CHAPTER I.

Transcriber's note: Unusual and inconsistent spelling is as printed.

[Illustration: Mr. Crosbie dropped into his arm-chair

with a grunt of discomfort. _Frontispiece._]

BERYL AND PEARL.

BY

AGNES GIBERNE

AUTHOR OF "MISS CON," "ENID'S SILVER BOND," "KATHLEEN,"

"DECIMA'S PROMISE."

"Mine be the reverent listening love

That waits all day on Thee,

With the service of a watchful heart

Which no one else can see—

The faith that, in a hidden way

No other eye may know,

Finds all its daily work prepared,

And loves to have it so."

A. L. WARING.

FOURTH EDITION

London

JAMES NISBET & CO., LIMITED

21 BERNERS STREET

Printed by BALLANTYNE, HANSON & CO.

At the Ballantyne Press

CONTENTS.

[Illustration]

CHAP.

I. THREE SISTERS

II. THE FORDYCES

III. PLANS FOR THE FUTURE

IV. DIANA'S NEW PET

V. MR. CROSBIE'S GRIEVANCES

VI. ABOUT THE VASE

VII. SCHOOL LIFE OVER

VIII. MILLICENT'S "BOYS"

IX. WHAT BERYL HAD TURNED OUT

X. MEETING AGAIN

XI. CONFIRMATION

XII. IN THE WOODS

XIII. UNEASINESS

XIV. ILL TIDINGS

XV. OVER THE WAY

XVI. PLAIN, YET BEAUTIFUL

XVII. THE WORST

XVIII. WHETHER OR NO

XIX. VARIETIES

XX. A HAPPY NEST

XXI. BRIGHT HOURS

XXII. DISAPPOINTMENT

XXIII. A PERPLEXING CONDITION

XXIV. DIANA'S TROUBLE

XXV. EXPLANATION

XXVI. IN THE MOUNTAINS

XXVII. LIFE-TRAINING

XXVIII. PEARL'S LETTER

XXIX. A LONELY DAY

XXX. WRONG ON BOTH SIDES

XXXI. WHICH WAY TO TURN?

XXXII. A DECISION

XXXIII. TOGETHER AGAIN

XXXIV. PAST AND FUTURE

XXXV. DIANA'S RETURN

BERYL AND PEARL.

[Illustration]

CHAPTER I.

_THREE SISTERS._

"MILLICENT! My dear! Hey—I say! Millicent! Milli-'cent!'"

The last syllable rose to a shout. Mr. Josiah Crosbie, a

ruddy-complexioned old gentleman, benevolent as to his head, gouty

as to his feet, and impatient as to his manners, paused thereafter,

and listened. No response came. Evidently unaccustomed to wait other

people's convenience, he made his way with some difficulty to the study

door, brought down his stick with a sounding rap, and sent forth a

stentorian summons,—

"Millicent! I say Milli-'cent!'"

"I am coming, uncle."

The silver voice was not raised or hurried.

A lady entered by the back garden door, and crossed the hall to his

side, with the question, "Did you want anything?"

"Of course I did. I shouldn't have called you otherwise," said the old

gentleman testily, as he hobbled back.

Millicent followed him, and stood awaiting his pleasure. She was

young-looking still, with a pale complexion, features of faultless

regularity, and almond-shaped brown eyes, below pencilled brows. It was

a Madonna-like face, in calmness and purity, albeit certain lines and

shadows told of tempests past. Her slight figure was clothed in some

soft black material, closely fitting, plainly made, and graceful in its

fall; and her hair was brushed smoothly back under a widow's cap. No

one could induce Millicent Cumming to discard this cap; yet, though in

age only thirty-two, she was a ten years' widow.

Mr. Crosbie dropped into his arm-chair, with, a grunt of discomfort,

possibly also of annoyance. The sunshine of a lovely spring day showed

through the window, but he had been shivering all the morning over a

blazing fire.

"You don't mean to say you have been guilty of the folly of going into

the garden without your bonnet," said Mr. Crosbie.

"I did not mean to say anything about it," she answered, with a smile.

"Keen east wind,—and your chest,—enough to lay you by for a month!

Folly!" repeated Mr. Crosbie, who was rather given to the use of strong

expressions. "But of course my opinion is worth nothing in the matter.

I thought you were a sensible woman. What were you doing out there?"

"Only seeing Ivor and Escott off to school."

"As if they were not big enough to see themselves off! You just spoil

those boys out and out, Millicent! It will be the ruination of them. I

believe you think of nothing else from morning till night."

"Of my boys and you,—yes. Is it not natural?"

