to day you keep your

log, your daybook of the soul, and you may think at first that it is a

mere record of travel and of facts; but something else will be entering

into it, poetry, the new poetry of your life, and it will be evident to

a seeing eye that you are gradually becoming an artist in life, you are

learning the gentle art of tramping, and it is giving you an artist’s

joy in creation.

[Illustration]

CHAPTER TWO

BOOTS

Boots and the Man I sing! For you cannot tramp without boots. The

commonest distress of hoboes is thinness of sole.

_Jog on, jog on the foot-path way

And merrily hint the stile-a

The merry heart goes all the way

The sad tires in a mile-a._

The sad heart, in this case, often has just a thin sole. Two friends

set out last spring to tramp from Bavaria to Venice, luggage in

advance, knapsack on shoulder. But they had not the right sort of

boots, and they lingered in the mountain inns quaffing steins of brown

beer to take their thoughts away from their toes. They are in those

mountains yet.

You should have leather-lined boots with most substantial soles. They

may squeak, they may feel clumsy as sabots when you first put them

on. They may feel like comfortable baskets on your feet. Slight and

elegant boots seldom stand the strain, or, if they do, your feet do

not. I have tramped in little steel-soled boots in the Caucasus, and in

plaited birch-bark boots, _lapti_, in the North, but I do not recommend

novelties in footwear. It is difficult to better a new pair of Army

boots. But the best I ever had were a pair of chrome leather fishing

boots which I once bought in a wayside shop in the Catskill Mountains.

My feet were in a poor state, having got frozen by night and blistered

by day in a disgusting pair of light boots. I got into these capacious

fishing boots one evening and never felt another twinge all the way

to Chicago. As regards Army boots, men suffered on the march because

often they were wearing other men’s boots worn and shaped already to a

different pair of feet and then patched and cobbled. One cannot with

advantage wear dead men’s boots.

Of course, one should go gradually with a really stout pair of boots.

Beware of the zest of the first and second day’s tramping. It is so

easy to cripple oneself on the second day out. You dispose of the first

surface blisters, and then you get the deeper, more painful, blisters,

and those you cannot squeeze. They intend to squeeze you. One should

wear thick woolen socks, or even two pairs of socks at the same time.

When the socks wear out one can even increase the number of pairs to

three, though it is better to discard socks that have worn to hard

shreds. I do not believe in soaping socks, though it does not hurt to

put them on damp. One should try to get a dip every day, in mountain

stream or lake. An ideal combination is sea-bathing and tramping. The

salt-water exercise certainly helps the feet. It takes several days to

get town-nurtured feet into condition. With that in mind one should not

overdo it at the beginning. Mile averages are a curse. So are definite

programs. Like a good cricketer, you should play yourself in before

you begin to score.

Of all tramping the most delightful is in the mountains; the most

trying is along great highways. Both have their place in the ideal

tramp’s life. But experience teaches where the most fun is to be found.

Mountain walking is really much less tiring because, first of all,

there is no dust, then there is more contrast and mental distraction,

and last, not least, one’s feet hit the earth at varying angles,

employing more muscles. The sole does not hit a road with monotonous

regularity upon the same dry spot of blistering skin.

I find that in the mountains a boot of rather lighter sole is

preferable, with either brads or Phillips rubbers. One must

nevertheless beware of shoddy. After the second scramble amid rocks I

have seen the whole sole of a boot part company with the upper. I have

seen the heel come off. Well established lines of workingmen’s boots

are safer than fair-seeming boots for clerks. On the other hand, boots

whose nails come through are a nuisance, digging holes in the soles of

one’s feet. Boots which are letting iron in should be hammered inside

with a stone, but if, as often happens, some sharp nail edge cannot

be smoothed it is as well to put in a certain amount of paper till a

cobbler can be found to right the wrong.

Metal plates, “bradies,” on the outside of the soles are of little

use as they get very smooth and slippery. Brads also wear to be more

slippery than plain leather. The new type of very hard rubber patches

made by Phillips and others are ideal for climbing. It is to be

remembered that tramping across country in the mountains one comes to

steep and dangerous descents, and upon occasion one risks one’s neck on

the grip of one’s feet. That is where the Army type of rubbers comes

in. As an auxiliary it is not a bad plan to have a light pair of tennis

shoes in the pack, as you can get over some obstacles in prehensile

rubber shoes which one could never negotiate in boots. But hard rubber

bars across one’s leather soles are in any case very good. These

rubbers would “draw” your feet on an exposed level road. But in the

mountains one’s feet keep cooler, and the comfort of a safe grip on

slippery rocks is not to be disdained. When in the Rockies with Vachel

Lindsay he had bradded boots, but they got very shiny and smooth, and

he could slide in them. In certain dangerous descents we made I could

see that much-worn bradded boots were clearly at a disadvantage.

