Diminuendo

In the year of grace 1890, and in the beautiful autumn of that year, I

was a freshman at Oxford. I remember how my tutor asked me what lectures

I wished to attend, and how he laughed when I said that I wished to

attend the lectures of Mr. Walter Pater. Also I remember how, one

morning soon after, I went into Ryman's to order some foolish engraving

for my room, and there saw, peering into a portfolio, a small, thick,

rock-faced man, whose top-hat and gloves of bright dog-skin struck one

of the many discords in that little city of learning or laughter. The

serried bristles of his moustachio made for him a false-military air. I

think I nearly went down when they told me that this was Pater.

Not that even in those more decadent days of my childhood did I admire

the man as a stylist. Even then I was angry that he should treat English

as a dead language, bored by that sedulous ritual wherewith he laid out

every sentence as in a shroud--hanging, like a widower, long over its

marmoreal beauty or ever he could lay it at length in his book, its

sepulchre. From that laden air, the so cadaverous murmur of that

sanctuary, I would hook it at the beck of any jade. The writing of Pater

had never, indeed, appealed to me, all' aiei, having regard to the couth

solemnity of his mind, to his philosophy, his rare erudition, tina phôta

megan kai kalon edegmen [I received some great and beautiful light]. And

I suppose it was when at length I saw him that I first knew him to be

fallible.

At school I had read Marius the Epicurean in bed and with a dark

lantern. Indeed, I regarded it mainly as a tale of adventure, quite as

fascinating as Midshipman Easy, and far less hard to understand, because

there were no nautical terms in it. Marryat, moreover, never made me

wish to run away to sea, whilst certainly Pater did make me wish for

more 'colour' in the curriculum, for a renaissance of the Farrar

period, when there was always 'a sullen spirit of revolt against the

authorities'; when lockers were always being broken into and marks

falsified, and small boys prevented from saying their prayers, insomuch

that they vowed they would no longer buy brandy for their seniors. In

some schools, I am told, the pretty old custom of roasting a fourth-form

boy, whole, upon Founder's Day still survives. But in my school there

was less sentiment. I ended by acquiescing in the slow revolution of its

wheel of work and play. I felt that at Oxford, when I should be of age

to matriculate, a 'variegated dramatic lifé was waiting for me. I was

not a little too sanguine, alas!

How sad was my coming to the university! Where were those sweet

conditions I had pictured in my boyhood? Those antique contrasts? Did

I ride, one sunset, through fens on a palfrey, watching the gold

reflections on Magdalen Tower? Did I ride over Magdalen Bridge and hear

the consonance of evening-bells and cries from the river below? Did I

rein in to wonder at the raised gates of Queen's, the twisted pillars of

St. Mary's, the little shops, lighted with tapers? Did bull-pups snarl

at me, or dons, with bent backs, acknowledge my salute? Any one who

knows the place as it is, must see that such questions are purely

rhetorical. To him I need not explain the disappointment that beset me

when, after being whirled in a cab from the station to a big hotel, I

wandered out into the streets. On aurait dit a bit of Manchester through

which Apollo had once passed; for here, among the hideous trains and the

brand-new bricks--here, glared at by the electric-lights that hung from

poles, screamed at by boys with the Echo and the Star--here, in a riot

of vulgarity, were remnants of beauty, as I discerned. There were only

remnants.

Soon also I found that the life of the place, like the place, had

lost its charm and its tradition. Gone were the contrasts that made it

wonderful. That feud between undergraduates and dons--latent, in the

old days, only at times when it behoved the two academic grades to unite

against the townspeople--was one of the absurdities of the past. The

townspeople now looked just like undergraduates and the dons just like

townspeople. So splendid was the train-service between Oxford and London

that, with hundreds of passengers daily, the one had become little

better than a suburb of the other. What more could extensionists demand?

As for me, I was disheartened. Bitter were the comparisons I drew

between my coming to Oxford and the coming of Marius to Rome. Could it

be that there was at length no beautiful environment wherein a man might

sound the harmonies of his soul? Had civilisation made beauty, besides

adventure, so rare? I wondered what counsel Pater, insistent always upon

contact with comely things, would offer to one who could nowhere find

them. I had been wondering that very day when I went into Ryman's and

saw him there.