Millicent's gentle face was irresistible, and Mr. Crosbie looked

mollified. "Well, well!—There, there!—You are a good girl, Millie." He

often called his nieces "girls," though two were widows, and the other

had reached the questionable age for spinsterhood of eight-and-twenty.

Millicent smiled at the term, but let it pass.

"You are a good girl," he repeated, "but you should be at hand when I

call, my dear,—you should take care to be at hand. And mind, it won't

pay to spoil those boys of yours. They are fine fellows, but mothers

shouldn't be slaves to their children."

"I don't think they are spoilt yet," she said, with a gleam of motherly

pride.

"Well, well, don't do it, that's all. They are nice lads, so

far,—promising on the whole,—but thirteen is an awkward age.

Fourteen,—dear me, I forgot. It's an awkward age, Millie, just the age

when boys begin to think too much of themselves. But now, what I wanted

you for, was this letter from Di. Can't make head or tail of it, and

that's a fact. Di has no business to write letters, if she can't say

her say in plain English. Read it, Millie, read it, and tell me, if you

can, what she means. Why on earth doesn't she come and see me, and ask

what she wants to know? I shouldn't think ten minutes' walk so much

more trouble than four sheets of writing. And what's all this fuss and

rubbish about not saying anything to Marian? Why isn't Marian to know?

'I' can't make it out at all, my dear: so I hope you'll be able."

Millicent was patiently endeavouring to decipher the illegible scrawl,

while listening to her uncle's remarks.

"Hey!" he said, after a brief pause. "Found any sense in it, Millie?"

Mrs. Cumming put down the sheet. "I saw Di this morning for a minute,

and she told me she was anxious to consult you."

"To consult me! Eh, indeed! What about? What about?"

"About those poor children, the little Fordyces. She has heard again

from Mr. Bishop—"

"Bishop! Bishop! Who's he?"

"The clergyman of the place where they have been living. Di has

heard from him again, and he speaks of them as quite friendless and

destitute."

"Why didn't their own parents provide for them, I should like to know.

Tell me that, Millie."

"I believe the father was a man of very small means, and they have been

some years orphans, living with their aunt. Most of her income seems to

have consisted of a life annuity, and whatever else she possessed goes

to a distant relative. Mr. Bishop is in great perplexity to know what

can be done with the little girls."

"I'm not going to have them here," said Mr. Crosbie resolutely. "Two

boys are enough. I won't have my house turned into an orphanage. I

hate children swarming about everywhere, like bees in a hive. You

understand, Millicent! I wouldn't consent under any consideration.

That's flat."

"No one thought of such a thing," Millicent answered serenely, as

the old gentleman bit the head of his stick with an indignant air.

"The Fordyces are no connections of yours, uncle. Of course they can

scarcely be said to have a positive claim upon even Diana; still she

seems to be the nearest relative that they possess."

"No relative at all. It's a mere pretence. Let them go to the

workhouse," said Mr. Crosbie, showing a severity greatly at variance

with his real tenderness of heart.

Millicent knew what all this was worth, for he would have been the

first to cry out against such an arrangement; but she only said—

"Poor children! I should not like the workhouse for my boys."

"'Your' boys!! But I tell you, the little brats are not related to

Diana."

"No; only she seems to feel that if her husband were living, he would

feel bound to do something."

"Frank Fenwick would have felt bound to do nothing that his spoilt pet

of a wife didn't wish. Besides, he 'isn't' living. And Di will marry

again."

"She says not."

"Absurd."

Millicent was silent.

"Absurd," repeated Mr. Crosbie. "Married for nine months to a man old

enough to be her father, and left a widow at twenty-one! Why, she has

life before her. She's but a chicken still."

Silence still on Millicent's part. Mr. Crosbie reflected for the space

of twenty seconds.

"Well," he burst out, "and what does Di want to do? Adopt the children?"

"That is her idea."

"She'll sicken of the sight of them in a week."

Mrs. Cumming had nothing to say to this. Probably she would have

controverted the idea had she been able.

"Di's conscientiousness isn't always in so active a state. There's

something else at the bottom. Is she afraid of what might be said of

her? Or does she want to enact a pretty tableau? Mrs. Fenwick going

about with two elegant protégés under her wing! Pshaw!"

Millicent Cumming could not control a smile.

"Ay, that's it, eh? Absurd, Millie. Why doesn't she get them into an

orphanage, and be content to pay so much towards their keep?"

"Di does not think she could afford that. She has not always command of

ready money."

"And this plan is to cost less than the other, hey?"

"Di is not very good at money calculations, uncle."

"And why, pray, is Marian to know nothing of the scheme? Why is Marian

to be kept in the dark? The bother of the whole will rest on Marian's

shoulders. Di will just make a plaything of the children till she is

tired, and then toss them into Marian's keeping."