It is a good plan on a long tramp to carry a duplicate pair of

boots in the pack. While it adds to the weight carried there is a

counter-balancing pleasure in a change of footgear now and then. It

is moreover possible that in wild country one may wear out one solid

pair of boots in a month or so. Uppers have a way of bursting in the

mountains, especially when one indulges in rushing down great slopes of

silt with myriads of knife-edged little stones. By the way, one should

beware of toasting one’s feet in front of camp fires, or of leaving

one’s boots too near the embers when sleeping out. If not using them as

the foundation of a pillow, it is well to put them in a fresh and airy

place, smearing a little grease on them perhaps, to keep the uppers

soft and pliable. Beware, however, of the grease getting near the

bread.

Boots are, of course, not a poetic subject. Kipling used the word to

express the boredom of route marching:

_I’ve marched six weeks in ’Ell an’ certify

It is not fire, devils, dark or anything

But boots, boots, boots, boots, boots._...

The boot, like the thumbscrew, was an instrument of torture of the

Inquisition. But nevertheless, it must be remembered, old boots bring

good luck. That is why one ties them to the hymeneal coach. On life’s

tramp together, may the blissful pair have the comfort and easy-going

happiness of a well-worn boot.

The tramp gets affectionately attached to his boots when they have

served him long and well, and may even wax patriotic in looking at them

and say, like Dickens in America, “This, sir, is a British boot.”

Poems addressed to boots are hard to find, and one must assume

that poets for the most part do not tramp. For if they tramp there

inevitably comes the pathetic moment when looking upon discarded boots

by starlight the poet says: “Oh, boot, have you not served me well, old

boot, old friend!” There is a lost poetry in boots--“lines addressed

to my favorite boots,” “lines written after taking off my most cruel

boots,” “lines written before putting on my boots.” The last, on the

occasion of putting them on swollen and blistered feet, might be the

occasion of a long, reflective poem.

But enough, we at least have our boots on, and are ready to proceed

with the story of our tramping art.

[Illustration]

CHAPTER THREE

THE KNAPSACK

It is wonderful how much you can carry when it is for pleasure.

Soldiers grumble like camels at the loads put on their shoulders. Under

some one’s orders they shall march with packs on their backs to such a

point to-day, to such another point

_With your best foot first and the road a-sliding past,

An’ every bloomin’ camping ground exactly like the last._

The camel groans, the soldier grouses, but the gay tramp puts ever

something more into his capacious rucksack for pleasure or profit.

There’s a hunk of tobacco, there’s his favorite volume of poems, his

sketchbook--his danger is in putting in too much and not putting in the

right things.

I assume he is to be equipped for sleeping _à la belle étoile_. I

may mention one or two things he might overlook. First, the pack

itself should be well made. I have found in the past that Germans and

Austrians make the best rucksacks, and even the best in London seemed

to be imported from these countries. The one I have now was purchased

some years ago in Vienna, but I think it was the best to be found

there. There were many shoddy ones about. The shopkeeper pretended that

the one I chose was not for sale, and I spent twelve hours getting it.

Not that it is remarkable, but it is a genuinely well made article.

Exterior pockets which will not burst are a necessary; interior pockets

are also useful.

The worst of the interior of a rucksack is that after a while

everything in it gets mixed. Spare boots and linen get sprinkled

with coffee; different foods mingle. Some paper wrapper bursts and

the sugar spills over everything. Then writing papers, books, or

notebooks get greasy. But this is avoided if one provides oneself

with half-a-dozen cotton bags which tie with tapes. If these are not

obtainable at home they are to be found in some sort of form at a

Woolworth’s or a cheap draper’s. It is a small detail, but a matter of

comfort: if you feel so disposed you wash out these little cotton bags

when they get dirty.

Another valuable extra to put in the rucksack is a few yards of

mosquito netting which can be bought quite cheaply, sometimes called

brides’ veil in the shops, sometimes leno, sometimes butter-muslin.

With this you can defy the mosquito at nights, and by day you can

enjoy the luxury of a sun-bath siesta watching the flies which cannot

bite your nose. Apropos of the mosquito netting the choice of hat is

important. Do not take a cap. You need a brim. And do not take a straw

hat. You cannot lie down comfortably with a straw hat on. A tweed hat

is best. The brim has a double use. It shields your eyes from the sun,

but also, when you lie down where flies and mosquitoes abound, you had

best sleep in your hat and use the brim to lift the mosquito net an

inch from your face. N.B.--A tramping hat does not get old enough to

throw away. The old ones are the best. Of course, once you have slept

a night wearing your hat it is not much more use for town wear. It has

become more tramp than you are.

