A DEAD MAN IDENTIFIED.

Whether his young companions be sleeping or awake, the gaucho does not

stay by their side; but, almost as soon as seeing them disposed along

the earth, slips out from under the fig-tree, and facing towards the

central part of the cemetery, walks off in that direction. His object

is to revisit the scaffold lately left by them, and make a more detailed

examination of it. Not that he cares aught about the structure itself.

It is not the first time for him to have seen similar burying-places of

the Chaco Indians, and he knows as much about them as he cares to know.

Nor is his object, in returning to this particular one, of a very

definite character; but rather because a vague idea or instinct has come

into his mind which prompts him to the act--a sort of presentiment that

he may there see something to throw light on much of what has been all

along mystifying him. To go thither will in no way interfere with his

duties as a sentinel, since he can perform these equally well or better

by moving about. Besides, it will help to beguile the time, as also

make him familiar with the ground they have got upon--a familiarity that

may hereafter prove of service to them. As already stated, he had

observed that the scaffold is of recent erection, telling that the man

or woman laid upon it cannot have been very long dead. He had,

moreover, noticed, while attaching his bridle to one of the uprights,

that a series of notches was cut in the post, evidently to facilitate

ascent. In all likelihood, the surviving relatives of the deceased are

in the habit of coming thither at periodical intervals, to adorn the

tomb with flowers or other tokens of affectionate memory; perhaps bring

votive offerings to the spirit which presides over that consecrated

spot. But whatever the purpose of the notches, the gaucho knows they

will enable him to climb up with ease, and see what rests upon the

platform.

Approaching the catafalque with silent tread, he stands for a time

gazing at it without making any movement to mount up. Not from

curiosity does he so regard it; but something akin to awe has stolen

over his spirit, and he almost fears further to intrude on the

sacredness of the place. Besides, the act requires caution. What if

some of the Indians given to nocturnal straying should chance to come

that way, and see him up those stairs, desecrating the abode of the

dead? Even were there no other reason for his fearing to be found in

that place, the act itself would make him liable to punishment--possibly

no less than death! For among the Tovas, as many other tribes of South

American Indians--infidels though they are called--the tombs of their

dead are held as sacred as those of the Spanish Christians who so

designate them.

Notwithstanding all this, Gaspar the gaucho is not to be baulked in his

design. He has not come to the bottom of that curious catafalque, to go

away again without seeing what is above. And though he stands

hesitating, it is only for a short while, finally making up his mind to

ascend.

Ascend he does; laying hold of one of the notched corner posts, and

climbing the primitive ladder, as it were, set ready and awaiting him.

As the moon is by this far down in the sky, its beams are not obstructed

by the roof thatch, but fall obliquely upon the floor of the platform

beneath. There, lying at full length, the gaucho perceives a form,

easily recognisable as that of a human being, though swathed in various

kinds of cloths, which cover it from head to foot. The body of a man,

moreover, as can be told by its size and shape; while beside, and

arranged around it, are certain insignia proclaiming it to be that of

some distinguished chieftain of the Tovas. There are spears, shields,

_macanas_, lazoes, bolas--among them the _bola perdida_, some of these

weapons placed upon the platform alongside the corpse, others suspended

from the beams and poles supporting the thatch of the roof. There is

horse-gear as well--the multifarious trappings which appertain to the

caparison of a gaucho's steed--recado, carona, caronilla, jerga, with

Mameluke bitts and spurs of immensely large rowels; for all these are

possessed by the higher order of pampas Indians, and notably their

chiefs--property they have picked up in some plundering expedition,

where gauchos themselves have been their victims.

Just such a thought passes through the mind of gaucho Gaspar, as his

eyes rest on the grand array displayed on the _cacique's_ tomb. For

that it is the tomb of a _cacique_, and one of grand note, he has not a

doubt, seeing such a selection of trophies. In addition to the war

weapons and implements of the chase, there are articles of dress and

adornment; bracelets of gold, bead necklets and belts, with coronets of

bright-coloured plumes; while most conspicuous of all is a large

feather-embroidered _manta_, covering the corpse from head to foot, even

concealing the face.

Still there is nothing in all this to astonish Gaspar Mendez, or in any

way give him a surprise. He has seen the like before, and often among

the Auracanian Indians, who are kindred with the tribes of the Chaco.

He but makes the reflection, how silly it is in these savages thus to

expose such fine commodities to the weather, and let them go to loss and

decay--all to satisfy a heathen instinct of superstition! And thus

reflecting, he would in all probability have lowered himself back to the

ground, but for that presentiment still upon him. It influences him to

remain a moment longer balancing himself upon the notched upright, and

gazing over the platform. Just then the moon getting clear of some

cirrhus clouds, and shining brighter than ever, lights up an object

hitherto unnoticed by him, but one he recognises as an old acquaintance.

He starts on beholding a felt hat of the Tyrolese pattern, which he

well remembers to have seen worn by his master, the hunter-naturalist,

and by him given to the aged _cacique_ of the Tovas as a token of

friendship. And now he feels the presentiment which has been upon him

all explained and fulfilled. Springing up on the platform, and

uncovering the face of the corpse, he beholds--Naraguana!

Gaspar the Gaucho: A Story of the Gran Chaco · 第 97 / 130 题