"Don't you think the interest and occupation would be good for Di?"

"No, I don't," Mr. Crosbie answered brusquely. Then he relented. "That

is to say—anything would be good for Di, if she would keep to it. But

she won't."

Millicent was silent again.

"And why isn't Marian to know, pray? I hate mysteries. Why can't the

thing be open and above-board?"

"She will know, of course, but Di seems anxious to have your opinion

first. She said Marian was certain to throw cold water on the scheme."

"I shall throw it—and much good that will do. Di likes the importance

of a secret, that's what it is. But look here, Millie, if Di's income

isn't enough for her own wants, how is she to support two children in

addition?"

"She does not think it will cost much. A little bread-and-butter, and a

print frock or so—"

"Humph!" said Mr. Crosbie. "I won't have her coming to me to supply

deficiencies."

"I think you had better talk the matter over with Di, dear uncle. If

you would place the matter before her in a common-sense light—"

"How can I, if she doesn't come and see me? Am I to go to her, pray?"

"She is coming presently. She told me she would write first, that you

might have time to consider the matter."

"And save her the trouble. I shall let it alone till I see her." And

Mr. Crosbie chucked the pink note-sheets into the fire.

Finding her presence no longer required, Millicent went to the

drawing-room, and sat down with her work near one of the open French

windows. This was the side of the house, and a pretty lawn swept away

outside, bordered by a fringe of lilacs and laburnums bursting into

flower. A high wall, lined with young trees, shut off in great measure

the house and garden which lay beyond.

While her fingers were busied in stitching a linen collar for one of

her boys, Millicent's thoughts were busied about the two little orphans

left in so forlorn a position. Would Diana take them in? Would they

find a happy home with Diana if she did? Millicent had doubts on this

point, knowing her sister's impulsive and inconsequent ways; yet a home

with Diana was better than no home, and the unmarried sister, Marian,

would supply ballast to the scheme.

A shadow darkening her work made Millicent look up, to meet the gaze of

this same sister, Marian Crosbie, resident in the same place, under the

roof of Mrs. Fenwick, the other widowed sister.

Strangers would have noticed a resemblance between Millicent Cumming

and Marian Crosbie, yet it was a resemblance with a difference. Marian

was as tall as Millicent, and had much the same general contour; but

the slightness of the one was angular thinness in the other. The

outline of features, in both regular, was in the one delicate, in the

other sharp; and the sweet gravity of the one was in the other almost

austerity. Marian had been one of a lovely trio in early girlhood; but

at twenty-eight, though a woman to be noticed, she was no longer lovely.

"What is the matter with Di to-day?" she asked, after first greetings.

"Can't you guess, Marian?"

"Guessing is not of much use unless you have some one to say 'No' and

'Yes.' Don't tell me particulars if you think you ought not. Di is

confidential with all the world except me. Yes, of course I guess. Some

plan about the little Fordyces is evidently on the 'tapis.'"

"I wish she would talk it over with you."

"Better not. Whichever side I took, she would take the opposite."

"Then she has said nothing?"

"Di never can resist saying something, but I am not supposed to be in

her counsels. I only wish she may decide to take the children to live

with her. O yes—" at a glance of surprise—"of course Di gave you to

understand that she was the victim of opposition from me."

"Why not tell her that you would like it?"

"Because I should not like it. I think it would be the right thing to

do, and that is not the same as liking it. Besides, Millie, I don't

think you ever will really understand Di. If I took up the idea, she

would drop it immediately. I am not to manage anything in the house.

She must arrange, and I may acquiesce meekly. I suppose that if only

I were five years her junior, instead of her senior, she would not be

quite so sensitive."

"Poor Di!"

"Poor Marian, I think. However, it is good discipline. Di's only

objection to the plan seems to be that there are two children. She

would rather have had only one, and thinks two will be cumbersome.

If I were more independent as to means, I would consider whether to

adopt one and leave the other to Di. But even if I could afford it, I

don't think I should be right to leave Di, and to set up a separate

establishment. She wants looking after—little as I can do. And for each

of us to have a child, in the same house, would result in the sort of

rivalry which takes place when two children have each a tame kitten,—a

perpetual domestic contest of 'I' and 'mine.' If the children do come,

I shall take the opportunity to get away for some visits."

"Di would need you then."

"Not at first. Better to let her have full swing with them for a time,

till she really wants my help. To be present during the first spoiling

process, would be to sacrifice all future authority over the poor

little waifs."

"Uncle Josiah says she will tire of them in a week."

"No, I think we may give her a month or two,—possibly a quarter of a

year."

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