I am in favor of carrying a blanket. It is less cumbersome than

a sleeping sack and more hygienic. If, however, insects are very

troublesome, as in the tropics, and there are “land crabs” and

scorpions and tarantulas and what not about, a light sleeping sack may

be improvised by sewing together three sides of a pair of small sheets.

This I have done: it gets rather airless and smelly. It is best to turn

it inside out in the morning and give it plenty of sun. But a blanket

will do: take a couple if you are chilly. This makes weight on the

back, but it is also a softening comfort and fits the rucksack upon the

shoulders on a long hike.

There is no point whatever in carrying an overcoat, though a waterproof

cape or an oilskin comes in useful. A blanket and a cape form a useful

combination. One can sleep on the cape with the blanket over one.

In one of the little cotton bags you will carry your toilet requisites,

soap and towel and comb. Some men like to let their beard grow on a

long tramp and thus dispense with razor and brush. Still, there are few

things more refreshing than the cold shave at dawn, the rushing stream,

the lather scattering itself on ferns and flowers, the brandishing arm,

the freshening cheek.

A vital consideration at that time in the morning is the coffeepot.

I am in favor of carrying an ordinary metal _cafetière_; some prefer

a kettle, but it bumps too much on the back; others a pail, but the

water in it is apt to get smoky. In the United States there are so many

clean empty cans lying about that it is perhaps unnecessary to carry

anything of the kind. The cowboys never carry anything in the nature

of a coffeepot. They confidently reckon on finding a lard can. Indeed,

if you make camp in the West or South where some have camped before

you, you may find carefully preserved the coffee can used by the last

party. All America is camping out in the summer, so it is a simple

matter to find the black patch of some one else’s erstwhile sleeping

pitch.

However, I dislike the places where people have been before, their

orange peel and biscuit wrappings, their trampled grass and jaded

scrub. Give me a virginal patch of woodland or moorland, or a happy

grassy corner of the long dusty road, and there startle the earwigs and

the birds with the crackle of a first bonfire. Therefore, I consider it

ideal to take a coffeepot with you, a metal one that gets blacker and

blacker as you go along. It can best be carried outside the knapsack,

angling from the center strap and resting in the hollow between the

bulging pockets.

I had forgotten the enamel mug, the knife and the spoon. But you must

not. Do not carry a fork; it is unnecessary. A small enamel plate is

useful. Pepper and salt mixed to taste may be carried in a little bag.

Some sort of safe box for butter is to be recommended. Take plenty of

old handkerchiefs or worst quality new ones; they come in useful.

Remember a glove for taking the coffeepot off the fire. If you do not

you will be burning all your handkerchiefs, your hat, your shirt, or

anything else that you may be tempted to use. There are occasions when

the coffeepot seems to get almost red hot before it boils. There are

giddy moments when it loses its balance and will topple over and spill

its precious contents unless you are ready to dash in with gloved hand

to save it.

For the rest of the contents of your knapsack you will be guided by

your special desires and aims. Loaded and bulging in the morning, it

will gradually feel lighter and look more shapely as movement sorts the

various things into their best positions. At night you turn out many

things and use what remains as a pillow. Some carry a pillow, but it is

too bulky. An air pillow is not to be despised, but it generally seems

to let you down during the night. Your knapsack will grudge being left

in the dew. It will feel happier with your head resting upon it.

[Illustration]

CHAPTER FOUR

CLOTHES

1. ATTIRE

“Needy knife grinder,” said the poet, “your hat has got a hole in it,

and so have your breeches.” That was not necessary. You should carry

a housemaid’s tidy, or whatever it may be called, the tiny compendium

of needles and thread sometimes offered upon hotel dressing tables,

and sew up the holes. I fear the knife grinder’s hat was of felt, a

broken billycock hat, but we tramps have nothing to do with felt hats.

The bowlers and the derbys and the trilbys are not our style. There

was a time when men tramped in shovel hats, and I can see Parson Adams

trudging along, his lank locks crowned with this lugubrious headgear.

And Abraham Lincoln walked abroad in his rusty topper. But we have

changed all that. We tramp in tweed hats or caps or without hats at

all. We do not feel superior, but we know we are more comfortable.

Also we no longer wear cravats. In fact, a collar and tie may be

secreted in a pocket of the knapsack to be unwillingly put on when it

is necessary to visit a post office or a bank, a priest, or the police.