When the tumult of my disillusioning was past, my mind grew clearer. I

discerned that the scope of my quest for emotion must be narrowed. That

abandonment of one's self to life, that merging of one's soul in bright

waters, so often suggested in Pater's writing, were a counsel impossible

for to-day. The quest of emotions must be no less keen, certainly, but

the manner of it must be changed forthwith. To unswitch myself from my

surroundings, to guard my soul from contact with the unlovely things

that compassed it about, therein lay my hope. I must approach the Benign

Mother with great caution. And so, while most of the freshmen 'were

doing her honour with wine and song and wreaths of smoke, I stood aside,

pondered. In such seclusion I passed my first term--ah, how often did

I wonder whether I was not wasting my days, and, wondering, abandon my

meditations upon the right ordering of the future! Thanks be to Athene,

who threw her shadow over me in those moments of weak folly!

At the end of term I came to London. Around me seethed swirls, eddies,

torrents, violent cross-currents of human activity. What uproar!

Surely I could have no part in modern life. Yet, yet for a while it was

fascinating to watch the ways of its children. The prodigious life of

the Prince of Wales fascinated me above all; indeed, it still fascinates

me. What experience has been withheld from His Royal High-ness? Was ever

so supernal a type, as he, of mere Pleasure? How often he has watched,

at Newmarket, the scud-a-run of quivering homuncules over the vert on

horses, or, from some night-boat, the holocaust of great wharves by

the side of the Thames; raced through the blue Solent; threaded les

coulisses! He has danced in every palace of every capital, played in

every club. He has hunted eleplants through the jungles of India, boar

through the forests of Austria, pigs over the plains of Massachusetts.

From the Castle of Abergeldie he has led his Princess into the frosty

night, Highlanders lighting with torches the path to the deer-larder,

where lay the wild things that had fallen to him on the crags. He has

marched the Grenadiers to chapel through the white streets of Windsor.

He has ridden through Moscow, in strange apparel, to kiss the catafalque

of more than one Tzar. For him the Rajahs of India have spoiled their

temples, and Blondin has crossed Niagara along the tight-rope, and the

Giant Guard done drill beneath the chandeliers of the Neue Schloss.

Incline he to scandal, lawyers are proud to whisper their secrets in

his ear. Be he gallant, the ladies are at his feet. Ennuyé, all the wits

from Bernal Osborne to Arthur Roberts have jested for him. He has been

'present always at the focus where the greatest number of forces unite

in their purest energy,' for it is his presence that makes those forces

unite.

'Ennuyé?' I asked. Indeed he never is. How could he be when Pleasure

hangs constantly upon his arm! It is those others, overtaking her only

after arduous chase, breathless and footsore, who quickly sicken of her

company, and fall fainting at her feet. And for me, shod neither with

rank nor riches, what folly to join the chase! I began to see how small

a thing it were to sacrifice those external 'experiences,' so dear to

the heart of Pater, by a rigid, complex civilisation made so hard to

gain. They gave nothing but lassitude to those who had gained them

through suffering. Even to the kings and princes, who so easily gained

them, what did they yield besides themselves? I do not suppose that, if

we were invited to give authenticated instances of intelligence on the

part of our royal pets, we could fill half a column of the Spectator. In

fact, their lives are so full they have no time for thought, the highest

energy of man. Now, it was to thought that my life should be dedicated.

Action, apart from its absorption of time, would war otherwise against

the pleasures of intellect, which, for me, meant mainly the pleasures

of imagination. It is only (this is a platitude) the things one has not

done, the faces or places one has not seen, or seen but darkly, that

have charm. It is only mystery--such mystery as besets the eyes of

children--that makes things superb. I thought of the voluptuaries I

had known--they seemed so sad, so ascetic almost, like poor pilgrims,

raising their eyes never or ever gazing at the moon of tarnished

endeavour. I thought of the round, insouciant faces of the monks at

whose monastery I once broke bread, and how their eyes sparkled when

they asked me of the France that lay around their walls. I thought,

pardie, of the lurid verses written by young men who, in real life, know

no haunt more lurid than a literary public-house. It was, for me,

merely a problem how I could best avoid 'sensations,' 'pulsations,'

and 'exquisite moments' that were not purely intellectual. I would not

attempt to combine both kinds, as Pater seemed to fancy a man might. I

would make myself master of some small area of physical life, a life of

quiet, monotonous simplicity, exempt from all outer disturbance. I would

shield my body from the world that my mind might range over it, not hurt

nor fettered. As yet, however, I was in my first year at Oxford. There

were many reasons that I should stay there and take my degree, reasons

that I did not combat. Indeed, I was content to wait for my life.

