Hal looked back. "Honestly, the usher will stop you."

The Butcher shook his head. "I'm going to think my way in. I'm going to

think old."

"You won't be able to fool the usher, Butcher. You under-fives

simply aren't allowed in the Time Theater. There's a good reason for

it--something dangerous might happen if an under-five got inside."

"Why?"

"I don't exactly know, but something."

"Hah! I bet they're scared we'd go traveling in the Time Bubble and

have some excitement."

"They are not. I guess they just know you'd get bored and wander away

from your seats and maybe disturb the adults or upset the electronics

or something. But don't worry about it, Butcher. The usher will take

care of you."

"Shut up--I'm thinking I'm World Director," the Butcher informed them,

contorting his face diabolically.

Hal spoke to the uninjes, pointing to the side of the corridor.

Obediently four of them lined up.

But Brute was peering down the corridor toward where it merged into a

deeper darkness. His short legs stiffened, his neckless head seemed to

retreat even further between his powerful shoulders, his lips writhed

back to show his gleaming fangs, and a completely unfamiliar sound

issued from his throat. A choked, grating sound. A growl. The other

uninjes moved uneasily.

"Do you suppose something's the matter with his circuits?" Joggy

whispered. "Maybe he's getting racial memories from the Scands."

"Of course not," Hal said irritably.

"Brute, get over there," the Butcher commanded. Unwillingly, eyes still

fixed on the blackness ahead, Brute obeyed.

The three boys started on. Hal and Joggy experienced a vaguely

electrical tingling that vanished almost immediately. They looked back.

The Butcher had been stopped by an invisible wall.

"I told you you couldn't fool the usher," Hal said.

The Butcher hurled himself forward. The wall gave a little, then

bounced him back with equal force.

"I bet it'll be a bum time view anyway," the Butcher said, not giving

up, but not trying again. "And I still don't think the usher can tell

how old you are. I bet there's an over-age teacher spying on you

through a hole, and if he doesn't like your looks, he switches on the

usher."

* * * * *

But the others had disappeared in the blackness. The Butcher waited and

then sat down beside the uninjes. Brute laid his head on his knee and

growled faintly down the corridor.

"Take it easy, Brute," the Butcher consoled him. "I don't think

Tamerlane was really a Scand of the Navies anyhow."

Two chattering girls hardly bigger than himself stepped through the

usher as if it weren't there.

The Butcher grimly slipped out the metal tube and put it to his lips.

There were two closely spaced faint _plops_ and a large green stain

appeared on the bare back of one girl, while purple fluid dripped from

the close-cropped hair of the other.

They glared at him and one of them said: "A cub!" But he had his arms

folded and wasn't looking at them.

Meanwhile, subordinate ushers had guided Hal and Joggy away from the

main entrance to the Time Theater. A sphincter dilated and they found

themselves in a small transparent cubicle from which they could watch

the show without disturbing the adult audience. They unstrapped their

levitators, laid them on the floor and sat down.

The darkened auditorium was circular. Rising from a low central

platform was a huge bubble of light, its lower surface somewhat

flattened. The audience was seated in concentric rows around the

bubble, their keen and compassionate faces dimly revealed by the pale

central glow.

But it was the scene within the bubble that riveted the attention of

the boys.

Great brooding trees, the trunks of the nearer ones sliced by the

bubble's surface, formed the background. Through the dark, wet foliage

appeared glimpses of a murky sky, while from the ceiling of the bubble,

a ceaseless rain dripped mournfully. A hooded figure crouched beside a

little fire partly shielded by a gnarled trunk. Squatting round about

were wiry, blue-eyed men with shoulder-length blond hair and full blond

beards. They were clothed in furs and metal-studded leather.

Here and there were scattered weapons and armor--long swords glistening

with oil to guard them from rust, crudely painted circular shields, and

helmets from which curved the horns of beasts. Back and forth, lean,

wolflike dogs paced with restless monotony.

* * * * *

Sometimes the men seemed to speak together, or one would rise to peer

down the misty forest vistas, but mostly they were motionless. Only

the hooded figure, which they seemed to regard with a mingled wonder

and fear, swayed incessantly to the rhythm of some unheard chant.

"The Time Bubble has been brought to rest in one of the barbaric

cultures of the Dawn Era," a soft voice explained, so casually that

Joggy looked around for the speaker, until Hal nudged him sharply,

whispering with barely perceptible embarrassment: "Don't do that,

Joggy. It's just the electronic interpreter. It senses our development

and hears our questions and then it automats background and answers.

But it's no more alive than an adolescer or a kinderobot. Got a billion

microtapes, though."

The interpreter continued: "The skin-clad men we are viewing in Time

in the Round seem to be a group of warriors of the sort who lived

by pillage and rapine. The hooded figure is a most unusual find. We

believe it to be that of a sorcerer who pretended to control the forces

of nature and see into the future."

Joggy whispered: "How is it that we can't see the audience through the

other side of the bubble? We can see through this side, all right."

"The bubble only shines light out," Hal told him hurriedly, to show he

knew some things as well as the interpreter. "Nothing, not even light,

can get into the bubble from outside. The audience on the other side of

the bubble sees into it just as we do, only they're seeing the other

way--for instance, they can't see the fire because the tree is in the

way. And instead of seeing us beyond, they see more trees and sky."

Joggy nodded. "You mean that whatever way you look at the bubble, it's

a kind of hole through time?"

"That's right." Hal cleared his throat and recited: "The bubble is the

locus of an infinite number of one-way holes, all centering around two

points in space-time, one now and one then. The bubble looks completely

open, but if you tried to step inside, you'd be stopped--and so would

an atom beam. It takes more energy than an atom beam just to maintain

the bubble, let alone maneuver it."

"I see, I guess," Joggy whispered. "But if the hole works for light,

why can't the people inside the bubble step out of it into our world?"

"Why--er--you see, Joggy--"

The interpreter took over. "The holes are one-way for light, but no-way

for matter. If one of the individuals inside the bubble walked toward

you, he would cross-section and disappear. But to the audience on the

opposite side of the bubble, it would be obvious that he had walked

away along the vista down which they are peering."

* * * * *

As if to provide an example, a figure suddenly materialized on

their side of the bubble. The wolflike dogs bared their fangs. For

an instant, there was only an eerie, distorted, rapidly growing

silhouette, changing from blood-red to black as the boundary of the

bubble cross-sectioned the intruding figure. Then they recognized the

back of another long-haired warrior and realized that the audience on

the other side of the bubble had probably seen him approaching for some

time.

He bowed to the hooded figure and handed him a small bag.

"More atavistic cubs, big and little! Hold still, Cynthia," a new voice

cut in.

Hal turned and saw that two cold-eyed girls had been ushered into the

cubicle. One was wiping her close-cropped hair with one hand while

mopping a green stain from her friend's back with the other.

Time In the Round · 第 5 / 7 题