But otherwise we go forth with free necks and throats, top button of

shirt preferably undone.

And we do not tramp in spats or gaiters, nor in fancy waistcoats. The

waistcoat is an article of attire which can be cheerfully eliminated as

entirely unwanted. Undervests also are rather _de trop_. There are many

things a man can shed. I am not qualified to say what a woman can do

without, but she needs no hat with feathers, no hatpin. As I think of

her in the wilderness it seems to me she can get rid of everything she

commonly wears with the exception perhaps of a hair net, and then dress

herself afresh in “rational attire.” The green and brown misses in the

“lovely garnish of boys” are now so familiar in the United States that

it is almost superfluous to describe them. A khaki blouse and knickers,

green putties or stockings, and a stout pair of shoes are almost

everything; very simple, very practical, and if one must think of looks

while on tramp, not unbecoming.

Materials are more important than shapes. A homespun, a tweed, a

cord, are better than flannel or serge or shoddy cloth. Tramping is

destructive of material; sun, rain, camp-fire sparks, and hot smoke

seem to reduce the resistance of cloth very rapidly. After a month, a

sort of dry rot will show itself, and as you go through a wood every

rotten stick or tiny thorn you happen to touch will tear a tatter in

your trousers. It can be annoying and amusing. “When I am tired of

looking at the view I look at your trousers,” said Lindsay to me, in

the Rockies, he in the virtuous superiority of green corduroy; I

in old clothes which I thought I might as well wear out on tramp. I

certainly wore them out: in fact, we had to turn from the wilds towards

civilization, and the poet bought me a ready-to-wear pair of cowboy’s

bags.

But workmen’s trousers, suspended by workmen’s braces, are the best.

Braces marked “For Policemen and Firemen” are sold in the United

States. They are undoubtedly stout and will stand the strain of many

jumps. You will have a cosy feeling of nothing defective in your

straps, a feeling akin to that of a good conscience--much to be desired.

What remains? A jacket. It may as well be a tweed one with half-a-dozen

roomy pockets. I once saw a character reader at a fair who said: “Show

me your hat and I will tell you who you are.” He had plenty to guide

him. I gave him mine. He said: “You, sir, are a thinker. Your thoughts

have been oozing out of your head and have spoilt an excellent lining.”

He held my hat up to the crowd. “This is the hat,” said he, “of a man

who buys at the best shop, but wears his hat a very long while. He is

both proud and economical, and is probably a Scotsman.”

Had I taken off my jacket he could probably have told me a good deal

more; made bulgy with books, yet pinched by the clips of fountain pens,

ink-stained, wine-stained, sun-bleached and rain-washed, fretted by

camp-fire sparks, frayed and yet not torn by envious thorns; the whole

well stretched, well slept in, well tramped in. Other parts of one’s

attire wear out, come and go, but the jacket remains, granted a good

sound indestructible jacket.

Such a jacket is warm wear. No, not in the morning, not for some hours

after sunrise; not in the evening, not during the twilight hours.

During the heat of the day if you wish you can take it off and, tying

it into a neat bundle, fix it to the knapsack. It is pleasant to have

the air break fresh on one’s perspiring chest. But the warm jacket is

your friend, and after two days’ out of home you understand it. The

stout jacket stands by you in the hours when you need support. You soon

get used to its weight, and its thickness helps to bed the knapsack

between the shoulders.

Carlyle wrote a book on clothes, the inwardness of which was that man,

the straggling bifurcate animal, discovered in Eden that he was really

ugly and a shame to be seen, and he has been trying to hide himself

ever since, in fig leaves and phrases, phylacteries and philosophies.

That shall provide the tramp’s motto: a fig leaf and a phrase. But, oh,

Sartor, oh, Mr. Mallaby-Deeley, a stout fig leaf!

2. MOTLEY

“_Invest me in my motley; give me leave to speak my mind.... Motley’s

the only wear._”

The privilege of the Court Fool is that he can tell the plain ordinary

truth to the King, even with the executioner standing by, ax in hand,

and risk not his head. But he must be wearing his cap and bells. Let

him come but dressed as a courtier and make the same painful jest,

and the headsman will step forth to relieve him of his poor-quality

thinking piece. The Greek who was employed to tell his Alexander

after each glorious triumph that he too must die, must have worn some

shred of motley. You cannot say that sort of thing without the dress

which liberates. It was the same with Diogenes. He got in so many home

truths in an intolerant age because he lived in a tub. That tub was his

motley. Our tramps’ gear is ours.