And now that I have made my adieux to the Benign Mother, I need wait no

longer. I have been casting my eye over the suburbs of London. I have

taken a most pleasant little villa in ----ham, and here I shall make my

home. Here there is no traffic, no harvest. Those of the inhabitants

who do anything go away each morning and do it elsewhere. Here no vital

forces unite. Nothing happens here. The days and the months will pass by

me, bringing their sure recurrence of quiet events. In the spring-time

I shall look out from my window and see the laburnum flowering in the

little front garden. In summer cool syrups will come for me from the

grocer's shop. Autumn will make the boughs of my mountain-ash scarlet,

and, later, the asbestos in my grate will put forth its blossoms of

flame. The infrequent cart of Buszard or Mudie will pass my window at

all seasons. Nor will this be all. I shall have friends. Next door,

there is a retired military man who has offered, in a most neighbourly

way, to lend me his copy of the Times. On the other side of my house

lives a charming family, who perhaps will call on me, now and again.

I have seen them sally forth, at sundown, to catch the theatre-train;

among them walked a young lady, the charm of whose figure was ill

concealed by the neat waterproof that overspread her evening dress.

Some day it may be...but I anticipate. These things will be but the cosy

accompaniment of my days. For I shall contemplate the world.

I shall look forth from my window, the laburnum and the mountain-ash

becoming mere silhouettes in the foreground of my vision. I shall look

forth and, in nay remoteness, appreciate the distant pageant of the

world. Humanity will range itself in the columns of my morning paper. No

pulse of life will escape me. The strife of politics, the intriguing of

courts, the wreck of great vessels, wars, dramas, earthquakes,

national griefs or joys; the strange sequels to divorces, even, and the

mysterious suicides of land-agents at Ipswich--in all such phenomena I

shall steep my exhaurient mind. Delicias quoque bibliothecae experiar.

Tragedy, comedy, chivalry, philosophy will be mine. I shall listen to

their music perpetually and their colours will dance before my eyes. I

shall soar from terraces of stone upon dragons with shining wings

and make war upon Olympus. From the peaks of hills I shall swoop into

recondite valleys and drive the pigmies, shrieking little curses, to

their caverns. It may be my whim to wander through infinite parks where

the deer lie under the clustering shadow of their antlers and flee

lightly over the grass; to whisper with white prophets under the elms or

bind a child with a daisy-chain or, with a lady, thread my way through

the acacias. I shall swim down rivers into the sea and outstrip all

ships. Unhindered I shall penetrate all sanctuaries and snatch the

secrets of every dim confessional.

Yes! among books that charm, and give wings to the mind, will my days be

spent. I shall be ever absorbing the things great men have written; with

such experience I will charge my mind to the full. Nor will I try to

give anything in return. Once, in the delusion that Art, loving the

recluse, would make his life happy, I wrote a little for a yellow

quarterly and had that succès de fiasco which is always given to a young

writer of talent. But the stress of creation soon overwhelmed me. Only

Art with a capital H gives any consolations to her henchmen. And I, who

crave no knighthood, shall write no more. I shall write no more. Already

I feel myself to be a trifle outmoded. I belong to the Beardsley period.

Younger men, with months of activity before them, with fresher schemes

and notions, with newer enthusiasm, have pressed forward since then.

Cedo junioribus. Indeed, I stand aside with no regret. For to be

outmoded is to be a classic, if one has written well. I have acceded to

the hierarchy of good scribes and rather like my niche.

Chicago, 1895.

The Works of Max Beerbohm · 第 10 / 17 题