There are clothes which rob you of your liberty, and other clothes

which give it you again. In the sinister garb called morning dress you

are a close prisoner of civilization; but in the tramp’s morning dress

you do not need to “mind your step.” Oh, the difference between one

who has worn silk in the Temple and the same man lying in a cave in

smoke-scented tweeds. Of course, it takes some time to break him down.

He is still wearing a shadow topper and invisible cutaway coat weeks

after he has started into the wilds. The same with a lady of fashion;

she puts a hat over the glory of her hair to hide the primitive

Eve--she will be still thinking of this false headgear long after she

has changed into a forest nymph.

Motley has a double advantage not used by Shakespeare in his admirable

clownings. It not only perhaps enables a man to jest shrewdly with the

prince; it enables a prince, if he will put it on, to talk freely with

an ordinary poor man. The cat can look at the King and the King can

look at the cat.

Class is the most disgusting institution of civilization, because it

puts barriers between man and man. The man from the first-class cabin

cannot make himself at home in the steerage. He can have conversations

with his fellow man down there, but fellow man will be standing to

attention like private in presence of officer, or standing defiant

like prisoner in presence of a condemnatory court. It is not the fault

of the bottom dog, the proletarian. He scents a manner. Your bearing

cannot be adjusted to equality. You are not on the level with him.

You cannot rid your voice of its kind note. “Damn it, don’t be kind

to me,” say the eyes of the third-class passenger. But you cannot get

rid of that absurd, unwanted, kind look--that “tell me, my dear man”

expression.

_“How are you, aged man,” I said,

“And how is it you live?”

But his answer trickled through my brain

Like water through a sieve._

Yes, whatever he replies will seem a little bit irrelevant, like the

answers to the visiting rector going the round of his parish, he having

the next drag hunt on his mind.

But in the tramps’ motley you can say what you like, ask what questions

you like, free from the taint of class.

It also puts you right with regard to yourself. You see yourself as

others see you, and that is a refreshing grace wafted in upon an

opinionated mind. The freedom of speech and action and judgment which

it gives you will breed that boldness of bearing which, after all, is

better than mere good manners. It allows you to walk on your heels as

well as on your toes, and to eat without a finicking assortment of

forks. It aids your digestion of truth and of food, and aids nutrition

as good air does good porridge. All that highfalutin’ advice which

Kipling wrote in “If” may be left in its glum red lettering pasted on

your bedroom wall, if you will only put on your tramp’s motley.

“What must I do to inherit eternal life?” The answer to that question

is not adequately stated in that “If” of talking to mobs without losing

your virtue and to Kings without losing the common touch, or in the

“If” of making a heap of all your winnings and staking them in a game

of pitch and toss. The answer of the Evangel is Take up the Cross and

Follow Me, which may be interpreted indulgently for our purpose here:

Take up thy staff and the common burden for thy shoulders, the motley

of the pilgrim and the tramp.

[Illustration]

CHAPTER FIVE

CARRYING MONEY

“Put money in thy purse,” is often given to the young man as a jewel

of wisdom. But we give the contrary advice: take it out. The less you

carry the more you will see, the less you spend the more you will

experience. Of course, if you have a strong enough will to resist

temptation you can carry what you like, but even then you are at the

disadvantage of being worth a robber’s attention.

I sometimes pride myself that I set out for Jerusalem with the Russian

pilgrims having ten pounds, and that I brought back five of the pounds

to Russia. The most I paid for lodging in Jerusalem was three farthings

a day. Had I quit for a hotel I should have lost most of the experience

of the pilgrimage. When I made my study of the emigrants to America I

went steerage and came back steerage. I stayed in a workman’s lodging

house in New York and I tramped to Chicago on less than a dollar a day.

Of course it is very expensive in America, always was, unless you care

to work your way. For my part, I think working one’s way even more

expensive.

A shilling a day ought to be ample for tramping in any part of the

world--if you cook on your own camp fire and sleep out. But America is

an exception. There you will need three-parts of a dollar. In Europe

generally, after the War, one needs to consider the currency situation.

The Tyrol has been a place of cheap food and wine; now it is much

dearer. France and Italy, on the other hand, are cheaper.

It is well to carry notes of low denominations, as it is almost always

difficult to get change in the country. If you have a larger note, a

reserve, to take you, let us say, by boat or train somewhere, at some

point of your adventure, or to bring you home, it is as well to sew it

in your jacket lining. It is a mistake to put it in your knapsack or in

a pocket of a shirt. Once I put a five-pound note in a secret pocket

of a shirt and forgot all about it till after I received my linen one

day, washed and ironed, from a peasant girl. Suddenly I remembered, and

feverishly picked up the shirt and went to the secret pocket, the girl

smiling at me as I did so. The note was there, fresh and crisp. I was

astonished. “You washed and ironed this bit of paper?” I asked. “No,”

she said simply, “I found it in and took it out. But I put it back

after ironing.”

In America it is as well to carry travelers’ checks, as they can be

cashed even in a small village, and they are safer than notes. In

Europe such checks are difficult to cash except in large cities. They

are unfamiliar to the bankers of provincial towns. Even in large towns

you may have to wander from bank to bank seeking a correspondent of the

original bank from which you have taken the traveler’s check.

A good plan is to have five-pound notes sent to you by registered post

by a bank at the time at which you are likely to require them. They can

be sent _poste restante_, but it is unwise to leave the packet too long

unclaimed, as in some countries they send back letters to sender after

a week. Money can be sent by wire in this way. Money can also be sent

by a bank in response to a wire if you have arranged a code signature

before leaving home. This is a very simple matter if you are bad enough

tramp to have a balance intact.

After two months, or less, in the open, living the life of a tramping

hermit, you are likely, upon occasion, to have a joyous reaction

towards excess. And this may express itself in a gay and giddy

week-end, in hotels and restaurants and places of music and dance. You

may spend more on a romp than you do on the tramp. Round and round the

market place the monkey chased the weasel! You are that monkey never

catching that weasel. That’s the way the money goes. Pop goes the

weasel!

Oh, that weasel, that weasel of false heart’s desire! Haven’t we chased

it upon occasion!

_I am Memory and Torment, I am Town,

I am all that ever went with evening dress!_

Thus sang the banjo in the wilderness. You lie in the heights of the

mountain under the stars, with empty pockets and empty stomach, and you

look at the many lights, the blent illumination of the Milky Way, and

think--of Broadway, the Great White Way, burning its great stream of

electricity, burning your candle and its own.

The spree is not, however, entirely legitimate to the tramping

expedition. Tramping is first of all a rebellion against housekeeping

and daily and monthly accounts. You may escape from the spending mania,

but first of all you escape from the inhibition, that is the word, the

inhibition of needing to earn a living. In tramping you are not earning

a living, but earning a happiness.

There was a verse of poetry of which Ruskin, in his satirical mood,

was inordinately fond:

_As for the bird in the thicket,

Thrush or ouzel in leafy niche,

She was far too rich

To care for a morning concert to which

She was welcome without a ticket._

Well, ours is the morning concert, without ticket and without program,

without classification of box or stall. You do not pay as you enter,

nor grumble as you go out. Indeed there is a very good reason.

Performers and friends of the performers do not pay. You come as a

friend of the thrush, or you are a thrush yourself. We shall see as we

tramp the woods together which it is. But in any case the thrush never

takes round the hat.

[Illustration]

CHAPTER SIX

THE COMPANION

“Give me a companion of my way, be it only to mention how the shadows

lengthen as the sun declines,” wrote Hazlitt. An ideal companion is

ideal. However, we all know that companionship prolonged may be trying

even to good friends. If you live for some time in the same room with

any one you discover that fact. Indeed, you discover a good deal about

your companion that you had not suspected before you were intimate, and

he about you. Eventually a cloud no bigger than a man’s hand becomes a

storm, and you quarrel over what seems afterwards to have been nothing

at all. Even man and wife of ideal choice find that out.

But there is perhaps no greater test of friendship than going on a long

tramp. You discover to one another all the egoisms and selfishnesses

you possess. You may not see your own: you see your companion’s faults.

In truth, if you want to find out about a man, go for a long tramp with

him.

Still there are rewards. If you do not quarrel irreparably and part

on the road you will probably find your friendship greatly increased

by the experience of the wilds together. I like tramping alone, but a

companion is well worth finding. He will add to the experience; perhaps

double it.

You have naturally long conversations. You comment on Nature around

you, and on tramping experiences. You talk of books and pictures,

of poems, of people, but above all, almost inevitably, of yourself.

Tramping makes you self-revelatory. And this is an enormous boon. If

you have patience you will get to see your friend in a new light;

you will fill in the picture which up to then you have but vaguely

sketched. The richest people in life are the good listeners. If,

however, you also must talk, must reveal your life, your heart, your

prejudices and passions, it will often happen that you will express

yourself to yourself, as much as to your friend. Self-confession is

growth of the mind, an enriching of the consciousness. In talk which

seems idle enough you may be reaching out toward the infinite.

The early morning tramp is a striving time, one of reaching out, of

vigorous assertions. The afternoon may mock the morning with jesting,

with ribald songs,

“_Songs that make you cough and blow your nose,_”

as Kipling says. But the evening will make amends. There is a great

poetic time after the camp fire has been lit, the coffee brewed, the

sleeping place laid out. You sit by the embers as the twilight deepens

and talk till the stars shine brightly upon you. That is the time of

confidences, of tenderness, of melancholy, of the “might-have-been” and

the “if only.” You are full of the songs of the birds to which you

have listened all day. Music will come out again.

But there are many types of companionship: the two undergraduates _en

vacance_, the two cronies of the same town, the middle-aged man and his

young disciple, sweethearts, bachelor girls, father and son, man and

wife, friend and friend.

Young athletes will go to the furthest distance; lovers the shortest.

But the lovers may be out the longest time. I am inclined to measure a

tramp by the time taken rather than by the miles. If a hundred miles is

covered in a week it is a longer tramp than if it is rushed in three

days. There is great happiness in taking a month over it. However, it

is hardly possible to walk less than seven miles a day if one sleeps

out of doors.

A point to make sure about in companionship is distribution of kit.

You do not need two coffeepots, two sugar bags--a number of duplicates

can be avoided. See your companion has the right boots. The slower

walker should set the pace. It is absurd for one to walk the other off

his feet just to show what a walker he is. There is great difference

in walking capacity. Some can do forty miles a day without turning a

hair; many can hardly keep up fifteen. If your companion breaks his

feet or turns an ankle you may have to wait some days with him while

he recovers. The first days of tramping are in this respect the most

dangerous. It is so easy to blister the feet if one marches too far in

hot weather. One or two blisters may be remedied, but there comes a

morning when you cannot get your boots on.

The best companions are those who make you freest. They teach you

the art of life by their readiness to accommodate themselves. After

freedom, I enjoy in a companion a well stocked mind, or observant eyes,

or wood lore of any kind. It is nice sometimes to tramp with a living

book.

Of course, one should carry a notebook or diary or some broad-margined

volume of poems. You can annotate Keats from your life on the road. But

whether you do that or merely record the daily life in a page-a-day

journal, you are enriching yourself enormously by what you can write

about.

Lovers, I imagine, will carry no diary. Their impressionable hearts

are the tablets on which they write. Every one has a tendency to write

down the unforgettable: it is obviously unnecessary. Loving pairs,

however, seldom take their staffs and their packs and make for the

wild. Even in our free days they are somewhat afraid of it. But it is

to be recommended as an admirable preparation for married life. It is

a romantic adventure, but it leads to reality. If you have to carry

your beloved, you will probably have to carry her for the rest of your

life. You cannot tell till you’ve spent a night in the rain, or lost

the way in the mountains, and eaten all the food, whether you have both

stout hearts and a readiness for every fate. If not a tramp before

marriage, then a tramp directly after comes not amiss, a honeymoon

spent tramping. It is an ideal way to begin life. For tramping is the

grammar of living. Few people learn the grammar--but it is worth while.

There are few more felicitous proposals of marriage set down in

literature than the Autocrat at the Breakfast Table’s, “Will you take

the long road with me?”

Life _à deux_ is much more of an adventure than life _seul_, much more

of a tramping expedition, less of a “carriage forward,” “fragile,”

“lift with care,” and “use no hooks” affair. One, be it the man, be it

the woman, pulls the other from security. It is a more difficult way of

life; it needs learning.

On the road the weak and strong points of character are revealed.

There are those who complain, making each mile seem like three; there

are those who have untapped reserves of cheerfulness, who sing their

companions through the tired hours. But in drawing-rooms, trains,

tennis parties, theater, and dance hall, they would never show either

quality. The road shows sturdiness, resourcefulness, pluck, patience,

energy, vitality, or per contra, the lack of these things. It is

something to face the first night together under the stars, the fears

of lurking robbers or wild animals, fears of the unnamed.

The first night out together of a man and his wife is a memorable

occasion. You go back to the primitive, but there is something very

cosy and comfortable about it--the only man in the world with the only

woman. Darkness settles down upon you in a stranger way than it does

upon man and man. There is more poetry in the air and in your mind.

More tenderness is enkindled than ceiling and walls of house ever saw,

tenderness of a certain sheltering care which it is luxurious to give.

Night is dark and still and intense, and you can hear two hearts

beating while you look outward and upward, and dimly discern the

passage of bats’ wings in the air.

The first night, however, is seldom without alarm; the cold wet nose

of a hedgehog touching your beloved’s cheek may cause her to rend the

air with a shriek, a field mouse at her toes cause her scarcely less

alarm. It is good to pack her in a really capacious sleeping bag; it

excludes rodents. And if you are not too big you can snuggle into it

yourself, if the lady proves to be nervous and you are on such terms of

fellowship as to make it possible.

A night of murmurings and deepening shadows and freshness, and then,

perhaps, of a gentle rain before dawn, and of glimmerings of new

day and sweetness of wild flowers and birds’ songs before sunrise.

You watch the boles of the great trees grow into stateliness in the

twilight, and the night is over. With an arm round your fair one you go

to the point where in orange and scarlet the great friend of all the

living is lifting himself once more out of the east to show us the way

of life.

[Illustration]

CHAPTER SEVEN

WHITHER AWAY?

The principle motive of the wander-spirit is curiosity--the desire

to know what is beyond the next turning of the road, and to probe

for oneself the mystery of the names of the places in maps. In a

subconscious way the born wanderer is always expecting to come on

something very wonderful--beyond the horizon’s rim. The joys of

wandering are often balanced by the pains; but there is something which

is neither joy nor pain which makes the desire to wander or explore

almost incurable in many human beings.

The child experiences his first wander-thrill when he is taken to

places where he has never been before. I remember from the age of nine

a barefoot walk with my mother along the Lincolnshire sands from Sutton

to Skegness, and the romantic and strange sights on the way. What did

we not build out of that adventure? And who does not remember the

pleasurable thrill, the pleasure that’s all but pain, of being lost in

a wood, or in a strange countryside, and meeting some crazy individual

who humored the idea by apostrophizing a little brook in this style: “I

am now marching upon the banks of the mighty Congo”? The imagination

wishes to be stirred with the romance of places, and is stirred. In a

great city like London or New York, even though living there, certainly

I for one am homesick; not for a home and an armchair, but for a

rolling road and a stout pair of boots, and my own stick fire by the

roadside at dawn, and the old pot which is slow to boil.

“Where,” I am asked, “would you go a-tramping now if you were

absolutely fancy-free and passports and Bolsheviks were unknown?” It

would probably be in Russia, where I have vagabondized over thousands

of miles already. I should like to resume my six-thousand-mile journey

southwest to northwest, which was interrupted by the War in August,

1914. But, alas, the Moscow of the Bolsheviks does not encourage

adventure of that kind.

Again, I’d like to buy a boat at Perm and slip down to the Petchora

River, and go with the stream thousands of miles north, selling the

boat to the Samoyedes at the mouth of the river, thence tramping

perhaps by the tundra roads or sledging it to Mesen. What a romance,

what a journey, as it seems to me now, in complete inexperience of it!

Or I’d like to take a party of literary men across the Altai, and in a

verdant valley live for half a year without letters and newspapers, and

each write his own book, express his own peculiar happiness in his own

words.

Or I’d like to plunge south from Verney, in Seven-Rivers-Land, or from

Kashgar, and climb to the mountain passes into India; and as I think

of it a sense of the last poem of Davidson creeps into the memory:

_Alone I climb

The ragged path that leads me out of Time._

So much for Russia. I’d love to tramp the whole length of Japan,

and peer into all the ways of the modern Japanese. There, however,

speaks another interest, and that is not so much to explore strange

lands as to explore strange people. Life teaches the wanderer that

peoples are extra pages to geography, and the fascination can at times

be irresistible. You long to be familiar with Russians, Frenchmen,

Germans, Chinamen, Arabs, Americans, and the rest. And it takes you

afield, it takes you far, far away from 1, Alpha Villas, or the sweet

shady side of Pall Mall.

I’ve long wished to wander for years in the tents of the nomads of

the Central Mongolian Plain. I came on them accidentally, tramping in

Turkestan; surely among the most interesting peoples in the world, and

the oldest, with customs of the most intense human interest. Nothing

less than a year with them would do; and that means a year without

civilization, for no postman seeks the wandering tents of the Kirghis

and the Kalmouk.

I should like also to pursue a study which I once began of the

monasteries of the Copts, and tramp in the Sahara desert, to follow

the clues of early Christianity up the Nile from Alexandria and the

Thebaid, and I would make some study of Abyssinian Christianity in its

native haunts. Or, on the other side of the world, I’d like to tramp

the communal estate of the Dukhobors, of which I obtained a glimpse

in 1922 in western Canada. Or I’d like just now to tramp as a beggar

through the heart of the new Ireland.

These, and many other fascinating adventures, haunt the mind like

Maeterlinck’s souls of the unborn children in that charming drama of

the ideal--“The Betrothal.” If I don’t do them this time on earth, and

can’t do them, friends are apt to say: “Well, next time.” One lifetime

will hardly suffice to find out all there is to know and to enjoy in

the world and in man.

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